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small chamber ensemble Competitions & Call for pieces

 8SW Composer Competition
Summary:Chamber trio competition
Deadline: 12 January 2018
Date Posted: 21 June 2017
Details: We are very pleased to be holding the first 8SW Composer Competition.

Below you will find a detailed description of the guidelines, eligibility and submission requirements. Please note that applications will not be accepted before September 15, 2017.

Please direct all questions to Ms. Katherine Liu, Program Manager at 8SWcompetition@gmail.com. Please do not direct any questions regarding the competition through our contact link on this website.

8SW Composer Competition General Information

All applications and supporting materials will be accepted beginning September 15, 2017. All submissions, including the application fee, must be received by 11:59PM on January 12, 2018.

Eligibility and Description: The Competition is open to composers of all ages, but applicants must be enrolled in an accredited degree program at the time of application. Eligible programs include BM, BA, MM, MA, DMA, PHD or Artist Diploma.

FIRST PRIZE: Eight Strings & a Whistle will perform the New York Premiere of the winning composer's work in the Fall of 2018. The winning entrant will also receive a working rehearsal with Eight Strings & a Whistle, a feature on the Eight Strings & a Whistle website and a stipend of $300 to help defer travel expenses.

Scores and mp3’s should be emailed to 8SWcompetition@gmail.com as detailed below. Materials will not be accepted before September 15th.

The winner will be announced in May, 2018.

All applications will be adjudicated by a panel of composers and the members of Eight Strings & a Whistle. The decision of the judges is final.

Guidelines

The work may not have already received a professional premiere.

Proposed length: Total time between 6-15 minutes. The piece can be a multi- or single-movement work.

Entries must be written for flute viola and cello. In the writing for the flute, the composition must include C flute, either alone or in the following combinations: flute/ alto flute; flute/ piccolo; flute/ alto flute/ piccolo.

There can be no incorporation of electronics.

Only one submission per applicant.

One application fee of $11.00.

Competition Rules

Applications and supporting materials will be accepted beginning on September 15, 2017.

All applicants must submit:

I. Scores: The Score with no identifying markings in either the file or file name. This includes pseudonyms, dedications and commissioner names.

Scores must be created in Finale, Sibelius or some other type of of music entry software program. No handwritten scores will be accepted.

All scores must be in .pdf file format. Multiple movement scores should be submitted as a single .pdf file.

II. Recordings. Live or MIDI recordings must accompany each application. All recordings should be submitted as mp3 files. Recordings of multiple movement works should be submitted as a single mp3 file.

Recordings may not contain any identifying markings. This includes names of performers and composers in the file name as well as the metadata. If the recording is of a live performance, names of performers or composer cannot be heard/spoken on the recording.

III. Application Form: All applicants will complete the online application form. (link will be posted here on 9/15/17)

IV. Applications will not be considered complete until the $11 application fee has been submitted. Please submit payment here.

All questions should be directed to Ms. Katherine Liu, Project Manager at 8SWcompetition@gmail.com.
Web Site:eightstringsandawhistle.com/8sw-composer-competition.html

 2018 Composition Competition–Clarinet Quartet
Summary:Quartet competition
Deadline: 20 December 2017
Date Posted: 21 June 2017
Details: The ICA seeks previously unperformed works for clarinet quartet (3 B-flat clarinets and B-flat bass clarinet), 10-15 min. in length. The deadline is December 20, 2017; the winner will receive a $1000 prize and a performance of the work at ClarinetFest 2018.

For details, please contact Antonio Faioli, coordinator.

2018 Composition Competition–Clarinet Quartet

Antonio Fraioli, Coordinator Email: antonio.fraioli@libero.it

Eligibility: The competition is open to composers, clarinetists, and musicians who desire to further the repertoire of the clarinet quartet with an original composition.

Application:

1. Items must be received by December 20, 2017.

2. Applicants should email the Competition Coordinator, Antonio Fraioli and ask for a Dropbox “File Request” link. Upon receipt of this link, applicant will upload related files

3. The subject line for all email communication should read “ICA Composition Competition” followed by the applicant’s full name.

4. Scores must be submitted electronically (PDF only) WITHOUT the applicant’s name or any identifying information on the score or in the filename. Scores must be submitted to the “File Request” Dropbox link obtained from the coordinator in item 2.

5. In a separate PDF document, include contact information (name, address, phone, website, and email), a short bio (100 words or less) and name of submitted work(s). Include the applicant’s name in document filename. (this information will not be viewed by the jury).

6. A midi recording in .mp3 format or a clarinet quartet recording in .mp3 format may be submitted.

Contest Rules

Application fee: $25 US. Make amount payable to the “International Clarinet Association” in U.S. currency by bank check, money order, or credit card only. If paying by credit card, please use the credit card payment form. The application fee is non-refundable.
The 2018 Composition Competition call is for a work 10-15 minutes in length, scored for 3 B-flat clarinets and B-flat bass clarinet. The submitted work must have no prior performances.
Judging

A committee having no knowledge of the applicant will conduct the judging of scores and parts. Do not include any identification on the scores and on the .mp3 realization. The winner will be notified via email by January 31, 2018. The winning composition will receive a world premiere performance during ClarinetFest® 2018, July 6-11, 2018, in Ostend, Belgium. Travel expenses will be the responsibility of the winner. Free registration at ClarinetFest® 2018 will be provided. If the winner is a clarinetist, he/she must be a member of the I.C.A. Past first-prize winners are not eligible to compete. All contestants will accept the decision of the judges as final. The ICA will provide the clarinetists for the premiere performance.

All scores and parts will become the property of the ICA Research Center at the University of Maryland Performing Arts Library and will not be returned.

$1,000 Prize

The I.C.A. assumes no tax liability that competition winners may incur through receiving prize money. Individuals are responsible for investigating applicable tax laws and reporting prize winnings to requisite government agencies.
Web Site:clarinet.org/competitions/2017-composition-competition/

 The Frederic Mompou International Award for 2017
Summary:Trio competition for young composers
Deadline: 19 August 2017
Date Posted: 21 June 2017
Details: In memory of F. Mompou and his wife C. Bravo, who were its Honorary Presidents. 2017 marks the 30th anniversary of Frederic Mompou’s death.

http://concursfredericmompou.cat/eng/

Rules

Any composer who is not over 35 years of age on December 31, 2017 can participate in this competition.
The works must be completely unknown. They must not have been previously performed, published or disseminated in any way or in any computer sound file.
The musical formation this year is for:
Trio for clarinet, cello and piano

The style and scoring methods of the work are completely unrestricted. The recommended duration is between 10 and 18 minutes.

Award

The Frederic Mompou International Award for 2017 consists of:
The amount of €4.000. This amount will be subject to Spanish taxation.
Publishing and marketing of the winning score by Editorial Boileau publishing house.
The premiere of the work in a concert within the “Xarxa de Músiques a Catalunya” (Music Network in Catalonia) in order to create new audiences for contemporary music.
The Frederic Mompou International Award cannot be shared or declared void.
The jury reserves the right to award two honorary mentions.
The 2017 winner cannot compete again until the competition of 2020.

Presentation of the scores

The presentation of the scores must be anonymous: a pseudonym must be used.
No motto or pseudonym can be used that identifies the composer or the work presented.
The score can be written by hand or printed by means of a musical notation programme.
Incomplete scores will not be accepted. All the scores presented must be legible at first sight. A score that is badly written can be refused.
The work has to be sent as a score in DINA4 (21×29,7 cm) or similar size paper and well bound.
Please, send:
Six copies of the score, on which a title for the work and a pseudonym figure.
A sealed envelope with the same pseudonym, which includes:
1. The entry form, correctly filled in.
Entry form
2. A photocopy of an identity card, passport or proof of identity.
3. A brief curriculum vitae.
The six scores and the sealed envelope must be sent to:

Joventuts Musicals de Barcelona Premi Internacional Frederic Mompou
PO Box 5498, 08080 Barcelona-Spain

Presentation deadline: Saturday, August 19th, 2017 (incl.)

The scores that have been sent by registered post before or even on the above date will be accepted.
A copy of the scores that have not been awarded the prize will be kept in the files of the entity. During 2018, the remaining copies will be returned to their composers, if they request them.

Jury and verdict

The jury will be made up of five professionals of international prestige in the world of contemporary music, and they will be made known when the verdict is made public.
The decision of the jury will be taken by absolute majority and the verdict will not be open to appeal.
Once the verdict is determined and it is found that the winning work has not complied with all the rules, the composer will be stripped of the award.
The verdict will be announced before the end of September 2017.

Award-winning work

Once the verdict has been announced, the award will be granted. According to JMB’s concert programme, the award-winning work will be premiered in the “Xarxa de Músiques a Catalunya” (Music Network in Catalonia) concert tour, organized by Joventuts Musicals de Catalunya.
The work will be recorded by and broadcasted on the Catalan radio station Catalunya Música.
The intellectual property rights remain in the composer’s possession. In posterior recordings and programmes, the following text must be stated: “Frederic Mompou International Award for the Young Composer Competition of Joventuts Musicals de Barcelona, 2017”.
Once the award is granted, the winner is required to present a copy of the score in the programme Finale or Sibelius.
Editorial Boileau has the publishing and marketing rights to the score.
The winner must accept this point regardless of other publishing commitments.
Web Site:concursfredericmompou.cat/eng/

 Rosetta Contemporary Ensemble Call For Scores 2017 “Asian Corridor”
Summary:Competition with 3 Categories
Deadline: 25 November 2017
Date Posted: 21 June 2017
Details: Rosetta Contemporary Ensemble Call For Scores 2017
“Asian Corridor”

Rosetta Contemporary Ensemble is internationally calling for new pieces for the concert, which will be held at Kyoto Art Center, Japan on 12th February 2018. *Application Form is at bottom of the page.

Instruments List

Group A:
2 Mandolins (1 mandolin can be switched to mandola tenore*)
2 Guitars

Group B:
1 Saxophone (Soprano/Alto/Tenor) *one player. Ask for other family

Group C:
1 Left-Hand Piano

Cautions;
*Tremolo / Picking technique must be clearly notated for Mandolin.
*Mandola Tenore is GDAE tuning, an octave lower than mandolin.
*Internal technique for piano may be used, but should be suitable for left hand playing.
*Prepared materials maybe available if it is easy to prepare AND also easy to remove.

Category A (Quartet to Sextet)
• Instrumentation: include all instruments from the list. (Guitar and Mandolin/Mandola can be only one player or two. )
(1 or 2 Mandolin(s) & 1 or 2 Guitar(s) & 1 Saxophone & 1 Left-Hand Piano)
• Duration: Max approx. 8mins (one or multi-movement)

Category B (Duo to Quintet)
• Instrumentation: Any combination of instruments from at least 2 different groups from the instrument list.
• YES: 1 Saxophone & any other instrument(s)
YES: 1 L-F piano & any other instrument(s)
NO: Guitar & Mandolin, Guitar Duo, Mandolin Duo (Those are accepted in Category C)
NO: Saxophone ensemble. *We have only one saxophonist.
• Duration: Max approx. 8mins (one or multi-movement)

Category C* (Performer’s Selection)
*selected pieces from this category may not be performed in the concert in Kyoto but in other concerts held in 2018 by the member of Rosetta.
• Instrumentation:
Solo piece of any instruments from the list.
Duo of any combination from instrument group A (Gt. Mn.)
• Duration: Max approx. 6 mins.
• Only for this category, previously performed piece can be submitted if the piece are unpublished and has never been given performance in Japan.

Rules
• This year’s theme is “Asian Corridor”.
This theme does not require participants to write music related to Asia in any way at all.
It is set to encourage composers to imagine the meaning of presenting their work in not another place, but in Kyoto, in Asia.
(The theme does not apply for Category C)
• Deadline 25th November 2017.
• No entry fee / No age limit
• The Submitted work must not be previously performed or published. (except Category C.)
• You may submit multiple works, however, only one work for one category will be accepted.
• The selection will be made by 10th December 2017. The result will be announced on the website. The result also will be communicated to participants by email individually.
• Approximately 6 pieces (from category A and B) will be chosen to be performed at the concert, by the selection committee including performers of rosetta contemporary ensemble and composers who write commissioned work for the concert.

Selection Committee
Kaito Nakahori (composer)
Moe Ikeda (composer / selected composer of “Call for scores 2016”)
Mami Katsuya (Program Director of Kyoto Art Center)

Rosetta (here is the member list)

The event is hosted by
Rosetta Contemporary Ensemble and Kyoto Art Center

Information for Selected Works & Composers

For Category A & B

• All rights of the selected work will remain to composers, except for the performing right ONLY for the concert on 12th February 2018, when the piece will be given the premier.
• There will be no cash prize.
• Rehearsal for composers reside outside of Japan will be done through recording correspondence or on web streaming.
• Composers are encouraged to visit the concert, however, composers must pay travel expenses themselves. Recording will be supplied to the composers.
• Selected pieces will be internationally released on music download and streaming services (e.g. iTunes, spotify etc.) from LPC Japan
(by agreement with selected composers and LPC Japan.)
• One composer from the selection will be offered to be guest composer for 2019 edition of Rosetta Contemporary Ensemble Call for Scores. (¥50,000 commission fee for writing a new piece for Rosetta, and to be a member of selection committee of Call for Scores. )(additional information will be announced)

For Category C

• Selected piece will be given premier by member of rosetta, in 2018. The detail will be determined through discussion between the selected composer and the performer.
• There will be no cash prize.
• All rights of the selected work will remain to composers,
• Composers are encouraged to visit the concert, however, composers must pay travel expenses themselves.
• Recording will be supplied to the composers.


Web Site:rosetta-music.com/call-for-scores

 2nd INTERNATIONAL GUITAR COMPOSITION COMPETITION
Summary:Guitar chamber music competition
Deadline: 30 June 2017
Date Posted: 21 June 2017
Details: Last year, in the contest of the 33rd International Guitar Festival of Volos, the 1st International Guitar Composition Competition for guitar and one or two other instruments from a list of six instruments, took place. 45 works from 25 countries were submitted and the Commission awarded three prizes and three honorable mentions. You can see the results for this competition at:
http://www.volosinternationalguitarfestival.com

After the great success of last year's competition, we have the pleasure to announce the holding of the 2nd International classical guitar composition competition, continuing our contribution to the enrichment and promotion of guitar chamber music.

Terms

• The competition is open to composers of any age and nationality.
• The musical works should be written for one of the following combination of instruments:

1. One voice (soprano, mezzo, alto, tenor, baritone, bass) and guitar
2. Flute (or/and alto) and guitar
3. Oboe (or/and English Horn) and guitar
4. Violin and guitar.

The work with voice could be a small song cycle.
Flute and the Oboe could be switched to alto, flute and E.H. respectively during the execution of the musical work.

• The duration of the work can vary from 5 to 10 minutes.
• The lyrics or the poem, or the text, etc. of the songs can be written in the following languages: Greek (including Ancient), English, French, German, Spanish and Italian (including Latin).
• In addition, for the songs it is required: to indicate the name of the poet or lyricist, etc. and or obviously no copyright to exist for the text (when e.g. more than 70 years have passed since the death of the author), either ensure the license for using the text and this to be so certified by a relevant document.
• There is no restriction for participation in projects already interpreted publicly, published in any form, or got an award in another contest.
• Each composer may participate with as many projects as he wishes (multiple entries).
• The closing date for the projects submission is that of June 30rd, 2017.


• The Judging Committee for the contest consists of Thodoros Antoniou (Chairman), Costas Cotsiolis, Leonidas Kanaris, Apostolos Paraskevas Dimitris kotronakis and Angeliki Cathariou.

There are three awards:

1st award:
• Interpretation and live recording of the composition in a concert during the 2017-18 artistic period.
• Publication of the composition by the “Papagrigoriou – Nakas” editions.
• A money prize of 300 Euro.

2nd award:
• Interpretation and live recording of the composition in a concert during the 2017-18 artistic period.
• Publication of the composition by the “Papagrigoriou – Nakas” editions.
• A money prize of 200 Euro.

3rd award:
• Interpretation and live recording of the composition in a concert during the 2017-18 artistic period.
• Publication of the composition by the “Papagrigoriou – Nakas” editions.
• A money prize of 150 Euro.

• The participants compete against the high artistic demands of the competition, so the jury reserves the right to withhold (or to divide) one or more of the prizes. And its judgment is final.
• On the contrary, the Jury retains the ability to award honorary mentions to projects whose score will approach that of the laureates.
• The results of the contest will be announced by the end of the Festival, will be posted on the Festival’s website and will be communicated to the winners via e-mail, through which they will also receive a certificate -diploma for this awarding in electronic form.
• All participants will be informed by e-mail about the results and their ranking.
• The organizers guarantee the anonymity of the participants. The only announcement shall include the prized works and their composers. Only with the assent of the composers, participating projects will be shared among interested people seeking relevant repertoire
• Participation fee is € 30 for the first composition. For each additional composition the fee is € 20 (multiple entries).
• The participation fee will be deposited in the account:
• ALPHA BANK: 01 40 3860 3860 02101051 099 GR14-SWIFT/BIC: CRBAGR in the name: KOTSIOLIS KONSTANTINOS or with PAYPAL using the following email adress: (For PAYPAL please include your name and the number of works)
Any bank charges are paid by the participant.

• On the score itself there will be not the name of the composer. A five-digit number (irregular please) of the composers’ choice will be written instead.
• The works will be sent by e-mail in PDF format (including as name of the file: “score” and the five digit number) at the address: contact@leonidaskanaris.com

Also, along with the score will be sent in separate files:
• The completed entry form (titled: EF plus the 5-digit number).
• For the songs, the document that ensures the copyright (if this is the case) with file title: (CR plus the 5 digit number)
• Scanned copy (in pdf format) of the deposit slip, entitled file:( DS plus the 5 digit number). The entry form can be downloaded HERE.
• In cases of multi – entering, each project will be submitted with its own five digit number, a separate registration form for each participation and total bank receipt.
• All projects with their accompanying files will be sent with the same e-mail.
• Possible recording of the composition (regular or midi), although optional, is welcome and sent in mp3 format (together with the other accompanying files) with name of the file:( REC plus the 5 digit number)- If the size is too large please send it by “We transfer”.
• Τhe participants declare that, if awarded a prize, they will promptly send separate parts of the instruments and they will allow (without pay) the above mentioned performances and sound or/and video recordings of their work.
• For the execution of the prized songs the voices available in the Festival is tenor and mezzo and with these voices the works for baritone or soprano will be presented respectively (if the composers do not disagree). It is likely though that works for alto or bass might not be performed by the above singers (due to vocal limits).
• The compositions that will get the prizes will be published (if unpublished) under the terms already used by the above publishers for their repertoire productions.
• Participation in the contest implies automatic acceptance of the above terms.
• More details for the above, if needed, can be obtained by Leonidas Kanaris, who is responsible for the composition contest at: contact@leonidaskanaris.com or at the telephone number: 0030 69760 68108

Web Site:www.volosinternationalguitarfestival.com/composition-competition

 TILT ENSEMBLE (Electric TILT Duo)
Summary:Duo Call for Scores
Deadline: 20 September 2017
Date Posted: 24 May 2017
Details: Call for scores, TILT ENSEMBLE (Electric TILT Duo)
TILT Ensemble is pleased to announce a Call For Scores in order to expand his repertoire with new works by contemporary composers. This Call for Scores wants to expand the repertoire of the ELECTRIC TILT DUO (Antonio Bellandi, Electric Piano - Sergio Sorrentino, electric guitar).
The scores must to be write for Electric Piano (Fender Rhodes) and Electric Guitar.
Pieces can involve also electronics or tape. Submitted pieces may be no longer than 12 minutes in duration. There is no minimum duration.

Composers may submit multiple works using a single email. Submissions must be original through compositions, not arrangements. Composers of any age or nationality are invited to submit scores. There are no restrictions on the works submitted, pieces can be composed specifically for this project and Electric TILT Duo, and also pieces may have been previously performed, recorded, and/or awarded.

We will select a maximum of three compositions, which will be performed by the TILT Ensemble before the end of 2017.
The three winner compositions will be performed in the Palace of the Captain of Uzzano (PT), the place where Giacomo Puccini composed the second and third act of Bohème. TILT Ensemble will produce a CD including the three winner compositions. The recording will be published with an historical contemporary music international record label. The first one winner composition will be published by DA VINCI EDITIONS, Osaka.
There is a fee of 20 euro.
Each composer can participate with more works (up to three) paying only one fee.

The fee must to be payed by bank transfer to:
Accademia Musicale Uzzanese “G. Puccini”
Name of bank: BANCA DI PESCIA - CREDITO COOPERATIVO SOC. COOP.
SWIFT CODE: ICRAITRR9Y0
IBAN: IT31H0835870550000000760247

The compositions that will be winners will be performed by the TILT Ensemble during the 2017 Concert Season and the firstt one will be published by DA VINCI EDITIONS, Osaka.
TILT Ensemble will make a CD with the three winner compositions. The recording will be published with an historical contemporary music international record label.

The work should be sent, by e-mail to
antonio.bellandi3@tin.it and to sergiosorrentinoguitarist@gmail.com
no later than september 20, 2017

The e-mail must contain:
Brief biography of the author (Max 300 characters)
Contact information of composer, in a separated file (e mail address, telephone, etc.)
Score in PDF format (score must to be without name of composer)
Short description of the piece.
A copy of the receipt for the payment of the entry fee.

For informations: antonio.bellandi3@tin.it
Web Site:www.facebook.com/TILT-Ensemble-1585228231721337/?ref=aymt_homepage_panel

 Illumine 2017-2018 Commissioning Prize
Summary:Chamber Call
Deadline: 01 July 2017
Date Posted: 17 May 2017
Details: illumine’s Commissioning Prize is an initiative both to feature the works of emerging composers, and to bolster the repertory for the voice-violin-piano trio. Composers of all ages and nationalities are welcome to apply.

THE PRIZE

•The winning composer will be awarded a commission, equalling the sum of all application fees combined.

•50% of the prize will be awarded immediately and – upon completion of a new work for voice, violin, and piano – the composer will receive the remaining 50%.

•The commissioned piece will be scored exactly for mezzo-soprano (tessitura, A3 to A5), violin, and piano. Use of electronics is permitted, depending on the complexity of setup and availability of the composer in performance. The work must be between 10-20 minutes in duration.

•Text and subject matter will be determined between illumine and the composer, based on concert themes and programming.

•The composer will sign an agreement, granting illumine unlimited but not exclusive performing/recording rights to the new work.

•Up to two runners up may be awarded. Their application submission pieces will be featured on illumine’s 2018 concert series.


THE APPLICATION – Composers must submit the following (scores and recordings) via email attachment or Google Drive link to contact.illumine@gmail.com (subject: Commissioning Prize Submission):

•Two contrasting scores, one of which must be written for voice, violin, and piano OR a subset of two (ie. voice & piano, violin & piano). We expect that the latter is the more likely option. The second score may be for any instrumentation.

•Recordings of the submitted scores. Live recordings are preferred, but MIDI renditions will be accepted.

•The $40 application fee via PayPal, your “contribution” to the prize pool. As competition grows, so does the reward.
Web Site:www.illuminemusic.org/2017-2018-commissioning-prize/

 Two-minute piece for two flutes
Summary:Duet Call
Deadline: 01 July 2017
Date Posted: 26 April 2017
Details: Iwona Glinka (Athens-based flutist) and Ewa Liebchen (Warsaw-based flutist) are seeking for new two-minute pieces for performance and recording. Submissions must be not yet commercially released on recording. It is acceptable if the music has been disseminated on the Internet via YouTube, Soundcloud, personal web sites, etc., as long as a commercial recording has not yet been produced.

Submissions must be two flutes (piccolo, flute, alto, bass) works. The length should be two minutes. The style is open to the taste of the composer.

The intention for selected submissions is to present them in live performance in programs and then to record them for a CD made up exclusively of submissions from this call to be released on Sarton Label Full physical and digital distribution via Warner Music, Naxos Music Library, Linn, Hdtracks, Qobuz, HighResAudio, eClassical, theClassicalShop.net, iTrax, ProStudioMasters, Onkyo, iTunes and more.

Four-stages submission process:

First stage until July 1, 2017.

- No fee in first stage

- No works over two minute will be reviewed.

- Multiple submissions are accepted.

- Provide a maximum 50-word biography and 50-word program notes in English

- Upload a score as a PDF file to info@phasma-music.com

- Demo recordings are welcome via a link to Dropbox, Soundcloud, or other external hosting site. Please do not email audio files.


Second stage until August 1, 2017.

- All selected composer's works will be subsidised for the performance, recording and distribution of their work.
- Agreement signing

- Fee 200 Euro via PayPal, Western Union, bank transfer (recording equipment, sound engineer, editing, preparing the master, renting venue, cover and inside design, CD production, distribution)


Third stage until January 1, 2018

- Concert and Recording


Fourth stage until May 1, 2018

- Sending to every composer 10 copies of CD album
Web Site:www.phasma-music.com/projects/call-for-recording

 Announcing the 2018 Garth Newel Piano Quartet Composition Competition
Summary:Piano Quartet Competition
Deadline: 28 November 2017
Date Posted: 20 March 2017
Details: Previous winners:
2015 - Polina Nazaykinskaya; Russia
2013 - Paolo Boggio; Italy
2012 - Alberto E. Colla; Italy
2011 - Ivan Bozicevic; Croatia

Prize
The Winner will receive:
• A $3000 cash prize
• A performance of the winning work by the Garth Newel Piano Quartet on the 2018 Summer Music Festival in July, 2018
• A travel stipend to work with the Garth Newel Piano Quartet and attend the premiere in Hot Springs, Virginia
• A high-quality audio and video recording
• Frequent performances of their work by the Garth Newel Piano Quartet, and an eventual studio recording for public release by the quartet.
• NEW! Winner will have the opportunity to also participate in a short-term residency during the time of the premiere. The residency will take place during Garth Newel’s prestigious Emerging Artist Fellowship chamber music program.
• The winner will have the opportunity to work closely with the Garth Newel Piano Quartet and our 12 Emerging Artist Fellows, with the possibility of readings and performances of additional works by the composer involving all or any combination of 5 violins, 3 violas, 3 cellos, and 1 piano.
• Receive high quality recordings of these reading sessions and performances
• Collaborate and network with talented musicians from the top music schools.


Guidelines
▪ Submitted works must be for violin, viola, cello and piano. Piano trios and quintets are not accepted.
▪ There is no time limit for works.
▪ Submissions from any composer, regardless of age or citizenship, are welcome.
▪ The work must be originally conceived as a piano quartet. Arrangements of previously completed work that have been performed or published are not acceptable
Refer to our FAQ for more clarification

Restrictions
Compositions are ineligible if:
They require live electronics or cannot be performed with just stereo playback
The work has already received a professional premiere.
If they are a transcription or arrangement of another work that has been performed or published.
They have already been professionally recorded for commercial CD release;
The work, in any instrumentation, has been published.
Refer to our FAQ for more clarification

Each composer must submit:
A legible score and parts of professional quality labeled with a pseudonym. No marks identifying the composer may appear anywhere on the score. The title of the work is permissible.
An envelope labeled with the composer’s pseudonym. Information within the envelope should include the composer’s name, address, telephone number, email address and one-paragraph biography.
A digital recording of the work labeled with the composer’s pseudonym (CDs or flash drives are acceptable). MIDI realizations are acceptable.
A self-addressed stamped envelope of appropriate size if the composer wishes to have their materials returned.


All materials should be mailed to:
Composer Competition
Garth Newel Music Center
403 Garth Newel Lane
Hot Springs, VA 24445

Deadline
All materials must be received by November 28, 2017. Applicants will be notified of the result by e-mail no later than January 31, 2018.

Web Site:docs.google.com/document/d/1esFV2uZzQNhqsWlrCnF6oLsP8uXAajx4A822n9irC9Q/pub

 Trio Anima Mundi 2017 Composition Prize
Summary:Piano Trio Competition
Deadline: 01 September 2017
Date Posted: 22 February 2017
Details: Trio Anima Mundi (Kenji Fujimura – piano, Rochelle Ughetti – violin, Noella Yan – cello) is an international award-winning chamber music ensemble based in Melbourne, Australia. Their annual subscription series has become noted for its eclectic and diverse programming, presented by the ensemble with ‘welcome energy and persuasive authority’. Along with the standard canon of music for piano trio, Trio Anima Mundi has rediscovered many gems from the past, presenting rare performances of works by the likes of Theodore Dubois, Hermann Goetz, and Charles Stanford. Their debut CD recording of piano trios by William Hurlstone, Max d’Ollone, Dag Wiren and Miriam Hyde on the Divine Art label was a 2013 Musicweb International Recording of the Year. The seventh Trio Anima Mundi Composition Prize will be held in 2017.

REGULATIONS

Eligibility: The competition is open to living composers of all ages and nationalities. Previous winners of this competition are ineligible. Composers must submit a work for piano trio (piano, violin, cello) of 6-10 minutes duration. It may be a multi-movement work, but the total duration must not exceed the maximum of ten minutes. No electronics or amplification are permitted. The internal workings of the piano (such as string plucking) may not be used.

The submission must consist of:
- completed application form
- copy of the application fee payment receipt
- short biography (approx. 200 words)
- short programme notes about the composition (up to 200 words)
- publicity photograph; and ONE COPY EACH of:
- full score (piano) - violin part - cello part (optional: MIDI recording)

The minimum size for the score will be A4. We strongly encourage you to submit your composition score and parts as Sibelius (.sib) files (or PDF files) on a USB drive, SD card, or CD-ROM, or submit via online file transfer (such as Wetransfer). We will also accept printed submissions via post.

If a recording (e.g. MIDI) is available, it can be submitted in .wav, .mp3 or mp4 format (optional). The submitted work may not have been previously published, performed, commercially recorded or received an award from another competition. Multiple entries are permitted. However, each score must be accompanied by a separate application form and fee. The submission must be made via anonymous entry. A codename must be chosen and indicated on the application form. All scores must be marked with the codename. Scores must not have any marking which may identify the composer.

Deadline for submission: All entries must be received by 5pm Australian Eastern
Standard Time on Friday 1st September. Late submissions will not be accepted.

Application fee: AUD$40 per entry. This must be paid online by going to www.trioanimamundi.com and following the links to the composition prize.

Selection process: All submitted works will be reviewed by a jury panel, which will include members of Trio Anima Mundi. Any jury member or their students will not be able to participate in this competition.

The jury’s decision is final and may not be appealed. The jury reserve the right not to award a prize, or to share the prize.

Prize: The winning entry will receive a cash prize of AUD$1000 and its world premiere performances during the 2017 Trio Anima Mundi Series. Two performances will be made, on 29th October and 12th November, and may be recorded for future broadcast or CD. All participants must agree for their work to be performed, recorded and broadcast by Trio Anima Mundi.

Participants will not receive any fee for the premiere performances or broadcast of their work. In the event that there is more than one winner, the prize money will be shared at the discretion of Trio Anima Mundi. The prize winner(s) must agree for their name and images (e.g. photographs) to be used for publicity purposes, without remuneration, by Trio Anima Mundi.

The winner(s) of the 2017 Trio Anima Mundi Composition Prize will be notified via email and announced on the Trio Anima Mundi website (www.trioanimamundi.com) by Friday 13th October. The winner(s) will be offered a complimentary ticket and invited to attend the premiere performances. Any travel and accommodation-related costs will not be covered by Trio Anima Mundi. After the premiere performances, the composer must agree to indicate clearly in any subsequent (published or unpublished) score, recording or performance of the winning work that the work was ‘winner of 2017 Trio Anima Mundi Composition Prize’.

Return of scores: After the winner is announced, no scores will be returned unless the initial submission is accompanied by a self-addressed envelope large enough to contain the scores, and with sufficient postage for return receipt. Trio Anima Mundi will not take any responsibility for scores which are unable to be returned due to insufficient postage.

Postal Entries to be sent to:

Associate Professor Kenji Fujimura
c/- Sir Zelman Cowen School of Music, Building 68, 55 Scenic Boulevard,
Monash University, Victoria, AUSTRALIA 3800 Electronic Entries to be sent to: Kenji.fujimura@monash.edu

Enquiries: kenji.fujimura@monash.edu

Applications close: Results announced: Premiere performances:
5pm, Friday 1st September
Friday 13th October
Sunday 29th October and 12th November
Web Site:www.trioanimamundi.com/blank-page

 CNM call for scores: harpsichord duets
Summary:Keyboard duet competition
Deadline: 01 December 2017
Date Posted: 12 October 2016
Details: Colchester New Music is pleased to announce a call for scores for harpsichord duet, to be performed by the Knights-Tidhar harpsichord duo in Colchester in Spring 2018. All works submitted must be original, and not exceeding 7 minutes in length. There are no stylistic limitations.

Francis Knights and Dan Tidhar (http://harpsichordduo.webnode.com/) are the world’s busiest early keyboard duo, giving many performances each year of repertoire which ranges from the Renaissance to the present day. They are actively seeking to expand the small contemporary repertoire for two harpsichords.

For the harpsichords, assume one double-manual instrument of FF-f3 compass with 2 x 8′, 1 x 4’ stops, and one single-manual instrument of GG-d3, 2 x 8′; they will match in tone and volume. Many recordings of modern harpsichord styles can be found on YouTube, and http://www.christopherlewis.net is also worth a visit. For technical queries, please contact calls@colchesternewmusic.com.

Submissions will be judged anonymously by the performers and an external judge; scores must be submitted in pdf format, and the composer’s name must not appear anywhere on the score. All submissions must be accompanied by a completed application form.

Composers may submit up to three pieces – Entry fee is £3 for one, £5 for two or £7 for three pieces, or free for CNM members, students and under 25s (note: proof of age/studentship will be required).

Scores and application forms should be e-mailed to calls@colchesternewmusic.com by 1st December 2017. Links to the downloadable application form and payment details are below:
Web Site:colchesternewmusic.com/calls-for-scores/call-for-scores-harpsichord-duets/

 Duo Scordatura "Call for Scores"
Summary:Violin and Viola Duet Call for Scores
Deadline: None
Date Posted: 28 May 2014
Details: Want to have your composition performed next year?....
Yeah you do!!!

Through out the the 2014-2015 season WE will be selecting and performing new works for the Duo of violin and viola.

1. There are no guidelines or fees!!
2. Your composition must be awesome. (very very important!!!)
3. You can use scordatura tuning (but not required...read rules #1 and #2)
4. Summit compositions to us through our email address icon at top right corner
4a. include a resume/bio
4b. include PDF of composition....score and individual parts
4c. recommended to also summit any recording or midi of the piece
4d. last but not least your contact info.

Web Site:http://www.duoscordatura.com/call-for-scores-2014-2015-season.html