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Medium chamber ensemble Competitions & Call for pieces

 Suzanne and Lee Ettelson Composer's Award
Summary:1-5 Performer Piece Call
Deadline: 19 January 2019
Date Posted: 06 December 2018
Details: An award of $1,000 will be given for a new chamber work. The winning work will be performed in the San Francisco Bay Area during the 2019-20 concert season. Award winners are expected to attend performances. Works not awarded prizes will also be considered for programming.

Eligibility

Composers of any age or nationality may enter. Previous winners of this award are ineligible.

Guidelines

Entries may be scored for one to five performers plus conductor. Performers shall be drawn from the core instrumentation of the ensemble Wild Rumpus: flute/piccolo/alto flute, clarinet/bass clarinet, trombone, electric guitar, piano, violin, cello, double bass (one player each). Works may include one or two instruments not listed above, including voice(s) and electronics, but must include at least one member of the core instrumentation.

Examples: a string quartet is eligible, as is a trio for flute, viola and harp. A duo for oboe and French horn is not eligible, nor is a work for voice and harpsichord.

Composers may submit more than one work.

Preparing Your Entry

Submit an ANONYMOUS .pdf and streaming audio link of each score on the submission form. The submitted .pdf’s and audio links must be free of names and identifying marks (including composer, dedicatee, performer, and publisher names). A non-refundable entry fee of $25 USD for one work and $20 USD for each additional work is due on submission.

Link to Online instructions and Application Form: http://cts.vresp.com/c/?ComposersInc./67a9ffa692/d35b72c7b4/dd662e7f1c/page_id=29

Judging

The judges are six of the artistic directors of Composers, Inc.: Robert Greenberg, Emma Logan, Frank La Rocca, Ryan Rey, Allen Shearer, and Nick Vasallo; and the Artistic Director of Wild Rumpus, Nathaniel Berman.

Deadline

Entries must be completed by January 19, 2019. The winner will be announced during March, 2019. You may reach us at mail@composersinc.org if you have any questions.

Composers, Inc. reserves the right to use the concert recordings of Award recipients for promotional purposes.
Web Site:cts.vresp.com/c/?ComposersInc....

 LunART Festival
Summary:Competition for Women Composers
Deadline: 15 January 2019
Date Posted: 06 December 2018
Details: Application Fee: $20
Submission Period: October 15, 2018 - January 15, 2019

Guidelines
Eligible participants:
• Open to women composers
• No age limit
• Composers/performers will be considered

Submitted works should be:
• Under 15 minutes in length
• Single or multi-movement work. In the case of multi-movement works, we reserve the right to play selections
• Scored for one to six performers; available instruments, voice types, and ensembles are listed below
• Written no earlier than January 1, 2014

Submissions must include:
• PDF of score (please upload a PDF with the file name formatted as: lastname_compositiontitle.pdf)
• Recording of submitted work
-Provide URL link, i.e. Sound Cloud, YouTube (midi, mp3, or video)
• Bio (100 words or less)
• Program notes
• Composer/performers only: a recording of the applicant performing must be submitted; acceptance as a performer is at the discretion of the festival

Incomplete submissions will not be considered.

Submission Guidelines
• All materials must be submitted no later than January 15, 2019, 11:59pm (Central Time)
• Late submissions will not be accepted
• All submitted fees are non-refundable
• Files must be uploaded through the LunART Festival website during the submission period - lunartfestival.org
• Applicants may submit multiple scores, but must complete a separate application for each submission
• Up to three compositions will be selected; one work will be performed for each evening concert
• We reserve the right to not program any compositions

Selected composers will receive:
• Performance of composition
• Professional live audio & video recording of composition

If able to attend the festival, composers will receive:
• Free housing
• Free entry into all festival events
• Rehearsal with musicians

Instruments available
Strings
• String quartet
• Violin
• Viola
• Cello
• Bass

Woodwinds
• Wind quintet
• Saxophone quartet
• Flute (piccolo, alto, bass)
• Clarinet (bass, E flat)
• Oboe (English horn, oboe d’amore)
• Bassoon
• Saxophone (soprano, alto, tenor, baritone)

Brass
• Brass quintet
• Trumpet
• French horn
• Euphonium
• Trombone
• Tuba

Voice
Any voice type, as a solo vocal part or a member of an ensemble.

Piano
If your work includes prepared piano, please contact us before submitting.

Percussion
If your work includes percussion, please contact us about intended instrumentation. Percussion instruments available for the festival are limited.

Harp

If you have any questions, please contact us at lunartfestival@gmail.com


Web Site:www.lunartfestival.org/call-fo...

 4th PETER ROSSER COMPOSITION AWARD 2019
Summary:Competition for Irish Composers
Deadline: 15 March 2019
Date Posted: 22 November 2018
Details: CRITERIA FOR SUBMISSION
Submission to the award is open to composers born or domicile in N. Ireland and Republic of Ireland. The competition is open to composers regardless of age. However, the award is aimed at emerging composers. The organisers, therefore, welcome submissions from composers at the start of their careers. HRSE particularly welcomes submissions from women composers.

TIMELINE
• Deadlines for Submission 4pm Friday 15th March 2019
• 3 prizewinning composers will be shortlisted by Monday 1st April 2019 and the shortlisted composers will be informed by email.
• All Shortlisted works will be workshopped, performed and recorded by Hard Rain SoloistEnsemble at a special event in Red Box Recording Studio, Belfast on Sunday 14th April 2019.

AWARDS
The following awards will be bestowed:
• 1ST PRIZE £1,000
• RUNNERS UP £250

RULES
• 1.1 All submitted compositions should not have been performed before, must not be published and should be written specifically for the 4th Peter Rosser Composition Award and the Hard Rain SoloistEnsemble.
The following statement must appear in a preface page of the score:
“This score was written for submission in the 4th Peter Rosser Composition Award 2019 and for the Hard Rain SoloistEnsemble”.
• 1.2 Compositions must use all 5 of the following instruments: Violin,Cello,Flute (optional doubling picc & alto), Bb Clarinet (optional doubling bass clarinet) and piano. Scores that differ in any way from this instrumentation will not be admissible. The use of electronics or a tape element is not permitted.
• 1.3 The composition should be between 5 and 8 minutes duration and should state the exact duration in the preface page.
• 1.4 OnlycomposerswhocanattendtheworkshopandperformanceinBelfast on Sunday 14th April 2019 will be eligible for the award. A travel bursary for composers traveling to the event from within NI and ROI will be made available through the Contemporary Music Centre, Ireland.
• 1.5 Thedecisionofthejuryinrelationtotheshortlistingofworksandthe bestowing of awards is final. No further correspondence will be entered into.
• 1.6 Thejuryreservestherightnottomakeawardswhereitfeelsaminimum required standard has not been met.
• 1.7 Only one piece may be submitted by a composer.
1.7 Previous winners of the Peter Rosser Composition Award are not eligible to enter the competition. Previous runners up are eligible.
Web Site:docs.wixstatic.com/ugd/e7eabb_...

 DYCE, Discovering Young Composers of Europe
Summary:Competition 4–6 instruments
Deadline: 15 January 2019
Date Posted: 22 November 2018
Details: Addressed to composition students and alumni from all European academies

Application deadline: 15th January 2019

The Call for Scores is open to students and alumni from all European Universities, Academies, Conservatories, Musikhochschulen and Music Schools that issue an academic qualification.

The students must be enrolled in one of the European institutions for Composition or Electroacoustic Composition. The Alumni must have graduated in the last two years, i.e. not before 15th October 2016.

Applicants will have to prove their enrolment or degree through a document issued by the institution.

Rules

1. Composition students and alumni of all nationalities, from all European Universities, Academies, Conservatories, Musikhochschulen and Music Schools that issue an academic qualification are eligible to participate in the selection by submitting one score for an ensemble of four to six musicians from among the following instruments: flute (also piccolo, flute in G and bass flute), clarinet (also clarinet in E flat, clarinet in A and bass clarinet), violin, cello, piano, percussion (list of available percussions at the bottom of the page). Maximum duration of the compositions: 20 minutes.

Electronics (not live electronics) is permitted.

Applicants must be enrolled in a Composition or Electroacoustic Composition course of a European public or private Institution, or must have graduated not before 15 October 2016. A document issued (or translated) in English by the educational institution, proving their current enrolment in the school, or the date of their degree (for the Alumni), is required.

Students and alumni from institutions of some non-EU countries - included in the Creative Europe program - may also apply.

2. Applicants must complete their application by following the procedure on DYCE website no later than 15th January 2019 .

They will be asked to upload the following documents:

– application form

– the score in pdf

– a copy of an identity document

– a curriculum vitae

– a document issued by the educational institution, proving their current or past enrolment (and the date of the degree) in the school as student in composition or electroacoustic composition.

For any question regarding the accepted courses, please write to info@dyce-project.eu .

3. Original scores as well as scores that have already been published and/or performed are both eligible for submission. They should not be anonymous. A recording of the performance, if one was made, may also be attached.

4. An international jury of seven composers (Hanspeter Kyburz, Brigitta Muntendorf, Johannes Schöllhorn, Christian Eggen, Sandro Gorli, Tarmo Johannes, Ignacio Torner) will select 12 scores by 15th February 2019, 3 from each of the 4 European Areas created by theDYCE project. The selected composers will be informed personally by email, and the selection will also be announced on DYCE’s website by 16th February 2019. The 12 winning composers must send the parts for the performance by 28th February 2019.

5. On 28th April 2019, the twelve chosen scores will be performed in four concerts by the four DYCE ensembles, and each ensemble will execute the three pieces belonging to its area. The four concerts will take place on the same day, at different times in the four cities of the ensembles, with an audio/video streaming broadcast from each concert hall to the other three. In this way, during this day the audiences will listen to all 12 pieces: 3 live and 9 in streaming. Special attention will be given to the quality of the streaming, in order to guarantee a perfect and pleasant listening experience to the audiences.

After the concerts, the audience in the four cities and the musicians + conductors of the four ensembles will vote and select the 4 best compositions. The four chosen scores will each belong to a different European Area, so that the 4 areas are equally represented.
This event will mark the completion of the Audience Development program.

6. The four selected composers will be commissioned to compose one new 12-15 minutes piece each, for the same instruments of the Call for Scores (flute, clarinet, violin, cello, piano, percussion). Electronics (not live electronics) is permitted. Each composer will receive an amount of € 5000 gross for the commission. The amount will be paid by Divertimento Ensemble, according to the Italian laws.
The scores and the parts of the new pieces will have to be uploaded on the DYCE website by the 15th of January 2020.

7. The four commissioned pieces will be performed by the four ensembles in their towns, on different dates in April 2020. The four composers will be invited to Milan, Oslo, Seville and Tallinn and will attend the rehearsals and the concerts, working closely with the ensembles and the conductors.

8. The composers’ expenses for travel, board and accommodation in Milan, Oslo, Seville and Tallinn will be charged to DYCE.

9. A final convention in Milan, in June 2020, will publicize the DYCE project. It will focus on many aspects of New Music in Europe and will present the CD with the four commissioned compositions. The four commissioned composers must participate in the convention and describe their DYCE experience to participants.

10. Each applicant, by submitting his/her application to participate in the DYCE composition competition, agrees unconditionally to be bound by these rules.

For further information:

info@dyce-project.eu
Web Site:www.dyce-project.eu/?fbclid=Iw...

 Second International Composition Competition “Carlo Sanvitale”
Summary:Chamber Competition
Deadline: 15 June 2019
Date Posted: 15 November 2018
Details: Organised by “Amici della Musica – Guido Albanese”

The –Associazione Amici Della Musica “Guido Albanese”– invites composers of all ages and nationalities to participate in the 2nd “Carlo Sanvitale” Composition Competition. The composition should be challenging, but at the same time accessible and playable by young talented players. The goals of the contest are:
• To offer young composers the possibility to have their works performed live
• The possibility to acquire experience with a chamber ensemble (Complesso da Camera “Carlo Sanvitale”).

The Competition is open to composers and students of all ages and nationalities. The submitted works must satisfy the following criteria:
• Orchestration (max.): 2 violins, viola, cello, piano, tenor or soprano. Works whose instrumentation includes other instruments will not be taken into account for the competition;
• The length of the composition must be between 3 and 10 minutes;
• All complementary documents (music, bio sketch, program notes) have to be submitted to the jury along with the score;
• Scores have to be sent in PDF format to amicidellamusicaortona@gmail.comThe submission is not deemed successful until a confirmation e-mail has been sent;
• The composition has to be original and never performed before;
• The composer renounces to execution rights for the performance by the Complesso da Camera “Carlo Sanvitale”;
• The difficulty level of the composition has to correspond to the skills of an advanced amateur chamber ensemble with a conductor;
• Each candidate may submit one composition per year. The same composition can be submitted at most over two non-consequent years.

Shall the composition be selected as winner, the composer has to provide to the secretary of the competition the separated parts by July 30, 2019. Tempo, dynamics, articulation and rehearsal letters for the different instruments must be indicated on both the main score and the separated parts. The winner must agree to the following:
• The selected work will be performed and recorded by Complesso da Camera “Carlo Sanvitale” during the Music Day, that will be held on August 12 and 13 in Ortona, Italy.
• The author of the winning composition can participate to the rehearsals and the concert that will be held in Istituto Nazionale Tostiano, Ortona, Italy, on August 12th or 13th. Travel fees will not be refunded. Accommodation will be provided by the Association.
• The author of the selected work has to provide a short description of their work; this will be included in the concert program.
• The author of the selected work agrees to transfer the parts to the performers.

Prizes
The author of the winning competition will receive a prize of 150 Euros. Composers classified first, second and third will receive a Diploma. The winning composition, together with no more than three other compositions, will be recorded during the Music Day.

Furthermore, the Jury will select, out of the first three classified, a composer that will be appointed “Composer in residence” in the diocese of Agnone-Trivento. This composer will be commissioned to write a composition for the organ of the San Marco church in Agnone (IS, I). This organ dates back from the XVIII century, holds only one keyboard and features the Scavezza octave. The selected composer will have to spend three days, in August 2019, in the city of Agnone, to match the composition to the organ. The resulting composition will be performed by organist Simone Perrotta during the next musical season of “Progetto Culturale della Diocesi di Agnone/Trivento”

How to Participate
All living composers are eligible. The submissions will be received by the Associazione “Amici Della Musica”, made anonymous and then presented to the jury. Deadline for submissions is June 15, 2019. The results will be announced on July 1st, 2019. The jury’s decision is non-contestable and all decisions are final. The premiere of the selected piece will take place in August 12th or 13th 2019 in Ortona (I).

If you want to participate, please send us the following:
• One digitized anonymous copy of the score (PDF) (also digital copy of manuscripts are accepted);
• A computer-generated recording (if possible)
• A copy of a bank transfer for the amount of 30 Euros to:

“Amici Della Musica Guido Albanese”
IBAN: IT97Z0311177780000000000139
SWIFT: BLOPITT22
Subject : “Iscrizione 2019”

Communication will be held in Italian, English or French. The Italian version of this call for submissions should be considered definitive. Translations are without guarantee.

Jury
• Celso Mojola, Professor of composition at “Escola Superior de Música da Faculdade Cantareira”, São Paulo (BR)
• Bartomeu Moll Mas, Artistic Director of the Festival « Phona, cicle de noves musiques de Mallorca » (ES)
• Simone Di Felice, Kappelmeister of Opera-Frankfurt (D)
• Marco Reghezza, First Prize of the Competition « Carlo Sanvitale » in 2018 (I)
• 3 members of the Chamber Ensamble “Carlo Sanvitale”, to be selected on June 2019.
Web Site:www.giacomoditollo.it/internat...

 Luna Nova 2019 Student Composition Contest
Summary:Chamber Competition for Student Composers
Deadline: 01 March 2019
Date Posted: 08 November 2018
Details: 2019 Student Composition Contest

Sponsored by

Luna Nova Music
The Beethoven Club of Memphis

The Luna Nova 2019 Student Composition Contest is offered in conjunction with the Belvedere Chamber Music Festival (www.belvederefestival.org) to be held June 19-22, 2019 at Grace-St. Luke’s Episcopal Church (www.gracestlukes.org/) in Memphis, Tennessee. The festival is sponsored by Luna Nova Music (www.lunanova.org) and the Beethoven Club (www.beethovenclubmemphis.org)

ELIGIBILITY
The contest is open to music composition students of any nationality who are 18 years or older. Recent graduates are also eligible provided that they graduated on or after May 1, 2017. They must give the name and contact information of their current or most recent theory/composition professor.

GUIDELINES
Participants may submit one score and accompanying mp3. The work may be for violin, flute, clarinet, cello, guitar, and piano. Entries may be solos or works for any combination of these instruments. Works should not exceed 10 minutes in length.

ONLINE GUIDELINES
Contest Announcement and Guidelines: www.belvederefestival.org/2019contest.pdf

ONLINE ENTRY FORMS
https://www.surveymonkey.com/r/GTVVHCD

DEADLINE
Pdfs of scores and mp3s must be received by March 1, 2019. (Computer realizations will be accepted if a live recording is not available.) Winners will be posted at www.belvederefestival.org by April 1, 2018. Composers of winning entries must provide full score and parts by May 1, 2019.

JUDGING
A panel assembled by the Luna Nova Music board will judge scores. The panel will take logistical issues into consideration. Their decision will be final.

PRIZES
Up to three winners will be named. Winning compositions will be performed by members of the Luna Nova New- Music Ensemble (www.lunanova.org) at the 2019 Belvedere Festival in Memphis. Winners are expected to attend. They will receive a live recording of the performance. Room and board will be provided free for the winners. Winners are responsible for their own transportation to Memphis.

Former contest winners are not eligible to enter.

RECORDINGS
Recordings of the Luna Nova Ensemble are available at www.lunanova.org/audio.html
Questions may be sent to Patricia Gray, Luna Nova Music President at pgray@pgray.net or 901-493-0958.
Web Site:www.surveymonkey.com/r/GTVVHCD

 4TH EDITION CFS: “BEAUTY”
Summary:Solo to 15 players instrumental call
Deadline: 15 March 2019
Date Posted: 11 October 2018
Details: The Ensemble de la Belle Musique (EBM) is pleased to announce its fourth edition of “Call for Scores” (CFS). The theme is “Beauty”.

Composers are encouraged to submit works for any combination of the following instrumentation, ranging from solo up to a maximum of 15 instruments:

4 violins, 2 violas, 2 cellos, 1 double bass, 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 trumpet, 1 horn, 1 trombone, 1 percussion (xylophone OR vibraphone OR glockenspiel), 1 piano

For example: 1 viola + 1 flute + 1 xylophone, or a string quartet formation. Please note that 4 violins are considered as 4 instruments, 2 violas are considered as 2 instruments and so on.

There is no fixed style. Please use your imagination and creativity to write music so beautiful and pleasant to the ears that the musicians would love to play them over and over again and the audience would love to hear them over and over again.

Selected works will be performed by EBM on Thursday, 30th May 2019 in Singapore. Any composer is eligible, regardless of age and nationality. Each work must be between 3-8 minutes. ONLY melodious and tonal works will be accepted. Atonal and electronics works will NOT be considered. Every work MUST be original, and never performed nor published in any format before. NO transcription nor arrangement of any sort is allowed. Works which have won awards, or which have already been uploaded onto any form of social media platforms such as YouTube, Facebook, Instagram, iTunes or SoundCloud will not be considered. Submissions will not be returned. Please dedicate new works written specially for this CFS to “Ensemble de la Belle Musique”. For older works written prior to this CFS, no dedication is required.

Video recordings of the concert will be put up on our Youtube channel. Complimentary hotel lodging of 3 days 2 nights (with complimentary breakfast) + free entry to the concert will be provided for selected composers. There is also an opportunity for selected composers to have their selected works put up onto a few music platforms in China for publicity. In addition, selected composers will each be given a full HD video recording of their works.

Submission Guidelines:

There is an entry fee of USD20 for the first work. Additional entries may be submitted for USD10 each. Each composer can submit up to 3 works but each work must be submitted as a separate entry. Each entry must be emailed in pdf format (full score + individual parts, if applicable) to ebmusiquecallforscores@gmail.com with the subject heading: “EBMCFS2019 – Title of work” along with:

a. An info sheet in pdf format with the composer’s name, title of the submission, duration of the work, year work was written, short bio (maximum 150 words), short write-up of the submitted work (maximum 150 words), and contact information (including website, if any). NO handwritten scores will be accepted. You may use any reliable music notation software as long as the score is clear and legible.

b. Photo in .jpeg format

c. Receipt or screenshot of completed PayPal payment. For submissions of up to 3 works, just one receipt or one screenshot of completed Paypal payment will do.

d. Mp3 or midi recording of every work submitted.

e. A declaration that the submitted work has never been (i) published, (ii) performed, nor (iii) awarded any prize in any competition.

All submissions must be sent and fees paid by 11:59pm, Singapore time, on Friday, 15th March 2019. Entries and payments received after this date will not be considered. Results will be announced on EBM’s website and social media platforms latest by Saturday, 30th March 2019, and selected composers will be notified via email. The decision of EBM is final. For enquiries, please email ebmusiqueinfo@gmail.com.

Rights:

The submitted works must be free of any rights. Non-selected composers will have full ownership of their works and will be allowed to perform their compositions once the results have been released. In contrast, selected composers are NOT allowed to interpret their selected works in any way before nor on the day of EBM’s “Beauty” concert on Thursday, 30th May 2019.

Selected composers retain full ownership of the copyright for their selected works but they have to grant EBM irrevocable rights limited to using the works for promotional purposes and for performing the works in concerts at any time without further compensation to them.

Deadline: 15th March 2019, 11.59pm Singapore time

Entry fee: USD20 per submission. USD10 for additional submission of up to 3 submissions per composer

Currency: US Dollars
Web Site:www.ebmusique.com/news-events/...

 International Competition for Women Composers 2019
Summary:Piano quintet competition
Deadline: 31 January 2019
Date Posted: 26 September 2018
Details: The Brixworth Music Festival, England, is delighted to announce a second international competition for women composers.

We are looking for a work that is 6-10 minutes long and is scored for string quartet and piano. The competition is open to any female composer and there is no age limit for entrants.

The following prizes will be awarded:
First prize: £500
Honourable Mention

The prize-winning work will be played by the Tedesca String Quartet, (the resident quartet of the Midland Sinfonia) www.tedesca.co.uk at the next Brixworth Music Festival on 17th May 2019. The pianist, Charles Matthews, will be performing on the Festival's new piano.

The jury comprises the following members:

Vivienne Olive Professor of Music Theory in Nuremberg, retired, Composer, and Joint Artistic Director of the Brixworth Music Festival
Gwion Thomas Singer and Joint Artistic Director of the Brixworth Music Festival
Nic Fallowfield Violin, Tedesca String Quartet
Oksana King Pianist and member of the Brixworth Music Festival Committee
Peter Dunkley Conductor, Clarinettist, Patron of the Brixworth Music Festival Committee
Judith Weir External judge: Composer and Master of the Queen's Music

The committee of the Brixworth Music Festival reserves the right to find replacements for absent jury members. Other members of the Brixworth Music Festival Committee may join the judging panel as appropriate.

Further Information
Conditions of entry
• Only one work may be entered which can, however, consist of several shorter pieces.
• The entered work may not have previously been performed or published.
• Performance material (score and parts) must be supplied by the prize-winner.
• Any instructions should be in English.

Submission
Closing date: 31st January 2019
Prize winners will be announced at the end of February 2019.
Web Site:www.brixworthmusicfestival.co....

 Lake George Music Festival
Summary:Chamber Music Call
Deadline: 31 January 2019
Date Posted: 05 September 2018
Details: The Lake George Music Festival is a strong supporter of contemporary classical music, and annually hosts an international competition to promote its continued development and dissemination. Our mission is to find and recruit the next generation of leading composers and promote their work to the world at large. We will pair the most promising works with our roster of exceptional performers, fostering long-lasting relationships between artists of the highest caliber. By promoting the movement that contemporary music is alive, inspirational, and relevant to every community, we are doing our part to connect Lake George with the evolution of this tradition.

HOW TO APPLY
The 2019 submission period will be from January 1st to January 31st. Please submit the following materials via ONE email with attachments to info@lakegeorgemusicfestival.com. The subject line of the email should read “LGMF Composition Competition” followed by your full name.

• An anonymous .pdf file of the composition score. The score should be labeled with the title of the work and printed date of composition only. Multi-movement pieces should be submitted together as one joint .pdf file.
• An anonymous recording in mp3 format. Recordings must be complete (no excerpts) and must be labeled with the title of the work only and sent as an email attachment. Live instrumental recordings are strongly preferred over MIDI renditions. If submitting MIDI please take the time to create an audio file which sounds as realistic as is possible. Composers submitting a piece for electronics/amplified instruments must submit a live performance or studio recording (not MIDI). Multi-movement pieces should be submitted together as one joint .mp3 file. Please edit out any tuning/clapping.
• A PayPal receipt proving the application fee has been paid. Please pay application fee at the same time when submitting materials.

In the body of the email, please include the following information: composer name, date of birth, college or university affiliation, composer phone number,

All steps outlined above must be completed and submitted in their entirety by the deadline. No exceptions can be made whatsoever. If you wait until January 31st, we cannot guarantee any issues that arise during staff review, including missing or incorrect documents, will be resolved by the application deadline. Consequently, LGMF urges you to submit immediately.

Guidelines

• an original work of chamber music composed after January 1st, 2013.
• a complete work – no single movements of multi-movement works will be accepted.
• work must be in its original form – no arrangements; example: no piece originally intended for string orchestra submitted as a string quintet will be accepted.
• between 7 and 12 minutes in duration.
• scored for 3 to 8 players (not including a conductor, if applicable).
• written for the following instruments: violin, viola, cello, double bass, flute, piccolo, oboe, english horn, b-flat clarinet, A clarinet, bass clarinet, bassoon, horn, trumpet, trombone, bass trombone, tuba, piano, percussion, harp.
• pieces scored for percussion must follow these additional guidelines.
• any combination of the above instruments is acceptable, however only two of the same instrument may be included; example: maximum of 2 flutes, 2 oboes, 2 percussionists, piano four hands, etc; with exceptions being a maximum of one tuba, one bass trombone, and one harp. Works scored for up to 4 violins, violas, and cellos are acceptable. Works for two or more pianos are not acceptable.
• instrument doublings must adhere to the instrumentation restrictions, example: no alto flute, no contrabassoon.
• works may be written for amplified instruments, prepared piano, and off stage instruments.
• works may include non-interactive electroacoustic elements (e.g., CD playback).


APPLICATION FEE
$10 – Payment will be accepted via credit/debit card through PayPal by clicking the button below. PayPal accounts are not required. Application fee is not refundable, please review guidelines carefully.


Web Site:www.lakegeorgemusicfestival.co...

 Wolfgang Jacobi Kompositionspreis
Summary:Accordion with other instruments
Deadline: 31 December 2018
Date Posted: 05 July 2018
Details: Ausschreibung : Competition
Der Deutsche Harmonika-Verband schreibt in Kooperation mit dem Deutschen Akkordeonlehrer-Verband den »Wolfgang Jacobi Kompositionspreis«, einen Nachwuchswettbewerb für junge Komponistinnen und Komponisten aus Europa aus. Ziel ist es, junge Komponistinnen und Komponisten dazu anzuregen, sich mit dem Instrument Akkordeon als Ensembleinstrument und im Zusammenspiel mit anderen Instrumenten und / oder Gesang auseinanderzusetzen.

With the »Wolfgang Jacobi Kompositionspreis« the Deutscher Har- monika-Verband in cooperation with the Deutscher Akkordeonleh- rer-Verband invites young talented composers from Europe for a competition. The target is, that young composers should be encouraged to deal with the instrument accordion as an ensemble instrument and in interaction with other instruments and/or vocals.

Jury : Jury
Die Jury besteht aus Fachleuten für Komposition und Akkordeon und steht unter Vorsitz des renommierten Komponisten Prof. Moritz Eggert aus München.

The jury consists of composition and accordion professionals and is chaired by the renowned composer Prof. Moritz Eggert from Munich.

Prof. Moritz Eggert Stefan Hippe
Peter Hoch Hans-Günther Kölz Andreas Nebl Helmut Quakernack Wolfgang Russ

Aufgabe : Object of the competition
Gefordert wird ein Werk für Akkordeon mit einem bis zu maximal vier anderen Instrumenten aus dem klassischen Bereich (Holz- bläser, Blechbläser, Schlagzeug) oder mit Gesang. Die Gesamt- zahl der Ausführenden ist auf fünf begrenzt. Das Werk soll maximal 10 Minuten dauern. Die Komposition darf nur handschriftlich verfasst sein und weder öffentlich aufgeführt noch publiziert worden sein.

Required is a work for accordion with one to a maximum of four other instruments from the classical field (woodwind, brass, per- cussion) or with vocals. The total number of performers is limited to five. The work should last a maximum of 10 minutes. The com- position may only be written by hand and may not have been performed or published before.

Preise : Prices
Es steht ein Preisgeld von € 1.500* zur Verfügung, das von einer unabhängigen Jury frei vergeben werden kann. Die besten drei Teilnehmer werden zu einem Workshop am 13. / 14. 4. 2019 einge- laden, bei dem sie mit zwei Komponisten ihre Stücke diskutieren. Die prämierten Werke sollen bei der Auftaktveranstaltung der Osterarbeitswoche des DHV in der Bundesakademie Trossingen am 14. 4. 2019 uraufgeführt werden. Die Kosten für Fahrt und eine Unterkunft trägt der DHV.

A prize money of € 1,500* available, which can be freely awarded by an independent jury. The best three participants will be invited to a workshop on April 13/14, 2019, in which they discuss their pieces with two composers. The winning works are scheduled for the opening event of the DHV »Osterarbeitswoche« in the Bun- desakademie Trossingen to be premiered on April 14, 2019. The cost of travel and accommodation is provided by DHV.


Teilnahmebedingungen
Conditions of participation
Teilnahmeberechtigt sind alle Jugendlichen und Erwachsene bis zum vollendeten 27. Lebensjahr
: Die teilnehmenden Komponisten übertragen dem Veranstalter das Recht zur Uraufführung des prämierten Werkes im Jahr der Preisverleihung.
: Eine Namensnennung oder Signierung auf der Partitur (im Original korrigieren) ist nicht erlaubt
: Eine Kopie der Partitur mit separaten Angaben des Komponisten (Name, Adresse, Telefon, Mail) ist einzusenden an:

Deutscher Harmonika-Verband e. V. c/o Stefan Hippe Rudolf-Maschke-Platz 6
78647 Trossingen

Anmeldeschluss ist der 31. Dezember 2018
Participation is possible for all young people and adults until their 27th birthday
: The participating composers transmit to the organizer the right to the world premiere of the awarded work in the year of the award ceremony.
: An attribution or signing on the score is not allowed
: A copy of the score with separate details of the composer (Name, address, telephone, mail) is to be sent to :

Deutscher Harmonika-Verband e. V. c/o Stefan Hippe Rudolf-Maschke-Platz 6
78647 Trossingen

Registration deadline is December 31, 2018
Web Site:www.dhv-ev.de

 International Clarinet Association
Summary:Clarinet with string quartet competition
Deadline: 20 December 2018
Date Posted: 12 April 2018
Details: The ICA seeks previously unperformed works for clarinet and string quartet (2 violins, viola and cello), 10-15 min. in length. The deadline is December 20, 2018; the winner will receive a $1000 prize and a performance of the work at ClarinetFest® 2019.

For details, please contact Antonio Faioli, coordinator.

2019 Composition Competition–Clarinet and String Quartet (2 violins, viola and cello)

Antonio Fraioli, Coordinator Email: antonio.fraioli@libero.it

Eligibility: The competition is open to composers, clarinetists, and musicians who desire to further the repertoire of clarinet and string quartet with an original composition.

Application:

1. Items must be received by December 20, 2018.

2. Applicants should email the Competition Coordinator, Antonio Fraioli and ask for a Dropbox “File Request” link. Upon receipt of this link, applicant will upload related files

3. The subject line for all email communication should read “ICA Composition Competition” followed by the applicant’s full name.

4. Scores must be submitted electronically (PDF only) WITHOUT the applicant’s name or any identifying information on the score or in the filename. Scores must be submitted to the “File Request” Dropbox link obtained from the coordinator in item 2.

5. In a separate PDF document, include contact information (name, address, phone, website, and email), a short bio (100 words or less) and name of submitted work(s). Include the applicant’s name in document filename. (this information will not be viewed by the jury).

6. A midi recording in .mp3 format or a clarinet and string quartet recording in .mp3 format must be submitted.

Contest Rules

Application fee: $25 US. Make amount payable to the “International Clarinet Association” in U.S. currency by bank check, money order, or credit card only. If paying by credit card, please use the credit card payment form. PayPal is also accepted to evanlynchica@gmail.com. The application fee is non-refundable.
The 2019 Composition Competition call is for a work 10-15 minutes in length, scored for clarinet and string quartet (2 violins, viola and cello). The submitted work must have no prior performances.
Judging

A committee having no knowledge of the applicant will conduct the judging of scores and parts. Do not include any identification on the scores and on the .mp3 realization. The winner will be notified via email by February 15, 2019. The winning composition will receive a world premiere performance during ClarinetFest® 2019, July 24-28, 2019, in Knoxville, Tennessee. Travel expenses will be the responsibility of the winner. Free registration at ClarinetFest® 2019 will be provided. If the winner is a clarinetist, he/she must be a member of the I.C.A. Past first-prize winners are not eligible to compete. All contestants will accept the decision of the judges as final. The ICA will provide the clarinetist for the premiere performance.

All scores and parts will become the property of the ICA Research Center at the University of Maryland Performing Arts Library and will not be returned.

$1,000 Prize

The I.C.A. assumes no tax liability that competition winners may incur through receiving prize money. Individuals are responsible for investigating applicable tax laws and reporting prize winnings to requisite government agencies.

Web Site:clarinet.org/competitions/2017...

 11th Joan Guinjoan International Prize for Young Composers
Summary:Prize for ensemble
Deadline: None
Date Posted: 31 October 2012
Details: 1.The contest is open to composers of every nationality under the age of 35 at December 1st, 2012. Former winners of this award are not allowed to submit again.
2.Each participant may submit an unlimited number of works, which cannot previously have been published, premiered or commissioned. Works performed in the educational context of conservatories and schools of music will not be considered premieres.
3.The work, in a contemporary style, should be 10 to 15 minutes long.
4.The work must be written for an open formation of 6 to 15 instruments, with optional electronics, chosen from among those in an orchestra, piano, accordion, guitar, voice and typical jazz –electric guitar, bass and keyboards– instruments, “cobla” instruments, and instruments of early music: harpsichord, recorder, viola da gamba, cornet, sackbut, early bassoon and plucked string instruments. It is also possible to include a small choir of four voices (SATB, 4-4-4-4), which will be considered as four different instruments. There may not be more than two instruments the same, except for violins, for which there is a maximum of 10, violas and cellos, for which there is a maximum of 4.
5.The composer must submit six copies of the score and one registration form for each work presented. The work must be written and printed with a notation software which allows automatic extraction of parts, or the participants must commit to send the parts in case of being winners. Once the winner has been chosen, the composers may collect 5 copies of their works within one month from date of the award. One copy will remain in the archives of the School.
6.The amount of the award is 3.000 €. The chosen work will be premiered by the Escola Superior de Música de Catalunya with the option to be professionally recorded on CD by the School.
7.Apart from the winning work, the jury may decide to give honorific mentions to other works submitted which are considered of special interest. The works worthy of this distinction will be premiered together with the winning work.
8.The Escola Superior de Música de Catalunya will have publishing and distribution rights to the score, the CD or any other format of the winning work.
9.All written or audio-recorded editions of the winning work will be marked “Premi Joan Guinjoan de l’Escola Superior de Música de Catalunya, 2012”.
10.The jury will be made up of five composers chosen from the Department of Theory and Composition of the School. The names of the members of the jury will be announced once the award decision has been made public. Their decision may not be appealed. The decision will be announced before January 10th, 2013.
11.The deadline for submitting scores is December 1st, 2012.
12.The works will be submitted under pseudonym.
2nd Prize:Euro 3000
Age Limit:35
Duration:6 to 15 minutes
Web Site:www.esmuc.cat/eng/Departments/...

 North/South Consonance
Summary:call for scores (various combinations)
Deadline: None
Date Posted: 20 April 2011
Details: - All composers are eligible for consideration
- Solo, chamber ensemble and chamber works up to 18 performers will be considered
- Vocalists, percussion and/or electronics are acceptable
- One work will be selected for recording on the North/South label
- $25 non-refundable fee per composition submitted required
(Checks must be negotiable through a US bank)

Complete submission guidelines posted at

http://www.northsouthmusic.org

Mail submissions to

NORTH/SOUTH CONSONANCE, INC.
P.O. Box 698 - Cathedral Station
New York, NY 10025 – 0698
USA
Web Site:www.northsouthmusic.org