Vera Ivanova's Crescendo was a short study in additive rhythms. Susanne said that it required some work to learn the piece but that
there were no real problems. She was unclear whether the single separately bowed A at the end of the first line was intended.
THe notation of the gliss at the end of the piece could also be interpreted in a number of ways. As the gliss goes across three strings it was not clear whether this should
be as smooth as possible or whether the start of each new string should be articulated.
Comments by other Members
