solo other Competitions & Call for pieces
|SOFIA 2016 INTERNATIONAL COMPOSITION COMPETITION|
|Summary:||Solo with string orchestra competition|
|Deadline:||31 March 2017|
|Date Posted:||13 March 2017|
The Sofia International Composition competition is an annual event, organized by Sofia Municipality and Krasno Selo Cultural Center with the assistance of the Sofia Soloists Chamber Ensemble.|
1. The Competition is open to participants of all countries, born after 1974.
2. The presented works have to be composed for a string orchestra of 14 performers (4-4-3-2-1) and solo trumpet (flugelhorn or cornet) by composer’s choice.
3. Each competitor may present one composition or series of works with duration no less than 10 and no more than 15 minutes. The score is to be a computer printout or a clear manuscript.
4. The compositions should not be previously performed in public, published or recorded in studio.
5. All competitors must send, until 31th of March 2017 (certified by a post office stamp), the following materials in joint package:
а/ a sealed envelope containing 2 copies of the score of the composition;
b/ a sealed non transparent envelope, containing the participant’s name, address, telephone, e-mail and a short artistic biography;
c/ a sealed envelope, containing the participant’s declaration accepting all terms of the Competition and stating that his composition has not been previously performed, published or recorded in studio.
6. The Competition is anonymous. On the right corner of each score’s title page a random number of five figures will be written instead of the author’s name. The same number will be put on the rest of the envelopes with the competitor’s information.
7. No other marks, breaking the anonymity, are allowed on the envelopes and the scores (besides the five figures number). The presence of another mark will be a reason for technical disqualification of the candidates.
8. The entries should be sent to:
41, Tsar Boris III blvd
1612 Sofia, Bulgaria
Krasno Selo Cultural Center
fax + 359 2 9516273
The necessary documents are:
Artistic biography and a photo;
Declaration - standard form
9. By applying for the Competition each candidate accepts the regulations of this Statute.
10. The submitted scores will not be returned.
1. An international jury of outstanding composers, conductors and musicians will evaluate the works.
2. "The Sofia City Mayor will appoint the jury, consisting of one president and four members.".
3. The works evaluation deadline is July the 30th 2016.
4. The jury is entitled not to award a prize, or to divide the prizes.
5. The decisions of the jury are final and are not to be reviewed.
The following prizes are provided:
Іst Prize - 3 000 leva/1500 euro
ІІnd Prize - 2 000 leva/1000 euro
ІІІrd Prize - 1 000 leva/500euro
A Prize awarded by the Sofia Soloists Chamber Ensemble – 1000 leva /500 Euro
1. The Prizes should be officially declared and delivered no later than October 2016, during the ceremony the Sofia Soloists Chamber Ensemble will perform the awarded compositions.
2. The organizers of the Competition should contract the recording and the broadcasting of the concert, or part of it. They reserve the rights to photograph, to film, record and distribute the performances without copyrights or compensatory payments to the authors and the performers.
3. The organizers provide free hotel accommodation in Sofia for the winners, for three days.
4. The competitors will travel at their own expense.
The organizers are entitled to change the regulations - in that case they have to inform the competitors, no later than 30 days, asking for their consent to participate in the competition in compliance with the new conditions, with a resolution of the Sofia City Council.
|Patchtax CALL FOR SUBMISSIONS|
|Summary:||Call for proposals|
|Deadline:||20 April 2017|
|Date Posted:||08 March 2017|
Patchtax is pleased to announce a call for submissions for their 2017-18 concert season. We are offering two composers a $1000 commissioning prize and $500 travel stipend for completed works, which will be premiered in December 2017 and recorded live. Patchtax will be available during the composition process for collaboration, feedback, and workshopping. Patchtax will be in residence in the beginning of September 2017 to workshop the new compositions, and composers are invited to join us if they can.|
Patchtax is dedicated to redefining the parameters of new music. The duo, comprised of saxophonist Mary Joy Patchett and violist Eve Boltax, was founded in 2013. At its core, Patchtax is a chamber music ensemble with a non-traditional instrumentation exploring unconventional performance practices. Patchtax’s repertoire includes a broad range of original arrangements of early to modern classical pieces to contemporary works including new commissions. Working within a discipline that has deeply embedded traditions, Patchtax creates unique worlds on stage, addressing the need within the classical music community to seek new ways of relating to 21st century audiences.
The vast majority of music programmed on contemporary music concerts and recognized by institutional awards is written by cisgender white men, outside of targeted events and popular music concerts. This imbalance in classical music culture is the result of a long history that has disenfranchised and limited opportunities for many artists. Patchtax recognizes the crucial need to support and represent music written by a wide-range of composers. Our mission to stimulate broader participation from those marginalized in the field is not just a matter of social ethics; proactive inclusion of diverse identities, thoughts, aesthetics and musical activities is vital to the dynamism, relevance and long-term health of the field of contemporary music.
– Eligibility: This call is open to composers of all ages and nationalities. This call is specifically for people with marginalized identities. We welcome applicants who identify as female, women, trans, gender non-conforming, people of color, and people with disabilities. We also welcome applicants whose identity lies at an intersection of the aforementioned identities.
– This call is for project proposals only, please do not send completed saxophone and viola works. Winners will be chosen based on their past work and proposed idea for the new saxophone and viola piece.
– The new work will be for saxophone (SATB) and viola. It can include multimedia elements.
– The new work will be 8-15 minutes in duration.
– Each composer must complete the online application and share 2-3 work samples (pdf). Please include a recording or midi file of the work samples. Work samples and audio files may be shared via email (firstname.lastname@example.org) or Google Drive.
– $5 must be paid via PayPal as a contribution to administrative costs.
April 20 2017: Deadline for submissions
May 1 2017: The winners will be notified, and will be commissioned to write the new saxophone and viola work over the next three months.
August 15 2017: Deadline for completed winners’ works.
The new works will be incorporated into Patchtax’s 2017-18 performance season, with a premiere performance in December 2017.
Please be in touch with any questions: email@example.com
|X INTERNATIONAL ACCORDION COMPOSITION COMPETITION FRANCISCO ESCUDERO|
|Summary:||Solo accordion competition|
|Deadline:||05 September 2017|
|Date Posted:||01 March 2017|
• Hauspoz Euskal Herriko Akordoei Elkartea, calls for the X International Accordion Composition Competition "Francisco Escudero" whose prize ceremony will be held on 16 of September 2017.|
• The objective of the contest is to promote the creation of pieces for solo accordion and for accordion in chamber music.
• The works may be composed for solo accordion or for chamber music with accordion, and their length may not exceed 10 minutes. The works of chamber music must be composed for a maximum of four players in which there is at least one accordion.
• The competition is open to composers of any age and nationality.
• Pieces written before 2013 will be refused.
• Works presented may be commissioned, but must never have been previously performed either in public or through any digital or mechanical means. Works that have been previously awarded or published will not be admitted.
• Only electro-acoustic clips recorded in one of these two formats are admitted: audio CD (no Wav) 44.1 KHz/16 bits; Mp3. CD recordings and scores will be sent by certified mail. MP3 pieces will be sent to firstname.lastname@example.org.
• Awarded works will be published by the organization. The jury may even consider at their discretion the publication of other works that haven't been awarded.
• Scores can be handwritten (legible and without amendments or corrections) or computer-generated. The awarded composer commits to convert the winning composition to electronic format within 30 days after announcement of the prize and submit the winning composition in electronic format to contest organizers.
• The organization reserves the right to propose awarded works for performance at the next editions of the "Arrasate Competition" for accordionists. Therefore the organization will have the right to record, produce and distribute the performance of awarded works without any economic benefit to the composer, except for those derived from the rights given by law.
• The composer will hand in three anonymous copies with no visible personal signature in an envelope, which will be identified only by a code or a theme. Works submitted should be enclosed into a sealed envelope which is clearly marked on the outside with the chosen title or headword of the composition, whereas the following details should be included within the envelope: composer's name and surname, phone number, address, e-mail and signed formal statement proving that the work submitted is unknown and has never been published or performed before.
• The entry fee is 30 euros. 10 euros for ‘Hauspoz' members.
• Closing date will be 5th September 2017.
• The organization, together with the jury, reserves the right to declare prizes void, in which case, a personality or an organisation will be awarded in gratitude for the trajectory of their work.
• It is compulsory that the following caption be included in all concert programs, as well as in printed publications and audio media where the awarded work appears or is mentioned: First Prize of the 10th International Composition Competition Francisco Escudero.
The participation will imply that the contestant accepts the terms of the competition
|Organ Music Composition Competition 2017|
|Summary:||Solo keyboard competition|
|Deadline:||19 April 2017|
|Date Posted:||01 March 2017|
A composition for organ that is ‘Memorable for the Right Reasons’ lasting between 4 and 6 minutes and playable by competent non-professional organists (approx. Grade 7)|
The competition is open to all and is divided into two categories -
20 and over (prize £1,000)
19 and under (prize £500)
The judge for the category prize will be
Dr LizLane (www.lizlane.co.uk)
Dr David Bednall (www.davidbednall.com)
John Davenport (DoM All Saints Clifton)
Am additional prize of £500 will be awarded by 'audience vote' at the public concert
Closing date for entries - 19th April 2017
For furthur information and Entry Forms please visit www.bdoa.org.uk
or contact BDOAcompetition@aol.com, or telephone 07866 692089
Judging will take place at a public concert at 3pm on Saturday 13th May 2017 at All Saints Church, Pembroke Road, Clifton, Bristol BS8 2HY
ALL ARE WELCOME TO ATTEND THIS CONCERT
|Works for baritone (voice) and piano or organ for church use|
|Summary:||Voice works required|
|Date Posted:||22 February 2017|
I am the bass section leader at First Presbyterian Church in Bonita Springs, FL. I am looking for repertoire to perform as a part of church services as introits or offertories. Works should be at least two minutes long, set a sacred English text (Biblical or a sacred poem, etc.), and be scored for baritone singer with piano or organ. Texts can be general Christian texts or specific to the church calendar (Lent, Advent, etc.). Single movements from larger works are welcome. The Biblical Songs (Op. 99) of Dvorak are a good guide for the type of thing I am looking for in terms of subject matter, but I welcome a variety of harmonic languages (tonal, post-tonal, etc.).|
Please send a PDF file of scores and link to recordings (if available) to email@example.com.
I perform at least one solo a month, so I am looking for works continually. If chosen I will provide you with a recording and bulletin from that weeks service. Depending on the season and church schedule, I a may perform the work on 1-3 services in a given weekend.
|RIX ANNELIE DE MAN 2018|
|Deadline:||01 January 2018|
|Date Posted:||08 February 2017|
Rules for Composers |
Application deadline: 01 January 2018
There is no age limit and no entrance fee. The competition is for composers from all nationalities.
In the composition the harpsichord should have the principal role. The duration should not exceed 10 minutes.
1st prize composers competition: € 2500 2nd prize composers competition: € 1000
Black Pencil prize: t.b.a.
Audience prize: t.b.a.
Additional prizes will be considered
Harpsichord in chamber music settings is the preferred instrumentation. However, solo harpsichord pieces will be also considered.
We encourage the combination of harpsichord with the instruments available in the Orgelpark, please see: www.orgelpark.nl.
We encourage composers to use the instruments of the Black Pencil ensemble for their harpsichord compositions: recorder (blockflute), panflute, viola, accordion and percussion. Please see www.instrumentalways.com
The harpsichord may be combined with other instruments, electronics, video and/or theatrical elements. The Annelie de Man Foundation will guarantee a live performance with an ensemble not exceeding more than 6 musicians (harpsichordist included).
Black Pencil – Ensemble in Residence
Black Pencil will be ensemble in residence in the 2018 edition of the Prix. It means that you can count on the expertise of the virtuoso members of Black Pencil for writing new compositions, making use of the instrumentation of the ensemble.
Jorge Isaac – Recorder (blockflute), Artistic Director Matthijs Koene – Panflute
Esra Pehlivanli – Viola
Marko Kassl – Accordion
Enric Monfort – Percussion
Please check www.BlackPencil.org
The Black Pencil Prize will be awarded to new compositions making use of the full instrumentation of the ensemble together with harpsichord.
Candidates should supply:
- A biography (in English) and recent photo of the composer
- The score of the piece, together with the necessary performance instructions - If possible a recording (aiff, wav or mp3 format), or a video file from a live performance. Midi is also accepted
- Use your real name (pseudonym is not needed)
- A composer can submit more than one composition
Please send your entry to: firstname.lastname@example.org. Your entry must be both in: - Pdf
Guus Janssen (http://www.guusjanssen.com) Wim Hendrickx (http://www.wimhenderickx.com) Roderik de Man (http://www.roderikdeman.com) and an organist to be selected by the Orgelpark
The jury will choose 3 works to be performed from which the winning composition will be selected. We reserve the right to make necessary changes.
Please understand that the PRIX receives many applications. Send the information about the compositions as clearly as possible. Thank you!
|2017 Wilmslow Parish Church Organ Composition Contest|
|Summary:||Organ Composition Competition|
|Deadline:||31 July 2017|
|Date Posted:||08 February 2017|
St Bartholomew’s Church, Wilmslow, Cheshire, UK announces a special Organ Composition Contest for composers of all ages and nationalities to celebrate the renewal and augmentation of the organ (affectionately known as Oscar) by York Pipe Organs. The winner of the contest will win a prize of £150, with prizes of £100 for second place and £50 for third. The 3 winners will have their pieces performed at the Festival Dedication Service on Advent Sunday 2017. In addition the 3 winning pieces will be published in a book called “Oscar’s Organ Book” by the online music publishing firm www.fagus-music.com.|
All submissions must be received via email (email@example.com) or postal mail (28 Bracadale Drive, Davenport, Stockport, SK3 8RS, UK) by 11:59 pm on 31st July 2017.
1. The contest is open to composers of any age or nationality in any style of music.
2. The piece, for solo organ of 3 manuals and pedals, must be unpublished, never performed, 5-8 minutes in length and of approximately grade 7 standard.
3. The piece must be appropriate for performance in a celebration concert, however a religious theme is not necessary.
4. Submissions will be accepted in one of the following forms: Sibelius 4, Midi file, PDF file or original manuscript. Manuscripts will not be returned.
5. All submissions will be reviewed without prejudice to style, content or form.
6. Composers must submit a short biography.
7. All submissions must be received via postal mail or email by 11:59pm on 31st July 2017.
8. The winner of the contest will win a prize of £150, with prizes of £100 for second place and £50 for third. The 3 winners will have their pieces featured in the Festival Dedication Service on Advent Sunday 2017 (3rd December). In addition the 3 winning pieces will be published in a book called “Oscar’s Organ Book” by the online music publishing firm www.fagus-music.com.,these prizes are all inclusive and no other expenses shall be paid to the composers.
9.The church reserves the right to host the world premiere of the pieces.
10.The results will be posted on the church website on 1st September 2017.
|FNMC COMPOSITION COMPETITION|
|Summary:||Flute competition with 4 categories|
|Deadline:||01 June 2017|
|Date Posted:||01 February 2017|
The Flute New Music Consortium promotes new works by talented composers through an annual composition competition. This year's competition will feature four categories for submission.|
Solo Flute: Submission deadline: June 1, 2017. 11:59 CST
• Works in this category must feature solo flute.
• Instruments in the flute family (piccolo, alto flute, bass flute, etc.) will be accepted.
• Works for flute and electronics are not appropriate for this category.
Flute and Accompaniment. Submission deadline: July 1, 2017. 11:59 CST
• Works in this category must feature the flute and either piano or electronics.
Flute Duo. Submission deadline: August 1, 2017. 11:59 CST
• Works in this category must include flute and one other instrument.
• Works for flute and piano or flute and electronics are not appropriate for this category.
Chamber Works. Submission deadline: September 1, 2017. 11:59 CST
• Works in this category include flute in some capacity.
• Chamber works should utilize between three and six performers.
• All instrumentations will be considered, but works for flute ensemble (flute quartet, flute trio) are strongly encouraged.
• Entries must use the flute in some capacity. There is no age limit, and composers are permitted to submit up to three works per category
• Suggested Length: 5-12 minutes
• Submission of Materials:
• Online application and entry fee ($13 per score). A $1 convenience fee per score will be assessed for payments submitted through the website. Scores should not contain identifying markings. This includes pseudonyms, dedications, and commissioner names.
• Multiple Entries: Composers may submit no more than three entries per competition category.
• The winning composer from each competition category will receive a $250 (USD) prize, one or more performances, and a live recording from one or more of the performances.
All entries must include:
• Scores with no identifying markings in either the file or the file name. This includes pseudonyms, dedications, and commissioner names.
• Scores must be created in Finale, Sibelius, or some other type of music entry software program
• All score submissions must be in PDF file format
• Live or MIDI recordings of each entry, with no identifying markings. This includes names of performers and composers in the file name as well as the metadata.
• All recordings should be submitted as mp3 files.
• Application information: name of composer, contact information, title of piece, instrumentation of piece, composer website (if available)
• Payment confirmation number
• Multiple movement scores should be submitted as a single PDF file
• Multiple movement works should be submitted as a single mp3 file
An entry confirmation will appear at the time of submission. An email confirmation will not be sent.
Selected winners give FNMC members rights to perform and record their works for up to six years without further compensation. Selected winners consent to one video interview, to be shared with FNMC members and in FNMC marketing materials.
Incomplete applications or applications with identifying markings will be disqualified. Entries submitted without the payment confirmation number will be disqualified. Entries received after the deadline will not be considered. Entries which do not include an audio file in mp3 format will be disqualified. Previously winning pieces are not eligible for re-entry.