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 Walden School Young Musicians Program
Summary:Course for Young Musicians
Deadline: None
Date Posted: 15 November 2017
Details: Quick Facts:
• 5 weeks; 3 week program is offered for students ages 9-11
• Ages 9-18 (pre-college)
• Enrollment limited to 55 students from around the world
• 18 faculty & staff (all full-time and residential)
• Limited financial aid is available
• Curriculum focuses on musicianship, improvisation, composition, choral singing, and more
• Concert series, composers forums, artist residencies
• Weekly hikes, dances and daily recreation activities

The Experience
Late on a July afternoon a group of teenagers lounges under a stately beech tree on the campus green at the Dublin School. One strums a guitar while another hunts out notes on a penny whistle. A third drums a rhythm on a nearby rock and a few others, scribbling away in their notebooks, join in with intermittent vocal harmonies. Across the grass a few younger boys toss a Frisbee, leaping and diving as the disc arcs through the cloudless blue sky.

The Walden School Young Musicians Program provides an unparalleled creative summer experience for musically inclined students ages 9 to 18. Part school, part camp, and part festival, the program convenes each summer for five weeks in Dublin, NH. Through rigorous and innovative daily instruction, students hone their musical and creative skills within a supportive community of like-minded peers and mentors.

The recital hall booms with applause and cheers of approval as a girl takes a bow after the performance of the string quartet she’s crafted all summer. She beams at the crowd and thanks the performers who made her music come to life. Stepping off of the stage, she sits down in the “hot seat” to take comments from the audience. She is proud and radiant, with a newfound confidence in her creative abilities.

Learning at Walden is grounded in the school’s unique musicianship course, which utilizes improvisation and composition as the major tools for musical growth. Students take courses covering a wide range of musical subjects, including theory, composition, literature, computer music, and chorus. By the end of the summer, each student has completed at least one composition to be performed and critiqued by guest artists, faculty members, and fellow students.

As the family car pulls away from the Dublin School on the last day of camp, the boy in the backseat says to his parents, “Well, I guess it’s time to start counting the days until Walden again.” He’s not joking- at home he keeps a special calendar to mark off the days until next summer’s session begins. Although he is sad to be leaving, he knows when he returns next June he will be reunited with some of his very best friends. He also knows that there will be new people to meet as well, people who love music and who have a deep inner need to express themselves creatively, just like him.

For more info and to apply:
Web Site:waldenschool.org/young-musicia...

 CoMA MidWinter Composers Course 2018
Summary:Composers' Course
Deadline: None
Date Posted: 02 November 2017
Details: Treat yourself to a gigantic creative boost with this intensive five-day course with a track record for taking composers onto an entirely new level, giving them the technical capacity and confidence to realise more ambitious musical ideas and projects.

This year’s composer tutor Andrew Toovey offers a friendly and supportive approach that nevertheless is challenging and deeply instructive. With a focus on string writing, composers are required to write for amateur strings as well as a professional string trio including Robin Michael , Ruth Gibson. One session each day is dedicated to writing as a composers’ ensemble.

CoMA composition course participants have variously described the course as providing an ‘amazing time’, offering ‘great feedback’ and ‘unique opportunities for collaboration’, and as an ‘inspiring’ way to kick off the New Year. Past composition tutors have included Tansy Davies, Gerald Barry, Sally Beamish and Philip Cashian and Alasdair Nicholson.

There are a few bursaries for full time students.

Full details at www.coma.org/midwintercomposers or email info@coma.org
Web Site:www.coma.org/midwintercomposer...
Email:info@coma.org

 IWYC, compositions for ENSEMBLE and for SOLO INSTRUMENTS OR VOICE
Summary:Composition Workshop
Deadline: 30 November 2017
Date Posted: 02 November 2017
Details: IWYC, compositions for ENSEMBLE Application deadline: November 30th 2017 Composition Workshop with Francesco Filidei, Mauro Lanza and Sandro Gorli 2 final concerts Bobbio (Piacenza), 6-15 July 2018 IWYC, compositions for SOLO INSTRUMENTS OR VOICE Application deadline: November 30th 2017 Composition Workshop with Stefano Gervasoni and Divertimento Ensemble soloist 4 final concerts Moncalvo (Asti), 3-8 September 2018 Interested composers, not exceeding the age of 35 (as of July 6th, 2018), should fulfill no later than november 30th, 2017
Web Site:idea.divertimentoensemble.it/a...

 EQ: Women in Electronic Music
Summary:Programme for women composers
Deadline: 01 December 2017
Date Posted: 11 October 2017
Details: EQ: Women in Electronic Music is focused on education and community building among trans/cis women and non-binary folks who create electronic music. Through mentoring, technical instruction, and sharing of music and ideas, we foster mutual support and camaraderie among those who present or identify as women. Together we will encourage and feed into your creative spirit.

If you see yourself as a woman and a creator, you may be accustomed to feeling like “the only girl”. Whether in an academic, industry, or community setting, you might feel marginalized as the only woman in a group—this can be further magnified if you are a person of colour.

EQ: Women in Electronic Music is a place for musical growth, the pursuit of artistic excellence, and a space where you can be part of a community in electronic music. With each edition of EQ we seek to create a more accessible space for you to feel safe, inspired, and creative while having the freedom to take musical risks.

EQ: Women in Electronic Music is organized in collaboration between Musica Reflecta and the Canadian Music Centre.

Application Deadline: December 1, 2017

Program overview:

• Program runs from January to June 2018.
• 8 participants will be selected, and notification will be sent in December 2017. Participants will be placed into groups of 4.
• Participants will receive:
• 4 private instruction sessions (1 hour per month, February through May)
• 6 group workshops (2 hours per month, January through June)
• Sessions are facilitated by Rose Bolton.
• Additional guest mentors will be invited to lead sessions including Pursuit Grooves.
• There is no immediate cost to apply. Participation for the selected individuals is $165 (roughly $10 per hour of programming). The application form allows you to indicate whether you would be interested in an alternate membership scheme.
• Group sessions take place on Thursdays between 5 and 10pm based on participant availability. Group session dates include January 18, February 15, March 15, April 12, May 10, and June 7. If you are interested in applying but these dates conflict with your other commitment, we will make an effort to accommodate your participation should you be selected.
• All program activity will take place at the Canadian Music Centre (20 St. Joseph Street, Toronto, near Yonge and Wellesley). CMC is an accessible building with gender neutral washrooms.
• Participants are provided with healthy snacks and refreshments during all program activity.

Eligibility:
• Applicants should be 18 years of age or older
• Artists based outside of Toronto are eligible to apply, but will have to cover travel costs. Where possible, EQ organizers may be able to assist with accommodation/housing in Toronto.
• We encourage applications from artists regardless of their artistic practice, or primary discipline, but require that electronics and sound play prominent roles in your present work.
• We are particularly interested in potential candidates aged 18-30.

Application Process:
All applications will be submitted through an online form (click here to open the form in a new tab, or use the embedded form below). The form gathers basic information along with details of your artistic work, and expectations for the project. In addition, we require a reference track/project (a recent work that will be used as your primary support material during the EQ review process):

• The priority is a musical composition (can be in the form of written out music, or a recording).
• You can discuss the reference track in your written responses.

For more information regarding the program, or accessibility, please email:
Rose Bolton (Composer) info@rosebolton.com

Web Site:www.musiccentre.ca/regions/ont...

 Mostly Modern Festival (MMF) Institute
Summary:Composition Programme
Deadline: 01 March 2018
Date Posted: 05 October 2017
Details: The Mostly Modern Festival (MMF) Institute is the educational component of the Mostly Modern Festival, offering a combination of intensive one-on-one instruction and professional performance experience. The institute has over 100 students & over 20 faculty members. There will be an orchestra, a choir, 4 chamber ensembles, masterclasses, lectures, and private lessons. The Institute is open to musicians 18 and older, and welcomes people in all stages of their career. APPLY HERE: Early-Bird Deadlines Dec. 1 and Jan. 1st.

MMF takes place at Skidmore College at the Arthur Zankel Music Center. Skidmore College is ideally located in Saratoga Springs, New York, three hours by car from NYC, Boston, Philadelphia and Montreal. All public performances take place at the stunning Helen Filene Ladd Concert Hall, a 600-seat acoustically tuned space.

Instrumentalists (up to 70 instrumentalists accepted)

• Perform in the American Modern Orchestra.
• Participants perform alongside the faculty with different conductors each week, Maestros Christopher Rountree, TBD, and Kent Tritle.
• Receive private lessons from performance faculty.
• Access to all masterclasses, and a pass to everything at the festival.
• Check this page for American Modern Orchestra instrumentation.

Singers (up to 60 vocalists accepted)

• Perform in the American Modern Choir.
• Work under the baton of Maestro Kent Tritle and Nicol Matt.
• 4 rehearsals/coachings per week, dress rehearsals and 2 performances.
• Access to all masterclasses, and a pass to everything at the festival.
• Visit this page for details on the American Modern Choir.

Composers (up to 30 composers accepted)

• Receive a fully-professional, live performance from: American Modern Ensemble, one of the three Guest Ensembles, or the American Modern Choir. (ensemble determined during the acceptance process).
• Composers can also apply for an orchestral reading with the American Modern Orchestra.
• Two composers will be chosen to a have their work performed by the American Modern Orchestra.
• Receive top-of-the-line 4 camera-shot video (video posted on the MMF YouTube page) and audio WAV file of your performance.
• Professional ensembles work intimately with composers in rehearsals, the dress and the performance.
• Receive meetings/lessons with the Composition Faculty.
• Access to all masterclasses, and a pass to everything at the festival.

Conductors (up to 8 conductors accepted)

• Conduct the American Modern Ensemble or the American Modern Choir.
• Conduct the readings with the American Modern Orchestra. Readings will be mentored by the Faculty Conductors and Composition Faculty.
• 2 conductors conduct a piece for the American Modern Orchestra, one each week.
• Group seminar with all conductor faculty members.
• Receive top-of-the-line 4 camera-shot video (link to video posted on the MMF YouTube page) of your performance(s) at the festival.
• Access to all masterclasses, and a pass to everything at the festival.

All performances are recorded and fully edited for participants: both audio and video. Composers and conductors receive audio WAV files and links to polished videos of their performances (shot with 4 cameras) posted on MMF's YouTube channel. Composers who take part in the orchestral readings receive un-edited audio recordings of their readings (editing available for an additional fee).

There will be two "ad hoc" concerts that will provide an opportunity for participants and faculty to showcase modern repertoire of their choice. Performers will be given guidelines and may submit proposals for pieces they'd like to play. Works will be chosen on a first-come first-serve basis, based on time and programming considerations.
Web Site:mostlymodernfestival.org/about...

 OPERA CREATION LAB for Composers and Singers
Summary:Opera writing course
Deadline: None
Date Posted: 27 September 2017
Details: Program Dates: July 5-15, 2018
COSI 2018 is pleased to offer its OPERA CREATION LAB for Composers and Singers, directed by Dean Burry, in combination with members of COSI’s magnificent artistic teams.

Apply for this summer’s COSI OPERA CREATION LAB for Composers and Singers via COSI’s YAPtracker link.

FOR COMPOSERS: In receiving your application for the program, you will then be contacted by us to submit two examples of your compositions. Vocal and/or instrumental pieces are welcome, though examples of previous operatic writing are encouraged.

Successful composer applicants will:

Submit a vocal composition or opera scene before the program.
Collaboratively create a scene while at the program.
Receive a final public presentation and recording.

For composers, the summer Opera Creation Lab includes:

• Vocal masterclasses that will inform about writing for the voice, and the particular considerations for each voice type and differences within those voice types (writing for different kinds of sopranos, for example).
• Dramaturgy and the libretto – how to work with a libretto or consider writing one.
• Building a Composing Career in Opera
• Elements of Design
• Private lessons with Dean Burry.
• Interactive sessions with Music Director Shannon Hiebert and the performers of your music.
• Making important connections with singers and opera professionals with whom you may work in the future.
• Access to all COSI opera performances and courtyard concerts for the duration of the Opera Creation Lab.

“COSI’s Opera Creation Lab exceeded all my expectations. It was incredible to hear my music so soon after writing it. The singers were wonderful, engaged and creative. Seeing our scenes brought to life gave me a new understanding and appreciation for all the dramatic work that goes into making opera work. This, in turn, will forever affect how I approach the combined forces of music and drama. Thank you so much!” Katherine Saxon (COSI 2017), University of California Santa Barbara.
“The week that I spent at the COSI Opera Creation Lab for Composers and Singers was a completely enriching experience. There is nothing more inspiring than working in an environment surrounded by young driven performers and seasoned instructors. I look to forward to seeing the growth of this amazing program and am proud to have participated in its inaugural year.” Ryan Henwood, Dalhousie University.


Web Site:www.co-si.com/opera-compositio...

 Laura Schwendinger Residency
Summary:Residency Opportunity
Deadline: 21 January 2018
Date Posted: 20 September 2017
Details: Residency Statement
I welcome the opportunity to explore and discuss the act of creating art music, through discussion with my fellow composers and to listen to and talk about, the music we create. I am fascinated with what inspires composers and the techniques they use in their compositions, and would welcome composers who are interested in discussing these questions, and any other ideas related to them. When I present my own works, I try to describe my personal approach and its intersection with visual arts, as well as my efforts to create a music in which craft and inspiration meet to make something that goes as deeply into expressivity as possible.

I suggest that if you are also a performer, that you bring your instrument, so we can experiment with ideas as they come during our sessions, and try out works in progress together.

Application requirements
Prospective Associates should submit:
1. two representative PDF scores with corresponding sound files (no larger than 15 mb) or web links (.doc, .docx, .pdf)
2. a brief resume (.doc, .docx, .pdf)
3. short bio, 400-word max. (.doc, .docx, .pdf)
4. If you are planning on bringing an instrument, a sound file sample of your playing would also be encouraged, if it is to be part of your participation in the residency.

Residency Fee: $900
Includes a $100 administration fee, weekday meals and housing; does not include artist materials, transportation, or weekend meals.

Scholarships / Financial Assistance
Only accepted Associate Artists may apply for financial assistance. For details, please visit the master artist details page.

Application fee: $25
Click here to Apply!
Web Site:atlanticcenterforthearts.org/m...

 Arts Letters & Numbers
Summary:Residency Programme
Deadline: None
Date Posted: 20 September 2017
Details: Arts Letters & Numbers is a place of creative urgency and intensity of purpose, a place to create new linkages, new thought processes, new path- ways of understanding that embody our best hopes and aspirations. It is a place where many elements come together to co-construct questions and works, of empathy, of ethics, of imagination; it is a place to explore the nuanced fragilities in our shared stories.


We strive to cultivate a space that encourages collaborative and individual creation: to think, make and act alongside others within a community. With our Residency Program, artists from wide range of disciplines will be able to come together, ask and engage their questions, create and share their work. When people are free to act, interact with and support one another, new works and ideas emerge.


We are situated within an enthusiastic and supportive community that is highly active in the short term programming of Arts Letters & Numbers, including Events, Courses, and Workshops that run in parallel to and interweave with the Residency Program. To further expand the conversation and space of Arts Letters & Numbers – both within the Residency Program and the broader community – as an Artist in Residence you will be encouraged to participate in and host some of these features, as well as proposing your own events to foster and enrich this dialogue, i.e. lectures, exhibitions, performances, etc.


Arts Letters & Numbers is constructed by us: not just those who are directly involved in its day to day operation, not just the fellows, participants, visiting artists and local community members, it has and continues to be built by everyone who sets foot in this remarkable place. It is being constructed by and between us. This aspect of Arts Letters & Numbers is foundational.



At the Mill we have a full metal and wood-working shop, and spaces for building, cooking, filming, photographing, performance, and large-scale drawing, sculpture and painting. Our spaces are flexible and you are invited to create your own. Currently, the second floor of the Mill is under construction and is unfortunately not to be used for creative work. However, the shop is still available for everyone to use. In addition to the Mill we also have our barn, located next to the house. This flexible indoor - outdoor space serves as our main studio space, with additional more private spaces to be found in the house.



One of our traditions has been the sharing of ideas over a great meal, and this has become a vital part of Arts Letters & Numbers. We will all share one kitchen and though you are individually responsible for your food, it is often the case that everyone in the house gathers to cook and share dinners together.

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You will be hosted in the House on the Hill, in one of our nine bedrooms; these vary in size and, we offer both private and shared arrangements. We will do our best and try to give everyone the privacy they need.

The duration of your stay can vary from one week to three months. The fee per 2016/2017, covering accommodation and access to the facilities, starts at $175 per week.

We are accepting applications continuously and will review them on a rolling basis.

If you have any questions regarding our residency program, please send us an email.


We are looking forward to welcoming you to

Arts Letters & Numbers!
Web Site:www.artslettersandnumbers.com/...

 Opportunity: New Voices, Talent Development Programme
Summary:Register interest for programme
Deadline: None
Date Posted: 20 September 2017
Details: Date: Registration closes, noon on Tues 17th Oct
Produced by: Sound and Music
New Voices: a new Talent Development Programme for new ideas, new sounds and new music

Do you create or compose your own music or sound? Then this could be the opportunity for you!

Taking the successful models, wonderful partnerships and expertise from our previous Embedded and Portfolio Programmes, as well as our Pathways Programme we are thrilled to announce and introduce you to New Voices, Sound and Music's reimagined Talent Development Programme.

We are looking for composers and artists creating their own original new music and sound to be part of New Voices

New Voices aims to be representative of the diverse range of composers working across the UK today.

Overview

Become part of New Voices, an 18 month Talent Development Programme tailored to your needs
Get the benefit of 6 months of bespoke, external and expert coaching and mentoring
Explore and realise your creative ideas and ambitions, in your own style, in your own way
Join a network of your creative peers from across the UK, who will be going through the New Voices programme at the same time as you
Be part of a unique supportive residential weekend with these peers and with Sound and Music staff
Make public facing work for audiences, through your own creative activity and collaborations, and/or through working with other organisations
Receive a bursary of £1,500, travel and accommodation expenses, plus a production grant of up to £6,000 if you are organising the final public outcome yourself
Work with Sound and Music to explore digital as well as live outcomes of your work
Sound good?

Great. At this stage, you only need to register your interest, and then we will get in contact to discuss and to find out if this opportunity is a good fit.

If you need any other support to access this opportunity, or need this information in another format then we’re here to help, so please do contact us: Director of Programmes, richard.whitelaw@soundandmusic.org

Keep reading to find out more.
Web Site:www.soundandmusic.org/projects...

 RMN Music
Summary:Workshop, Concert & Networking event
Deadline: None
Date Posted: 19 August 2017
Details: CONTEMPORARY COMPOSITION
Workshop, Concert & Networking event
Central London
Saturday 18th and Saturday 25th November 2017 – 10:00 to 17:00

2 days of networking events and workshops, to meet fellow composers and musicians and discuss about contemporary techniques and innovations.

ABOUT THE EVENT
Through the workshop’s framework participants will have the opportunity to share, discover and discuss some of the most important 20th and 21st century contemporary techniques.

During this intensive workshop & networking event we will take a look at how to expand and integrate the knowledge of tonal music with the main compositional techniques used by twentieth century composers and musicians; we will get ideas on how to investigate and contextualise the 20th-century music scores; we will see at examples on how to deconstruct compositional systems to associate them into new combinations and get a different perspective of the aforesaid procedures.

With the pianist in residence we will see those concepts applied in real situations through examples taken from various scores and open discussions.

This workshop is highly interactive and participants may bring their own works, and share solutions and systems they’ve found while working on past compositions or while studying contemporary scores.

A piano concert will take place at the end of each day and we want to include 6 new works selected through a Call for Scores. Please visit this page to submit your work and get the chance to have your work selected and performed.

The program of the concert (to be announced soon) will include works by: Ligeti, Berio, Lachenmann, Adams, Debussy, Scriabin

Who’s it for?
This workshop is ideal for composers and musicians, as well as for arranger, producers, sound designer, and any other music professional who wants to better understand this essential part of contemporary music making.

Where is it?
Peregrine Piano, Room 3, 137A Grays Inn Rd, London WC1X 8TU. Map and directions will be provided in the full event package after registration

How much does it cost?
£69 for two full days.
£49 for a single day.

For more information, including full syllabus:
Web Site:rmnmusic.com/contemporary-comp...

 SOUND LAUNCH
Summary:Composition Courses
Deadline: None
Date Posted: 14 June 2017
Details: SOUND LAUNCH provides tailor-made courses and projects in performance, composition, technology and the music business. These are run by professional and qualified tutors.

In the courses musicians are given the opportunity to improvise & jam, compose, arrange, write & co-write; whilst being infused with an awareness of different musical styles, genres and tastes & obtaining a fully accredited qualification.

Its nurturing arena is the perfect setting in which to explore and challenge personal creativity & confidence, as well as refining performance techniques and stage presence, through regular playing and gigs. The recording sessions offer the ultimate experience and an unmissable opportunity in which to fuse all the effort and achievements that have been made during the various courses.

It is an invaluable space to collaborate & meet with other like minded musicians, working hard but having fun!

SoundCheck
Jam, Improvise & Compose with Melody, Harmony & Rhythm Experts. An essential guide for all performers & songwriters.

Rising Artists’ Platform (RAP)
Weekly courses held at Schools, Colleges & Music Centres. In Songwriting, Performance & Music Technology with live Recording Experiences and Gigs.

Development of Recording Artists (DORA) Age 15+
Weekly Courses & Masterclasses in Performance, Songwriting, Recording & Media. With Recording Sessions, Gigs & Festivals and Media Live Lounge sessions. The Perfect Platform to Launch From & Become a Well Informed, Fully Equipped & Supported Artist.

Media Live Lounge Be Filmed, Photographed & Recorded for your Media Channels. Refine Your Stage Presence & Confidence, Air Your Music on Radio & Learn How to Interview, Present Yourself, & Market Your Music.

Recording Studio Experiences Production and Sound Engineering. Mixing, Mastering & Mic Positioning. Build A Studio.

• Banners/Backdrops & Album Art Workshop

• Training, Mentoring & Apprenticeships

• The Music Dr - How to survive & support yourself
• in the Music Industry

• Voice Coaching

• One to One Consultancy available
Web Site:www.soundlaunch.co.uk/music-co...

 Soundfly's new online course with Tim Hansen teaches you the fundamentals of Composition
Summary:Composition Course
Deadline: None
Date Posted: 16 November 2016
Details: SOUNDFLY'S NEW COURSE TEACHES YOU THE FUNDAMENTALS OF MUSIC COMPOSITION & DEEPENS YOUR UNDERSTANDING OF EMPLOYING THEORYhttps://soundfly.com/courses/introduction-to-the-composers-craftUse code: SOUNDANDMUSIC for 20% off!As a composer, there are many different tools in your tool belt that can bring interest and originality to your music. You can use time signatures to add complexity, tonality to add emotional pull, rhythm to add drive, or something else to create some other unique dynamic. This course will take you through the essential elements of modern composing. Led by Australian composer Tim Hansen, you'll explore the beat, time signatures, rhythm, tonality, timbre, texture, and structure, with key examples to demonstrate along the way. By the end of this course, you'll be able to employee these tools more effectively in your compositions.This one-of-a-kind month-long course combines fun instructional videos, step-by-step guides, downloadable resources, and professional support and feedback to help you unlock your vision for notated music. You'll have the opportunity to get personal mentorship and consulting from an industry expert, as well as access to a revolving-door community of fellow students and advisors. Now who's ready to get composing?
Web Site:soundfly.com/courses/introduct...