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 GIBBONS PRIZE
Summary:Solo Guitar Competition
Deadline: 01 February 2019
Date Posted: 17 January 2019
Details: The Gibbons Prize pays homage to physicist, environmentalist, and Presidential Science Advisor John H. Gibbons. The prize is $1,000 for a selected original composition for solo, six-string classical guitar. Please review the guidelines below for entering the competition. For a brief biography of Gibbons, please see Matt Schudel, “John H. Gibbons, Science Advisor to Clinton and Congress, Dies at 86,” Washington Post, 30 July 2015.

Judging
A team of professional classical musicians—William Kenlon, Matt Palmer, and Ron Pearl—will review all entries and choose one winner. Honorable mention may be provided to two additional entries, but only one winning entry will be chosen and only one cash award will be made. It is possible that the judges will choose no winner.

Qualifying entries:
A qualifying entry must:
• Be an original composition for solo classical guitar.
• Be previously unpublished, not commissioned, and not a previous competition winner.
• Be more than 3 but less than 12 minutes in length.
• Be submitted by a person living or studying in the United States of America.
• Be submitted in .PDF (or musicXML) format online to www.canisavem.com. No hand-written scores will be accepted. Each score must be accompanied by a MIDI audio file or a recording of a guitar performance of the music. Only audio files should be submitted—video files cannot be accepted.
• Be submitted no later than 1 February 2019. No entries will be accepted after the deadline or without a legible, complete score and an audio file. The winner will be announced as soon as possible, but not before a fair hearing has been given to each entry.
• Be submitted without the composer or composers’ name(s) on the score and audio file. The competition administrator will code the entries with the entrants’ names for use to determine the winner. This practice will help preserve objectivity on the part of the judges.

Please note that family, students, or professional partners of judges are not eligible to enter the competition. Please note also that entry materials will neither be returned to entrants nor distributed or reproduced without the written permission of the entrant.

A winning entry will be:
• Original and creative, and evince well-honed compositional craft.
• Treated as the property of the entrant (but materials submitted will not be returned).
• Considered—with the agreement of the entrant—for publication and professional recording at the expense of Musica Canis Avem.

Questions may be addressed to info@canisavem.com. For additional information, see www.canisavem.com or contact us at P.O. Box 811 Robin Hood Road, Annapolis, Maryland USA 21405.
Web Site:www.canisavem.com

 XII° Destellos Competition 2019
Summary:Electro-acoustic Composition
Deadline: 15 March 2019
Date Posted: 17 January 2019
Details: The Foundation Destellos, call for works for the Twelfth Competition of Electro-acoustic Composition and Visual music.

The objectives of this competition are the promotion and development of the artistic creation in relation with new technologies. Likewise, it is an intention of the Foundation Destellos to stimulate the creativity of the young generations of artists and to provide them new routes of diffusion of their works.


Will be attributed three first prizes of an amount of 600 American dollars each, in the categories:
A. Acousmatic music
B. Mixed Music
C. Visual music electro-acoustic


Also, as in former editions, will be granted second prizes, consisting in collections of CD of electroacoustic music offered by: Akusma
Guidelines
1. The call is open to composers of any nationality, age and gender.
2.Each candidate can send only one work by category, not been published for commercial purposes or prized before. It is recommended to get off the piece of any web site (ex. YouTube, SoundCloud etc).
3. Participants must pay a contribution bonus, which will be allocated to management and advertising expenses of an amount of 20u$a for one work and 5u$a for each one of the following. Payment must be made through PayPal, using the "donate" button located on the home page of the website: www.fundestellos.org
4. For Category A, Acousmatic music: will be accepted stereophonic and multitrack works up to 11' duration.
5. Category B, Mixed Music: will be accepted works for instruments and electronic, of a maximum duration of 11 '.
6. All mixed works must be accompanied by their written score. Midi formats; improvisations or works that require devices in real time will not be accepted.
7. For Category C, visual music, will be accepted video works up to 6', in format. mov.H264. The Video Music category is for works that reflects principles drawn from music composition.
8. The participants will have to register before, sending by e-mail :
a. The submission form (attached below) properly completed by computer, preserving the format. Manuscript forms will not be accepted.
b. Certificate of the PayPal payment. IF YOU SEND THE PAYMENT BY ORDER OF A THIRD PERSON, PLEASE INDICATE IT ON YOUR SUBMISSION.
c. Send both as attached document to: info@fundestellos.org
8. Each candidate will receive an e-mail of confirmation and a Code of inscription.
9. Once obtained the ID of inscription, the materials must be sent by: We Transfer, Dropbox or similar to: info@fundestellos.org
10. All audio files must be send in mp3 (320kbps-high quality). Multitrack pieces must be sent : 1) a stereo version 2) the separated files, all contained in a .ZIP folder.
11. Pieces with instruments must be send in a ZIP folder containing : a) score in .pdf format, b) mixed version, in mp3 (320kbps-high quality) c) electronic part alone, same format.
12. The files and/or folders must be labeled ONLY with the Code Number+Title of the work (ex.: "021_Mypiece"). The name of author/s should not be included in any of the media supports (score, audio files). Please don't send audio materials by email.
13. The Submission that don't fill ALL the requirements established in this guidelines, will be rejected, and the payment will not be returned.
14. The works will not be returned and will be kept in the archives of the Foundation.
15. Prize winners of the two earlier Destellos Competition cannot participate, neither members of the jury and their families.
16. The works must be sent before Mars 15th, 2019.
17. The jury will be integrated by recognized international members.
18. The jury has the right to declare the prize deserted and give one or more mentions, also to design an "ex-æquo" prize to works of the same quality level.
19. The foundation has the right to postdate, to annul or to modify the rules of the competition at any moment. All changes will be published at the time.
20. The prizewinners are engaged to write the mention "Prix Destellos 2019", in all concert programs that include the work. The authors must inform the Foundation of the public presentations of the prized work.
21. Participants who do not meet ALL of the requirements set out in these rules will be canceled and the payment will not be refunded.
22. Candidates are asked to accept all the conditions of these regulations.
Entry Fee:$20
Web Site:www.fundestellos.org/pageone.h...

 The 24th West Cork Chamber Music Festival
Summary:String Quartet Competition (Irish Composers)
Deadline: 19 March 2019
Date Posted: 17 January 2019
Details: String Quartet Composition Competition
for Irish citizens/residents under 35
The winning works will be premiered at
The 24th West Cork Chamber Music Festival 28 June – 7 July 2019

We are delighted to announce that the 12th West Cork Chamber Music Young Composers’ Competition is now open for entries. We welcome submissions from all Irish and Irish-resident composers Under 35. Past judges of this competition include Donnacha Dennehy, Lera Auerbach, Brett Dean and Deirdre Gribbin. The adjudicator for the 2019 Competition will be announced in due course.

Past winners of the Competition include Seán Doherty (commissioned to write a chamber opera for the 2012 Olympics), Solfa Carlisle and Amanda Feery, (both winners of the Seán Ó Riada competition), Robert Coleman (NCH Jerome Hynes competition winner) and Finola Merivale (a Benjamin Franklin fellow at the University of Pennsylvania). Congratulations again to the 2018 winners, Darragh Kelly, Daragh Black Hynes, Omar Zatriqi and Lisa Robertson.

The work:
Scored for string quartet (2 violins, 1 viola and 1 cello). Works requiring other instruments, pre-recorded sounds or electronics are not eligible for consideration.
5-8 minutes duration
Has not been performed in concert before a ticket-buying public audience prior to its performances at the 2019 West Cork Chamber Music Festival
The competition will be judged anonymously and the international judge will select four winning scores on equal footing.

Each of the four composers will receive:
-€750 prize money
-3 nights’ accommodation at the festival
-2 public performances of their work by a conservatoire quartet at the West Cork Chamber Music Festival. The second will be the official World Premiere played at the quartet’s Town Concert (a date in early July).
-The first performance will be at a workshop attended by all four composers and the public. The composer will have a chance to discuss their work with the international judge and the musicians. The assigned conservatoire quartets will perform the works as they are workshopped and experiment with compositional suggestions.
-Each composer will have an opportunity to work the performers prior to the work’s first public performance.

Conditions of entry:
1. Entrants must be under the age of 35 on 1st January 2019.
2. Entrants must either hold Irish nationality, be born in or resident on the island of Ireland, have an Irish-national parent, be an International student at an Irish third-level institution, or have lived in Ireland for at least one year.
3. Competition entry is free.
4. Each entrant can submit one work only each year.
5. We can accept submissions from previous entrants and past winners under the age limit. Any works entered in previous years cannot be resubmitted.
6. Works that have been performed in concert before a ticket-buying public audience prior to the Festival (28 June – 7 July, 2019) are not eligible for consideration.
7. Scores must be submitted to West Cork Music by 23:59 on Tuesday 19th March 2019. All scores must be submitted electronically.
8. Compositions will be assessed by an adjudicator chosen by West Cork Music. West Cork Music reserves the right to change the adjudicator in extremis.
9. This competition is adjudicated anonymously. Any indication of the composer’s name or address on the score would lead to disqualification.
10. Winning compositions will be announced on www.westcorkmusic.ie by 24th April 2019. The four winning composers will be notified directly by email.
11. All winning composers must submit instrumental parts by 2nd May 2019 for distribution among members of the conservatoire quartets.
12. It is a condition of entry that composers agree to attend the workshop in Bantry on Sunday 30th June at 14.00. In the event of non-attendance, prizes will be withheld. The festival will offer 3 nights’ accommodation to facilitate the composers’ attendance. All other expenses incurred are the responsibility of the winning composers.
13. West Cork Music reserves the right to alter dates and times of the Young Composers Forum and subsequent performances.

How to Enter:
This competition only accepts entries by email.

Email subject: QCC 2019

Attachments: an anonymous pdf of the score. Please check headers, footers, etc. do not contain your name. Any text that identifies the composer could lead to disqualification.

In the body of the email please list:
- Composition title
- Composer’s name
- Composer’s date of birth
- Details of Irish citizenship/residency
- Current address
- Phone number
- Current place of study (where applicable) and study level (undergraduate, masters etc.)
- Where you found out about the competition (website name, word of mouth, email circulated etc.)

Please send the above to Mary-Ellen Nagle at this email.

Good luck!

Web Site:westcorkmusic.ie/chambermusicf...

 International Federation for Choral Music
Summary:Choral Competition
Deadline: 30 September 2019
Date Posted: 17 January 2019
Details: 1. The International Federation for Choral Music (IFCM) announces the ‘Fourth
International Competition for Choral Composition’, the chief aim of which is to pro-mote the creation and wide distribution of new and innovative choral repertoire.

2. Participation is open to composers of any nationality or age.

3. The Competition is dedicated to choral compositions a cappella (SATB or divided into as many as eight parts, SSAATTBB) with a maximum duration of 5 minutes, specifically for medium to advanced choirs. The text of the composition, sacred or secular, in any language, written for the occasion or preexisting should be in the public domain. If not, permission in writing must be obtained from the author or copyright holder of the text and must be enclosed with the entry form.

4. There is a 25 USD entry fee payable at the time of submission for each entry.

5. Up to two works per composer may be submitted. Scores must be sent electroni-
cally either in PDF format made from Sibelius or Finale fi les or in a similar program. Midi Files, Tapes or CDs may not be submitted. The composer’s name must not appear anywhere on any score. The IFCM Competition Offi ce will receive all works, which will then be sent to jury members. No composer’s identity will be divulged to the jury before or during judging. The jury’s decision will be announced in the ICB and in the IFCM website. Each participant must include a document (.doc or .PDF fi le) with full address, contact details and title of the composition submitted. This document must also contain a written, signed statement by the composer declaring that any score submitted is unpublished and has never been awarded a prize in any previous contest. Entries must arrive by the entry form no later than 30 September 2019. Works cannot be revised after submission.

6. The competition will be judged by a five member jury consisting of international
choral conductors and composers. The jury’s decision is final.

7. Strong consideration will be given to a work’s potential for performance and for
the prospect of repeated performances by a medium to advanced SATB (SSAATTBB) choir possessing the appropriate voicing requirements. The winning work must demonstrate excellence of compositional craft , imagination, ‘sing¬ ability’ (given reasonable rehearsal time), idiomatic eff ectiveness and, most importantly a fresh approach to choral writing.

8. The winning works will receive the following:
First Prize:
1,000 USD, IFCM Awards Certificate and plaque
Second Prize:
500 USD, IFCM Awards Certificate and plaque
Third Prize:
300 USD, IFCM Awards Certificate and plaque

The first winning composition will be performed by one the presenting choir at the
WSCM (World Symposium of Choral Music) in Auckland, 2020. In consultation with the composers, the three winners will be featured in the International Choral Bulletin where an interview with the composers and the entire scores will be published in print and online. The three winning composers will receive a 20% discount in participation at WSCM activities.

9. The copyright to the three winning works will be transferred to IFCM.

10. Participation in the competition implies full knowledge and acceptance of these
regulations.

FOR MORE INFORMATION:
Andrea Angelini, ICB Managing Editor & Director of the Competition
(aangelini@ifcm.net) | https://ifcm.net/projects/choral-composition-competition
Entry Fee:$25
Web Site:www.facebook.com/1162436217/po...

 Filskit Theatre
Summary:Composer / Sound Designer Required
Deadline: 15 February 2019
Date Posted: 17 January 2019
Details: • Closes: 15th February 2019
• Location: South West, London, South East
• Type: Part time
• Salary: Paid (£15k-20k pro rata)
• Contact: Sarah Shephard sarah@filskittheatre.com

Description
Here at Filskit Theatre we are seeking a number of Composers / Sound Designers to collaborate with us on a new piece for children aged 7+, The Artist.

The Artist is an interactive, multi-sensory performance for young autistic people.

We are looking for a number of Composers / Sound Designers to collaborate with us in order to create sound in response to pieces of visual art.

The visual art will be projected using interactive software which will allow the audience to play with the images and react to the sound. You can see an example of this software here: https://www.youtube.com/watch?v=nzyp39rhcto

We are looking for artists who identify as Neurodivergent (ND). This includes but is not limited to ADHD, Autism, Dyslexia, PTSD. For a more detailed definition and examples please see this article: http://neurocosmopolitanism.com/neurodiversity-some-basic-terms-definitions/

This project will take place from Mon 18th March - Thurs 25th April 2019 in Portsmouth and Eastliegh. In order to support all Artists we are open to discussing different ways of working, including remote working.

If you are interested in this role please send a CV and covering letter to sarah@filskittheatre.com by 5pm on Friday 15th February 2019.

If you would like any support to submit an application or to clarify anything please feel free to contact sarah@filskittheatre.com to discuss your requirements.

Web Site:www.artsjobs.org.uk/arts-job/p...

 L+M Duo
Summary:Marimba and Piano Call
Deadline: 31 May 2019
Date Posted: 17 January 2019
Details: L+M Duo announces its inaugural Call for Scores for marimba and piano duos by women composers of contemporary classical music. Submissions are welcome from all ages and career points, binary and non-binary women, from anywhere in the world. Winning compositions will be performed by L+M Duo during their 2019-2020 season.


Submission Requirements
- Required instrumentation of marimba and piano duo. Fixed media allowed.
- Work must not have been previously performed
- Any length
- Electronic submission of PDF files strongly preferred with subject line, "L+M Duo Call for Scores 2019 - [your name]" to the following address: marimbapianoduo@gmail.com. Submission may also include sound files and/or program notes.
- Submit any hard copies to the following address:
James Madison University
Music Dept. - Laurel Black
MSC 7310
880 S. Main St.
Harrisonburg, Virginia 22807
USA


Composer/Performer Agreement
- Composer will not charge a licensing fee nor rental fee to L+M Duo for any performance of chosen work
- Composer will engrave chosen work with the text, "Written for L+M Duo: Laurel Black and Marianne Parker"
- L+M Duo will give three performances of chosen works during their 2019-2020 season


Deadline for Submission is May 31, 2019 at 11:59pm EST
Web Site:www.marimbapianoduo.com

 KC VITAs 2019 Summer Series
Summary:Choral Music Call
Deadline: 15 March 2019
Date Posted: 17 January 2019
Details: Call for Scores - accepting submissions until March 15, 2019

2019 marks KC VITAs' 5th annual Summer Series, showcasing some of the best, most challenging, and most beautiful new choral and vocal music. Past Summer Series concerts have showcased works by composers from all over the world, from various backgrounds and with diverse musical styles.

KC VITAs is an ensemble devoted entirely to supporting the work of living composers. Every work selected for the Summer Series will be performed during the concert series on August 2nd and 4th, 2019 and will be professionally recorded.

Frequently Asked Questions
Is there a submission fee?

No. In past seasons we did collect a small submission fee, but this year we have decided to abolish it. We do not wish to impose unnecessary financial burdens on composers and we are sensitive to the fact that some submission fees can feel predatory or otherwise encourage a pay-to-play mentality. We hope that composers will feel safe entrusting their works to us, and that they value the artistic cooperation between performers and composers that KC VITAs exists to foster. We are a 501(c)3 nonprofit organization however, and we always welcome financial support from anyone--including composers--who are touched by our work and our mission to sustain and support new music. Donation information can be found on the Support Page.

How do I submit my music?

The buttons above will take you to the submission form for that category. Please read the submission guidelines carefully and answer all questions before uploading your files. The adjudication process is anonymous, so all identifying information must be redacted from your score.

How many works can I submit?

Please limit your submissions to 3 in total. That can be 3 in a single category or 1 in each, etc. Submissions beyond 3 will not be forwarded to the adjudicators.

When will I be notified?

All composers will be notified by May 1, 2019.


For further questions or problems, contact submissions@kcvitas.org
Web Site:www.kcvitas.org/call-for-score...

 Millenium Chamber Symphony
Summary:Opportunity for female composers
Deadline: 01 March 2019
Date Posted: 17 January 2019
Details: For the 2019 season, the Millennium Chamber Symphony is reviewing chamber works by contemporary composers who are women; in any combination of violin, cello, clarinet, piano (including piano 4 hands).

Selected works will be presented in the MCS program season in NYC and venues beyond, and composers will receive a $250 honorarium.

Please send your MP3’s and any PDF’s to millenniumcsymphony@gmail.com by March 1, 2019
Web Site:www.millenniumchambersymphony....

 Ablaze Records
Summary:Three commercial recording opportunities
Deadline: 01 February 2019
Date Posted: 17 January 2019
Details: 1. Orchestral Masters Vol. 7

For this series ABLAZE will record your work with the tremendous BRNO Philharmonic Orchestra conducted by new music specialist conductor Mikel Toms. If selected, the submitter is responsible for securing funds associated with the production and, unusually for the recording industry, retains all ownership of the master and underlying composition. We will then record your work to ABLAZE Records award winning standards with our tremendous enginnering team in Brno and New York. ABLAZE Records takes care of everything from planning right through to distribution.

Send a score of your work to us for your chance to win a place on our Orchestral Masters, Vol. 7 CD. If our expert panel of composers chooses your work, you will win a spot on our SEVENTH Orchestral Masters CD.

If selected, the submitter is responsible for securing funds associated with the production and, unusually for the recording industry, retains all ownership of the master and underlying composition.This will entitle you to a partially subsidized commercial release of your work worldwide.

2. Sinfonia Series Vol. 2

For this series ABLAZE will record your work with the Brno Philharmonic Ensemble conducted by new music specialist conductor Mikel Toms. Then we will expertly edit, mix and master your music and manufacture CDs for worldwide release.
Send a score of your work to us for your chance to win a place on our Sinfonia Series, Vol. 2 CD. If our expert panel of composers chooses your work, you will win a spot on our Sinfonia Series CD. If selected, the submitter is responsible for securing funds associated with the production and, unusually for the recording industry, retains all ownership of the master and underlying composition.This will entitle you to a partially subsidized commercial release of your work worldwide.
The works can be for any large chamber ensemble size up to 15 players with the usual instrumentation of:
• 1 Flute (doubling piccolo),
• 1 Oboe (doubling cor Anglais),
• 1 Clarinet (doubling bass clarinet),
• 1 Bassoon,
• 1 French Horn,
• 1 Trumpet,
• 1 Trombones (1 tenor or 1 bass),
• 1 Tuba
• 1 Percussionist (usual range of orchestral percussion available),
• 1 Piano or Harp
• 2 Violins
• 1 Viola
• 1 Cello
• 1 Double Bass
• Additional instruments may be available upon arrangement. Piano is usually available and all usual auxiliaries are available

3. Pierrot Ensemble Series Vol. 4

For this series ABLAZE will record your work with the tremendous BRNO Philharmonic Soloists. If selected, the submitter is responsible for securing funds associated with the production and, unusually for the recording industry, retains all ownership of the master and underlying composition. We will then record your work to ABLAZE Records award winning standards with our tremendous enginnering team in Brno and New York. ABLAZE Records takes care of everything from planning right through to distribution.

Send a score of your work to us for your chance to win a place on our Pierrot Ensemble Series, Vol. 4 Recordings. If our expert panel of composers chooses your work, you will win a spot on our Fourth Pierrot Ensemble Series Recordings.

If selected, the submitter is responsible for securing funds associated with the production and, unusually for the recording industry, retains all ownership of the master and underlying composition.This will entitle you to a partially subsidized commercial release of your work worldwide.
Entry Fee:Must self-fund
Web Site:www.ablazerecords.net/submissi...

 The Walden School
Summary:Musicians' Retreat
Deadline: None
Date Posted: 17 January 2019
Details: The week-long festival in New England for composers, improvisers, performers, electronic musicians, choral musicians, and music teachers.

All participants at the Creative Musicians Retreat take classes, sing in chorus, attend improvisation workshops, hear concerts, and participate in Composers Forums. Courses include the Walden School Musicianship Course, seminars on Contemporary Topics, and courses in electronic music. Our Composer-In-Residence is on campus all week, moderating three Composers Forums, conducting master classes, and giving private composition lessons. In 2019, our artists-in-residence will be Mivos Quartet, percussionist Matthew Gold, and composer George Lewis.

Application Postmark Deadlines
Fall Round: December 15, 2018
Winter Round: February 1, 2019
Spring Round: March 15, 2019
Final Round: May 1, 2019

For more information and to apply:
Web Site:waldenschool.org/creative-musi...

 Listenpony
Summary:Commission Opportunity
Deadline: 15 July 2019
Date Posted: 17 January 2019
Details: Listenpony is looking for composers to work with in 2019.

Selected composers will receive a £500 commission to write a 5-minute piece for one of the ensembles or soloists in our May or September concerts. (Applicants can express a preferred date, details are on our website.) The piece will be premiered at a Listenpony event and professionally recorded and filmed. It may also be released on one of our live EPs.

There are two deadlines – 15 Feb and 15 July, which apply to different performance dates. You may apply to both deadlines in one application.

We look forward to hearing your work!

About Listenpony
Listenpony is a concert production company with a central aim of commissioning and presenting high quality music from young composers and performers.

After 7 years, commissioning over 40 works and working with over 40 performing groups and soloists in that time, Listenpony is one of the core independent organisations for young new music makers in London.

https://listenpony.com/commissions/apply/
Entry Fee:£3
Web Site:listenpony.com/commissions/app...

 Uncommon Music Festival
Summary:SATB quartet call
Deadline: 01 March 2019
Date Posted: 17 January 2019
Details: 2019 Composer Competition and call for scores!
Accepting submissions until March 1, 2019

The Uncommon Music Festival is seeking new compositions to perform and record during its 2019 Festival in Sitka, Alaska. Pieces should be written for SATB vocal quartet (no divisi) with optional piano or guitar accompaniment, have a duration of 3-5 minutes, and set English text.

All pieces submitted to the call for scores, regardless of previous public performance, will be considered for selection for the Festival. Pieces that have not received public performance will be considered for our Composer Competition, the winner of which will receive a $200 cash prize and guaranteed publishing with Performer’s Edition.

The Uncommon Music Festival supports diversity in classical music. We welcome submissions from composers of any age and experience level, and we encourage submissions from those who are underrepresented in classical music.

Compositions must fit the following criteria:
• Scored for SATB vocal quartet (no divisi) with optional piano or guitar accompaniment
• 3-5 minutes in length
• English text
• For consideration for the Composer Competition: the composition must not have received a public performance

All selected pieces will receive:
• A live performance at the 2019 Uncommon Music Festival
• A high-quality audio recording
• A $50 cash prize
• Consideration for publication by Performer’s Edition

The winner of the Composer Competition will receive:
• A live performance at the 2019 Uncommon Music Festival
• A high-quality audio recording
• A $200 cash prize
• Guaranteed publishing by Performer’s Edition

The composition can set any text, as long as that text is in English and used with permission. It may deal with any subject matter.
Note that the Festival reserves the right to freely distribute any recordings of selected compositions through physical or online media. Royalties from paid distribution will be negotiated on a case-by-case basis.
Applicants must submit the following:
• A PDF of the score
• An MP3 rendering (audio created by notation software is fine)
If your piece contains divisi, you must submit a note in the application that details how you would adapt the piece for vocal quartet. Any pieces with divisi without such a note will be immediately disqualified.

Applicants will be notified of the decision by March 31, 2019.
Web Site:www.uncommonmusicfest.org/comp...

 She Lives Masterclass
Summary:MASTER CLASS IN COMPOSITION 2019
Deadline: 12 June 2019
Date Posted: 17 January 2019
Details: We are very pleased to announce the 2019 She Lives Master Class in Composition!

Our Master Class in Composition became a most significant course for emerging composers in the international panorama and had the pleasure to have partecipants from the four corners of the world: Germany, Poland, Italy, Hungary, Ireland, China, US, UK, Kazakhstan, South Korea, Iran, Japan, Russia.

During the years of our activity we were able to put our students in contact with the most prestigious institutions in the world and supporting them in the development of their career as professional composers. Some of our Alumni have established themselves as very promising figures in the compositional panorama winning prestigious competitions and having their piece performed by reknown ensembles and orchestras.

Our musical association had the privilege to work with some of the most important institutions and artists in the international panorama: Solisti della Scala di Milano, Roma Opera House, Accademia Chigiana, Filarmonica Romana, Fondazione Scelsi, Royal Embassy of Norway, Swiss Institute in Rome, Warner Classics and great artists such as Peter Eötvös and Lasse Thoresen.

General Info
Period: 6-10 August 2019
Place: Zeneház (House of Music) seat of Concerto Budapest Orchestra.
Address: Páva utca 10, 1094 – Budapest
Ensemble in Residence: piano, clarinet and string quartet (members of The National Hungarian Radio Orchestra, Hungarian Opera House and Concerto Armonico). Ensemble conducted by Andreas Luca Beraldo.
Final Concert: 10 August – House of Music. Budapest

Professors: Sidney Corbett, Alessio Elia

Courses

Sidney Corbett / Alessio Elia
– On writing for ensemble, with analytic examples from Ligeti, Lachenmann, Corbett, Romitelli, Scelsi, Elia, Grisey.

Alessio Elia
– Polysystemism, a simultaneous employment of different tuning systems. A compositional approach to microtonality related to the physical dimension of sound.
(Seminar based on lectures held at Cité de la Musique, The Hungarian Academy of Arts and Chigiana Academy)

Sidney Corbett
– Morphology and formal prototypes. Writing techniques.



The pieces of the students are analyzed and discussed by Corbett and Elia from the point of view of compositional techniques and aesthetics. The conductor and editor Andreas Luca Beraldo will provide instead a conductorial and editorial approach.

ACTIVE PARTICIPANTS
Active students are entitled to attend the courses, and invited to discuss their own works with professors during individual meetings. They can also take part to the final concert with a piece written for the ensemble in residence.

PASSIVE PARTICIPANTS
Passive participants are entitled to attend the courses and the discussions of active students about their works, but they cannot discuss their own works with the professors.
Passive participants are invited to attend the rehearsals and the final concert of active students, but they cannot propose their own works.



LANGUAGES
The course is held in English.
Individual meetings can be done in the following languages:
Sidney Corbett: English, German, Spanish
Alessio Elia: English, Italian, German, Hungarian

PERFORMANCE OF THE COMPOSITION COURSE STUDENTS’ PIECES
The course provides the performance of the students pieces during the final concert (10 August – h. 19:30, House of Music).
Composers who wish to apply as active partecipants are invited to write a piece for the ensemble in residence (with conductor):

Piano, clarinet and string quartet

The piece can be written for any combination of the instruments present in the ensemble, from solo instrument to the whole group and must not be longer than 7 minutes.
Scores and parts, preferably written with a music notation software (Finale, Sibelius, etc.), must be sent as a pdf file no later than 12 June 2019, to the following e-mail address:

info@shelivesmusic.it

The best pieces will be address to major musical instutions for possible concerts and have the possibility to be published by Edition Impronta Mannheim.



APPLICATION
To apply send via e-mail (info@shelivesmusic.it) the following documents:

Active partecipant

Deadline: 12 June 2019

Curriculum Vitae
receipt of payment of preselection process 100 € (non refundable)
the piece written for the ensemble in residence (any combination of the instruments present in the ensemble, from solo instrument to the whole group, and no longer than 7 minutes). Within one week of submission the applicant will be notified about participation either as an active or passive student. Subsequently it will be necessary to pay the remaining registration fee in accordance with the result of the application process (if selected as active partecipant it should be corresponded the remaining 460 €; if selected as passive partecipant it should be corresponded the remaining 200 €).


SPECIAL APPLICATION

Active Participant connected with Impronta Ensemble Composition Competition

Deadline: 15 May 2019

This year She Lives has the pleasure to have established a connection with Impronta Ensemble Composition Competition.

Applicants who will apply within 15 May 2019 has the right to apply to Impronta Ensemble Composition Competition without paying the competition fee for the first work sent (visit also the Impronta Ensemble website).

The list of instrument for the Impronta Ensemble Competition is the same of the She Lives Master Class (clarinet, piano and string quartet) and the maximum duration of the piece is extended to a maximum of 10 minutes (there is no minimum duration).

Prizes include monetary prizes, publication of the works by Impronta Edition, performances and scholarships for the She Lives Master Class 2019.

PRIZES

I: 1.000 EUR + publication of the piece by Impronta-Edition + performance

II: 500 EUR + publication of the piece by Impronta-Edition + performance

Special Prizes

2 Scholarships of 200 EUR each to take part to this SHE LIVES Master Class 2019 in Composition in Budapest as active student
Antonio Perilli Prize: 200 EUR + publication of the piece by Impronta-Edition + performance
Edition Prize: Publication of the piece by Impronta-Edition + performance
Applicant who decide to apply to the Master Class with this formula must clearly declare it in the email. In this case the piece written for the Master Class will be addressed anonymously by our organization to the Jury Board of the Impronta Competition.

The Competition gives to the applicant the possibility to send a maximum of 5 works. Applicant to the She Lives Master Class will not pay the Impronta Ensemble Competition fee for the first piece sent. Additional pieces (up to a maximum of 5 including the piece sent for the Master Class) can be sent by corresponding a fee of 25 € each. The amount for the additional pieces must be sent to She Lives bank account (see it at the bottom of the page).

The works sent may have already been performed but not previously published.

In order to apply with this formula, send to She Lives e-mail address (info@shelivesmusic.it):

1) Score(s) in PDF format. Submitted pieces must be anonymous, only the title of the piece should appear on the score. Handwritten scores will be also accepted, but they should be perfectly readable.

2) Short biography of the composer

3) Commentary of the submitted works (NOT compulsory)

4) MP3 of performance recording, if any (NOT compulsory)

5) Receipt or screenshot of entry fee payment for additional pieces (if any)

6) Registration form filled in and signed (download it here)

7) Receipt of payment of preselection process for the She Lives Master Class, 100 € (non refundable)

Winning composers must provide the parts within 1 July 2019.

The winning works will be announced latest by 31st May 2019. The decision of the jury is final. The results will be announced on our website and across our social media platforms as well as in private emails.

The preselection process for the She Lives Master Class will be announce after the announcement of the winners of the Impronta Ensemble Composition Competition and no later then 31 May 2019.



Apply directly as Passive partecipant

Deadline: 12 June 2019

a copy of identity card or passport
receipt of payment of the registration fee (300 €)


FEES

Course Fees
Active Students: 560 €
Listeners: 300 €



The fees should be sent to the following Bank Account

Associazione SHE LIVES
IBAN: IT17H0335901600100000131702
BIC/SWIFT (per le transazioni internazionali): BCITITMX
Banca Prossima – Filiale di Milano, Piazza Paolo Ferrari 10, 20121 Milano

SHE LIVES Address: Piazza della Libertà 20, 00192 – Roma (Italy).



Deadline for enrollment and delivery of the pieces and parts

12 June 2019 (active partecipant)

15 May 2019 (active partecipant via Impronta Ensemble Composition Competition)

12 June 2019 (passive partecipant)



FOR INFO: info@shelivesmusic.it
Web Site:www.shelivesmusic.it/mastercla...

 The Millennium Composers Initiative
Summary:Call for Members
Deadline: 28 February 2019
Date Posted: 17 January 2019
Details: The Millennium Composers Initiative is excited to announce our 2019 Call for Composers!! Composers under the age of 30 are encouraged to apply. While our call is open to everyone in this age demographic, we are especially interested in the following criteria:


-Composers who identify as female, POC, non-binary, LGBTQIA+
-Composers involved with commercial work and other non-classical fields (ex: film/TV scoring, video game scoring, songwriting, etc.)
-Composers with a background or interest in the fields of conducting and/or music education


Please fill out the information on the form below. You will need to prepare a compositional portfolio with your submission - this should be submitted as a cloud-storage link (such as Dropbox or Google Drive) and should include the following:


-Your Professional Photo or a similar Headshot (no more than 10MB maximum)
-Your Resume or CV. If you choose to upload your Resume, please keep it to no more than two pages maximum.
-Up to 5 Works. For acoustic and electroacoustic pieces, as well as any live recorded music for commercial work (such as film score cues), please submit PDF scores and mp3/WAV audio files. Live recordings are preferred, but we will also accept MIDI realizations if necessary, especially if used for hybrid-orchestrated film cues. For electronic music submissions, please submit mp3/WAV audio files along with any other information you feel is necessary for us to know about your piece.


Please feel free to contact us if you have any questions. Thanks so much and we look forward to hearing from you soon!
Web Site:www.mcicomposers.com/2019-call...

 The Ithaca New Music Collective Call for Scores
Summary:Call for Scores for Inclusion in Concert
Deadline: 15 February 2019
Date Posted: 17 January 2019
Details: The Ithaca New Music Collective is a group of musicians in Ithaca, NY dedicated to performing works written by composers from Ithaca College, Cornell University, and the Ithaca community. The collective strives to bring the music of Ithaca to its community and beyond.

Who can apply
Any composer who is currently living in Ithaca and vicinity, or has lived in Ithaca in the past.

Duration
Submissions can be of any length, although preference will be given to works under 12 minutes for inclusion in the March 18th concert

Instrumentation
Mezzo Soprano (for more information see www.caitlinmathes.com )
Flute/piccolo/alto flute/bass flute (1 player)
Oboe/English horn (English Horn including B flat extensions)
Trombone
Percussion (vibraphone and a 4.3 octave marimba available)
Violin
Double Bass (no C extension)
1. Any subset of the ensemble can be submitted, although preference will be given to works utilizing the full ensemble
2. Additional electronics / media is accepted

How to submit
Send an email to ithacanewmusiccollective@gmail.com including the following:
1. Subject Line: INMC March 18, 2019 Call for Scores Submission
2. Score in PDF format
3. Recording/MIDI realization if available
4. Contact information: Name, email address, phone number
5. Statement explaining the applicant’s connection to Ithaca

Between six and eight compositions will be selected for inclusion in the next INMC concert at Argos Warehouse in Ithaca on Monday, March 18, 2018. Applicants are required to attend one rehearsal either in person or via Skype.
Web Site:www.ithacanewmusiccollective.c...

 KLANG! International Acousmatic Composition
Summary:Acoustic Call
Deadline: 15 March 2019
Date Posted: 10 January 2019
Details: Guidelines:

1. The competition of acousmatic composition is open to composers of any nationality, age and gender. The competition is divided in two categories: A professional and B student.

2. Only acousmatic work in stereo or multichannel (up to 8 channels) are accepted. There is no duration limit.

3. For Category A, Professional: the entry fee is 10€ (donnate with PayPal by clicking on the link on the application form). Indicate the title of your piece in the text zone « add comment » on PayPal. The registration will not be taken into account if the payment is delayed or has not been done.

4. For Category B, Student: the entry fee is 6€ (donnate with PayPal by clicking on the link on the application form). A copy of student id must be sent with their audio file. Indicate the title of your piece in the text zone « add comment » on PayPal. The registration will not be taken into account if the payment is delayed or has not been done.

5. Submitted works must not have been edited for commercial purpose and must have been composed during the 2 years preceding the call closure date.

6. The participants have to complete the application form on the web page in the provided order (Payment – Application Form – Uploads).

7. Each candidate can submit as many works as desired, but must re-make a full application (Payment – Application Form – Uploads) for each submitted work.

8. Each uploaded file should only be named with the title of the work and then placed in a folder named with the category entered (A or B) then the channel total number followed by title of the piece (eg: A_8_title).

9. Admissible formats: .aiff, .wav., 24bit and 48kHz. Multichannel pieces must be submitted: 1) one interleaved audio file, 2) a stereo version (named as: title_stereo_version), 3) a pdf (or jpeg…) file showing the location of speakers and channel numbering (we will attempt to reproduce it to its best with our acousmonium), all submitted together in a folder named with the category entered (A or B) then the total channel number followed by title of the piece (eg: A_8_title).

10. The name of the composer(s) must not appear on any submitted files (.pdf, audio etc.).

11. KLANG!’s prize holder cannot candidate again to this prize for 4 years (from the year of the held prize).

12. The deadline for submission is the 15th of March 2019 before 0.00 (GMT+2). The selected works will be announced during our festival the 7th of June 2019.

Prizes:

Category A

First prize: French radio broadcast, the selected work will be played during a KLANG acousmonium concert and on an other partner acousmonium.

Second prize: The selected work will be played during a KLANG acousmonium concert.

Category B (one prize)

The selected work will be played during a KLANG acousmonium special student concert.

The jury consists of internationally renowned composers.
Web Site:klangacousmonium.wordpress.com...

 Call for scores - Osmose Intermezzo 2019
Summary:Duet Competition
Deadline: 31 August 2019
Date Posted: 10 January 2019
Details: Call for scores - Osmose Intermezzo 2019

We kindly invite composers to submit scores. The call is open to composers of any nationality and age. Pieces should be written for professionnal duo clarinet Bb and violoncello. Submitted work must be premiered work in Belgium.

Duration : 1 minute

Géraldine Fastré, clarinet & Bruno Ispiola, cello

Participation fee : 20 euros per score (the entry fees are not refundable). Registration becomes effective after receipt of the fee. Please send short recent CV (10 lines), proof of the paiement and readable score format PDF to the following address : dan.baas@skynet.be

Deadline : August, 31, 2019

Selected composers will be notified by email at the end of September, the concert will take place on November, 15, 2019.


Web Site:danbaas.wordpress.com/2018/12/...
Email:dan.baas@skynet.be

 INTERNATIONAL COMPOSITION COMPETITION “... A CAMILLO TOGNI” 9TH EDITION
Summary:Competition 1-10 players
Deadline: 21 June 2019
Date Posted: 10 January 2019
Details: PRELIMINARY INFORMATION
Members of the International Jury:
Michele Dall’Ongaro
Richard Causton
José Manuel López López
Alessandro Solbiati
Gabrio Taglietti

The composition submitted for the competition must use the following instruments, involving a minimum of 1 to a maximum of 10 performers, to be chosen from the following list:

flute (including piccolo, G alto flute and C bass flute: single performer); B-flat clarinet (including A-clarinet, E-flat piccolo clarinet and B-flat bass clarinet: single performer); two violins (two single performers); viola (single performer); cello (single performer); double bass (single performer); piano; harpsichord (Copy of an original French instrument Nicolas and Francois-Etienne Blanchet, 1730). Compass: FF-f3 (61 notes); Disposition: two keyboards, with shove coupler, Three stops (8’8’4′ and lute) disposed on two manuals: I manual: 8’ 4’, II manual: 8’ (nasal, with possibility of lute effect); percussion (a single performer for the following instruments: vibraphone, glockenspiel, three suspended cymbals of different pitches, three tom-toms of different pitches, three wood- blocks of different pitches, three triangles of different sizes, basque drum, maracas, castanets, flexaton, wind chimes, two bongos, claves).

No form of amplification is allowed.
All scores for trios or larger groups will be conducted.

Scores will not be accepted if they differ even minimally from the possibilities listed above.

The length of each work must be: A) between 5 and 12 minutes long for pieces played by 3–10 players; B) between 3 and 7 minutes long for pieces played by 1–2 players. The exact length must be indicated on each score and will be verified.

The composition submitted must be anonymous; unpublished; never been broadcast, recorded for commercial use and/or released on the web; never been awarded a prize in other competitions or performed in full at a public concert. Performances in a didactic context (workshops, masterclasses, courses, etc.) and in private situations are allowed.

Deadline: June 21, 2019
Prize: Euro 5,000.00
Prize giving: December 8, 2019

Registration fee (non-refundable): euro 80.00:
A) bank transfer (from Italy or from a foreign bank linked to Banca Prossima for Euro payments) made out to:
Associazione dèdalo ensemble
trav. X n°25 - Villaggio Prealpino
25136 Brescia - Italy
Banca Prossima, branch 05000 - Milano
- IBAN: IT30 W033 5901 6001 0000 0003 926
- BIC code: BCITITMX

N.B.: In case A), if the foreign bank transfer is made through a bank that is not linked to Banca Prossima for Euro payments, ensure that the sum paid is Euro 86.00 and that a proviso is added “without costs to payee”.

B) PayPal to info@dedaloensemble.it (€ 84.00 5% surcharge for PayPal commission).

Info: concorso@dedaloensemble.it
Full regulations on the web-site http://www.dedaloensemble.it within January 2019
Web Site:www.dedaloensemble.it/en/

 EL COR CANTA International Composition Competition
Summary:Choral/Orchestral Competition
Deadline: 31 May 2019
Date Posted: 10 January 2019
Details: • The association EL COR CANTA (ECC) convenes the first edition of the EL COR CANTA International Composition Competition for Choir and Orchestra, focused on the creation of new choral-symphonic music of a level suitable for amateur choirs.
• El Cor Canta is an amateur choir of 140 singers of different levels and musical experience.
• The competition focuses on the composition of original works on text that will be determined in each edition.
• The composition contest prize will be announced during the spring of 2019.
• The winning work(s) will be premiered in the concerts of the El Cor Canta project scheduled for February and/or March of 2020.

RULES
1. Contestants
The EL COR CANTA International Composition Competition for Choir and Orchestra is open to all without age or origin restrictions or entry fees.
There will be two categories.:
• Professionals for those born before 01/01/1984
• Young composers or composition students for those born after 31/12/1983. These participants may choose to participate directly in the professional category, indicating such on the entry form.

2. The works
The submitted works should be compositions of choral-symphonic music for chamber orchestra, soloist and mixed choir (SATB) of an estimated duration of 15 minutes.
• The submitted works must be original, not previously performed nor awarded prizes in any other competition. Adaptations or versions of existing works by the same composers already performed or published will not be accepted.
• The text of the composition will be based this year on the poetic work of a Catalan author, free of copyright. It can be based on a single poem or a collection of poems by the chosen poet, at the discretion of the composer. The style of the new symphonic choral work is also discretionary.

3. The performers of the work
For the professional component of the work you must include:
1. Orchestra:
a. A maximum of 30 members
b. Strings: 6/5/4/3/2
c. Winds: 8 at the most the instrumentation of which will be at the discretion of the composer
d. Percussion: 1
e. Organ or Piano and/or Harp
2. Soloist
For the non-professional component:
1. Choir:
a. The choir that will premiere the winning work is currently made up of about 140 amateur singers divided into SATB, aged between 35 and 75 years old, with varying degrees of choral experience
It is imperative that the submitted works be appropriate to the characteristics of vocal and technical training that we detail below:
1. Tessituras:
a. Sopranos: from do 3 to la 4
b. Contralts: from sol 2 to mi 4
c. Tenors: from do 2 to sol 3
d. Basses: from fa 1 to mi 3
2. Divisi: There may occasionally be divisi of up to two voices for each of the four groups
3. The musical treatment of the voices, voice leading, and reference points that will facilitate the successful rehearsal and execution of the submitted works will be greatly valued. It must be kept in mind that the work should be of an average difficulty. By way of reference, a few examples of the numbers interpreted by the choir in their concerts are attached in a document attached to these bases.

4. Presentation of the works
1. Six (6) printed copies, the pages of which must be numbered, must be submitted. They must be legible, clear, without ambiguities or amendments. The text that has been used must be added separately. The score in PDF format and a MIDI file of the work must also be sent.
2. The title page of each work should include only the title, a pseudonym for the composer and the category in which they participate: Professional or Young composers (only one).
3. Additionally, the entry form must be completed and signed and submitted in a sealed envelope. This envelope must be labeled with the pseudonym of the composer.
4. More than one work may be submitted for consideration.

5. Terms and place of presentation
The deadline for submission of works is May 31, 2019 at midnight CET. The works must be submitted or sent by mail to the following address:
El Cor Canta
International Composition Competition EL COR CANTA for Choir and Orchestra
C/ Freixa, 41 5è 2a
08021 BARCELONA

The digital material (PDF and MIDI) can also be submitted by email to the address concurscomposicio@elcorcanta.cat.
In both cases the anonymity of the sender is guaranteed before the jury.

6. Jury
The jury of this Competition Contest will be composed of the following international directors and composers:
• Kazushi Ono, principal conductor of the Barcelona Symphony and National Orchestra of Catalonia (OBC), as president of the jury
• Albert Guinovart, composer
• Elisenda Carrasco, director of the Voxalba Women's Choir
• Pere Lluís Biosca, director of the Francesc Valls Choir of the Cathedral of Barcelona
• Noé Cantú, OBC bassoonist.


7. Winning works
The jury will select a winner for each category of the competition. It may also designate some works as honorable mention. Additionally, the jury could decide not to award any prizes if it considers that none of submitted compositions merit them.

8. Verdict
The jury will issue the verdict in a private act in Barcelona and, later, will make it public on June 30, 2019. The verdict, which will be previously communicated individually to the winners, will be published in the media and specialized magazines. The verdict of the jury will be final.

9. Prizes
The winning work in the professional category will receive:
1. A cash prize of 3,000 euros, subject to current taxation laws
2. The premiere of the work in the framework of the EL COR CANTA project at the end of the 2019/20 season (February/March 2020)
3. The publication of the score by Editorial FICTA
4. The recording of one of the premiere concerts.
The prize of the winning work in the category young composers or composition students will consist of:
1. A cash prize of 2,000 euros, subject to current taxation
2. The possible premiere of the work within the framework of the EL COR CANTA project at the end of the 2019/20 season and at the discretion of the directors of EL COR CANTA.
3. The publication of the score by Editorial FICTA, if the work is premiered at the concerts.

10. Material
The winners will have to provide the necessary material necessary for the execution of the work for free at the mentioned opening concerts.

11. Editorial rights
The ECC association reserves the exclusive right to publish the winning works for a period of three years from the date of issue of the verdict. This will not affect the intellectual property rights, which will be the composers’ for all other effects.

12. Return of the submitted works
Participants may request the return of non-awarded works within a period of two months from the publication of the verdict. The ECC association reserves the right to preserve one of the copies of the works for its own archive. The works not collected may be disseminated by the ECC association, unless expressly requested by the author, who must communicate it in writing attaching it to his works, or later in the term mentioned.

Web Site:elcorcanta.cat/index.php/concu...

 Ensemble Impronta
Summary:Chamber Music Call
Deadline: 15 May 2019
Date Posted: 10 January 2019
Details: The Ensemble Impronta is pleased to announce its 1st Composition Competition 2019.

Composers of any age and nationality, are encouraged to submit works for any combination of the following instrumentation, ranging from solo to the whole ensemble:

piano, clarinet, string quartet (2 violins, viola and cello)

no doublings allowed

There is no style restriction; we consider the quality of imagination and musical invention.

Any composer is eligible, regardless of age and nationality. Each work must not be longer than 10 minutes. There is no minimum duration. The submitted pieces can be already performed but not previously published.

Deadline: 15th May 2019 (23:59 Berlin time)

PRIZES

I: 1.000 EUR + publication of the piece by Impronta-Edition + performance

II: 500 EUR + publication of the piece by Impronta-Edition + performance

Special Prizes

2 Scholarships of 200 EUR each to take part to the SHE LIVES Master Class in composition in Budapest as active student
Antonio Perilli Prize: 200 EUR + publication of the piece by Impronta-Edition + performance
Edition Prize: Publication of the piece by Impronta-Edition + performance
The Antonio Perilli Prize will be awarded in memory of Antonio Perilli. Performances of the winning pieces will be part of the concert seasons 2019/2020 of Impronta Ensemble. The Publication on Impronta-Edition is voluntary for the composer.

All candidates taking part to the competition have a 10% discount on the fee as active student of SHE LIVES Master Class in composition in Budapest.

SUBMISSION GUIDELINES

There is an entry fee of 50 EUR for the first work. Additional entries may be submitted for 25 EUR each. Each composer can submit up to 5 works.

Those who apply within the 15th May 2019 to the SHE LIVES Master Class have the right to access to the competition without paying the competition fee for the first work sent. If the partecipant wishes to send more then one work it should be corresponded 25 EUR per each additional work, up to 5 works maximum (including the score sent for the Master Class). More info at: www.shelivesmusic.it/masterclass
Web Site:www.ensemble-impronta.com/komp...

 Black Bayou Composition Award
Summary:Competition with 5 Categories
Deadline: 01 March 2019
Date Posted: 10 January 2019
Details: Our 2019 Call for Scores is now open. The submission period will run from January 1 to March 1. Notifications of acceptance into the festival will be made on April 1. Below are the 2019 submission guidelines.

Instrumentation
Submissions may be made in any of the following categories:
• Due Per Se (Piano and Clarinet)
• Black Bayou Brass (Brass Trio)
• Percussion Ensemble (up to 5)
• Solo or mixed ensemble
• Digital Media (two-channel only, with or without video)

Performers will be provided. The available instruments are as follows: flute (2), all clarinets/saxophones (2), trumpet (2), horn, trombone (2), tuba, guitar, piano, soprano (2), percussion (5), cello.

Additional Guidelines
• Composers must be present at the concert to have their piece performed.
• Pieces of any length are eligible, but preference will be given to pieces under 15 minutes.
• We encourage electronic media combined with live performance.
• Works composed within the last three years are encouraged.
• Composers must be able to provide computer-generated parts for the performers via PDF files.
• For the purposes of impartiality during the judging process for the Black Bayou Composition Award, do not include your name on your score when submitting.

Two works will be selected to be choreographed by professional choreographers. If you wish your submission to be considered, indicate this in the appropriate box on the application.

Black Bayou Composition Award
The Black Bayou Composition Award will be presented for the piece “that best reflects the connection between music and nature.” This award is sponsored in part by Friends of Black Bayou, and will be adjudicated by composers and performers outside of the festival staff. The winner will receive $500 and a commission for the next year’s festival. Two runners-up will receive $100 each.

Travel and Lodging
The primary goal of the festival is to bring new music from composers around the world to members of our communities and to engage in the dialogue about the future of new music. No financial assistance for travel is available but recommendations for discounted hotels will be posted as the festival nears.

Media
Professional audio recordings will be provided at no charge to composers after the festival. New Music on the Bayou reserves the right to use recordings and images from the festival on our website and promotional materials.

Web Site:newmusiconthebayou.com/2017-fe...

 The NED Ensemble announces FOUR Call for Scores for the 2019
Summary:Competition with 4 categories
Deadline: 01 March 2019
Date Posted: 10 January 2019
Details: The NED Ensemble, during its 12th Contemporary Music Festival “Crossroads, strade incrociate” announces four "Call for scores" to find new compositions to be included in the 12th Contemporary Music Festival, scheduled in March 2019 in the concert hall "Andrea Celesti", located in Desenzano del Garda (Italy).

Call for Scores is open to composers of all nationalities, with no age limit.

Compositions of any style and aesthetics can participate, till 10 minutes length. It is not permitted to use any type of electronic and/or amplification

1) Call for scores – Music applied to images Deadline at 23:59 on 1 March 2019
Call for music scores applied to images and any other artistic interaction.
The scores must be taken from pieces written for the cinema, for the theater, or to comment on the images, a text, etc.

The scores (maximum two for each candidate) will have to be written for an organic from 1 to 6 instruments included between: flute, clarinet (in A, Bb and basso) violin, viola, cello piano

Three pieces will be selected and performed as part of the 11th Festival of NED Ensemble

2) Call for scores – Piano solo Deadline at 23:59 on 1 March 2019
The scores (one for each candidate) will have to be written for piano solo and will be performed by pianist Claudio Bonfiglio.

Two pieces will be selected and performed as part of the 12th Festival of NED Ensemble

3) Call for scores – Ensemble Deadline at 23:59 on 15 March 2019
The scores (maximum two for each candidate) will have to be written for an organic from 1 to 6 instruments included between: flute, clarinet (in A, Bb and basso) violin, cello, viola, piano
Two pieces will be selected and performed as part of the 12th Festival of NED Ensemble

The submitted compositions can be unexecuted or already carried out in public, even the scores already bound with publishing contracts can participate in the "Call for Scores"

4) Call for scores – Voice and piano Deadline at 23:59 on 5 April 2019
The scores (one for each candidate) will have to be written for soprano and piano will be performed by Carlotta Bellotto (soprano).

The texts used can be written in Italian, English, French, German, Spanish and Spanish.

Two pieces will be selected and performed as part of the 12th Festival of NED Ensemble

International call for scores
To participate in the Call for scores you must submit the following documentation to:
nedensemble@gmail.com

1. copy of an identity document;
2. scores in pdf or permanent download link;
3. brief biography (up to 500 characters in Italian or English) also containing the following sentence for privacy: I authorize the processing of my personal data pursuant to Legislative Decree 30 June 2003, n. 196 "Code regarding the protection of personal data";
4. brief presentation of the piece/s (max 300 characters in Italian or English)
5. Transfer receipt with the following amount

• € 30,00 Call for Scores – music applied to images
• € 25,00 Call for Scores – piano solo
• € 30,00 Call for Scores – ensemble
• € 25,00 Call for Scores – voice and piano

To the following accounts:
NED Ensemble
BANCO BPM S.P.A.
IBAN
IT56S0503454463000000001026
causal: Participation Call for Scores Ned Ensemble 2019

or

PayPal
paypal.me/AndreaMannucci
causal: Participation Call for Scores Ned Ensemble 2019
Web Site:www.nedensemble.com

 Young Composers' Competition 2018-2019
Summary:Orchestra Competition
Deadline: 01 March 2019
Date Posted: 10 January 2019
Details: As demonstrated by Symphony in C’s core mission, the Symphony has a strong commitment to fostering the careers of young musicians and composers. Each season Symphony in C offers composers the opportunity to submit an original composition for consideration by the Symphony’s artistic staff. Following are the rules and eligibility, application procedures and the winning prize. Also see past winners of the competition and their winning compositions.

PRIZE INCLUDES:
• Performance of the winning work by Symphony in C, conducted by Maestro Stilian Kirov, on May 4, 2019.
• Professional archival recording of the performance.
• Subsequent broadcast/webcast by WRTI-FM and wrti.com
• Round-trip domestic airfare to attend rehearsals and concert.
• Winning work to be considered by Theodore Presser Company for inclusion in its rental library.


RULES AND ELIGIBILITY:
• Only composers born after May 4, 1989 may apply.
• Works with a performance history are eligible.
• Instrumentation may not exceed Shostakovich 5th Symphony 3[1.2.pic]-2-3[1.2.Ebclar]-3[1.2.cbn], 4-3-3-1, Timp., 4 Percussion, 2 Harps, piano/cel and Strings [11.9.8.6.4]. Please note the maximum orchestration is slightly different from previous years. Works with soloists are not eligible. Click here for a FAQ about instrumentation details.
Percussion instruments should not exceed the following large instruments: xylophone, glockenspiel, triangle, snare drum, cymbals, tamtam, large bass drum. Smaller instruments such as snare and smaller are allowed.
• Only US citizens, permanent residents, and current foreign students at American schools may apply.
• Duration should not exceed 15 minutes.
• The winning composer must provide 2 full scores and a full set of parts, with a sufficient string count.
• The winning composer may be asked to participate in educational outreach programs during the week of rehearsals. Composer must be present for rehearsals and concert to be eligible
• Scores must be legibile and suitable for efficient rehearsal and performance. Parts must be carefully proofread, with good page turns, and ample rehearsal numbers and cues. We recommend that all entrants consult our guidelines for preparing score and parts. Click here to view.
• Previous winners are not eligible.


HOW TO APPLY:
• ALL MATERIALS MUST BE SUBMITTED ELECTRONICALLY BY
MARCH 1, 2019
• Email submissions to: YCC@symphonyinc.org
• Submit the following Items:
• Full Score
• Sample Instrumental Part
• Audio Recording (live performance, piano or midi demo) as an MP3 or link from a Dropbox/Google Drive, etc.
• Composer biograpy
• Entry Form / Application
• Any questions about the application process should be directed to Joe Hart, VP of Artistic Operations, at 856-240-1503, or jhart@symphonyinc.org

Web Site:www.symphonyinc.org/orchestra/...

 George Shirley Vocal Competition
Summary:Songwriting Competition
Deadline: 15 March 2019
Date Posted: 10 January 2019
Details: Deadline & Application Fee
The Application deadline is March 15, 2019. The fee is $45 to apply for all competitor divisions.

Requirements for the Composition category (Ages 18-35)
Interested composers are asked to submit one recently composed art song written between 2017-2019 on the the text of your choice. Composers must be present or available via Skype during the competition. As a part of the application process, please include:
• a pdf of your song
• an mp3 or mp4 of your song
• a written statement about the text and creation of your song (max 2000 characters with spaces or 300 words)
Additional notes:
• Not required to be a text by an African American poet
• Please do not submit a spiritual arrangement
Web Site:georgeshirleycompetition.org/a...

 LEAGUE OF COMPOSERS/ISCM 2019 COMPOSERS' COMPETITION
Summary:Competition with 3 Categories
Deadline: 01 March 2019
Date Posted: 10 January 2019
Details: Entry fee: $25 per work
Submission Deadline: March 1, 2019

The League of Composers/ISCM is pleased to announce the 2019 League of Composers/ISCM Composers’ Competition.
Two Prizes will be awarded.

League-ISCM Prize: $1000 award and a New York City performance*, possible nomination to the next World Music Days.

Steven R. Gerber Composition Prize: $1000 award and possible New York City performance.

Guidelines:

Eligibility: All composers are eligible to enter. Only US composers can be selected to represent ISCM at the World Music Days.

Composition Requirements: Works for solo instrument, small ensemble, or any combination up to a chamber orchestra may be submitted. Works featuring voice, choir, and/or electronic media will also be accepted. Works should be no longer than 20 minutes in duration. There are no stylistic limitations. The instrumentation limit for a guaranteed performance is eight (8) players.

Submission Requirements: Our submission process is entirely electronic. Since judging is done anonymously, all traces of the composer's name should be removed from submitted score and audio. No pseudonym is needed. If the work you wish to submit cannot be submitted through our online submission process, please contact Luke Dahn for assistance at lukedahn@gmail.com.

Adjudication Process: The judging panel will judge the competition during the spring of 2019 and endeavor to complete the process no later than May 1, 2019. Winners must be willing to provide conductor’s score and parts in a timely manner at his or her cost. Questions should be addressed to lukedahn@gmail.com.

Submission Information and Materials: Name; Email; PDF of score (composer's name removed); MP3 recording, if available (50MB limit; MIDI realizations will be accepted); Bio or CV; Entry fee payment (on subsequent page).

Payment method: Submission will not be complete until entry fee payment is submitted. Use the form below to submit payment via credit card. Alternatively, a check may be mailed to the following address:

League of Composers/ISCM
c/o Friedrich Heinrich Kern
24 Waverly Place RM 268
New York, NY 10003

*The League will make every effort to perform the winning work. In the case of an instrumentation that is not available, the League will perform an alternate work of the composer.
Web Site:leagueofcomposers.org/competit...

 49th Annual Festival of New Music
Summary:Saxophone and percussion competition
Deadline: 01 February 2019
Date Posted: 10 January 2019
Details: In collaboration with Popebama (Erin Rogers, saxophone; Dennis Sullivan, percussion), the School of Music at Ball State University (Muncie, IN) is accepting submissions to be considered for performances at the 49th Annual Festival of New Music, March 14-16, 2019.

ELIGIBILITY:
Composers of any age, nationality or institutional affiliation except those currently enrolled at or employed by Ball State University, are eligible to submit scores.

INSTRUMENTATION:
All saxophones
Percussion
(electronics accepted, but not required)

APPLICATION:
1) All submissions should be made electronically, and should include the following:
a) Full score in PDF format
b) If available, a recording (MP3 or WAV format) or link to download or stream
c) Contact information including name, address, email, and a short bio or resume.
2) Only one submission per composer will be considered for inclusion on the festival.
3) Entries must be received by February 1, 2019
Attendance at the festival is encouraged but not required.

Please send all materials to: nmfbsu@gmail.com
Web Site:popebama.com/call-for-scores-4...

 The FYFE Choral Composition Prize
Summary:Choral Competition
Deadline: 01 February 2019
Date Posted: 10 January 2019
Details: • Opportunity: The Sewanee Church Music Conference seeks original, unpublished works for mixed chorus (SATB) with organ, or unaccompanied. One cash prize of $2000.00 US will be awarded.
• Application deadline: Submissions must be received by February 1, 2019
• Award notification: March 1, 2019
• Eligibility: no restrictions with regard to age, gender, nationality, etc.
• Submission fee: $25.00 US per composition
• Award: The winner will be awarded $2000.00 US and have his/her work performed at the 2019 Sewanee Church Music Conference.
• Overview: We are seeking a choral anthem of 3 to 6 minutes duration written for mixed (SATB) chorus with organ or unaccompanied. (No piano accompanied works, Christmas texts, Canticles or Preces & Responses will be considered.)
o Text: Must be in English or Latin, and suitable for performance in a Christian worship service. The text should be in the public domain, or be free of copyright restrictions.
o The work should be of medium or average difficulty.

SUBMISSION REQUIREMENTS & COPYRIGHTS
1. Composers may submit as many works as they like. (Prize winners are eligible for consideration every three years.)
2. All submissions must be unpublished choral anthems only. A text appropriate to any liturgical season other than Christmas is acceptable.
3. Any work with a copyright-protected text must be accompanied by a letter of permission from the publisher, poet or author.
4. The winner retains all rights to his/her work.
5. By submitting your score, you authorize SCMC to make copies of your work for rehearsal and performance purposes. Publishing rights are yours after the competition. (The published work must contain the inscription “Winner of the 2nd Peter & Lois Fyfe Prize sponsored by the Sewanee Church Music Conference.” No further distribution of the work will occur via SCMC.
6. Deadline: Submissions must be received by February 1, 2019.

SUBMITTING YOUR SCORE (submission form is below)
1. Scores must be submitted in Portable Data File (pdf) format (no hard copies)
2. Please submit a copy with the composer's name removed or blotted out (as well as any other identifying details the score might contain). All aspects of judging are "blind".
3. Recordings of your work, live or audio file, are strongly encouraged, if available. This may be as an mp3 file. If you encounter difficultly submitting your sound file, contact E.L. DuBose (the coordinator of the competition) for assistance.
4. On the form below we ask for your name, address, phone number and email address so you may be contacted if you are awarded. We ask for a brief composer biography, as well. (Any performance history and composer's program notes for each work submitted is most helpful, if applicable.)

FEES: $25.00 US per composition
1. PayPal (see below). Online payments will be accepted though Officium musicum which is a business owned by an associate of the conference.
2. Check payable to Sewanee Church Music Conference and mailed to E.L. DuBose at the address below.
3. If you don’t have a Paypal account and wish to pay with a credit card, simply request an invoice for the entry fee in the email that your entry and documentation are attached to. You will receive an email with links that facilitate an online credit card payment.

FYFE FAQs
Q: Can the composition be SSAATTBB?
A: Some divisi is allowed but preferably not divided throughout.

Q: Can other instruments in addition to organ be included?
A: Yes, optional solo instruments are fine. For other situations, contact the Competition Coordinator.

Q: I still have unanswered questions - how do I get answers?
A: Call or email the Competition Coordinator, E. L. DuBose (see below). He is helpful and friendly and has only bitten one composer so far this year. (No worries, he's had his shots.)

Web Site:www.sewaneeconf.com/2019-fyfe-...

 International Molot and Molot-Ensemble
Summary:Competition for Russian Composers
Deadline: 10 March 2019
Date Posted: 03 January 2019
Details: In connection with the Russian-Norwegian project Knut Hamsun and His Time (for the 160th anniversary of the classic Norwegian literature), the International Molot and Molot-Ensemble announce a competition among young composers to receive orders for the performance of the project's Petersburg Molot. The concerts will be held in Oslo as part of the Molot-ensemble residence from March 25 to March 31, 2019, and also in St. Petersburg from April 5 to April 8, 2019.

1. Participants in the competition can become composers under 35 years old. ONLY CITIZENS of the Russian Federation.
2. As a result of the competition, 3 composers will be selected who will order compositions for the Petersburg Molot-Ensemble.
3. Selected composers will receive a one-time payment of 20 thousand rubles each for order fulfillment.
4. The jury of the competition: Yaroslav Sudzilovsky, participants of the Petersburg Molot-ensemble
5. To participate in the competition, it is necessary to send January 27, 2019 in electronic form to the post office:
• brief creative biography
• photo
• 2 or 3 scores for chamber compositions in pdf format
• Be sure to have a live performance recording of one of the pieces. In any format. If the record is posted on soundcloud sites, youtube, etc., it is enough to indicate in the application a link to the record.
• Brief annotation of the future play. The theme of the project "Knut Hamsun and his time" suggests a broad interpretation. There are ideas that are directly related to the works of classic Norwegian literature, and ideas related to the culture of the historical era in which he lived (preferably - ideas of Russian literature of the Silver Age, echoing the ideas of Hamsun). Composition: flute, clarinet, violin, cello, piano-possible MIDI-keyboard, (any combination of 3 to 5 instruments of the above listed is possible). It is possible to use the game on objects by additional agreement. It is possible to use sound reinforcement.
  6. The results of the competitive selection will be announced on February 3, 2019
  7. Selected composers are required to submit completed scores by March 10, 2019.


В связи с проведением российско-норвежского проекта «Кнут Гамсун и его время» (к 160-летию классика норвежской литературы) МеждународМолОт и МолОт-ансамбль объявляют конкурс среди молодых композиторов на получение заказов для исполнения Петербургским МолОт-ансамблем на концертах проекта. Концерты пройдут в Осло в рамках резиденции МолОт-ансамбля в срок с 25 по 31 марта 2019 года, а также в Санкт-Петербурге в срок с 5 по 8 апреля 2019 года.

1. Участниками конкурса могут стать композиторы до 35 лет. ТОЛЬКО ГРАЖДАНЕ РФ.
2. В результате конкурса будут отобраны 3 композитора, которым закажут сочинения для Петербургского МолОт-ансамбля
3. Отобранные композиторы получат за выполнение заказа единовременную выплату в размере 20 тысяч рублей каждый.
4. Жюри конкурса: Ярослав Судзиловский, участники Петербургского МолОт-ансамбля
5. Для участия в конкурсе необходимо ДО 27 января 2019 года прислать в электронном виде на почту :
• краткую творческую биографию
• фотографию
• 2 или 3 партитуры для камерных составов в формате pdf
• Обязательно наличие записи живого исполнения одной из пьес. В любом формате. Если запись выложена на сайтах soundcloud, youtube и пр. достаточно указать в заявке ссылку на запись.
• Краткую аннотацию будущей пьесы. Тема проекта «Кнут Гамсун и его время» предполагает широкую трактовку. Возможны как идеи, непосредственно связанные с творчеством классика норвежской литературы, так и идеи, связанные с культурой исторической эпохи, в которую он жил (предпочтительно – идеи русской литературы серебряного века, перекликающиеся с идеями Гамсуна). Состав: флейта, кларнет, скрипка, виолончель, фортепиано-возможна MIDI-клавиатура, ( возможна любая комбинация от 3 до 5 инструментов из вышеперечисленных). Возможно использование игры на объектах по дополнительному согласованию. Возможно использование звукоусиления.
6. Результаты конкурсного отбора будут объявлены 3 февраля 2019 года
7. Отобранные композиторы обязаны представить законченные партитуры в срок до 10 марта 2019 года.

Web Site:www.molotensemble.org/call-for...

 Echofluxx
Summary:Sound/video art call
Deadline: 24 March 2019
Date Posted: 03 January 2019
Details: Echofluxx, an annual PRAGUE festival of new media, visual art and experimental music, requests submissions of experimental works for combined 1-channel video and 2-channel sound from artists of all ages. Approximately 1 hour of work will be presented throughout the festival as selected by an international panel of sound and video artists. Pieces of 10 minutes or less will be given preference. Up to three works may be submitted at $15 for the first and $10 each for additional work. Submission deadline is Sunday, March 24, 2019 with hirez resubmission files due in mid April. Works must be uploaded to YouTube or Vimeo for adjudication. Selected works will be delivered via services like WeTransfer.com and preferably in MP4 format.

Include the following information in email to: submission@echofluxx.org

1. Your name, phone, YouTube/Vimeo link of piece(s) plus personal website address if available.
2. Title of the piece(s), duration(s) and names/bios of all collaborators.
3. Performance history of submitted work(s).
4. Program notes for submitted work(s).
5. When making PayPal payment, include your name and YouTube/Vimeo link(s) to connect payment and submitted work(s).
Web Site:echofluxx.org/ECHOFLUXX19/subm...

 International Women’s Brass Conference
Summary:Horn and percussion call
Deadline: 01 March 2019
Date Posted: 03 January 2019
Details: Maria Serkin and John R. Beck are soliciting female composers to create new music for horn and percussion for a performance at the International Women’s Brass Conference at Arizona State University May 21 -25, 2019.* All compositions submitted will be included in a survey of literature during our session at the IWBC, with the winning composition receiving a cash prize, the premier performance at the conference, and a recording.

The online submissions will close March 1 and the winner will be announced March 15, 2019.

• Length of composition ca. 5 - 7 minutes.

• Percussion instrumentation is not limited, however time is limited for set up at the conference performance.

Composition contest entry fee is $15 for the first submission and $5 for each additional submission. Scores, parts, and audio files may be sent to beckj@uncsa or mailed to John Beck, UNCSA - Music, 1533 S. Main St. Winston-Salem, NC 27127.
Web Site:johnrbeckpercussion.com/call-f...

 Midwest Music Research Collective (MMRC)
Summary:1-4 instrument competition
Deadline: 22 January 2019
Date Posted: 03 January 2019
Details: The Midwest Music Research Collective (MMRC) is pleased to announce its first call for scores for its 2019 Spring Symposium. The symposium will consist of interdisciplinary paper presentations, a lecture from our guest composer (TBD), and will culminate with a concert of new compositions by students of any age and level studying in the USA.

-Time and Place: April 13, 2019. Lawrence, Kansas, USA
-Fee: None
-Compensation: Unfortunately, there is no funding to cover travel costs or for labor compensation. Composers are strongly encouraged to attend the symposium but are not required to.
-Who can apply: Any student currently studying in the USA. Composers from Kansas and adjacent states are strongly encouraged to apply. Undergraduates, women, POC, and LGBTQ+ folks are strongly encouraged to apply.
-Instrumentation for submissions:
I. Composer provided performers/ensembles strongly encouraged
II. Compositions for live performer and electronics are welcome (stereo playback available)
III. Compositions for 1-4 of the following instruments:
a. Clarinet (soprano and bass)
b. Euphonium
c. Mezzo-Soprano voice
d. Tenor voice
e. Percussion - Choose from no more than six of the following for single or multi-instrument works.
1. Claves
2. Triangle
3. Tambourine
4. No more than three cymbals:
a. Crash, Hi-hats, Ride, Suspended, China, and Splash Cymbals
5. Udu Drum (small, standard clay LP claytone)
6. Djembe
7. Woodblock
8. Cowbell
9. Brake Drum
10. Cajon
11. Kick Drum
12. Snare Drum
13. 2 Toms
14. Egg Shakers
15. Caxixi
-Deadline: January 22nd, 2019
-Submissions: Send streaming audio links (YouTube, SoundCloud, etc. [MIDI OK]) and PDF scores of completed works to mmrc@ku.edu.
Subject line should read: MMRC Spring 2019 CFS_YourLastName
Web Site:mmrc64.wixsite.com/mmrc/call-f...

 Olyver New Music Collective
Summary:Solo/duet call
Deadline: 01 March 2019
Date Posted: 03 January 2019
Details: Competition Details
The Olyver New Music Collective is very excited to launch a composer competition. ​The competition is free to enter.

​Prize
​The winner will have a choice of having one of their own pre-existing pieces for either Clarinet and Cello duet/solo Clarinet/solo Cello performed at our concert on the 24th of May or they will choose to write a new piece for any of these combinations. The new piece can last anywhere from 1 minute to 5 minutes. In your application we would especially love to see any pieces you may have already written for either Clarinet and Cello duet/solo Clarinet/solo Cello.

The new piece will be performed by either both or one of our ONMC musicians Sarah Gait (cello) and Ben Westlake (clarinet). The winner will also receive £150 prize money and a professional recording and video of their piece.

Every applicant will be offered the chance to feature on our regular ONMC magazine, which is advertised on our sponsored Facebook page. Each magazine issue receives a £100 Facebook boost which leads to up to 35,000 views. If the applicant chooses not to be featured, this will not have a negative outcome on their competition application. We welcome any content the applicant would like to share with us - a link to a particular recording of one of their pieces we can showcase, a link to one of their blogs on new music, or even a few paragraphs on their favourite new music. We would love to hear from you all!

All entrants will become part of the Olyver New Music Collective. Regardless of the outcome of the competition, we will publicise any details relating to your new music concerts or publicise your projects on our far reaching sponsored magazine. Simply send these details to matthewolyver@hotmail.co.uk at any point.
You will also receive half price tickets to all future ONMC concerts.

Submit a brief biography (max 250 words), pdf's of your best two pieces and 2 accompanying recordings or midi sound demonstrations to matthewolyver@hotmail.co.uk.

We want to encourage a wide range of composers to apply and become part of the Olyver New Music Collective.
There is no age restriction and no restriction on compositional style.
The closing date of the competition is 01/03/19

Terms and Conditions
-All entrants can become part of the Olyver New Music Collective.

-Regardless of the outcome of the competition, the ONMC will publicise any details that competition applicants send us about their events or content that relates to New Music on the far reaching ONMC Facebook page and in the monthly sponsored ONMC magazine.

-The closing date of the competition is 01/03/19.

-If the winner writes a new piece rather than use a pre existing piece, they will have until 01/05/19 to do so.

-The winner will be notified by 07/03/19.

​-The winning composer will retain 100% copyright of their winning piece.

​-There is no age restriction for applying to this competition.
Web Site:www.matthewolyver.com/composer...

 Trumpetoon – Call for Scores
Summary:Duet Call
Deadline: 31 January 2019
Date Posted: 03 January 2019
Details: Trumpetoon – Call for Scores for B-flat Trumpet and Bassoon Duo
Entry Deadline: January 31, 2019 (winners will be notified by February 28, 2019)
Entry Fee: $5 for each piece submitted (up to 2 pieces, this goes to the prize!)
Eligibility: All adult U.S. citizens (18 or older)
Prize: $75, and a recording on the Minute of Music Project YouTube Channel.
Performers: Jason Taurins (B-flat trumpet) and Quinn O’Donnell (Bassoon)

Submission Link Below (please read the rules first)!

Rules:
Up to 2 entries per person. Send in your best work!
Entrant must be at least 18 when submission is completed.
Entrant must reside in and be a legal citizen of the United States.
Entry must be for B-flat trumpet and bassoon duo (with no other accompaniment or electronics).
Entry must be no longer than one minute in length. Moderate difficulty is preferred.
Entry must be engraved with the dedication “For the Minute of Music Project.”

Composition must have been written since January 1, 2018.
Entry must be the sole property of the composer and entirely original.
No arrangements or copyrighted material will be accepted.
The secret word for the submission form is “ditto.”

One winner will be selected, and awarded the monetary prize. Up to 3 honorable mentions may be selected as well.

Terms/Conditions:
Composers reserve their copyright and recording rights.
Mr. Taurins and Mrs. O’Donnell reserve the sole right to accept or reject submissions.
Mr. Taurins and Mrs. O’Donnell reserve the sole right to judge submissions.
All judgement decisions will be made by Mr. Taurins and Mrs. O’Donnell and are final, without the ability to appeal.
Mr. Taurins and Mrs. O’Donnell reserve the right to decline any and all submissions.
Mr. Taurins and Mrs. O’Donnell will pay no license or rental fees for the music.
Mr. Taurins and Mrs. O’Donnell will perform selected entries and record them on YouTube. By submitting your piece, you agree to allow Mr. Taurins and Mrs. O’Donnell to record your entry free of charge.
Selected pieces will be announced here and composers will be notified via email by February 28.
Your submission will only be complete and recognized when the payment is received.
All payments are non-refundable. Payments are not tax-deductible.
By submitting your piece, you agree to the terms listed here.


Have a question not answered here? Use the contact tab.
Web Site:minuteofmusic.wordpress.com/tr...

 ​CHORAL CHAMELEON SUMMER INSTITUTE
Summary:Workshop Opportunity
Deadline: 01 June 2019
Date Posted: 29 December 2018
Details: 2019 Dates:
​June 21 - 28

Summary
• 8-Day intensive workshop for emerging composers and conductors
• Faculty of world-class composers and conductors with an unparalleled high teacher/pupil ratio
• Composers: Work with highly-skilled and academically-fluent professional singers on compositions
• Conductors: Work with exceptionally flexible, genre-agnostic avocational singers accustomed to the unexpected
• Masterclasses from experts in both practical and inspirational topics
• Generous lab choir and podium time
• Individualized attention from clinicians, singers & peers
• Public concert of premieres and podium time for composers and conductors
• Open to applicants from a diverse range of music backgrounds and study/career stages
• Video & audio recordings from workshop sessions & performance

Tuition

$1250

Application fee $70 (not required for alumni)

Please note this year we are not accepting students for dual concentration.

What Makes This 8-Day Intensive Workshop So Valuable?
Watch our 7-minute film of interviews with faculty and students


Web Site:www.choralchameleon.com/instit...

 Composition Academy in Kalv 2019 (4-11 August)
Deadline: 01 February 2019
Date Posted: 29 December 2018
Details: DEADLINE for Application: 1st of February
ANNOUNCEMENT of participants: 1th of March

6-8 composers of any age, nationality, occupation and aesthetics (precedence will be taken to emerging composers and not established composers) are invited to spend a week in Kalv working, lecturing and presenting their work under the supervision and assistance of composers Klaus Lang (Austria) and Malin Bång (Sweden) and the chamber ensemble Mimitabu (Sweden).

Each participant is invited to write a new work for a setting of 1-7 instruments (exact instrumentation will be distributed by the organizers in conversation with the participants) of a duration of 5-8 minutes. The new works will then be performed during the KALV Festival 2019 by Mimitabu. All works will be recorded.

During the Academy each participant will receive private tutoring of the invited teachers. The students will also be asked to present their music at seminars as well as attend open lectures by the invited teachers, Malin Bång and Klaus Lang. During the rehearsals students, teachers and ensembles will work together in a workshop-like context.

APPLICATION
Application is done exclusively online. The candidate should send 2 compositions (score + audio in mp3 format or link to streamable video) together with a brief bio. It is encouraged, but not mandatory, to describe (briefly) a personal stance to his/her conception of being (working as) a composer.

Applications should be sent to academy@kalvfestival.se – submissions via DropBox, WeTransfer, or other file-sharing service will also be accepted (for files larger than 10 MB, a file-sharing service should be used).

ACCOMMODATION and TRAVEL
All participants will be housed in Kalv (in shared accommodation, 3-4 people in the same room). Breakfast, lunch and dinner will be included (for the whole duration) as well as tickets for the festival. Travel from and to Kalv from Gothenburg is covered by the Academy, however travel to and from Sweden has to be covered by the participants (a few travel grants might be available).

There is no tuition fee, however the cost for accommodation (full pension) is 3500 SEK (ca. 350 euro, depending on the conversion rate).

LOOKING FORWARD TO SEE YOU IN KALV!
Johan Svensson,
On behalf of the Kalv festival 2019

Web Site:kalvfestival.se/composition-ac...

 Juventas New Music Ensemble
Summary:Chamber music/art song call
Deadline: 19 February 2019
Date Posted: 29 December 2018
Details: DEADLINE: FEBRUARY 19, 2019
Application Fee: $10

Juventas New Music Ensemble seeks chamber music and art songs sharing stories of immigrants, refugees and civil rights pioneers.

The selected works will be performed by Juventas New Music Ensemble at our concert Voices of America, April 13, 2019 at First Church Boston. The concert will honor America's history as a beacon of freedom.

Eligibility:

Any composer who identifies as an emerging composer at the early stages of their career

We believe that diversity of experience contributes to a broader collective perspective that will consistently lead to a more fulfilling musical and artistic experience. We are working hard to increase the diversity of our programs and encourage all races and genders to submit.

Compositions may be for any subset of the following instruments:
• Soprano singer
• Flute (including piccolo & alto flute)
• Clarinet (including Eb, Bb, and bass clarinet)
• Horn in F - especially encouraged!
• 2 Violins
• Viola
• Cello
• Piano
• Percussion

For more information contact: info@juventasmusic.com

Submission Process:
1. Complete the online application form.
2. Upload your PDF score (required) and mp3 recording (optional) HERE.
Please use the naming convention: LastName_FirstName_Title
3. Submit $10 application fee via Paypal below.


Web Site:www.juventasmusic.com/call-for...

 RMN Classical
Summary:Electroacoustic Call
Deadline: 24 February 2019
Date Posted: 29 December 2018
Details: We continue our successful series of Calls and competitions with the launch of the new Call for Electroacoustic Works 2019

With this project, we hope to discover innovative composers with an original style and voice, outstanding productions and good quality music that would otherwise remain under the radar.

RMN Classical mission is to promote and nurture the contemporary music scene and we always hope to discover the next generation of composers that will craft the music of the next century as other composers did in the past and during the 20th Century… …composers like Prokofiev, Bartok, Ravel, Ligeti, Varèse, Berio, Barber, Carter, Crumb…

This opportunity is open to composers that own works (both live or studio) of electroacoustic, acousmatic and sound-art music and would like to get the opportunity to see their work published in a contemporary music album produced to showcase and promote contemporary music.

The best works will be featured in a top quality album that will be produced by RMN Classical and released worldwide through RMN Music. The release will be distributed on a high-quality edition on Spotify, Apple Music, Google Play Music, Amazon Music, and many other stores and platforms. Optionally, and based on demand, there will be the possibility for physical distribution too. The release and the winning works will be also added to the Sound and Music Archive of the prestigious British Library (London, UK). Potentially other prizes will be included as well and we suggest to review the prize category of this page to discover more details.


The Prize
Professional Production of the Album
Commercial release through worldwide distribution
High-quality design of the cover artwork
(check our catalogue for an overview of our editorial style)
Preparation of the promotional text
British Library, Sound and Music Archive registration
The composer keeps the rights of the work and master recording

All of the following will be also part of the prize:
Option for synchronisation and licensing opportunities (tv and media)
Option for physical distribution and manufacturing of the album (depending on demand)
Licensing and Copyright Clearance
Full contracts and agreements with the winning composers
Barcodes and ISRC codes
Chart registration (US, UK e Canada)
Press release preparation and coverage


How to Participate
ACCEPTED WORKS: Electroacoustic Works
For this project, electroacoustic is defined to include acousmatic, sound-art and any type of composition that include electronics or is written for electronic only. The work can include traditional acoustic instruments, voices and percussions as well as live electronics or live processing.

Please note that we need the recording of the work for this call to qualify.

Both Live and Studio recordings are accepted.

If in doubt please Contact Us.

Maximum duration: OPEN
There is no maximum duration. We strongly suggest and recommend to submit short and medium length works.

ACCEPTED GENRE:
Contemporary music no matter the genre or style (no jazz or pop please). The work can have jazz, pop, rock, world or other influences but should mainly be contemporary or experimental in the field of electronic music.

Multi.movement Works:
Multi-movement works can be submitted and will count as 1 work.

Collection of works won't count as one work and application fee should be paid accordingly.
For eg. a collection of 3 works will count as 3 applications and fee should be paid for three works.

AGE / Nationality:
There are no formal restrictions and anyone regardless of age and country of residency can participate (minimum legal age of 18 required - if you are underage please get in touch before applying)

LIMITS
There is no limit to the number of recordings that you can submit. Please note that we will tend to select only one work per composer. In some circumstances we reserve the right to select more than one work (depending on quality of works and talent(s) ). If more than one work is submitted the Application Fee should be paid accordingly or participant will be disqualified.

DEADLINE
Final Deadline to apply is: February 24, 2019 at 11:59pm BST

APPLICATION FEE
- EARLY BIRD: £37 - per work submitted
EarlyBird ends January 27, 2019 at 11:59pm BST
- FULL PRICE: £65 - per work submitted

WHAT TO SUBMIT:
A Link to a folder with the below material. The link should stay active for the whole duration of the Call and selection process. Accepted systems are Dropbox, Box, Google Drive and similar. No WeTransfer please.

The required material for every work submitted is:
- Recording in mp3
- Score in pdf (if available)
- Notes about the work in pdf/doc
- Notes about the composer (bio) pdf/doc
- Promotional photo of the composer.

Application is via the Application Form that can be found when clicking on the APPLY NOW button below.

Web Site:rmnmusic.com/call-for-electroa...

 Appassionato Ensemble
Summary:Chamber Competition
Deadline: 30 March 2019
Date Posted: 29 December 2018
Details: Art.1
The Cultural Association Polifonie announces 3rd International Composition Competition “Appassionato Ensemble” for the year 2019.

Art.2
The competition is open to Italian and foreign composers of any nationality with no restriction on age.
Each composer can participate with more than one piece.

Art.3
The scores must be composed for the following organic (whole organic or any combination from 1 to 5 performers):
- 1 Flute (Flute, Alto G Flute, Bass Flute, Piccolo)
- 1 Clarinet (Bb Clarinet, A Clarinet, Eb Clarinet, Bb Bass Clarinet)
- 1 Violin
- 1 Cello
- 1 Piano
The composition must have a minimum duration of 7’ and max 15’.
The composition must not have been published or been awarded prizes in other contests before, but it may already be performed in public.

Art.4
The application fee is € 35,00 for the first score and € 20,00 for any following ones by the same author.
The payment must be made by bank transfer to the:
Associazione Culturale Polifonie
Banca Prossima – filiale di Milano, p.zza Paolo Ferrari 10 – 20121 (MI)
IBAN: IT68J0335901600100000069721 – BIC: BCITITMX
and specifying the reason for the transfer as:
Application for the International Composing Competition.
or with PayPal (info@polifonie.it):


The application fee will not be refundable, except in the case of cancellation of the Contest.
Applicants may contact the Contest secretary’s office for any further information by writing to: info@polifonie.it

Art.5
To enroll in the contest, each participant must send an email to info@polifonie.it containing the following documents to the Contest Organizers:
- the application form
- A PDF copy of the score, perfectly readable and completely anonymous;
- the first page of the score must bear the title of the work and the approximate length of the composition;
- short explanatory notes related to the submitted work in Italian or English (max 1000 characters, including spaces).
- photocopy of an identity document or passport;
- a short curriculum vitae (in Italian or English);
- receipt of payment of application fee (not refundable) of € 35,00
The mail, in order not to be excluded, must be delivered to the Contest secretary’s office no later than 30 March 2019.

Art.6
A Jury will meet to select the 5 (five) finalist scores, that will be performed on 2nd June 2019 by Appassionato Ensemble in public concert in Como, during the final concert of Como Contemporary Festival 2019.
The Jury will be composed by:
- Sonia Bo (Italy), President
- Mehdi Khayami (Iran)
- Umberto Pedraglio (Italy)
The commission judgment is final and cannot be contested.
The finalist composers will be invited by the organization to send the individual parts of each instrument.
At the end of the concert the Jury will meet to select the winner.
The prize-giving ceremony will be held at the end of the concert.

Art.7
The winning work will receive a cash prize of 500,00 euros and will be published by EDIZIONI SCONFINARTE.
In the event the composer has an exclusive agreement with other publishers, he/she must give his/her acquittance to the publication when participating in the contest unlimited copies.
The commission has the right not to assign the prize in the event no composition in the final phase is judged worthy.
Any tv or radio recordings are authorized by the author without any further charge on the organization.
The personal details of the contestants will be used only for matters concerning the competition.

Art.8
All the documents and materials sent will be kept in the archives of the Associazione Culturale Polifonie and nothing will be returned, as the Association will become the owner.
The Association will have the ownership of the materials, it being understood that the author will keep the copyright.
The scores sent for the contest will become an integral part of the Music Archive of Association Organizer.

Art.9
The contestants accept the present regulations in all parts, unconditionally and integrally.

Art.10
In case of controversy, the Contest Announcement in Italian is to be considered the official text.

Web Site:www.polifonie.it/international...

 Future Makers Composition Competition
Summary:Trio Competition
Deadline: 10 February 2019
Date Posted: 29 December 2018
Details: Classical Sheffield seek entrants for the Future Makers Composition Competition

Classical Sheffield is pleased to offer an opportunity for Sheffield based student composers by launching a composition competition as part of its 2019 Classical Weekend festival. Making more music, in more places, for more people, Classical Sheffield is a charity committed to championing classical music-making in the city. Over 1000 of the city's music-makers will be joined by performers from across the world in a huge range of performances taking place 8-10 March 2019.

Themes for the 2019 festival are: Celebrating Women in Music (as part of International Women's Day), Beyond Borders, and Future Makers. As part of the Future Makers strand, Classical Sheffield has teamed up with the internationally acclaimed ensemble Lawson Trio. The Lawson Trio have gained recognition both for their performances of the cornerstones of the piano trio repertoire as well as lesser-known works and commissioning of new music.

Sheffield based students are invited to write new compositions for the Lawson Trio. Two prizes will be offered: 1st Prize: £300 and 2nd Prize: £200. The prize winners will have their pieces performed by the Lawson Trio as part of the festival on Sunday 10 March 2019 at Firth Hall.

Submission Details

Submitted compositions should not exceed 7 minutes in length
Submitted compositions should be score for piano trio (violin, cello, piano)
All submitted score should be typeset and handwritten entries will not be accepted
Entries should be submitted as 3 PDF documents:
a. 1 full score

b. 1 separate violin part

c. 1 separate cello part

5. Entries need to be submitted with a 100-word biography no later than midnight on 10 February 2019 by email to: p.classicalsheffield@gmail.com

Web Site:classicalsheffield.org.uk/news...

 SBBA’s 3rd annual Young Scottish Composers competition
Summary:Brass Band Competition
Deadline: 01 March 2019
Date Posted: 29 December 2018
Details: Young Scottish composers, up to the age of 23, are invited to submit an original piece for brass soloist with full brass band accompaniment. The choice of instrument for the soloist must be from a brass band i.e. cornet, tenor/flugel horn, euphonium/baritone, trombone or bass.

The scores should be submitted in PDF format along with an MP3 recording.

A panel of judges will choose the top 3 compositions, with prizes of £1000.00 (1st), £500.00 (2nd) and £250.00 (3rd), with the winning piece being premiered at the NYBBS summer concert in July 2019. The venue for the concert will be confirmed at a later date. The winning composers will also be offered mentor sessions with well-known Scottish composers.

The closing date for entries is 1 March 2019. For an application form and further details, please contact SBBA Education Officer John Boax at johnboax14@gmail.com or by calling 07966-486088.
Web Site:www.sbba.org.uk/news/5572/entr...

 FNMC COMPOSITION COMPETITION
Summary:Competition with 3 Categories
Deadline: 01 August 2019
Date Posted: 29 December 2018
Details: The Flute New Music Consortium is an organization with the shared mission of promoting new music for the flute by commissioning works and organizing simultaneous premieres. FNMC hosts its annual Composition Competition to connect members of the flute new music community to new works by talented composers. Semi-finalists are selected by blind-round judges; winners are heard and selected by FNMC member vote.

Winning composers receive a cash prize and many finalists find that their works receive more attention from the greater flute community. FNMC is proud of the performances and commissions it has had the honor to organize – but even more proud of the collaborations that have evolved between its members and its composers.

Check here see a list of recent performances reported by FNMC members.

Competition Categories:
Solo Flute: Submission deadline: June 1, 2019. 11:59 CST
• Works in this category must feature flute alone.
• Instruments in the flute family (piccolo, alto flute, bass flute, etc.) will be accepted.
• Works for flute and electronics are not appropriate for this category.

Flute Plus One: Submission deadline: July 1, 2019. 11:59 CST
• Works in this category must feature the flute and one other instrument. Works for flute and piano, flute and electronics, or flute and one other acoustic instrument are appropriate for this category.
• Instruments in the flute family (piccolo, alto flute, bass flute, etc.) will be accepted.

Flute Chamber Works: Submission deadline: August 1, 2019. 11:59 CST
• Works in this category include flute in some capacity.
• Chamber works should utilize between three and four performers.
• All instrumentations will be considered, but works for flute ensemble (flute quartet, flute trio) are strongly encouraged.
• Works for five or more performers are not appropriate for this category.

Eligibility:
• Entries must use the flute in some capacity. There is no age limit, and composers are permitted to submit up to three works per category
• Suggested Length: 5-12 minutes
• Submission of Materials:
Online application and entry fee ($14 per score). A $1 convenience fee per score will be assessed for payments submitted through the website. Scores should not contain identifying markings. This includes pseudonyms, dedications, and commissioner names.
• Multiple Entries: Composers may submit no more than three entries per competition category.
• The winning composer from each competition category will receive a $500 (USD) prize, one or more performances, and a live recording from one or more of the performances.
• Winning scores will be provided to current FNMC Commissioning and Performing Level members. FNMC makes every effort to program winning and finalist works at regional flute fairs, and sometimes even the CMS or National Flute Association Conventions.

Entry Information:
All entries must include:
• Scores with no identifying markings in either the file or the file name. This includes pseudonyms, dedications, and commissioner names.
• Scores must be created in Finale, Sibelius, or some other type of music entry software program
• All score submissions must be in PDF file format
• Live or MIDI recordings of each entry, with no identifying markings. This includes names of performers and composers in the file name as well as the metadata.
• All recordings should be submitted as mp3 files.
• Application information: name of composer, contact information, title of piece, instrumentation of piece, composer website (if available)
• Payment confirmation number
• Multiple movement scores should be submitted as a single PDF file
• Multiple movement works should be submitted as a single mp3 file

An entry confirmation will appear at the time of submission. An email confirmation will not be sent.

Selected winners give FNMC members rights to perform their works for one year and record their works for up to six years without further compensation. Selected winners consent to one video interview, to be shared with FNMC members and in FNMC marketing materials.

Incomplete applications or applications with identifying markings will be disqualified. Entries submitted without the payment confirmation number will be disqualified. Entries received after the deadline will not be considered. Entries which do not include an audio file in mp3 format will be disqualified. Previously winning pieces are not eligible for re-entry. All application fees are non-refundable.

Web Site:www.flutenewmusicconsortium.co...

 Hebrides Ensemble
Summary:International Composers' Seminar
Deadline: 11 February 2019
Date Posted: 29 December 2018
Details: Description
Would you like to hear your music performed by one of the UK’s leading chamber ensembles?

Would you like to discuss your music with internationally renowned composer Judith Weir?

Submissions should be:
• a maximum of 7 minutes long (this could be a section of a larger work)
• written for any combination of the following instruments: Flute, Clarinet, Violin, Cello and Piano. Solo or ensemble works will be considered.
• We don’t mind if your work has been performed before; if it’s published or unpublished; how old you are; or where you’re from. The only thing we ask is that you have completed your formal education.

A selection of submitted scores will be chosen for performance at an international composers’ seminar in Edinburgh on Wednesday 8 May 2019. It will be led by composer Judith Weir and Hebrides Ensemble’s Artistic Director William Conway and the scores will be performed by Hebrides Ensemble’s musicians.

Submissions must be received by 18:00 on 11 February 2019. One copy of the score (and a recording if you have one) should be emailed to hello@hebridesensemble.com.

More information and an application form can be found at https://www.hebridesensemble.com/events/event/hebrides-ensemble-call-for-scores-judith-weir-composer-day/
Web Site:www.hebridesensemble.com/event...

 highSCORE New Music Festival and Master Classes
Summary:Composition Programme
Deadline: 13 April 2019
Date Posted: 29 December 2018
Details: 10th edition, Pavia (Italy) / 5-17 August 2019

highSCORE Festival is today’s leading Italian Contemporary Music Festival offering unique programs with masterclasses specifically shaped for composers, one of the «ten summer festivals to get the contemporary music blood pumping» (Composition: Today). The upcoming 10th edition (August 5-17, 2019) features an outstanding internationally recognized faculty roster: Kaija Saariaho and Jean-Baptiste Barrière, guests of honor; Amy Beth Kirsten, David Ludwig, and Dmitri Tymoczko, the core of our composition faculty; adjunct faculty Kristel Pappel and Christopher Theofanidis, and lecturers Alberto Barberis, Giovanni Cestino, Tze Yeung Ho. Guest ensembles and performers invited to perform the music submitted by participant composers are Ensemble +47 (Norway), Quartetto Indaco (Italy), unassisted fold (Germany/Italy) and Katsiaryna Shapachka (Belarus). Application deadline is April 12, 2019.

Founded in 2010 and set every summer in historical Pavia (Northern Italy), highSCORE Festival is an invaluable venue for emerging composers wanting to produce and promote their work, inspire audiences with their music, secure future commissions and job opportunities, and join other musicians to create a vibrant artistic community. Musicians work closely with a renowned faculty, talented visiting artists and special guests from around the world for two intense weeks of masterclasses, lectures, workshops and concerts. The Festival offers composers a choice between two programs of study – an intense Full Composition Program and a Light Composition Program – along with several concerts and recreational events to enjoy the beauty of Northern Italy. Performances during the festival are presented at cultural and historical sites throughout Pavia.

Venues included the famous Church of St. Peter in the Golden Sky where St. Augustine and Boetius are buried. The “F. Vittadini” Higher Institute of Music Studies, Pavia’s conservatory, with its large, well-equipped rooms with Vertical and Grand Pianos, is the core of the highSCORE Festival. Accommodation will be in shared rooms at the Campus Residence Dormitory. Each apartment is equipped with kitchen, bathroom, air conditioning, and wireless connection. The compound also includes a study room, a launderette, and a bicycle parking area. Newly built are a fitness center, a beauty SPA, covered and open air pools, and a cafeteria.

The festival, under the young and creative artistic direction of Giovanni Albini and the executive production of Paolo Fosso, is produced by the highSCORE New Music Center.

Web Site:www.highscorefestival.com

 International Choral Composition Competition Japan 2019
Summary:Choral Competition
Deadline: 31 March 2019
Date Posted: 29 December 2018
Details: 【Purpose】
The International Choral Organization of Tokyo announces the International Choral Composition Competition Japan 2019 (ICCC Japan 2019), the aim of which is to promote choral music through the creation of new and innovative choral repertoire.

【Qualification】
Participation is open to composers of any nationality and any age, whether professional or amateur.

【Jury Members】
The jury will be consisted by the members below:
Chief Jury:Vytautas Miškinis(LR)
Jury:Bob Chilcott (UK),Rihards Dubra (LV), Reijo Kekkonen(FIN), Takatomi Nobunaga(JP)

The Artistic Committee will support the juries.
Artistic Director: Ko Matsushita (JP)

【Judgement Criteria】
The judgement process is based on the assessment of the submitted music score.

【Award / Commendation】
The composer of the winning work will receive a prize of 100,000 Japanese Yen and a diploma. The composer of the works in 2nd and 3rd place will receive a diploma. The winning work will be published by Pana Musica Co., Ltd. Following recommendation by the jury, there may be a possibility that the work in 2nd and 3rd place would also be published. From these award winning works, the set piece of the 3rd Tokyo International Choir Competition (to be held in 2020) will be selected.

【Application Rule】
The ICCC Japan 2019 is dedicated to choral compositions defined, written and stated as below:

・ SATB a capella, basically each voice must not be divided, except when fulfilling the condition as follows: a maximum of two division per one voice, and the length of the divided section being around 10 % of the whole work. No accompaniment including percussion and bodywork is allowed.
・ The work must stand on its own and should not be in the form of a suite, i.e. consisted of multiple pieces.
・ Duration: 2 to 3 minutes.
・ Text: Latin and English (or mixed Latin & English) only, contents may be either sacred or profane. If the text is not in public domain, a written statement by the author or copyright holder for the use of the text must be attached to the entry e-mail.

【Application Format】
・ State the performance duration on the top of the 1st page of the score.
・ Format: PDF, made from Finale, Sibelius, or a similar scorewriting program.
・ If possible, attach the MP3 audio file extracted from the scorewriting program via online storage (ex. Google Drive or Drop Box) when submitting the work.
・ Do not state the composer’s name anywhere on the score. If there is an author of the text, the name of the author shall be clearly stated. The original text and its English or Japanese translation should be attached to the score.

【Application Deadline】
All entries must be sent by 23:59 31st March 2019 GMT (16:59 31st March Pacific Daylight Time, 19:59 31st March Eastern Daylight Time, 00:59 1st April British Summer Time, 01:59 1st April Central Europe Summer Time, 08:59 1st April Japanese Standard Time).

【Application Process】
・ Participation to the ICCC Japan 2019 will be finalized by filling the web entry form, submitting the composed work and other documents (as applicable) to the administrative office by e-mail, and paying the participation fee.
・ All materials are to be sent by e-mail to apply@icccj.org. Other methods of application are basically not applicable. If other methods are preferred, please contact the administrative office.

【Application Fee / Payment】
Entry fee is 5,000 Japanese Yen per composition.
Please make the payment via Paypal in the currency of Japanese Yen within 3 days of submitting the work. There is a link on the ICCC Japan website to make this payment, otherwise please make payment to (office@icot.or.jp). Please notify the administrative office (info@icccj.org) if payment via Paypal is not possible.

【Timetable】
The initial judgment will be done by mid-May 2019. The title of the qualifying compositions of the initial judgment will be published on the ICCC Japan website. The final judgment will follow, and the 1st, 2nd and 3rd award winning works along with the work to be published will be determined around mid-June 2019. There will be no public announcement of the results until as stated below, however the award winners will be individually notified via e-mail.

【Announcement of Award Winners】
The results will be announced during the Karuizawa International Choral Festival 2019. Announcement is to be held on 25th August 2019 at Karuizawa Ohga Hall. Exact date and time will be announced on the ICCC Japan website or Facebook page.

【Privilege for Award Winners】
The premiere performance of the awarded works will be made by The Metropolitan Chorus of Tokyo, conducted by Ko Matsushita. The announcement and performance will be web broadcasted worldwide via YouTube LIVE.

【Important Notes before Submission】
・ The work must not been performed, awarded nor published before. A declaration that the work fulfills this condition (any format is allowed) must be submitted.
・ A participant can apply as many works as wanted. One entry form for each work must be filled.
・ Upon the awarded works that will be published, the copyright and publishing rights belong to Pana Musica Co., Ltd.
・ Participation in the competition implies full knowledge and acceptance of these regulations.
・ The jury’s decision is final.
・ For works selected as a set piece of the 3rd Tokyo International Choir Competition, its composer must arrange the work for TTBB, SSA (or SSAA).




【Documents Required for Submission】 * submit to apply@icccj.org before the deadline

1. Composed work (which clearly state the performance time and does not state the name of the composer, in PDF format)

2. Original text and the English or Japanese translation of the text (no format restrictions)

3. Declaration that the work has not been performed, awarded nor published before (no format restrictions)

4. Permission from the text author if the text is not in public domain (no format restrictions)


【Point of Contact】
The International Choral Organization of Tokyo
2-29-12 B1F, Kinugaoka, Hachioji-city, Tokyo 192-0912, JAPAN
Email: info@icccj.org
Tel: +81-42-689-5641
Web Site:www.icccj.org

 2ND KRZYSZTOF PENDERECKI INTERNATIONAL COMPETITION
Summary:Young Composer Competition
Deadline: 28 February 2019
Date Posted: 20 December 2018
Details: 1. Krakow Branch of the Polish Composers’ Union announces 2nd Krzysztof Penderecki International Competition for Young Composers. Composers from every country, who will not be over the age of 35 at the moment of its closing, can take part in the Competition.

2. The subject of the Competition is a composition for string quartet (two violins, viola and cello), with a duration from 9 to 14 minutes.

3. One participant can submit no more than two compositions. A composition cannot be earlier performed, published in any form or awarded in any competition.

4. 4 copies of a score as well as score in pdf format on a compact disc, marked with an emblem and a title, with duration written, and a sealed envelope marked with the same emblem, containing an application form, a short bio note, a note about the piece and a photo (in jpg format), should be sent to the address:

Związek Kompozytorów Polskich

Oddział w Krakowie

ul. Dunajewskiego 5

31-133 Kraków

With annotation: 2nd Krzysztof Penderecki International Competition for Young Composers

not later than on 28 February 2019 (the date of submitting the score decides).

5. The Jury of the Competition: Marcel Chyrzyński (chairman), Zbigniew Bargielski, Ivan Buffa (Slovakia), Wojciech Widłak and Justyna Duda-Krane, grants one Main Prize – 1000 USD (gross). What is more, the awarded composition will be premiered in May 2019 on the concert during
31st International Festival of Krakow Composers.

The Jury may not award the Main Prize. Honorary awards may be granted. The decision of the jury is irrevocable and will be announced not later than on 15 March 2019.

6. Participating in the Competition, a composer declares that the composition can be recorded for purposes of the Organisers of the concert, without any financial claims from his side.

Copies of the score and parts of compositions will be further the property of the Krakow Branch of the Polish Composers’ Union.

7. Application for the Competition means that a composer agrees to these Regulations. Compositions not meeting the requirements of the Regulations will not be taken into account during the Competition.

8. Organisers of the Competition have the right to change the date or to cancel the performance of the awarded composition from independent causes.

Any questions send to the Secretary of the Competition – Aleksandra Patalas, e-mail address: sekretarz@zkp.krakow.pl

Web Site:festiwal.zkp.krakow.pl/en/konk...

 Blue Mountain/Forecast International Call for Scores
Summary:Pieces for up to 8 performers
Deadline: 31 January 2019
Date Posted: 20 December 2018
Details: Hosted by Blue Mountain/Forecast
http://www.bluemountainensemble.org
Blue Mountain/Forecast: 2018-19 International Call for Scores

PRIZE: The winners of the Blue Mountain/Forecast 2018 International Call for Scores will be performed on Blue Mountain/Forecast’s 2019-20 season in Winston-Salem, NC. From 1-3 works may be chosen. A travel stipend of $500 will be awarded to the winning composer(s) in order to help them attend the concert.

ELIGIBILITY: Composers of art music from all genres and of any nationality are invited to submit works to Forecast Music’s 2018-19 International Call for Scores. No preference will be given as to whether or not a work has been previously performed.

INSTRUMENTATION: Solo and small ensemble works using some or all of Forecast Music’s core instrumentation (flute, bassoon, saxophone, percussion, piano, violin, cello, and mezzo soprano) are welcomed. Pieces may use electronics, and may include one additional instrument not included in the core ensemble. Works with durations of 12 minutes or less are preferable, although longer compositions may be considered.

DEADLINES: All works must be submitted online by January 31, 2019 to be eligible for this year’s call.

SUBMISSION FEE: Payment can be made securely via PayPal/credit card or via check. The fee is $10 for the first entry, and $5 for each additional entry made payable to Forecast Music. For PayPal payment please click on the Payments icon at www.bluemountainensemble.org/international-call-for-scores


SEND (checks) TO:

Forecast Music
c/o Eric Schwartz - Artistic Director
2446 Lyndhurst Avenue
Winston-Salem, NC 27103
USA

checks payable to "Forecast Music"

SUBMIT SCORES TO:
forecastcallforscores@gmail.com (use this address for e-submission as well as any questions)

PLEASE FILL OUT THE FORM BELOW COMPLETELY

INCLUDE IN THE BODY OF YOUR EMAIL:
Composer’s biographical information (250 words maximum)

INCLUDE AS AN EMAIL ATTACHMENT OR LINK
PDF score of composition
Web Site:www.bluemountainensemble.org

 PIERO FARULLI INTERNATIONAL COMPOSITION COMPETITION
Summary:String Quartet Competition
Deadline: 30 June 2019
Date Posted: 20 December 2018
Details: Third Edition 2019

Applications are open for the International Composition Competition for Junior String Quartet dedicated to the memory of Piero Farulli, viola of the legendary Quartetto Italiano and founder of the Scuola di Musica di Fiesole.

Important news regarding the Jury: Giacomo Manzoni will be the chairman of the Jury whose members include Adriano Guarnieri (I), Joerg Widmann(D), Daniel Herrera (CH) and Chia-Ying Lin, young composer from Taiwan who was the first winner of the first Competition 2015 and now is doing an absolutely brilliant international career.

The third Edition is proud to host, yet again, a Jury of the highest level!
The aim of the competition is to increase and enrich the virtually non-existent repertoire for young and very young players of stringed instruments, who will be encouraged and enabled to play music together using contemporary musical language.

Prizes
There will be two prizes of €2.000 each.
1. Primary or intermediate level of instrumental difficulty (Level A)
2. Advanced level of instrumental difficulty (Level B).
The competition enjoys the patronage of the President of the Republic and the Municipality of Florence. It is being held in collaboration with the Orchestra della Toscana who will be managing the applications for the Competition from her headquarter c/o Teatro Verdi in Florence where the Jury’s final meeting will be held in September 2017.

Casa Ricordi will publish the two winning compositions, which they will add to the teaching series Piero Farulli per il quartetto d’archi (Piero Farulli for String Quartets). The Utopian philosophy of Piero Farulli was that of bringing music to everyone; he wanted to fill stadiums with concerts of Beethoven’s quartets! This is the perspective of the Competition, which last edition received 60 entries from composers from all over the world.

30th June 2019 deadline for applications .

Application form can be downloaded from website www.associazionepierofarulli.com.

Please send scores via wetransfer.com to info@associazionepierofarulli.com or by post to:
Concorso di composizione Piero Farulli C/O Orchestra della Toscana, via Verdi 5, 50122.

Web Site:www.associazionepierofarulli.c...

 Talis Festival & Academy
Summary:Composition Academy
Deadline: 15 February 2019
Date Posted: 20 December 2018
Details: COMPOSITION ACADEMY FELLOWSHIPS at the Talis Festival & Academy

Academy Composers have the chance to work on their music while collaborating with professional musicians. The program includes a concert premiere of a piece, daily readings, private lessons, and workshops with the Grammy nominated Talis Festival Guest Composer Miguel del Aguila. www.migueldelaguila.com

All accepted Academy Fellows are eligible for scholarships!
For more information, please check our website www.talisfestival.com

Application Deadline: February 15th, 2019
TO Apply: www.getacceptd.com/talisfestival
Web Site:www.talisfestival.com

 Clotilde Rosa Award
Summary:Trio competition
Deadline: 05 April 2019
Date Posted: 20 December 2018
Details: 1st International Entre Madeiras Trio Composition Competition

Regulation

Entre Madeira Trio, with the support of RDP – Antena 2, Centro Cultural de Belém (CCB), AVA – Musical Editions, Câmara Municial de Lisboa, Glosas, Centro Nacional de Cultura e D. Caeiro Lda, announces in 2018 the 1st Competition International Entre Madeiras Trio Composition Competition – Clotilde Rosa Award, as a way to pay homage to the great Portuguese composer Clotilde Rosa (1930-2017).

Application conditions

1. Composers of any nationality and age may compete for the Prize.

2. Applicants may send an unlimited number of scores.

3. The scores in the contest must be exclusive (never before played in public, recorded or published on a disc/commercial score, or that have won any other award until the end of the contest).

4. The scores must be written for a trio of woodwinds (flute, oboe, alto saxophone *), without using electronic devices, and have a total duration (in one or several movements) between 8 ‘and 15’.

5. The scores shall be written in a music program (Finale, Sibelius, Dorico, others), not accepting manuscripts.

* – single folding possible: soprano and tenor saxophone

Prize
1. The Prize consists of a monetary value of 1000 Euros, the publication of the work, in score, by AVA – Musical Editions (except if the winner has an exclusive contract with another publisher), and a debut premiere of the score by Entre Madeiras Trio. Concomitantly, a art work of the plastic artist João Pedro Santos will be given.

2. The Prize is indivisible, and there can be no ex-aequo

3. The Jury reserves the right not to award the Prize if the quality of the score is considered insufficient.

4. The Jury may, regardless of whether or not the Prize is awarded, grant up to a maximum of 3 Honorable Mentions.

5. The Prize will be awarded on the day of the debut concert of the winning score, to be held on May 16, 2019 at the Sophia de Mello Breyner Andresen auditorium in Centro Cultural de Belém – Lisboa.

6. In addition to the winning composition, if the jury so wishes, the 1st Honorable Mention may also be issued or, in the event that the Prize is not atributed, the 1st and 2nd Honorable Mentions, if granted.

7. Any future executions, editions of the score or CD of the winning work, must include in the program notes the mention “Winning work of the 1st International Entre Madeiras Trio Composition Competition – Clotilde Rosa Prize”.

8. The composers will assign to Entre Madeiras Trio the copyrights related to the debut of the winning work / honorable mentions and to any recordings authorized in this context.

Applications
9. Each competitor, for each score presented, must pay a registration fee of 15 euros, by bank transfer to the account of BANCO CTT with IBAN PT50 0193 0000 1050 3854 7202 1.

10. Applicants must present five (5) copies of each score and one (1) set of their respective instrumental parts, in paper form.

11. Each score should include program notes (Portuguese, Spanish, Italian, English or French) and also the total duration.

12. A CD with the synthesized or acoustic audio of the score may be attached if the candidate so wishes (in the latter case, the performance/recording shall be private, excluding any commercial or public concert recordings as determined by point 3 of that regulation).

13. All materials submitted must be submitted anonymously, including the postal order, which must be identified, as well as the musical materials, using a pseudonym.

14. If the candidate sends more than one score for the Prize, he / she must do it in separately, one for each work in the contest.

15. The materials for each score must be sent in a postal envelope, together with a sealed envelope containing the applicant’s ID, photocopy of ID card / citizen card / passport, personal contacts (telephones, e-mail and postal address), proof of transfer of the registration fee and a statement signed by the composer confirming that the composer complies with all the conditions required by the regulation.

The jury will only be aware of the identity of the contestants in case they are awarded, with only the envelopes corresponding to the winners being opened.

Scores must be sent by registered mail to the secretariat of the Prize until de 5th of April of 2019 (date of arrival of the scores. It is recommended that they should be sent with time), to the following address:

1st International Entre Madeiras Trio Composition Competition – Clotilde Rosa Award
Secretariat of the Competition
Rua Arco do Carvalhão nº 47 5ºC
1070-008 Lisboa – Portugal

Jury

The Jury will be composed by the following personalities:

Sérgio Azevedo (Escola Superior de Música de Lisboa) – President
Jorge Machado (Conservatório Nacional de Lisboa)

Members of Entre Madeiras Trio:

Miriam Tallette Cardoso
Filipe Pereira Branco
João Andrade Nunes

Results

16. The results of the Prize will be announced publicly until May 11, 2019, on the websites:

https://entremadeirastrio.com/
https://www.facebook.com/entremadeirastrio/

Only the winner or those with Honorable Mentions will be contacted directly.

17. Materials submitted by competitors will not be returned.

18. There shall be no appeal against decisions of the jury. Any missing case in the regulation will be decided by the jury. Any legal dispute shall be resolved in the District of the Lisbon Court, to the exclusion of any other place, and shall be based solely on the Portuguese version of the Prize regulation. Any doubts that this regulation may raise should be clarified to the Secretariat of the Prize, through the following address:

e-mail: secretariadoconcursoemt@gmail.com

This regulation, as well as all the information related to the Prize, can be consulted on the websites of the Entre Madeira Trio:

https://entremadeirastrio.com/
https://www.facebook.com/entremadeirastrio/
Web Site:entremadeirastrio.com/#post-12...

 The 6th Sampo Composition Contest / Residency
Summary:Residency Opportunity
Deadline: 31 January 2019
Date Posted: 20 December 2018
Details: Composition Contest and Residency for Acoustic Instrument and Sampo
Saint-Etienne 11 - 18 May 2019

Musinfo is pleased to announce the sixth edition of the Composition Contest and Residency for Acoustic Instrument and Sampo. With this initiative Musinfo supports the work of contemporary composers in the field of live-electronic. The residency will take place during the 2019 Art & Science Days in Saint-Etienne.

The winning composers will receive a commission from Musinfo to compose a new work for an acoustic instrument and Sampo. Sampo is an electronic device made for any musician or composer to expand the sound field of an acoustic instrument.

The writing of the new composition will include two phases:

• First, the winners will work with the P-Soft software which emulates Sampo. They will exchange with the performers of OpusCentrum ensemble, who will prepare the works on their Sampos.

• The winners will then be invited to carry out their residency in Saint-Etienne for one week to finalize their compositions and prepare the concert which will take place during the 2019 Art & Science Days together with the performers. Sampos will be made available to composers during the residency.

Applications must contain the following elements:
1 - Short biography (1500 characters maximum)
2 - Photo (for publication at the announcement of residents)
3 - Letter of motivation
4 - Short sketch to demonstrate the composer’s understanding of the work with P-Soft and Sampo.
5 - 1 to 2 scores of recent compositions. Any works containing electronics shall be accompanied by a recording of the work.

Candidates are invited to send their applications by January 31, 2019 by Wetansfer to: concours-sampo2019[at]musinfo.fr

Web Site:musinfo.fr/en/creation/contest...

 Third Millennium Ensemble
Summary:Young Composer Competition
Deadline: 01 February 2019
Date Posted: 20 December 2018
Details: The Third Millennium Ensemble is pleased to announce its 2019 Competition for Composers. The Third Millennium Ensemble offers performances that reflect the energy and diversity of contemporary music and strives to represent a wide cross-section of composers. Please read the guidelines below carefully.

The competition will offer the following prizes: $400 First Prize; $200 Second Prize; The first and second place winners will receive performances by TME in 2019-2020 season and composers may receive archival recordings on request. Young Composer Prizes will be: $150 Grand Prize; $100 Pre-College (if awarded). Winning pieces in the Young Composer category are eligible for performance by the ensemble if deemed appropriate. A "Young Composer" is defined as any composer age 21 or younger by February 1, 2019. Winners may be required to submit proof of age.

The Young Composer Prize will be: $100 Grand Prize. The winning Young Composer piece is eligible for performance by the ensemble as deemed appropriate. A "Young Composer" is defined as any composer age 20 or younger by December 1, 2016. Winners may be required to submit proof of age.

Winners in all categories will be selected by a panel of composers with input from the ensemble. All entries will be considered for performance. Compositions for any single instrument combinations of flute, clarinet, trumpet, violin (up to 2 players) viola, cello, bass, piano, percussion (1 player), harp and soprano, mezzo or baritone voice (no more than 1 voice part) will be considered. Once pieces have been passed on to the ensemble for final consideration, parts may be requested. Pieces with instruments in listed "families" are eligible (e.g piccolo or bass clarinet). Pieces with electronic/digital sound accompanying acoustic instruments are welcome.

To enter, please include a $35 application fee* for one piece and $15 for each additional piece submitted. Please download the ENTRY FORM from our website (www.thirdmillenniumensemble.org) or replica to include with your submission. Packets may be submitted electronically by 1) submitting scores and pdf entry form to: thirdmillenniumensemble@earthlink.net; 2) submitting recordings (highly recommended) to DROPBOX and 3) submitting the fee through Paypal. Please inquire by email for submitting and sharing recordings by Dropbox. Scores, entry forms and fees and recordings may also be submitted through the traditional mail.

Published and recorded works as well as pieces by composers living outside the United States are welcome. Winners will be announced by June 2019 and all who have entered will be notified by email and the results will also be posted on our website. Unfortunately we are not able to return materials. Checks or Paypal fees should be directed to: Third Millennium Ensemble. Scores (with recordings, if possible) should be sent to:

Third Millennium Ensemble

Attn: Pamela Helton
4332 Ballenger Creek Pike
Frederick, MD 21703
Phone: 202-316-1646
Email: thirdmillenniumensemble@earthlink.net
Web: www.thirdmillenniumensemble.org

* We apologize for charging a fee, but the cost of Paypal and DropBox fees, but administrative costs, prizes and some performance-related costs are offset by these funds. TME sincerely thanks you for your entry.

Web Site:www.thirdmillenniumensemble.or...

 CALL FOR SCORES MATA FESTIVAL 2020
Summary:Performance/commission opportunity
Deadline: 11 February 2019
Date Posted: 20 December 2018
Details: MATA seeks submissions from composers in the early stages of their careers for our 2020 Festival of New Music in New York City and additional concerts during our 2019-2020 season. MATA has no aesthetic bias: we welcome all types of music from fully notated to improvised, sound art, video, electronic, found instruments, toys, installations, and everything in between. Composers are selected on the strength of their overall portfolio, and will receive either a performance of a pre-existing work or a commission to write a new piece. MATA’s performances. Performers featured by MATA have included leading chamber ensembles and soloists from New York and the world as well as installation works and other time-based arts that defy categorization.

Please submit links to scores and recordings of your two best works, regardless of instrumentation or forces needed; a one-page resume; a list of compositions; and contact information through our website http://www.matafestival.org. We will only accept digital submissions. There is no entrance fee. Applications must be electronically submitted by 11:59 PM, Monday February 11, 2019 in order to be considered.

Audio: we accept either links to recordings hosted on a personal website, through SoundCloud, YouTube or other streamable service. Please provide direct links to the works submitted. MIDI recordings are discouraged but will be accepted. Links must be streamable; we will not download individual files. YouTube and Vimeo links are acceptable if your work involves visual elements.

Scores: we accept links to PDF documents either hosted on a personal website, GoogleDocs, or other host. If you submit your files using GoogleDocs you must be certain that “link sharing” is turned on. If scores are not pertinent to your work, please provide a document explaining what we are hearing.

Composers selected for the 2020 MATA Festival and season will be notified in the autumn of 2019, if not before. Please be sure that your links remain in operation indefinitely, as the review process will take place in the spring and summer of 2019. Do not provide links that will expire after any period of time. If we cannot access your links, we cannot program your work.

Applicants must be in the early stages of their career or have had limited access to American concert stages.

Web Site:matafestival.org/call-for-scor...

 The 21st century guitar
Summary:Compositions for Guitar
Deadline: 28 February 2019
Date Posted: 20 December 2018
Details: The University of Ottawa Piano Pedagogy Research Lab, in collaboration with the International Guitar Research Centre (University of Surrey), the Canadian Music Centre, and the Ottawa Guitar Society will host an international interdisciplinary conference on 21st century guitar composition, performance and pedagogy between August 22nd and 25th, 2019 at The University of Ottawa, Ontario, Canada

The goal of this conference is to examine guitar skill acquisition and guitar pedagogy from an empirical perspective. Do current practices in guitar pedagogy reflect the underlying motor, neurological and cognitive processes that govern skill acquisition and expertise? What do we already know about those underlying processes for guitar performance? What avenues remain unexplored?

The conference will bring together researchers, academics, composers and practitioners from different fields who are interested in guitar performance, pedagogy, and contemporary composition for guitar and technology. Concerts featuring new works for guitar duo, guitar orchestra and technology (360 projection, 8-channel sound) will be highlighted in special performances.

CALL FOR SCORES.

We invite the submission of scores and proposals for two concerts.

1. The Canadian Music Marathon: Thursday, August 22, 2019 at Freiman Hall, University of Ottawa 7pm
• Must be a Canadian composer (resident / citizen)
• Solo or duo guitar (electric / acoustic / classical)
• Work must include electronics or a form of technological enhancement (ie. automata, visuals, VR etc.)
• Stereo sound reinforcement will be provided.
• Composers are strongly encouraged to provide their own performers if possible, however they may request for their score be offered to student or faculty performers from the University of Ottawa. In this case performance is not guaranteed, even if the score is accepted.
• Any duration is permitted
This marathon concert aims to perform as many Canadian works for guitar and technology as possible. Due to the length of the concert, audience members will be invited to enter and leave BETWEEN performances at their discretion. A recording (video and audio) of the entire concert will be made publicly available for download for composers and performers.

2. Works or proposals for double guitar orchestra, 8-channel sound and surround projections: Saturday, August 24, 2019 at Dominion-Chalmers Church, Ottawa 9pm
• This call for proposals and works is open to both international and Canadian composers
• The double guitar orchestra will be composed of amateur and professional guitarists and will be comprised of 20-30 classical guitarists and 20-30 electric guitarists. The orchestras will be conducted by Craig Visser and Tim Brady.
• 8-channel surround will be available, but stereo electronics are also welcome. Live or fixed electronics are both acceptable.
• Attendance of the composer is encouraged but not required. Rehearsals will begin in June, 2018 and composers are encouraged to be involved via Skype or other videolink.
• A special creation prize of $750 is being offered by the Canadian Music Centre for Canadian women composers. Please indicate in the online form if you would like to be considered for this prize. The CMC will provide a letter of invitation for travel funding if desired.

Submissions must be received no later than February 28, 2019, and notifications will be made by March 31, 2019. Submissions are not anonymous.

Final scores are due no later than June 1, 2019.

Web Site:21cguitar.com

 Warren County Summer Music School
Summary:Promising Young Composers Competition
Deadline: 01 March 2019
Date Posted: 13 December 2018
Details: DEADLINE: entries must be received by March 1, 2019
• E-mail application plus a PDF copy of your composition and an MP3 recording, with composer’s name removed from score and recording, to: warrencountysummermusicschool@gmail.com
• First prize: $1,000 USD; each age group prize, $250

ELIGIBILITY
• Composer may be: ages 15-18, 19-23, or 24-30 as of March 1, 2019
• The composition must be an unpublished, original work
• Before the Award is conferred, winners will be required to submit a current photo and full resume

SUBMISSION REQUIREMENTS

The composition must be appropriate for performance by students in grades 7-12

The composition should be written for one of the following:
♪instrumental -- solo, chamber, or large ensemble
♪vocal -- art song, small vocal ensemble or chorus (any combination of voices)

Recommended duration: vocal--two to five minutes, instrumental—less than 9 minutes

Winners agree that the Warren County Summer Music School may perform the winning works without fee or royalty in perpetuity

WCSMS will accept one composition per composer in each category
Web Site:www.wcsms.org

 IV International Composition Prize SEM 2019
Summary:Orchestra Competition
Deadline: 12 May 2019
Date Posted: 13 December 2018
Details: Summary: Orchestral Competition
Deadline: 12 May 2019

Details: Associazione Ensemble Serenissima of Sacile (PN) - Italy, in collaboration with Pizzicato Verlag Helvetia publishing house, announces the fourth edition of the International Competition of Composition "IV INTERNATIONAL COMPOSITION PRIZE – SEM 2019”.

The competition is open to musicians of all nationalities with no age limit.
The submitted composition, must be unreleased for orchestra without soloists, unpublished and never performed before in public concerts, radio or television nor awarded in any other composition competitions. They must involve the following instruments, that can be totally or partially used:
n° 2 flute (one also piccolo);
n° 2 oboe (one also English horn);
n° 2 clarinet (one also bass clarinet);
n° 2 bassoon (one also contrabassoon);
n° 2 horn;
n° 2 trumpet;
tympani;
strings;
PA System is not permitted. The duration of the composition must range from 4 (four) to 7 (seven) minutes

Prize Details
The contest winner will receive:
- Euro two thousand five hundred (€ 2.500), gross of taxes (the Prize may be divided between more than one participants);
- the performance of the score during the final orchestra concert which will close the 23rd edition of the FVG International Music Meeting;
- published* by Pizzicato Verlag Helvetia publishing house.
*Those who are bound by an exclusive contract with a publishing house must attach a special waiver.
The work can also be recorded audio/video and can be included in the Festival’s live CD and DVD.
The compositions that will not win but that will be considered worthy by the Jury Panel would be performed during the final orchestra concert which will close the 23rd edition of the FVG International Music Meeting. They would also be recorded (audio and video) and included in the Meeting’s live CD and DVD.

Adjudication: The panel, chaired by Maestro Daniele Zanettovich, will be made up of distinguished, international names from the world of music and contemporary composition. The composition of the jury will be announced after the deadline for participation.

Instructions for Submission
The scores and all documents must be sent exclusively by email and must be received no later than by midnight of the 12nd May 2019 (computer's time and date will be proof of dispatch) to the email address:

Internationalcompositionprize@gmail.com

specifying with regard to “IV International Composition Prize SEM 2019”.
It can be sent via: wetransfer.com.

Web Site:www.ensembleserenissima.com/si...

 NEWMUSIC WEEK 2019 – ROMA
Summary:Week-Long Workshop
Deadline: 31 January 2019
Date Posted: 13 December 2018
Details: mdi ensemble and Accademia Filarmonica Romana promote for the first time NEWMUSIC WEEK, a new initiative dedicated to contemporary music. It consists of a week-long workshop, from May 20th to 25th 2019, including several courses organized in two main areas:

1 – Two international composition master classes.
2 – An instrumental music master class focused on contemporary music techniques in solo and chamber music repertoire from c.a. 1940 to nowadays.
For the 2019 edition, the teaching composers will be Beat Furrer and Simone Movio.

The instrumental music master class will be held by mdi ensemble members, who will teach both solo and chamber music repertoire.

The activities for composers and instrumentalists are thought to come together in various Public performances which will take place in the prestigious Casella Hall at Accademia Filarmonica Romana. The programs of these events (lunch and evening concerts) will feature, among others, works by composers attending the Composition master class and music by Beat Furrer and Simone Movio. The concerts will be performed by students from the Instrumental music master class together with members of mdi ensemble. In this way, young instrumentalists will experiment professional relationship with renowned composers and how to work side by side with young composers.

Application deadline: January 31st 2019

Web Site:www.mdiensemble.com/en/newmusi...

 Gregory Wiest announces his 14th call for scores
Summary:Call for songs
Deadline: 31 December 2019
Date Posted: 13 December 2018
Details: For my next song recital project, I am looking for
• groups of songs(duration up to 20 minutes)
• written after the year 2010
• with texts in English(preferrably from living poets)
• for any combination of tenor, piano and/or double bass.

My deadline for submissions is December 31, 2018.
Music as MusicXML- or PDF-file may be sent to gwsings@gregorywiest.com
Please direct all questions and complaints to me at the above address.

Summary

Receipt Deadline:December 31, 2018

Fee: No Fees

Name of Organization: Gregory Wiest, Tenor

Description: Gregory Wiest announces his 14th call for scores. Chosen works will be performed on a program tentatively scheduled for the 2019/2020 season. Composers, whose works are chosen, receive a copy of the live recording.

Requirements: Composers of any age or nationality may submit groups of songs(duration up to 20 minutes), written after the year 2010, with texts in English(preferrably from living poets), for any combination of tenor, piano and double bass.

Submission: Music as MusicXML- or PDF-File may be sent to gwsings@gregorywiest.com. Hard-copies can be sent to Gregory Wiest, Tuerkenstsr. 45, 80799 Munich, Germany. International submissions cannot be returned.

Contact information:
Gregory Wiest,
Tuerkenstr. 45,
80799 Munich,
Germany
Email: gwsings@gregorywiest.com
Internet: https://gregorywiest.com/


Web Site:gregorywiest.com/

 Entre Madeiras Trio - Clotilde Rosa Award
Summary:Internacional Composition Competition
Deadline: 05 April 2019
Date Posted: 13 December 2018
Details: Details: : As a way to pay homage to the great Portuguese composer Clotilde Rosa (1930-2017), Entre Madeiras Trio announces in 2018 the 1st Competition International Entre Madeiras Trio Composition Competition – Clotilde Rosa Award. Composers of any nationality and age may compete for the Prize. The scores in the contest must be exclusive (never before played in public, recorded or published on a disc/commercial score, or that have won any other award until the end of the contest). The scores must be written for a trio of woodwinds (flute, oboe, alto saxophone *), without using electronic devices, and have a total duration (in one or several movements) between 8 ‘and 15’. * – single folding possible: soprano and tenor saxophone

Prizes: 1000 Euros, the publication of the work, in score, by AVA – Musical Editions and a debut premiere of the score by Entre Madeiras Trio at Centro Cultural de Belém (CCB) - Lisboa - Portugal

Entry fee: 15 EUR
Contact: For more information and to apply, please visit: https://entremadeirastrio.com/#post-122
Web Site:entremadeirastrio.com/#post-12...

 Irish Heritage
Summary:Bursary for Composition
Deadline: 31 January 2019
Date Posted: 13 December 2018
Details: Details: Irish Heritage is pleased to announce the launch a new £3,000 bursary for an original classical music composition on an Irish theme by a young Irish composer based in Ireland or Britain. The new Bursary is open to young Irish composers studying at recognised music conservatoires and other colleges in Ireland and Britain. The theme of the inaugural Bursary composition is peace and reconciliation in an Ireland-Britain context in these testing times. Compositions must feature a harp and flute duet.

Fee: N/A
Contact: For more details, please contact: contact@irishheritage.co.uk
Email:contact@irishheritage.co.uk

 Left Coast Chamber Ensemble
Summary:Competition 1-7 players
Deadline: 01 February 2019
Date Posted: 13 December 2018
Details: 2019 COMPOSITION CONTEST
AWARD
• US $1500 cash
• Performance by Left Coast Chamber Ensemble during the 2019-2020 concert season
• Recording of the live performance

GUIDELINES
Composers of all ages and nationalities may apply.
Select any combination of the following instrumentation for 1-7 players.
• 1 Voice (Soprano)
• 1 Flute (doubling Alto Flute and/or Piccolo)
• 2 Oboes (one doubling English Horn)
• 1 Clarinet (doubling B flat, A, E flat, and/or Bass Cl.)
• 1 Piano
• 1 Percussion
• 2 Violins
• 2 Violas
• 2 Cellos
• 1 Double Bass
• 1 Guitar

Length: 5-20 minutes

Score: Each composer must submit a legible score of professional quality. No marks identifying the composer must appear anywhere on the score.

Recording: Submitting a recording is optional but highly recommended. Live recordings are preferred. MIDI realizations are acceptable.

Number of entries: Composers may submit as many works as they like, each one accompanied by a separate application and entry fee.

Payment: The entry fee is $16 for each composition.

You may not enter the contest if any of these conditions apply:
• The submitted work must not have been professionally recorded for commercial CD release.
• Musicians, board members, and composers already affiliated with the Left Coast Chamber Ensemble may not enter the competition; likewise, their spouses, domestic partners and relatives may not enter the competition.

DEADLINE: FRIDAY, FEBRUARY 1, 2019 (midnight, Pacific time)

Winner will be announced late March 2019.

For further information or questions, contact us by e-mail at Info@LeftCoastEnsemble.org

Good luck!

Web Site:www.leftcoastensemble.org/comp...

 Valencia International Performance Academy & Festival
Summary:Composition Programme
Deadline: 15 February 2019
Date Posted: 13 December 2018
Details: Overview
The 2019 edition of the Composition Program at the Valencia International Performance Academy & Festival will showcase the music of emerging and established composers, and offer qualified composition program participants the opportunity to work with the VIPA Composition Program faculty members and performers in lessons, workshops and masterclasses. In addition, participants will have the opportunity to work with and have one piece performed by our resident performers at one of the VIPA concerts.

VIPA will also offer workshops and/or panel discussions on special topics. Participants will be able to get feedback from faculty members during reading sessions with soloists and ensembles-in-residence.

The program will take place on July 10-20, 2019, within the state-of-the-art facilities of the Conservatorio Superior de Música Joaquín Rodrigo in the beautiful city of Valencia, Spain. All concerts will take place at the breath-taking Sala Mutant at the Las Naves artistic complex, located at the Barrio del Grau. Boasting a breathtaking coastline, a vibrant cultural life and world-class cuisine, Valencia is one of the most sought-after summer destinations in Europe.

APPLICATION DEADLINE:
January 15, 2019, with no application fee
Late applications will be accepted until February 15 with an application fee of €15.
Late application fees are payable through PayPal to vipa.applications@gmail.com and must be paid before applications are reviewed.

SUBMISSION MATERIALS:
All application materials are to be sent electronically through the Composition Application Form. Please provide direct links to all your PDF, audio and/or video files. You will not be able to upload any files into the application.

PDF, audio, or video files should be uploaded to platforms such as YouTube, Dropbox, Google Drive, or SoundCloud, etc., or on any personal hosting space. Your materials must be available at the provided URL until at least May 20, 2019.

CURRICULUM VITAE, RESUME or BIO in PDF (include: educational background, schools, teachers, degrees, awards, prizes, previous festivals attended, and any relevant performances and/or professional experience).

TWO (maximum) REPRESENTATIVE SCORES in PDF files and audio or video recordings (if available). VIPA encourages all participants to write new works to be premiered by one of our ensembles-in-residence during the festival; however, if you would like to have an existing work performed, submit it as one of the two representative scores and make note of this on the application form. Make sure such work is suitable to one of the ensembles-in-residence(ranging from solo to the full ensemble) and around eight (8) minutes or under in duration. Please refer to the information on the soloists and ensembles-in-residence page regarding the precise instrumentation and performers available.

Please note: While holding any communications with the VIPA administrative staff, we ask that you always include your full name and use the same email address for your submission, and any subsequent email correspondence with us.

Please indicate your prefered ensemble/instrumentation for your commissioned work. Please be advised that whereas we will consider your preference(s), we cannot guarantee that your choice(s) will be honored.

Option A (1-4 players): Mivos String Quartet
Option B (1-3 players): Brouwer Trio
Option C (1-5 players): VICE (available ensemble –in full or subset– will be assigned by the director of the Composition Program)

ELECTRONICS: Works involving electronics are eligible for performance by the Mivos Quartet. If the work is selected, we will provide equipment for stereo (2-channel) diffusion, including speakers, a FireWire audio interface (composers need to provide FireWire-USB adapter compatible with their computer), cables, and the necessary microphones. Composers using electronics will be expected to bring their own laptop, all necessary software, and any equipment needed beyond this support, and to run their own patch/software with the technical assistance of one staff member.

SELECTION PROCESS: Members of the composition faculty will review your work and credentials. Applicants will be notified of their acceptance by late February and given their specific assigned commission. Scores and parts are due May 15, 2018. The composition program will accept a limited number of participants and auditors. All conditions of participation will be specified in the acceptance letter. Questions may be directed to: info@vipafestival.org.

Web Site:www.vipafestival.org/compositi...

 Austrian Society for Contemporary Music
Summary:Call for Works (2 categories)
Deadline: 31 January 2019
Date Posted: 06 December 2018
Details: The ÖGZM - Österreichische Gesellschaft für zeitgenössische Musik
(Austrian Society for Contemporary Music) is announcing a call for works,
seeking electro-acoustic compositions with or without instruments (see
"guidelines" for details). The call is open to composers of all ages and
nationalities.

Four compositions will be selected from the submitted works by a jury.
The four selected works will receive two performances in Vienna and Graz
(Austria) in spring 2019 within the framework of OEGZM´s electronic
concert series CROSSTALKS. The composers of the selected works will be
announced via e-mail and on the OEGZM Website at the beginning of March
2019.

GUIDELINES

1. Instrumentation: 2 categories: a) saxophone (available instruments:
soprano, tenor, baritone sax.) and/or double bass plus live electronics
or playback b) fixed media. NOTE: All works of (a) must contain an
electronic part - either live electronics or playback (fixed media). The
maximum number of channels is 4.

2. Submitted pieces may be no longer than 11 minutes duration. A minimum
duration of 3 minutes would be appreciated, but is not mandatory.

3. Submissions are due by 31.01.2019 midnight. Composers may submit one
work per category (= max. 2 works).

4. The material for the jury - scores (*pdf) and/or playback, fixed
media, audio material in stereo and *mp3 only - must be submitted via
Dropbox, Google Drive, WeTransfer or a similar download link without
expiring date, sent to office(at)oegzm.at before the deadline. We are
sorry that scores on paper and sound files on CD, flash drive and other
hardware media cannot be accepted.

5. The use of video is possible by means of video beamer + screen, which
will be provided on request.

6. A short biography in English (running text, max. 2000 figures
including spaces; *pdf) is required.

7. Submissions must contain the following information: Composer´s full
name, date and place of birth, full current address, e-mail address and
telephone number (including country calling code). NOTE: This Call for
Works is not anonymous.

8. There is no submission fee.

If you have any questions, please contact us via our e-mail address
office(at)oegzm.at

http://www.oegzm.at
http://www.facebook.com/oegzm
http://www.youtube.com/user/oegzm
Web Site:www.oegzm.at/de/veranstaltunge...

 Women in Music Composition and Technology (3 available)
Summary:£5,000 Scholarship Opportunity
Deadline: 04 August 2019
Date Posted: 06 December 2018
Details: The University for the Creative Arts (UCA) has announced a Women in Music scholarship aimed at reducing the industry’s gender gap by supporting women at the start of their careers.

The initiative will award £5,000 scholarships and industry mentoring to three women enrolling on the BA/BSc (Hons) Music Composition & Technology in 2019, with a single prize-winner also receiving equipment from music technology specialists Audient UK.

Dr Harry Whalley, Course Leader of the BA/BSc (Hons) Music Composition & Technology (https://www.uca.ac.uk/study/courses/ba-music-composition-technology/) said: “As well as offering financial support, the initiative will encompass talks, workshops and mentoring that not only celebrates innovators but also seeks to inspire a new generation.

“We embrace the true plurality of music in terms of the tools, styles and people involved in the invention of new music. We want students to follow their individual passions while also learning the skills required to become creative practitioners today. We are committed to positive change in music education and the music industry, and are excited to be forging new links which will further support women in music.”

The organisation Women in Music estimates that the gender divide in music across all regions is split at 70/30, with a Canadian study citing that women represent as little as six percent of recognised producers in the US and Canada. Of the 600 most popular songs from 2012 to 2017, only 12 percent were written by women, according to the USC Annenberg Inclusion Initiative.

The BA/BSc (Hons) Music Composition & Technology (https://www.uca.ac.uk/study/courses/ba-music-composition-technology/) is based at UCA Farnham and offers students the chance to be taught by leading technologists, session musicians, composers, sound designers and industry experts, and opens up pathways to a number of roles, such as film composer, music supervisor, music producer or sound designer. UCA is also set to open a new multimillion pound film and media centre, housing the technology and specialist equipment needed to prepare today’s creative students for industry, this year.

Applicants to the scheme will be asked to submit a portfolio of work and will be assessed on their creativity, originality, technical skill, contextualisation and potential for development, alongside their academic record.

Web Site:www.uca.ac.uk/news/women-in-mu...

 CRUMB’S COSMOS
Summary:Chamber Competition
Deadline: 20 March 2019
Date Posted: 06 December 2018
Details: Crumb’s Cosmos is a series of events honoring George Crumb’s 90th birthday and celebrating his outstanding legacy. Submitted works must relate to the themes, techniques and/or aesthetics characteristic of George Crumb’s oeuvre.

Crumb’s Cosmos Call for Scores is:
- Open to composers of any age and nationality
- Accepting solo, duo, and small ensemble works (trio, quartet, quintet) for any combination of the following instruments:
Piano, Voice, Percussion, Flute, Saxophone

Notes regarding instrumentation:
- No more than two instruments of the same kind can be used within the same composition (i.e. there can be no more than 2 piano/voice/saxophones/flute parts, with one player per part).
- Works involving percussion must be scored for a maximum of 2 players.
- All works must be scored for no more than 5 performers in total.

DETAILS AND GUIDELINES:
Duration:
Solo works: 5-7 minutes
Duos*: 7-10 minutes
Trios – Quintets*: 10-12 minutes
*any combination of piano, voice, percussion, flute, and saxophone, with no more than 2 players per instrument. See the Notes above for more specific details regarding instrumentation.

Performance:
- Selected compositions will be performed in Miami (FL) in the fall of 2019, as part of Kaleidoscope MusArt’s Crumb’s Cosmos project | Date, Time & Venue: TBD.
- All works submitted will be considered for future programming.

Selection process:
- The submitted compositions will be screened by a panel of composers and performers to include members of Kaleidoscope MusArt’s artistic committee and University of Miami’s composition faculty.
- The compositions selected to be performed as part of the Crumb’s Cosmos project will be announced on April 28, 2019.

GUIDELINES:
1. Call for Scores is open to composers of any age and nationality.
2. Applicants may submit more than one work for consideration. Please note that there will be an additional administrative fee for each work submitted beyond the first.
3. The submitted work(s) can include extended techniques that do not involve piano preparation (use objects/materials placed inside the instrument or between the strings). Please contact us at info@kaleidoscopemusart.com for further information, inquiries, and/or concerns.
4. The submitted work(s) can use electronics (fixed media – audio/video). Please contact us at info@kaleidoscopemusart.com for further information or inquiries/concerns.
5. The submitted work(s) cannot include prepared piano.

DEADLINE:
- March 20, 2019, 11:59 PM EST
- Results will be announced on April 28, 2019
- Performance of the work: fall 2019 (date: TBD)

APPLICATION MATERIALS:
1. CV/Resume
2. List of works (please include instrumentation and dates of composition)
3. Work(s) submitted for consideration in Crumb’s Cosmos Call for Scores (PDF, program notes, audio/video recording if available)
4. One additional work sample* (PDF and audio/video recordings, if available);
*The work sample can be of any length or instrumentation. Only one additional work sample is required per applicant, even when submitting more than one piece for consideration in Crumb’s Cosmos Call for Scores.
5. Administrative Fee: $20.
6. If submitting more than one work for consideration in this Call for Scores, please include an additional fee of $10 for each additional submission.

HOW TO APPLY:
1. Please send all the required materials in one email, either as attachments and/or links to info@kaleidoscopemusart.com with the subject line “Call for Scores 2019” followed by Your Name.
2. Payment(s) may be submitted through PayPal.
3. All application materials and payment of the Administrative Fee must be received by 11:59 PM EST on March 20, 2019.

Web Site:kaleidoscopemusart.com/crumb19...

 Arts Letters & Numbers
Summary:Residency Programme
Deadline: None
Date Posted: 06 December 2018
Details: Arts Letters & Numbers was founded in 2011. At that point the summer workshop was the driving force of the organization. When the facilities grew so did the program. In 2015 the first Artist in Residence arrived. Since then we have continuously been cultivating this program to encourage individual and collaborative creation: to think, make and act alongside others within a community. The program has brought together artists from a wide range of disciplines, to ask and engage their questions, create and share their work. When people are free to act, interact with and support one another, new works and ideas emerge.

Arts Letters & Numbers is a place of creative urgency and intensity of purpose, a place to create new linkages, new thought processes, new path- ways of understanding that embody our best hopes and aspirations. It is a place where many elements come together to co-construct questions and works, of empathy, of ethics, of imagination; it is a place to explore the nuanced fragilities in our shared stories.

We are situated within an enthusiastic and supportive community that is highly active in the short term programming of Arts Letters & Numbers, including Events, Courses, and Workshops that run in parallel to and interweave with the Residency Program. To further expand the conversation and space of Arts Letters & Numbers – both within the Residency Program and the broader community – as an Artist in Residence you will be encouraged to participate in and host some of these features, as well as proposing your own events to foster and enrich this dialogue, i.e. lectures, exhibitions, performances, etc.

Arts Letters & Numbers is constructed by us: not just those who are directly involved in its day to day operation, not just the fellows, participants, visiting artists and local community members, it has and continues to be built by everyone who sets foot in this remarkable place. It is being constructed by and between us. This aspect of Arts Letters & Numbers is foundational.


Residency History
Arts Letters & Numbers was founded in 2011. At that point the summer workshop was the driving force of the organization. When the facilities grew so did the program. In 2015 the first Artist in Residence arrived.

Duration of Residency
We are now accepting applications for 2018/2019. Residencies may be from 1 week to 12 weeks. All applications are reviewed on a case by case basis.

Due to our annual Summer Workshop, we do not accept any Residencies between July 1st and August 15th.

Residency Fee and Accommodation
Following fees are for 2018/2019:
Shared accommodations sleeps 2 to 4 people $175/week
Private accommodation $275/week
Couple accommodation $375/week

You will be hosted in the House on the Hill, in one of our nine bedrooms; these vary in size and, we offer both private and shared arrangements. (Although all three of our bathrooms are shared). We will do our best and try to give everyone the privacy they need.

One of our traditions has been the sharing of ideas over a great meal, and this has become a vital part of Arts Letters & Numbers. We will all share one kitchen and though you are individually responsible for your food, it is often the case that everyone in the house gathers to cook and share dinners together.

Day Residency
Day Residency, no accommodation included $95/week (2018/2019)

The Day Residency is for commuting Residents only. The artists will, just like any other artist in the program, have access to all working facilities.

Studio / Workspace
Because each artist's studio needs and space differs, we work with each artist to find the best possible working situation for their time. Currently, the Mill is under construction and is unfortunately not to be used for creative work. In addition to the Mill we also have our Barn, located next to the house. This flexible indoor - outdoor space serves as our main studio space, with additional more private spaces to be found in the House as well as space for our 9' grand Baldwin piano.

Expectations Towards the Artist
Artists are expected to pursue their individual creative endeavor and many times this calls for leading a workshop, giving a lecture, sharing a film, partake in critique, exhibiting/performing work etc. These are optional but has proven to be an integral tool for artists to find inspiration and to allow others to experience the works in progress or previous works. The artist will be encouraged to propose any form of sharing suitable for their work.

Available Weekly Happenings
Monday Evening: T-time; serious casual discussion, linkage making, mounting of enquiries for critical reception and processing with other minds, development of discourse, emergent language to signify thoughts and works and ways of thinking through work, relating experience to abstraction and larger contexts.

Tuesday Evening: Table Tennis gathering; potluck dinner and ping pong at various houses in the local community

Friday Morning: Liver and Onions; very casual conversations with the local community over potluck breakfast

Other available happenings: Open Mic (opportunity of sharing in progress or completed works, as well as sharing of influences and references.) Exhibitions, Performances, Workshops, Construction, Dinners and Excursions to Museums etc. (Organized and hosted by Fellows and Resident Artists)

Disciplines Support and Technical Information
The basis for Arts Letters and Numbers Residency Program is to encourage cross-disciplinary linkages. Work samples are required for evaluating applications. The application form asks for a website but if you do not maintain one as the site for samples of your work, please send samples, writing or images directly to info@artslettersandnumbers.com

Selection Process
Applications are reviewed on a rolling basis and will be reviewed within 14 - 30 days. If you have any questions regarding your application do not hesitate to ask at info@artslettersandnumbers.com

Scholarships
There are a limited number of Residency Work Scholarships available. Scholarships are only for residencies 8 weeks or longer. Please enquire if you are interested in work exchange discount.

Web Site:www.artslettersandnumbers.com/...

 NCEM Young Composers Award 2019
Summary:Early music composition competition
Deadline: 15 February 2019
Date Posted: 06 December 2018
Details: Launched on BBC Radio 3's Early Music Show the 2019 NCEM Young Composers Award is presented in association with BBC Radio 3 and virtuoso viol player Liam Byrne.

This major national annual award is open to young composers up to the age of 25 and resident in the UK, in two age categories: 18 years and under; and 19 to 25 years. The winning works will be premiered by Liam Byrne in a public performance which will be recorded for broadcast on BBC Radio 3's Early Music Show.

Composers are invited to create a Fantasy, for solo viol or for viol and electronics. The Fantasy is a form that has flourished since the Renaissance and is characterised by the elaborate spinning out of a musical idea; it is music that's all about invention. The Fantasy is also a type of piece where anything can happen and for this year's award we want to encourage composers to think about augmenting the sound of the viol through the use of electronics. We will also consider compositions for solo viol that do not involve electronics. Please read the Terms and Conditions for the full brief and details of how to apply, along with Liam Byrne's Notes on writing for viol and for electronics, downloadable below.

2019 Award schedule
Closing date for registration Friday 15 February, 11.59pm
Deadline for submission of scores Friday 15 March, 5.00pm
Successful shortlist informed Friday 5 April
Workshops and Award Day in York Wednesday 8 & Thursday 9 May

Applicants must register their interest in the award by 11.59pm on Friday 15 February by emailing the National Centre for Early Music at register.composers@ncem.co.uk and stating which age group they wish to enter. Completed scores must be received no later than 5.00pm on Friday 15 March. The Award will be judged in York on Wednesday 8 and Thursday 9 May.

Composers whose works are shortlisted will be invited to the National Centre for Early Music in York on Wednesday 8 and Thursday 9 May, when their compositions will be presented by Liam Byrne in a workshop led by composer Christopher Fox. At 6.30pm on Thursday 9 May, Liam Byrne will perform each of the pieces in the presence of a panel of judges, after which two winners will be announced, one for each of the two age groups.

The Terms and Conditions and Application Forms, along with Liam Byrne's Notes on writing for the viol and for electronics and some recommended recordings, can be downloaded below.

Email info.composers@ncem.co.uk for information, or if you would like to be added to the NCEM Young Composers Award mailing list for the 2019 and future awards.

Web Site:www.ncem.co.uk/composersaward2...
Email:info.composers@ncem.co.uk

 Zodiac Music Academy and Festival
Summary:Composing Academy
Deadline: 01 April 2019
Date Posted: 06 December 2018
Details: Working with living composers, commissioning new works and performing contemporary music is an integral part of a successful musical career. The Zodiac Music Academy & Festival selects five young composers each year to participate in its composition program. This composition course will not only provide private instruction, composition seminars and performance opportunities, but more importantly allow both composers and instrumentalists to collaborate on their own terms, explore, and influence the direction of music together.

The Zodiac Music Academy & Festival composition course is lead by award-winning composer Andrew List – a long-time collaborator of the Zodiac Trio.

Each composer will be paired with an assigned chamber ensemble from the festival roster and commissioned to write an eight-minute work, which will be premiered at one of the festival’s public concerts. Ample rehearsal time will be given for each composer’s work. It is our goal that these composer/performer collaborations will create lasting friendships that will continue beyond the festival.

All participants will meet for a daily composition seminar, where a variety of pertinent topics important to composers and seminal musical works will be discussed. In addition, each composer will receive three one-hour private lessons with Mr. List and have daily access to a working studio and piano.

Additionally, all composition students are welcome to participate in all the seminars and clinics offered by the Festival during the session, and are invited to join chamber ensembles (instrumental proficiency permitting), to allow for a larger scope of musical experience.

Chamber Music Ensemble Collaboration
Each composer will collaborate with a chamber music ensemble (or students musician), as they work together to prepare the commissioned work for a performance.

Daily Composition Seminars
Composition students will meet with Mr. List every morning as a group to discuss a myriad of topics and review works in progress as a group

Three One-Hour Lessons
Each student will receive private instruction in the form of three one-hour lessons

Performance of Commissioned Work
Participating composers will be commissioned to write an 8-minute work, which will be performed at the end of the Festival.

Composer/Performance Seminars with the Zodiac Trio and Attending Faculty
Throughout its career, the Zodiac Trio has commissioned over a dozen works, working with composers such as Andrew List and Richard Danielpour, have instigated numerous call for score projects, and have had over 100 works written for them in all. As part of the educational aspect of the Zodiac Trio’s career, the ensemble often works with student composers at various Universities across the United States, presenting clinics and seminars on the Performer-Composer relationship. In this seminar, the Zodiac Trio will discuss these collaborations in detail with the participating composers, in an informal and personal setting.

Additionally, the composer seminar will be visited regularly by attending faculty to discuss their instruments and their experiences working with composers.
Web Site:www.zodiacfestival.com/program

 Busan Choral Festival
Summary:Choral competition
Deadline: 31 May 2019
Date Posted: 29 November 2018
Details: Throughout its festival and competition history, Busan Choral has fostered cultural exchange and promoted high quality of choral music by attracting notable artists, conductors, and composers to one of Asia’s top choral festivals. The Busan Choral Composition Competition seeks to engage with aspiring young composers and to encourage the creation and performance of new works written for the choral music genre. The 1st winning work will be premiered at the 2019 Busan Choral Festival & Competition during the week of October 16-19, 2019.

Eligibility
Composer must be born between JUN 30, 1999 and JUN 30, 1979
(exceptions may be considered under the BCFC committee's review.)

Length and Format
1. 3-10 minutes in duration
2. Piece must be for unaccompanied, equal or mixed voices choir.
3. Smaller, portable percussion instruments are allowed. (Xylophone, vibraphone and timpani not allowed).
4. Text can be chosen from Latin, English or Korean. If another language is chosen, a detailed English synopsis and pronunciation must be included in the score.
5. Compositions must not have been previously published or awarded in previous composition competitions and never publicly performed.

Application (May 31, 2019 Deadline / Korea Standard Time)
1. Complete Online Application Form
2. Resume/CV (*.doc / *.docx)
3. Copy of passport or ID Card with date of birth in JPEG format
4. Score in PDF format
5. English synopsis and pronunciation
6. Midi recording (by computer software) in MP3 format
7. 3 original copies of the score mailed to the Busan Choral office by May 31, 2019 (postmark deadline). Submitted original copies of
scores will be used only for judging so there MUST be No Personal Information Included on the score for a fair evaluation.

Scores submitted to the Busan Choral office will not be returned (Address: Busan Choral Festival & Competition / Busan Cultural
Center, UN pyeonghwa-ro 76-1, Nam-gu, Busan, South Korea 48534).

Application Fee
Free

Results
1. Winners will be announced on July 18, 2019 on BCFC Website.
2. Composition will be judged by a panel of international jury. The jury's decisions are final and cannot be appealed.

Web Site:www.busanchoral.org/bcfc/compe...

 Westminster Cathedral
Summary:Choral competition
Deadline: 15 February 2019
Date Posted: 29 November 2018
Details: Composers are invited to submit a new unaccompanied choral motet for Westminster Cathedral's inaugural Composition Competition. A prize of £750 will be awarded to the winner, and the winning motet will be premiered at the 10am Solemn Mass at Westminster Cathedral on Palm Sunday, 14 April 2019 by Westminster Cathedral Choir.

The competition is open to all composers aged 35 and under, and the deadline for entries is 6pm on Friday 15 February 2019. There is an entry fee of £10.
2019 marks the sixtieth anniversary of George Malcolm's legendary 1959 recording of Victoria's Tenebræ Responsories with Westminster Cathedral Choir; it was one of the first recordings of Renaissance music committed to LP, and is still today a benchmark recording of these dramatic works, music that Westminster Cathedral Choir sings every Holy Week.

As well as the Cathedral's Master of Music and Assistant Master of Music, the adjudication panel will include the renowned composer and conductor Sir James MacMillan, who has had a long relationship with Westminster Cathedral Choir, resulting in many commissions and premieres, including a setting of 'Tu es Petrus' for the visit of Pope Benedict XVI in 2010.

Entry requirements
Composers are to submit a motet which, as a minimum, conforms to the following requirements:
• Is an unaccompanied setting of the given text (the motet should set the Latin text, not the English translation).
• Is scored in line with the Victoria Tenebræ Responsories (SATB without divisi).
• Lasts no longer than four minutes (based on a metronome mark for the piece).

The score may be typeset or handwritten, but should either way be a suitable performing edition. Scores should not include the name of the composer, but instead a pseudonym (which should also be marked clearly on the application form). The competition is open to composers of any nationality aged thirty-five and under on 15 February 2019. An entry fee of £10 will be due along with the application forms.

Text
Omnes amíci mei dereliquérunt me, et prævaluérunt insidiántes mihi: trádidit me quem diligébam: Et terribílibus óculis plaga crudéli percutiéntes, acéto potábant me.
Inter iníquos proiecérunt me, et non pepercérunt ánimæ meæ. Et terribílibus óculis plaga crudéli percutiéntes, acéto potábant me.

All my friends have deserted me, and plotters have prevailed over me. He whom I loved has betrayed me. And with fierce looks and cruel blows they gave me vinegar to drink.
They cast me among the wicked and did not spare my soul. And with fierce looks and cruel blows they gave me vinegar to drink.

Application process
Completed applications should be sent by post to:
Jonathan Allsopp
Westminster Cathedral Clergy House 42 Francis St
Westminster
London SW1P 1QW

Applications should include:
• Two unbound copies of the score.
• A completed application form.
• A cheque for £10 made payable to ‘Westminster Cathedral Music Department’.

The deadline for submissions is 6pm on Friday 15 February 2019; Westminster Cathedral will not be obliged to accept any applications received after this date. Applicants should therefore ensure that appropriate steps are taken to avoid any delays caused by postage. Applications will be acknowledged via email by 6pm on Wednesday 20 February 2019. For any enquiries, please contact Jonathan Allsopp (organs@rcdow.org.uk).

Web Site:www.westminstercathedralchoir....

 4th PETER ROSSER COMPOSITION AWARD 2019
Summary:Competition for Irish Composers
Deadline: 15 March 2019
Date Posted: 22 November 2018
Details: CRITERIA FOR SUBMISSION
Submission to the award is open to composers born or domicile in N. Ireland and Republic of Ireland. The competition is open to composers regardless of age. However, the award is aimed at emerging composers. The organisers, therefore, welcome submissions from composers at the start of their careers. HRSE particularly welcomes submissions from women composers.

TIMELINE
• Deadlines for Submission 4pm Friday 15th March 2019
• 3 prizewinning composers will be shortlisted by Monday 1st April 2019 and the shortlisted composers will be informed by email.
• All Shortlisted works will be workshopped, performed and recorded by Hard Rain SoloistEnsemble at a special event in Red Box Recording Studio, Belfast on Sunday 14th April 2019.

AWARDS
The following awards will be bestowed:
• 1ST PRIZE £1,000
• RUNNERS UP £250

RULES
• 1.1 All submitted compositions should not have been performed before, must not be published and should be written specifically for the 4th Peter Rosser Composition Award and the Hard Rain SoloistEnsemble.
The following statement must appear in a preface page of the score:
“This score was written for submission in the 4th Peter Rosser Composition Award 2019 and for the Hard Rain SoloistEnsemble”.
• 1.2 Compositions must use all 5 of the following instruments: Violin,Cello,Flute (optional doubling picc & alto), Bb Clarinet (optional doubling bass clarinet) and piano. Scores that differ in any way from this instrumentation will not be admissible. The use of electronics or a tape element is not permitted.
• 1.3 The composition should be between 5 and 8 minutes duration and should state the exact duration in the preface page.
• 1.4 OnlycomposerswhocanattendtheworkshopandperformanceinBelfast on Sunday 14th April 2019 will be eligible for the award. A travel bursary for composers traveling to the event from within NI and ROI will be made available through the Contemporary Music Centre, Ireland.
• 1.5 Thedecisionofthejuryinrelationtotheshortlistingofworksandthe bestowing of awards is final. No further correspondence will be entered into.
• 1.6 Thejuryreservestherightnottomakeawardswhereitfeelsaminimum required standard has not been met.
• 1.7 Only one piece may be submitted by a composer.
1.7 Previous winners of the Peter Rosser Composition Award are not eligible to enter the competition. Previous runners up are eligible.
Web Site:docs.wixstatic.com/ugd/e7eabb_...

 Zodiac International Music Competition
Summary:Trio Competition
Deadline: 15 February 2019
Date Posted: 22 November 2018
Details: The Zodiac International Music Competition aims to discover exceptional musical talent, both in performance and composition, from across the globe, and bring it to the stage of the Zodiac Music Academy & Festival in the beautiful South of France.

The competition invites artists from all parts of the world to participate via video submission (or score submission for composers). Winning soloist will receive a cash prize and roundtrip airfare and accommodations to give a solo and chamber music recital on the French Riviera in July of 2019.

The winning composer will be offered a commission to write for the internationally-recognized Zodiac Trio (founders of the Festival), or its individual members, as well as a cash prize. The work will be premiered in the South of France during the Festival, and then repeated at the DiMenna Center for Classical Music in New York, in the Fall of 2019 (exact date TBA).

The lack of need to travel makes this opportunity available to artists who might not otherwise have the ability to compete, and opens it to a much wider array of musicians across the globe.

Prizes (Composition)

1st Prize:
$500 Cash Prize
//
Commission to write a work (up to 10 min) for the Zodiac Trio or its individual members in any combination
//
World Premiere performance at the Zodiac Music Academy & Festival in France in July of 2019
//
Performance at the DiMenna Center for Classical Music in New York in the Fall of 2019
//
Audio/Video recording of the performance
//
Diploma & Trophy

REGULATIONS:

Eligibility:
The competition is open to artists of any nationality, without age limit.

Application Process:

Composition applicants are asked to submit two (2) scores in PDF format, along with links to a SoundCloud recording (midi is acceptable).

Selection Process:
The submissions will be judged in two rounds: preliminary and final, and will use a points-based system. 10 soloist and 3 composer finalists will be selected and published on the competition website by Friday, February 22nd. Final winners will be announced on Friday, March 1st via email and will posted on the competition website.

Application Deadline & Entrance Fee:

Applications will be accepted until February 15th with the following non-refundable* Application Fee structure:

December 15 - $35 USD (30 Euro)
January 15 - $45 USD (40 Euro)
February 15 - $55 USD (50 Euro)

You will be taken to a PayPal checkout page at the end of the online application, after you click "submit".

*Application fees are refundable only in the event of cancellation of the Zodiac International Music Competition..

Winning Composer's Commission.
The winning composer will be invited to write a work (up to 10 minutes) for the Zodiac Trio, or its members, and will be premiered at the Zodiac Music Academy & Festival. The festival will not provide airfare for the winning composer, however, should the composer choose to attend the performance, the festival will provide meals and accommodations during the duration of the composer's stay (maximum 3 days). The performance will be repeated in the Fall of 2019 (exact date TBA) at the DiMenna Center for Classical Music in New York City, NY. No travel expenses will be provided for this performance.

The winning piece will be published on the website in PDF format, along with the videos of the performances.
Web Site:www.zodiaccompetition.com

 Harriet Hale Woolley Scholarship
Summary:Scholarship Opportunity
Deadline: 31 January 2019
Date Posted: 22 November 2018
Details: Bequeathed to the Fondation des États-Unis in the early 1930s, the Harriet Hale Woolley Scholarship is awarded annually to a select number of exceptional American artists and musicians who plan to pursue their studies in Paris. A scholarship is also available to one French, Swiss or American medical post-graduate specializing in psychiatry with an internship in a Parisian hospital.

Eligibility Criteria
Artists and Musicians:
The scholarship is awarded to a maximum of five American post-graduate students in visual fine arts (painting, graphic design, print-making, sculpture, photography) and music (composition, instrumental or vocal performance). The scholarship is not intended for research in art history or musicology, nor for dance or theater.

In order to apply for the scholarship, candidates must:
• possess American citizenship
• be between 21 and 29 years of age
• have graduated with high academic standing from an American college, university or professional school. Preference is given to mature students who have already done some graduate study.
• show evidence of high-level artistic or musical accomplishment
• propose a unique and detailed artistic project related to their field of study which requires a one-year residency in Paris. This project should include enrolment in a recognized French art or music school. It is strongly suggested that the candidate establishes contact with a teacher or institution prior to arriving in France.
• have good moral character, personality and adaptability. They must also be in good physical health and emotional stability.
• submit a complete and on-time application dossier. Incomplete or late applications will not be accepted.

Award Details:
• A €10,000 stipend (may vary subject to fund earnings) for the upcoming academic year
• A rent-controlled live-in artist atelier or music studio at the Fondation des Etats-Unis
• Access to on-site performance and exhibition facilities, including a private art gallery and a historically significant concert hall.

Conditions upon acceptance:
• The successful candidates must apply for and obtain the appropriate visa and other relevant documentation prior to their arrival at the Fondation des États-Unis. They must ensure that their legal status remains in order throughout the entire stay. To find out more about visa requirements, please visit the US State Deprtment’s website.
• The successful candidates must show proof of valid health insurance for the upcoming academic year. Academic institutions often offer special student health insurance.


Conditions during residency:
• The scholars must pay rent in a timely manner and abide by the House Rules of the Fondation des États-Unis.
• The scholars must use the reserved artist atelier or music room at the Fondation des États-Unis as their principle residence throughout the academic year.
• The scholars must maintain high academic and artistic standards by regularly attending classes, and by participating actively in the cultural program at the Fondation des États-Unis.
• The scholars in the field of the visual arts agree to donate an artwork to the Fondation des États-Unis, which has been created during the residency.
• At the end of the residency, the scholars must submit a brief summary of the academic year, commenting on their progress, achievements, and academic results.

For further information, please contact culture@feusa.org

HOW TO APPLY

Artists and Musicians:

1. The Harriet Hale Woolley Scholarship application form, which can be downloaded here: http://www.feusa.org/wp-content/uploads/2015/11/HHW-APP-FORM1.docx. Please insert your electronic signature or print, sign and scan the form.
2. A passport sized photo should be inserted into the application form and also sent in JPEG format.
3. A detailed CV.
4. A short yet detailed statement about your project including the French school and/or instructor you intend to work with.
5. It is highly recommended that candidates include a letter of admission to study at a French institution, including for Visa purposes.
6. A certificate of proficiency in French signed by a qualified teacher of French. Please note that if you are not reasonably fluent, you must show a serious commitment by acquiring basic proficiency before arriving in France. It is also strongly recommended to include a letter of intent to enroll in a French language upon arrival in France.
7. Three letters of recommendation from professors familiar with the applicant’s general qualifications, artistic ability and accomplishment. The letters should be typed on letterhead paper, and should be emailed by the issuer.
8. Copies of complete and original transcripts of all colleges or universities attended with embossed seal of the issuing institution. A high definition color scan will be accepted for the initial application process. Shortlisted candidates may be requested to send the original paper copies.
9. Examples of the applicant’s work. For visual artists, a presentation of recent works may be sent electronically (the corresponding print-outs may be requested). For musicians, please submit at least 15 minutes of music showcasing a minimum of three contrasting styles is required (the corresponding audio CD may be requested).
10. A simple medical certificate confirming the candidates good general health. Successful candidates will be required to show proof of paid-up accident and health insurance before arrival.
11. Proof of American citizenship i.e. a clear high definition color scan of the applicant’s passport.
Web Site:www.feusa.org/harriet-hale-woo...

 MUSICA PER ARCHI | Music Composers’ Competition 2019 – 4th Edition
Summary:String Orchestra Competition
Deadline: 31 January 2019
Date Posted: 22 November 2018
Details: MUSICA PER ARCHI | Music Composers’ Competition 2019 – 4th Edition
City: Lviv (Ukraine)
Sponsored by : Lviv Philharmonic Society
Date: 22 > 26 February 2019

The project ”MUSICA PER ARCHI” was born with the idea of meeting and sharing among composers of various nationalities and age, on the common theme of meeting between the world of the Eastern contemporary music and the Western culture. The Competition will be made possible through one of the most renowned orchestras in Eastern Europe. The high level technique and interpretative of the Lemberg Sinfonietta , will be honored by the finalists of this international event.

The Competition is realized by the collaboration between KLKnewmusic and the Lemberg Sinfonietta. The project is open to all composers of any age and nationality, who want to share their musical and personal journey, attend seminars and opportunities for discussion, on the art of our time, on the contemporary music and on the figure of the Composer in this Third Millennium. The organization will select composers who will have the opportunity to participate in the “MUSICA PER ARCHI COMPOSERS’ MUSIC COMPETITION 2019” from 22 to 26 February 2019 in the city of Lviv, inside the music center of Lviv Philharmonic Society.

PARTICIPANT INFO
Each composer must submit a score with organic selected for string orchestra.

The number of the orchestra’s players can be min 15 / max 34 players: 10 violins I, 8 violins II, 6 violas, 6 cellos, 4 basses. The work must not exceed 12 minutes. All score will be sent by email (only one work for composer), in PDF format, at klknewmusic@gmail.com. The selected works will be played on 26 February 2019 by KLK String orchestra. All concerts will be recorded by a sound engineer and video recording.

Deadline: 29 January 2019.
The work must not exceed 12 minutes.

All score will be sent by email (only one work for composer), in PDF format, to klknewmusic@gmail.com.

Each email sent to submit a score shall include:
– The score and orchestral parts must be in A4 format, (please indicate minutes of the score) as PDF file (Sibelius or Finale program);
– A second PDF-file containing the identity of the composer (name and address, nationality, telephone number, email, website, short CV)
and a statement by the composer stating that the submitted work has never before been published, performed in public and/or broadcast before,
nor prized in any composer’s competition. Other file format than PDF are not acceptable and will result in the submission being rejected!
There is no registration form.

The Composition Staff will select the best composers, from all the application submitted, no later than 31 January 2019.

Web Site:klknewmusic.com/musica-per-arc...

 ORIENT / OCCIDENT | Music Composers’ Competition 2019 – 6th Edition
Summary:Competition with 3 Categories
Deadline: 28 February 2019
Date Posted: 22 November 2018
Details: ORIENT / OCCIDENT | Music Composers’ Competition 2019 – 6th Edition
City: Lviv (Ukraine)
Sponsored by : Lviv Philharmonic Society
Date: 23 > 27 March 2019

The project ”ORIENT/OCCIDENT” was born with the idea of meeting and sharing among composers of various nationalities and age, on the common theme of meeting between the world of the Eastern contemporary music and the Western culture. The Competition will be made possible through one of the most renowned orchestras in Eastern Europe. The high level technique and interpretative of the Lviv Philharmonic Orchestra, will be honored by the finalists of this international event.

The Competition is realized by the collaboration between KLKnewmusic and the Lemberg Sinfonietta. The project is open to all composers of any age and nationality, who want to share their musical and personal journey, attend seminars and opportunities for discussion, on the art of our time, on the contemporary music and on the figure of the Composer in this Third Millennium. The organization will select composers who will have the opportunity to participate in the “ORIENT/OCCIDENT COMPOSERS’ MUSIC COMPETITION 2019” from 23 to 27 March 2019 in the city of Lviv, inside the music center of Lviv Philharmonic Society.

PARTICIPANT INFO
Each composer must submit – deadline: 28 February 2019 – a score with organic selected in the following list :
1. a) Orchestra;
2. b) Soprano or mezzosoprano, and orchestra;
3. c) Piano and orchestra.

The number of the orchestra’s instruments can be up to the following list max 41 players: 2 flute (ottavino), 2 oboe ( english horn), 2 clarinet (bass clarinet) 2 bassoon, 2 horn, 2 trumpet, 2 trombone, 1 timpani, 1 percussionist, 8 violins I, 6 violins II, 4 violas, 4 cellos, 3 contrabass. The work must not exceed 12 minutes. All score will be sent by email (only one work for composer), in PDF format, at klknewmusic@gmail.com. The selected works will be played on 26 and 27 March 2019 by KLK Symphony Orchestra. All concerts will be recorded by a sound engineer and video professional recording.

Deadline: 28 February 2019.
The work must not exceed 12 minutes.
All score will be sent by email (only one work for composer), in PDF format, at klknewmusic@gmail.com.

Each email sent to submit a score shall include:
– The score and orchestral parts must be in A4 format, (please indicate minutes of the score) as PDF file (Sibelius or Finale program);
– A second PDF-file containing the identity of the composer (name and address, nationality, telephone number, email, website, short CV)
and a statement by the composer stating that the submitted work has never before been published, performed in public and/or broadcast before,
nor prized in any composer’s competition. Other file format than PDF are not acceptable and will result in the submission being rejected!
There is no registration form.
The Composition Staff will select the best composers, from all the application submitted, no later than 03 March 2019.

ENTRY FEE
The tuition fee for all participants selected is €790 (euro 790):
€300 + 5% tax to be paid no later than 05 March 2019 by Paypal on email klknewmusic@gmail.com;

€490 payable on 23 March upon arrival at Lviv or by Paypal for composers who will not be in Lviv.

Web Site:klknewmusic.com/orient-occiden...

 UPBEAT International Summer Music School – Brac, Croatia
Summary:Composition Summer School
Deadline: 31 January 2019
Date Posted: 15 November 2018
Details: Deadline: 31 January 2019

Details: Seeking composers for the16th annual composition course as part of the UPBEAT International Summer Music School in the town of Milna on the beautiful Adriatic island of Brac in Croatia. This composition course is designed primarily for advanced undergraduates, graduate students and young professionals, but is open to composer-performers of all ages. The dates of the course are Thursday 18 July through Monday 29 July, 2019.

Application Fee: 600 EUR

Contact: For more details, please visit:
Web Site:rcm.us7.list-manage.com/track/...

 Second International Composition Competition “Carlo Sanvitale”
Summary:Chamber Competition
Deadline: 15 June 2019
Date Posted: 15 November 2018
Details: Organised by “Amici della Musica – Guido Albanese”

The –Associazione Amici Della Musica “Guido Albanese”– invites composers of all ages and nationalities to participate in the 2nd “Carlo Sanvitale” Composition Competition. The composition should be challenging, but at the same time accessible and playable by young talented players. The goals of the contest are:
• To offer young composers the possibility to have their works performed live
• The possibility to acquire experience with a chamber ensemble (Complesso da Camera “Carlo Sanvitale”).

The Competition is open to composers and students of all ages and nationalities. The submitted works must satisfy the following criteria:
• Orchestration (max.): 2 violins, viola, cello, piano, tenor or soprano. Works whose instrumentation includes other instruments will not be taken into account for the competition;
• The length of the composition must be between 3 and 10 minutes;
• All complementary documents (music, bio sketch, program notes) have to be submitted to the jury along with the score;
• Scores have to be sent in PDF format to amicidellamusicaortona@gmail.comThe submission is not deemed successful until a confirmation e-mail has been sent;
• The composition has to be original and never performed before;
• The composer renounces to execution rights for the performance by the Complesso da Camera “Carlo Sanvitale”;
• The difficulty level of the composition has to correspond to the skills of an advanced amateur chamber ensemble with a conductor;
• Each candidate may submit one composition per year. The same composition can be submitted at most over two non-consequent years.

Shall the composition be selected as winner, the composer has to provide to the secretary of the competition the separated parts by July 30, 2019. Tempo, dynamics, articulation and rehearsal letters for the different instruments must be indicated on both the main score and the separated parts. The winner must agree to the following:
• The selected work will be performed and recorded by Complesso da Camera “Carlo Sanvitale” during the Music Day, that will be held on August 12 and 13 in Ortona, Italy.
• The author of the winning composition can participate to the rehearsals and the concert that will be held in Istituto Nazionale Tostiano, Ortona, Italy, on August 12th or 13th. Travel fees will not be refunded. Accommodation will be provided by the Association.
• The author of the selected work has to provide a short description of their work; this will be included in the concert program.
• The author of the selected work agrees to transfer the parts to the performers.

Prizes
The author of the winning competition will receive a prize of 150 Euros. Composers classified first, second and third will receive a Diploma. The winning composition, together with no more than three other compositions, will be recorded during the Music Day.

Furthermore, the Jury will select, out of the first three classified, a composer that will be appointed “Composer in residence” in the diocese of Agnone-Trivento. This composer will be commissioned to write a composition for the organ of the San Marco church in Agnone (IS, I). This organ dates back from the XVIII century, holds only one keyboard and features the Scavezza octave. The selected composer will have to spend three days, in August 2019, in the city of Agnone, to match the composition to the organ. The resulting composition will be performed by organist Simone Perrotta during the next musical season of “Progetto Culturale della Diocesi di Agnone/Trivento”

How to Participate
All living composers are eligible. The submissions will be received by the Associazione “Amici Della Musica”, made anonymous and then presented to the jury. Deadline for submissions is June 15, 2019. The results will be announced on July 1st, 2019. The jury’s decision is non-contestable and all decisions are final. The premiere of the selected piece will take place in August 12th or 13th 2019 in Ortona (I).

If you want to participate, please send us the following:
• One digitized anonymous copy of the score (PDF) (also digital copy of manuscripts are accepted);
• A computer-generated recording (if possible)
• A copy of a bank transfer for the amount of 30 Euros to:

“Amici Della Musica Guido Albanese”
IBAN: IT97Z0311177780000000000139
SWIFT: BLOPITT22
Subject : “Iscrizione 2019”

Communication will be held in Italian, English or French. The Italian version of this call for submissions should be considered definitive. Translations are without guarantee.

Jury
• Celso Mojola, Professor of composition at “Escola Superior de Música da Faculdade Cantareira”, São Paulo (BR)
• Bartomeu Moll Mas, Artistic Director of the Festival « Phona, cicle de noves musiques de Mallorca » (ES)
• Simone Di Felice, Kappelmeister of Opera-Frankfurt (D)
• Marco Reghezza, First Prize of the Competition « Carlo Sanvitale » in 2018 (I)
• 3 members of the Chamber Ensamble “Carlo Sanvitale”, to be selected on June 2019.
Web Site:www.giacomoditollo.it/internat...

 2nd WASBE International Composition Contest
Summary:Wind Band Competition with Four Categories
Deadline: None
Date Posted: 15 November 2018
Details: Introduction
The World Association for Symphonic Bands and Ensemble (WASBE) International Composition Contest is an initiative sponsored by WASBE that is open to composers from around the world. The concept is to encourage both young and experienced composers to write original compositions of high artistic merit for the school/educational band, as well as works for community bands. WASBE has a vast, world-wide network, and the organization has been promoting the participating and winning compositions and composers of the 1st WASBE International Compositions Contest, organizing performances world-wide with WASBE members, band directors, and ensembles. With the International Composition Contest, WASBE’s aim is to connect composers, band directors, and concert performances. Additionally, WASBE aims to promote the works and performances of the works on the internet and to connect the works with publishers interested in the new repertoire. In short, WASBE is dedicated to completing the musical cycle of the works: creation/composition, performance, and the promotion to all WASBE members of the works and composers, and the events involved.

Competition categories:

Category 1: Works for Band Grades 2 and 3; Duration: 6-10 min.
Category 2: Works for Band Grades 4 and 5; Duration: 8-14 min.
Category 3: Works for Symphonic Winds; Duration: 8 to 14 min.; Difficulty: Grade 5 and 6
Category 4: Works for Solo Instrument with Wind Band Accompaniment; Duration: 8-14 min. Solo Difficulty: Grade 5; Ensemble Difficulty: Grade 3-4

Deadlines:

For more information:
Web Site:wasbe.org/composition-contest-...

 INTERNATIONAL COMPOSITION CONTEST FOR HARPSICHORD
Summary:Competition for Harpsichord
Deadline: 21 April 2019
Date Posted: 15 November 2018
Details: Scuola Internazionale Musicale di Milano, with the collaboration of the Department of Culture of the City of Milan , Società Italiana Musica Contemporanea and Rugginenti-Volonté Edizioni, is now organizing the third edition of the International Composition Contest, “SIMM 2019 - New Music for Harpsichord".

The contest aims to promote contemporary music, a renewal of the harpsichord tradition, and artistic exchange among composers of various backgrounds.

1. The contest is open to composers of all nationalities, with no age restrictions. Each composer is expected to participate with one or more pieces. Registration fee is € 80,00 for each piece submitted.

REQUIREMENTS FOR THE ACCEPTANCE OF THE COMPOSITIONS
2. The following compositions will be accepted: harpsichord solo, harpsichord for four hands, harpsichord and an instrument (except piano), harpsichord and voice.
a) Compositions of any genre and style may be submitted. Applicants are allowed to submit compositions that have already received awards in other contests. The maximum length for each composition is seven minutes.
b) No adjusting or untuning or manipulating in any way the harpsichord before or during the performance will be allowed, lest the sequence of performances in the final evening may be impaired.
c) The compositions should be written for a French two-keyboard harpsichord, compass mi0-fa5 (EE-f’’’), registers: 2x8’, 1x4’, “peau de buffle”, lute. Pitch a’= 415 Hz. For the final concert, the Museum of musical instruments of Castello Sforze- sco in Milan will kindly lend a two-keyboard harpsichord Taskin dating from 1788.

HOW TO APPLY
3. Compositions must be sent to the Contest Board by email: segreteria@scuolainternazionalemusicaledimilano.it
by 21/04/2019, along with the application form fully comple- ted.

4. The email must contain:
- the scores (attached as a pdf file) transcribed with a word processing music program;
- the registration form fully completed and signed;
- a brief curriculum vitae in English or Italian;
- a recent photograph;
- a brief description of the piece;

- sending a MIDI file is desirable but not compulsory
- the authorization for the performance, publishing, recording, and dissemination of the work;
- copy of the proof of payment of the registration fee.

5. The scores should not have on them any marks for identifica- tion (the PDF file of the score must not be signed or marked in any way) under penalty of exclusion from the contest. The Contest Board will mark the scores in order to identify them, while maintaining anonymity.

6. The registration fee is € 80,00 for each composition submit- ted and should be paid by 21/04/2019 by money transfer to the following bank account:

Beneficiary: Scuola Internazionale Musicale di Milano IBAN IT30K 03111 01665 000000016516
SWIFT BIC: BLOPIT22
UBI Banca - Via Manzoni, 7 Milan -

Reason for payment: Composition Contest SIMM

SETUP OF THE CONTEST

7. Six compositions will be selected for a public concert in the final evening. The Contest Board will send an official email notifying the results of the selection to all applicants. The six finalist compositions will be performed on 18 May 2019 at 15.30, in the prestigious Sala della Balla of Castello Sforzesco, Milan. The concert will be open to the public and the Evaluation Committee will attend.

a) The names of the participants will be disclosed to the Evalua- tion Committee after the selection of the finalist compositions. b) It is desirable – although not compulsory – that a short presentation of each piece be given before the performance at the final concert.

c) The prize-winning compositions will be chosen from among the six compositions selected for the final evening and will be awarded a prize at the end of the concert.

AWARDS AND PUBLIC PERFORMANCES

8. First Prize: € 1.000,00 and a Diploma.

9. Second Prize: € 500,00 and a Diploma.

10. Third Prize: € 300,00 and a Diploma.

11. Special Prize Rugginenti-Volonté (an independent prize to be awarded to the most pedagogical composition, which must not necessarily be one of the six selected for the final evening): Publication by the press Rugginenti-Volonté.

12. The winner will be invited to talk on RADIO CLASSICA. The Contest Board may find further opportunities for one or more of the winning pieces to be performed in other public concerts. 13. The other finalists, who get none of the three top prizes, will receive a certificate stating their ranking in the final selection.

EVALUATION COMMITTEE
14. The Evaluation Committee is made up of: Sonia Bo, president, composer
Carlo Ballarini, composer
Luisella Donato, harpsichordist

Corrado Pasquotti, composer Andrea Talmelli, composer
a) The six compositions with the highest score will be admitted to a public performance in the final evening after which the Evaluation Committee will assign the first three prizes and the Special Prize for publication by Rugginenti-Volonté.

b) If the candidate is or has been in the past 2 years in any profes- sional relationship with a member of the Evaluation Committee, this member will not take part in the discussion for the awarding of the prize.

c) The decision of the Evaluation Committee is not open to appeal. They have the liberty to award ex-aequo prizes or not to award any prize at all or to select fewer than 6 finalist composi- tions.

d) After the awards ceremony, the members of the Evaluation Committee will be available to give the composers some feedback on each finalist piece.

CONCERT OF THE FINALIST COMPOSITIONS
14. The composers can either perform their compositions in person or have them performed by musicians of their own choice without the organizers having to pay any money for this. The Contest Board will provide a harpsichordist at the cost of 80 euros per piece. Composers can avail themselves of this service only by ticking the appropriate box on the application form and by paying the required amount if one of their compositions is selected for the final evening. The Contest Board will provide no instrumentalist other than a harpsichordist.

INFORMATION
15. For further information, please contact the Contest Board segreteria@scuolainternazionalemusicaledimilano.it
tel. +39 0283635275 www.scuolainternazionalemusicaledimilano.it
Web Site:www.musicalchairs.info/pdf/cp/...

 Alexander Zemlinsky Prize for Composition
Summary:Orchestral Competition
Deadline: 31 January 2019
Date Posted: 08 November 2018
Details: Mrs. Louise Zemlinsky endowed the Alexander Zemlinsky Prize for Composition at the University of Cincinnati in 1990 to promote the music of young composers from around the world.

The Alexander Zemlinsky Prize for Composition serves three purposes:
• to perpetuate the memory of Alexander Zemlinsky.
• to discover new works for symphony orchestra that are truly original and have the power to communicate with and engage a broad audience.
• to promote and encourage young composers from around the world.

Prize Details
Three prizes will be given as follows:
• First Prize: $30,000 cash prize, plus the world premiere performance by CCM's Philharmonia Orchestra in its 2019-2020 season of a newly commissioned work for orchestra (instrumentation TBD) and ballet, plus a commercially produced recording by the CCM Philharmonia.
• Second Prize: $20,000 cash prize.
• Third Prize: $10,000 cash prize.

Terms of the Awards: For the first prizewinner, 50% of the cash prize will be awarded upon announcement of the prizewinners; the remaining 50% will be awarded upon the receipt of scores and parts. For the second and third prizewinners, the entire prize will be awarded upon the announcement of the prizewinners.

Adjudication: Judges for the competition will be selected by the Dean of CCM, the Alexander Zemlinsky Fund in Vienna, and the Austrian Cultural Institute in New York City. Adjudication will be completed in March 2019, and prizewinners will be notified in April 2019.

Eligibility and Instructions for Submission
• Composers of any nationality born after April 1, 1984 may apply.
• Applications will be accepted between November 5, 2018 and January 31, 2019. An external link for submitting materials will be available during this window of time.
• Eligible composers will submit one score of 10-15 minutes for orchestra of any size (either published or unpublished). Recordings of this work, while not necessary, are encouraged. A MIDI recording is acceptable in lieu of a live performance.
Web Site:ccm.uc.edu/music/cmt/compositi...

 Eubrassband
Summary:Brass Band Competition
Deadline: 31 January 2019
Date Posted: 08 November 2018
Details: Write a march for brass band.

More details available here:
Web Site:www.instagram.com/p/Bprm7A5Aw9...

 Luna Nova 2019 Student Composition Contest
Summary:Chamber Competition for Student Composers
Deadline: 01 March 2019
Date Posted: 08 November 2018
Details: 2019 Student Composition Contest

Sponsored by

Luna Nova Music
The Beethoven Club of Memphis

The Luna Nova 2019 Student Composition Contest is offered in conjunction with the Belvedere Chamber Music Festival (www.belvederefestival.org) to be held June 19-22, 2019 at Grace-St. Luke’s Episcopal Church (www.gracestlukes.org/) in Memphis, Tennessee. The festival is sponsored by Luna Nova Music (www.lunanova.org) and the Beethoven Club (www.beethovenclubmemphis.org)

ELIGIBILITY
The contest is open to music composition students of any nationality who are 18 years or older. Recent graduates are also eligible provided that they graduated on or after May 1, 2017. They must give the name and contact information of their current or most recent theory/composition professor.

GUIDELINES
Participants may submit one score and accompanying mp3. The work may be for violin, flute, clarinet, cello, guitar, and piano. Entries may be solos or works for any combination of these instruments. Works should not exceed 10 minutes in length.

ONLINE GUIDELINES
Contest Announcement and Guidelines: www.belvederefestival.org/2019contest.pdf

ONLINE ENTRY FORMS
https://www.surveymonkey.com/r/GTVVHCD

DEADLINE
Pdfs of scores and mp3s must be received by March 1, 2019. (Computer realizations will be accepted if a live recording is not available.) Winners will be posted at www.belvederefestival.org by April 1, 2018. Composers of winning entries must provide full score and parts by May 1, 2019.

JUDGING
A panel assembled by the Luna Nova Music board will judge scores. The panel will take logistical issues into consideration. Their decision will be final.

PRIZES
Up to three winners will be named. Winning compositions will be performed by members of the Luna Nova New- Music Ensemble (www.lunanova.org) at the 2019 Belvedere Festival in Memphis. Winners are expected to attend. They will receive a live recording of the performance. Room and board will be provided free for the winners. Winners are responsible for their own transportation to Memphis.

Former contest winners are not eligible to enter.

RECORDINGS
Recordings of the Luna Nova Ensemble are available at www.lunanova.org/audio.html
Questions may be sent to Patricia Gray, Luna Nova Music President at pgray@pgray.net or 901-493-0958.
Web Site:www.surveymonkey.com/r/GTVVHCD

 Composition Competition “RUMORE BIANCO”
Summary:Saxophone Quartet Competition
Deadline: 31 March 2019
Date Posted: 31 October 2018
Details: The Furano saxophone Quartet, in collaboration with cultural association “Note a Sud”, is proud to announce a composition competition seeking submissions of new scores for saxophone quartet to be included in its repertoire with compositions belonging to any musical genre, without aesthetic or expressive restrictions, but which are the result of a profound sound research that highlights the great potential of the instrument

Art. 1 - Conditions
The competition is open to composers of any nationalities, without age limits.
In the case of multiple submissions, a registration fee must be paid for each score according to the instructions specified in article 5: Submission of compositions.
Compositions already published or awarded in other competitions are allowed.
The length of composition must be between 5 to 10 minutes.

Art. 2 - Competition Schedule
31 March 2019: application deadline
15 April 2019: publication of the result of the competition

Art. 3 – Jury
The international jury is composed by (in alphabetical order):

Daniele Bravi (composer - Italy)
Fernando Garnero (composer- Argentina)
Eero Hämeenniemi (composer- Finland)
Marie- Chantal Leclair (saxophonist-Canada)
Lara Morciano (composer-Italy)
Leonardo Sbaffi (saxophonist- Italy)
Marcu Weisss (saxophonist-Switzerland)
The judgment of the commission is unquestionable, moreover it reserves the right not to award the prize.

Art. 4 – Prize
The winner will receive a prize of 400 euros.
The winning composition will also be performed as part of the contemporary music festival "RUMORE BIANCO" that will take place in Foggia (Italy) between April and May 2019. The date will be communicated as soon as possible.
The results of the competition will be published on the quartet's website on April 15th, 2019: www.furanosaxquartet.com.

Art. 5 – Submission of compositions
The scores must be sent , by the 31st March 2019, in PDF digital format using the following mail adress: noteasud@gmail.com, it must be specified in the object of the mail the name of the composer and the title of the composition.
Each participant must to attach:

1) the registration form, available on the web site www.furanosaxquartet.com;
2) a detailed curriculum vitae;
3) the receipt of the registration fee;
4) the declaration of full and unconditional acceptance; of all the terms and conditions of the announcement;

5) A copy of a valid Identity card.
It will be possible to send the scores with the relative documentation in paper format to the address: Associazione culturale Note a Sud
Via M. Tizzano n° 2 71122- Foggia
The date of the postmark will be valid.
- For works that contain unknown symbols or marks, the composer must provide explanatory notes in order that the work can be understood correctly.
- For the score selected for performance, the composer must supply separate parts (without rental) for individual instruments.

Art. 6 - Registration fee
The registration fee of € 30.00 must be pay to the following bank account headed:

Associazione Culturale Note a Sud IBAN: IT98Y0335901600100000146406 Banca Prossima BIC: BCITITMX
Art.7 – Further Information

Any information concerning the competition can be requested by email or by telephone at:

noteasud@gmail.com

Cell. +39329-9854445 or +393208177467

Art. 8 – Final provisions
Registration for the competition involves the unconditional approval of this regulation. The scores sent will not be returned and will remain in the "Notes a Sud" association archive.
For any dispute the court of Foggia will be competent.
Web Site:www.furanosaxquartet.com/rasse...

 A4 Brass Quartet Launch 2019 Composition Competition
Summary:Brass Quartet Competition
Deadline: 08 March 2019
Date Posted: 31 October 2018
Details: Following the success of the inaugural competition, A4 Brass is delighted to announce the launch of their 2nd composition competition. The ensemble has had an exciting 2018, winning the Royal Over-Seas League Chamber Music Competition, working with City Music Foundation and becoming Honorary Artists in Association at the Royal Northern College of Music. The group has also appeared at Manchester’s Bridgewater Hall, London’s Wigmore Hall and Queen Elizabeth Hall, coupled with European tours to Finland, Lithuania and Switzerland and a brace of appearances on primetime BBC Radio 3.

Last year’s competition attracted a high number of entries from around the world, with first prize being awarded to the talented Cardiff based composer Daniel Hall for his work, ‘The Black Dahlia’. This, alongside runner-up Jared McCunnie’s ‘Just Cause’ and Under 24 category winner Toby Carswell’s ‘Fantasy’ have been recorded and performed by the quartet throughout various projects in 2018.

This year A4 Brass are looking for a concert work inspired by one of the following landmark events which will be taking place in 2019:
• 500 years since death of Leonardo da Vinci
• 200 years since birth of Queen Victoria
• 150 years since birth of Mahatma Gandhi
• 50th anniversary of the moon landing

The brief for the compositions is very free, but the following must apply to each entry:
• Compositions must be of 4-8 minutes in duration.
• Works must never have been performed before.
• Instrumentation of: Bb Cornet (doubling Flugel), Tenor Horn in Eb, Baritone Horn in Bb (treble clef) and Euphonium in Bb (treble clef).
• Mutes are available if required for all instruments.
• Anonymous scores are NOT required.
• Please consider presentation, practicality and suitability for concert performance for the entry

Once again, A4 are delighted to be able to offer a healthy £650 prize fund, and also aim to encourage a new generation of student composers with a special Under 24 award (if both 1st and 2nd prize fall into this category, the next highest U24 entry will receive this award).
1st Prize - £400, a professional recording and regular performances on the quartet’s concert series’ in 2019/2020.
2nd Prize - £150, a professional recording and regular performances on the quartet’s concert series’ in 2019/2020.
Under 24 Prize - £100 and a professional recording of the work.

Scores can be submitted as either a Sibelius 7 (or earlier) file or as PDF files accompanied by an mp3/m4a file, and need to be emailed to a4brassquartet@hotmail.co.uk with ‘A4 COMPOSITION’ in the subject line.

The closing date for entries is FRIDAY 8TH MARCH, 2019, with award winners being announced and notified in early April.
Web Site:www.brassbandworld.co.uk/news/...

 Ivan Juritz Prize
Summary:Residency Opportunity
Deadline: 29 March 2019
Date Posted: 31 October 2018
Details: We are delighted to announce that the 2019 prize is now open. The prize has expanded so now there will be a winner for each category: text, image, sound. The three winners will each receive £1000 and a residency at Cove Park.

This year’s deadline is 29 March 2019 and the prize is judged by Rachel Cusk, Jeremy Harding, Gillian Wearing and Ryan Wigglesworth.

Entrants must be postgraduate students currently enrolled on a course or programme of study in a European country.

Entries must be accompanied by a statement (up to 150 words).

The prize is intended for artists who have yet to establish themselves, but work that has already been published or performed can be submitted.

Entrants are welcome to submit their work to multiple categories. If you chose to do this, please give the titles of all submissions clearly in your statements.

The winners will be both of their time and aware of debts to the past. Pound, calling on the modern artist to ‘make it new’, was, after all, creatively translating the ancient Chinese King Cheng Tang. In the accompanying 150 word statement you should analyse the role of experiment in your work and, if appropriate, relate your work, whether sympathetically or antagonistically, to the creative experimentation of the modernist era.

How to enter
Entries should be received by March 29 2019 and sent to modern@kcl.ac.uk or by post to Dr Lara Feigel, Director of the Centre for Modern Literature and Culture, English Department, 22 Kingsway, London WC2B 6LE

Eligible entries

Texts
Up to 2000 words; if entering in a language other than English, please include a translation.

Images
Up to 8.

Films or excerpts of moving image work
Up to 15 minutes; if in a language other than English, please include subtitles. Films should be submitted as MP4 files or as a link to an online recording.

Sound recordings
Up to 15 minutes. Sound recordings should be sent in MP3 format or as a link to an online recording.

Proposals or documentation of installation and performance
Can include text (up to 2000 words), images (up to 8), sound recordings (up to 15 minutes) and film (up to 15 minutes). All of these can be submitted together.

Musical compositions
Up to 15 minutes for any number of instruments or for electronics; please submit a score and a recording, which can be an electronic recording and should be sent in MP3 format or as a link to an online recording.
Web Site:www.ivanjuritzprize.co.uk

 The 2019 Salvatore Martirano Memorial Composition Award
Summary:1-15 performers call
Deadline: 15 April 2019
Date Posted: 31 October 2018
Details: Eligibility: Any composer, regardless of age or nationality is eligible. Previous winners, faculty, and currently-enrolled students at the University of Illinois are ineligible for the competition.

Awards: First Prize cash award of $1000 and second prize cash award of $500 plus performances by the Illinois Modern Ensemble in the fall of 2019 on the 23rd Annual Martirano Award Concert at the Krannert Center for the Performing Arts on the campus of the University of Illinois. Additional awards and performances may be given at the discretion of the judges.

Judges: A panel of judges consisting of international composers and University of Illinois music composition faculty members will select the winning compositions.

Guidelines:

1. Medium: Full scores of any style or aesthetic direction for 1-15 performers (including vocalists) may be submitted. Works for electronics and/or mixed media (including video), with or without instruments and voices, are eligible.

2. Duration: 20 minutes maximum

3. Limit: One entry per composer

4. Entry fee: A non-refundable entry fee of twenty US dollars (20.00 USD) is paid online at the time of submission. All major credit cards are accepted.

5. Anonymous Submission: The composer's name must not appear on the score or in any accompanying materials submitted online.

6. The winning composers are expected to attend the award concert and reception, and will be responsible for their transportation costs (the competition will provide lodging and some meals). The winning composers will assume full responsibility for providing adequate performance materials upon request.

Entries must be submitted and paid for online by Monday, April 15, 2019 11:59PM CST (23:59 GMT-0600).

For more information and to submit scores go to:
https://music.illinois.edu/martirano-award

For questions:
zbrownin@illinois.edu
www.zackbrowning.com
Web Site:music.illinois.edu/martirano-a...

 Spark Composition Competition
Summary:SATB Call
Deadline: 01 February 2019
Date Posted: 17 October 2018
Details: We hope our program theme, combined with the opportunity to have your new composition premiered by a professional chamber choir, will light a spark of inspiration to compose a new work!

COMPETITION DETAILS

Our final concert this 2018-19 season will coincide with Rhode Island Pride and will feature music by, about, and for LGBTQIA* individuals and communities. We are seeking choral scores featuring texts that may be directly relevant to LGBTQIA* experiences, but may also deal with broader intersecting themes, such as the general theme of PRIDE, celebrating diversity & inclusion, empowering marginalized voices, etc.

Entrants are encouraged to submit a brief explanation of why they chose their text and explain its connection to the theme of our concert. Collegium Ancora will perform the world premiere of the winning entry during our June 2019 performance.

TIMELINE

February 1, 2019 All submissions and entry fees must be received by 11:59pm EST
March 1, 2019 Announcement of the winning composition
June 2019 Premiere performance of the winning composition by Collegium Ancora

SUBMISSION CRITERIA

All submissions must:
- be original and not previously performed in a public performance*
- fit within the thematic criteria outlined under “Contest Details” above
- adhere to the additional specific criteria outlined below
* public performance is defined in the U.S. copyright law to include any music played outside a normal circle of friends and family.

Difficulty Level
Any level of technical difficulty is welcomed. We are mainly interested in pieces that provide both the ensemble and the audience with a rewarding musical experience.

Voicing
SATB, with possible divisi

Text
- Text must be related to the theme of the concert program, as described above.
- Any language will be considered; however, please include a transliteration of non-English texts.
- Text must originate from one of the following options:
1. In the Public Domain
2. Of the composer’s own creation
3. Accompanied by documentation clearly confirming the composer has secured permission to set the text to music and to present it in public performance.*
* any and all costs related to securing said copyright permission is solely the responsibility of the person submitting the composition entry.

Accompaniment
- a cappella
- Piano

Duration (Length of Composition)
- Minimum: 2 minutes
- Maximum: 8 minutes

Restrictions
- There are no restrictions regarding who may enter.
- There is no limit to how many compositions any one composer can submit; however, an entry fee is required per composition.

EVALUATION

All submissions will be initially reviewed by the Artistic Director of Collegium Ancora to ensure each submission meets the specified criteria.

A panel comprised of three judges will review the contending entries and will choose the winning composition. This evaluation will take into account the quality of the piece, the relationship to the thematic content, and its suitability for a successful performance by Collegium Ancora.

In the event that the panel decides to perform more submissions in addition to the winning composition, those composers will be notified and permission to perform their composition requested.

Scores that are not selected for performance will be deleted.

AWARD

First Prize: $500 (US) plus a world premiere performance by Collegium Ancora
Runner(s) up: $50 (US) plus a world premiere performance by Collegium Ancora

The winning composer and composition will be announced on March 1, 2019. Winners are welcome to attend the premiere performance, but will be responsible for their own travel expenses.

Collegium Ancora reserves the right not to award a prize.

SUBMISSION PROCESS

Scores must be submitted via our website. Click the "Submit Score" button below to complete the entry form (Google account required, please contact us if this is a problem) and upload your PDF, then click the "Submit Entry Fee" button to provide the entry fee via our secure PayPal account.

Submission Deadline is FEBRUARY 1, 2019, 11:59PM Eastern Standard Time

Application/Entry Fee:
$35 entry fee per submission is required for consideration

Criteria for submitting scores:
- Scores must be in American Letter-size (8.5 X 11 inches) portrait format
- Scores must be clear and ready for performance, using standard music printing notation and readable text size.
- Entry scores must have no composer/arranger information on it so that evaluation and judging of each composition can be conducted anonymously.
- All scores must be submitted electronically as a PDF.

Supporting material (encouraged, but not required):
- A narrative about the piece indicating the choice of text and how it relates to the theme, as well as information relating to the composer and/or compositional process, if desired.
- Some type of recording of the piece (e.g. synthesized, keyboard, multitrack, etc.); it is of course understood that a full choral recording will not be available.
Web Site:www.collegiumancora.org/spark

 Uproar Duo Call for Scores
Summary:Saxophone and Piano Call
Deadline: 31 January 2019
Date Posted: 17 October 2018
Details: The Uproar Duo is excited to announce its first annual Call for Scores! The Uproar Duo is dedicated to performing and recording new works for saxophone and piano, and we are excited to create this opportunity to work with new composers to perform, record, and present their works.

Uproar will be selecting a minimum of three pieces from the pool of submissions. Certain selected works will be performed throughout our 2019-2020 season and will be featured on a future studio-recorded album. Other winning selections will be performed, recorded live, and added to The Uproar Duo's repertoire, though not necessarily recorded as part of an album. Our goal is to include and highlight as many winning selections as possible.

More info:
Web Site:www.uproarduo.com/call-for-sco...

 Black Sheep Contemporary Ensemble
Summary:Open call to submit scores
Deadline: None
Date Posted: 17 October 2018
Details: Black Sheep Contemporary Ensemble has begun work on a new system, our Scores Database. Composers are now able to submit works at any time to be considered for future performances, free of charge! Due to the nature of our ever changing instrumentation and desire to work with new, living composers, we have decided replace our original Call for Submissions with something more accessible to composers of all abilities and locations.

Here’s how it works:

Fill out the information form found here: https://goo.gl/forms/7Mu1ZdxMp6f6QWj22
Submit a score and (optional) recording, either via email to BSCESubmissions@gmail.com (note that this is not our normal contact email), or you can add files in the form itself.

As for the instrumentation of works, we will be selecting pieces based on the needs of each individual performance. Our core instrumentation is Bb Clarinet, Bass Clarinet or Baritone Saxophone, and French Horn, so works that include some or all of these instruments are more likely to be performed, but don’t feel limited by this. We often add other performers to our concerts, such as percussionists, vocalists, other woodwinds and brass, and strings. We are also open to works with non Western-traditional instrumentations, electronics, and added media elements. Ensemble size usually ranges from solo instruments to about eight musicians. We do not accept works for large ensembles such as orchestras or wind ensembles, or full operas, but will consider chamber orchestra and chamber opera pieces. We welcome graphic scores, text-based scores, and whatever other type of non-traditional score you might have. Completed works only, please, no drafts. Works may have been performed previously. There is no submission/adjudication fee (AKA, it’s free to submit as many works as you’d like)!
Web Site:www.blacksheepcontemporary.com...

 International Composition Contest New Music For Harpsichord
Summary:Harpsichord composition competition
Deadline: 21 April 2019
Date Posted: 11 October 2018
Details: Scuola Internazionale Musicale di Milano, with the collaboration of the Department of Culture of the City of Milan, Società italiana Musica Contemporanea and of Rugginenti-Volonté Edizioni, is now organizing the third edition of the International Composition Contest, SIMM 2019 - 4th Edition" New Music for Harpsichord". The following compositions will be accepted: harpsichord solo, harpsichord for four hands, harpsichord and an instrument (except piano), harpsichord and voice. Application should be submitted by 21/4/19.
Web Site:www.musicalchairs.info/competi...

 ISA Music Composition Competition
Summary:School-aged competition, various categories
Deadline: 22 March 2019
Date Posted: 11 October 2018
Details: The ISA Music Composition Competition – new for 2019 – is designed to celebrate the art of music composition, and to encourage musical pupils to think of themselves as composers, even from a young age.

Accessible to all
Any combination of voices/instruments, solo voice or solo instrument
Any method of submission – video, audio recording, or written score
Individual or Group work

Your music may be selected to be used at ISA events such as conferences and sporting events. We look forward to receiving your entries.

This competition is open to anyone who enjoys creating their own music. We hope this new ISA competition will encourage more pupils to develop their music composition skills at a younger age. (Composition can be the aspect of external exams which is unfamiliar to many performers and uncomfortable for them).

We suggest that many schools will run an internal competition first, then submit their selected best ones to the national competition.
• School are invited to submit their entries via the Online form – Deadline Friday, 22 March 2019 (details on how to enter on page 3).
• Schools may submit a maximum of three entries per age group.
• Categories: Band, Solo voice, Solo instrument, Vocal group, Instrumental group
• Age groups
A: Year 5 and 6 B: Year 7-9
C: Year 10 & 11 D: Sixth Form
• Style: Any style of music is welcome – classical, jazz, pop, rock, electro...
• Instruments: the composition can be for any combination of performers.
• Length: maximum length of composition is 5 mins. (no minimum).
• Practicalities:
- YouTube recordings (if used) must be complete at the time of entry, uploaded to YouTube and
available for public view. They must not be amended or edited after submission.
- Audio recordings must be in an mp3 format.
- Any computer generated score should be sent in a visual/readable format – eg PDF.
- Manuscripts (handwritten or computer generated) should be sent as full score (there is no need
to generate individual playing parts) in a visual/readable format – eg PDF.
• Group Work: paired or group compositions may be submitted to any age class. A brief written log (maximum one side of A4) explaining the process, roles taken by pupils, and any adult input should be sent to ISA.

Web Site:www.isaschools.org.uk/competit...

 4TH EDITION CFS: “BEAUTY”
Summary:Solo to 15 players instrumental call
Deadline: 15 March 2019
Date Posted: 11 October 2018
Details: The Ensemble de la Belle Musique (EBM) is pleased to announce its fourth edition of “Call for Scores” (CFS). The theme is “Beauty”.

Composers are encouraged to submit works for any combination of the following instrumentation, ranging from solo up to a maximum of 15 instruments:

4 violins, 2 violas, 2 cellos, 1 double bass, 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 trumpet, 1 horn, 1 trombone, 1 percussion (xylophone OR vibraphone OR glockenspiel), 1 piano

For example: 1 viola + 1 flute + 1 xylophone, or a string quartet formation. Please note that 4 violins are considered as 4 instruments, 2 violas are considered as 2 instruments and so on.

There is no fixed style. Please use your imagination and creativity to write music so beautiful and pleasant to the ears that the musicians would love to play them over and over again and the audience would love to hear them over and over again.

Selected works will be performed by EBM on Thursday, 30th May 2019 in Singapore. Any composer is eligible, regardless of age and nationality. Each work must be between 3-8 minutes. ONLY melodious and tonal works will be accepted. Atonal and electronics works will NOT be considered. Every work MUST be original, and never performed nor published in any format before. NO transcription nor arrangement of any sort is allowed. Works which have won awards, or which have already been uploaded onto any form of social media platforms such as YouTube, Facebook, Instagram, iTunes or SoundCloud will not be considered. Submissions will not be returned. Please dedicate new works written specially for this CFS to “Ensemble de la Belle Musique”. For older works written prior to this CFS, no dedication is required.

Video recordings of the concert will be put up on our Youtube channel. Complimentary hotel lodging of 3 days 2 nights (with complimentary breakfast) + free entry to the concert will be provided for selected composers. There is also an opportunity for selected composers to have their selected works put up onto a few music platforms in China for publicity. In addition, selected composers will each be given a full HD video recording of their works.

Submission Guidelines:

There is an entry fee of USD20 for the first work. Additional entries may be submitted for USD10 each. Each composer can submit up to 3 works but each work must be submitted as a separate entry. Each entry must be emailed in pdf format (full score + individual parts, if applicable) to ebmusiquecallforscores@gmail.com with the subject heading: “EBMCFS2019 – Title of work” along with:

a. An info sheet in pdf format with the composer’s name, title of the submission, duration of the work, year work was written, short bio (maximum 150 words), short write-up of the submitted work (maximum 150 words), and contact information (including website, if any). NO handwritten scores will be accepted. You may use any reliable music notation software as long as the score is clear and legible.

b. Photo in .jpeg format

c. Receipt or screenshot of completed PayPal payment. For submissions of up to 3 works, just one receipt or one screenshot of completed Paypal payment will do.

d. Mp3 or midi recording of every work submitted.

e. A declaration that the submitted work has never been (i) published, (ii) performed, nor (iii) awarded any prize in any competition.

All submissions must be sent and fees paid by 11:59pm, Singapore time, on Friday, 15th March 2019. Entries and payments received after this date will not be considered. Results will be announced on EBM’s website and social media platforms latest by Saturday, 30th March 2019, and selected composers will be notified via email. The decision of EBM is final. For enquiries, please email ebmusiqueinfo@gmail.com.

Rights:

The submitted works must be free of any rights. Non-selected composers will have full ownership of their works and will be allowed to perform their compositions once the results have been released. In contrast, selected composers are NOT allowed to interpret their selected works in any way before nor on the day of EBM’s “Beauty” concert on Thursday, 30th May 2019.

Selected composers retain full ownership of the copyright for their selected works but they have to grant EBM irrevocable rights limited to using the works for promotional purposes and for performing the works in concerts at any time without further compensation to them.

Deadline: 15th March 2019, 11.59pm Singapore time

Entry fee: USD20 per submission. USD10 for additional submission of up to 3 submissions per composer

Currency: US Dollars
Web Site:www.ebmusique.com/news-events/...

 The Manchester Chorale Composition Competition
Summary:Choral Competition
Deadline: 31 March 2019
Date Posted: 04 October 2018
Details: In preparation for its 40th anniversary season, The Manchester Chorale invites composers to write a work of a celebratory nature.

1st prize of £1,000
No restrictions on age or nationality
Text, in English, to be chosen by the composer
No entry fee

Deadline for submission of pieces: 31st March 2019

The Manchester Chorale will be marking its 40th anniversary in the 2019/20 season.
With this in mind, we are inviting composers to submit a piece for chamber choir, to be performed during the season, with which we can celebrate the joy of singing and making music together.

The Work
Length – between 3 and 6 minutes.
A capella, or with piano accompaniment.
The piece should be primarily for SATB choir (about 45 singers); however, some divisi of the soprano, alto or bass parts can be accommodated.
Short solo passages could be included in any part, although it is recommended they are marked “optional”.
The text must be in English. Composers are asked to check that a text is out of copyright before using it. If it is not, please obtain written permission for its use from the copyright holder before submitting your composition to us. We may ask you to send this to us later. You may, of course, set a text that you have written yourself.
The piece must not have been published or performed previously.


For full details, please click on the link below:

Web Site:www.manchesterchorale.org.uk/c...

 International Competition for Women Composers 2019
Summary:Piano quintet competition
Deadline: 31 January 2019
Date Posted: 26 September 2018
Details: The Brixworth Music Festival, England, is delighted to announce a second international competition for women composers.

We are looking for a work that is 6-10 minutes long and is scored for string quartet and piano. The competition is open to any female composer and there is no age limit for entrants.

The following prizes will be awarded:
First prize: £500
Honourable Mention

The prize-winning work will be played by the Tedesca String Quartet, (the resident quartet of the Midland Sinfonia) www.tedesca.co.uk at the next Brixworth Music Festival on 17th May 2019. The pianist, Charles Matthews, will be performing on the Festival's new piano.

The jury comprises the following members:

Vivienne Olive Professor of Music Theory in Nuremberg, retired, Composer, and Joint Artistic Director of the Brixworth Music Festival
Gwion Thomas Singer and Joint Artistic Director of the Brixworth Music Festival
Nic Fallowfield Violin, Tedesca String Quartet
Oksana King Pianist and member of the Brixworth Music Festival Committee
Peter Dunkley Conductor, Clarinettist, Patron of the Brixworth Music Festival Committee
Judith Weir External judge: Composer and Master of the Queen's Music

The committee of the Brixworth Music Festival reserves the right to find replacements for absent jury members. Other members of the Brixworth Music Festival Committee may join the judging panel as appropriate.

Further Information
Conditions of entry
• Only one work may be entered which can, however, consist of several shorter pieces.
• The entered work may not have previously been performed or published.
• Performance material (score and parts) must be supplied by the prize-winner.
• Any instructions should be in English.

Submission
Closing date: 31st January 2019
Prize winners will be announced at the end of February 2019.
Web Site:www.brixworthmusicfestival.co....

 74th Concours de Genève – Geneva international music competition
Summary:Oboe and ensemble
Deadline: 02 May 2019
Date Posted: 26 September 2018
Details: PREAMBLE

The 74th Geneva International Music Competition will be presenting composition. This discipline pursues the tradition of the Queen Marie José Prize and aims at encouraging and promoting contemporary creation and supporting a high-quality performance.

CONDITIONS OF PARTICIPATION

The Geneva Competition's Composition Prize will be awarded in November 2019. Its objective is to distinguish a new work that has been composed at the earliest after May 2016
The competition is open to composers of all nationalities born after May 1st, 1979 (40 years old). Composers who have already won the Queen Marie Jose International Music Composition Prize or the Geneva International Music Competition's Composition Prize are not eligible to take part in this competition.

WORK

The subject of the Composition Prize 2019 is a Work for Oboe and ensemble, composed after following specifities:
• The work must last between 15 and 20 minutes.
• The work must be written for solo oboe, with the possibility to use the Cor anglais (English horn) as well.
• The work must not use any electronic device.
• The ensemble set must imperatively be comprised within the following frame:
o 1*.1*.1*.1*-1.1.1.1–harp–keyboards(1)–perc(2)–Strings :1.1.1.1.1
o One musician may play several keyboard instruments (piano, celesta, etc.)
o Concerning percussion, please insert the detailed list of required instruments.

The prize-winning work will then be performed during the final round of the 2020 Oboe competition. The jury will therefore be asked to take into account the playability of the work and the presence of the solo instrument.
The musical score may be hand-written or in electronic form, but must be perfectly legible.

REGISTRATION
The registration deadline is May 2, 2019. Candidates may register directly on our website www.concoursgeneve.ch.

Registration will not be considered as final until the following documents have been received (to be uploaded via registration page, or sent by post or by email) :

• One musical score, with a title or a motto, all completely readable and original, without the least mention of the composer, since the candidate must remain anonymous for the Jury.
• As well as the following documents:
• - Official proof of the candidate's age (birth certificate or passport photocopy)
• - Your résumé (studies taken, institutions, teachers, professional activities)
• - Two different and recent high-quality photos in color
• - Proof of payment of the registration fee
• - A commentary on the work presented
• - Authorization for its performance and broadcast
Web Site:www.concoursgeneve.ch/site/app...

 III international competition of choral composition
Summary:Competition with 4 categories
Deadline: 31 January 2019
Date Posted: 26 September 2018
Details: For the third time, this call is carried out together with the Awards of composition called by Orfeó Català, through the Revista Musical Catalana: "III international competition of choral composition - Festival of choral music", and which will culminate with the third edition of the Festival of choral music on February 23rd, 2020, in the Palau de la Música Catalana, where the winning works of the two competitions will be presented and performed.

The deadline for submission of works is January 31st, 2019. The verdict will be announced in summer 2019.

You can look at the Bases and get the participation forms at:

COMPETITION RULES

1. Participation
The International Prizes “Catalunya” for Choral Compositions is opened to everyone, with no age limit and without any registration fees.

2. Categories and Contest Regulations
There are four categories of participation:
A1: CHORAL COMPOSITION “a cappella”, upon a text in Catalan language, for mixed voices (SATB or SAB). Medium level of difficulty.
A2: CHORAL COMPOSITION “a cappella”, upon a text in Catalan language, for equal voices. Medium level of difficulty.
B1: HARMONIZATION and ARRANGEMENT "a cappella" of “Catalan Countries traditional songs”, for mixed voices (SATB or SAB). Medium level of difficulty.
B2: HARMONIZATION and ARRANGEMENT "a cappella" of “Catalan Countries traditional songs”, for equal voices. Medium performing level.
-In the harmonization of traditional songs (categories B1 & B2) it must be stated from which publication the original melody is taken, as well as the publisher and year of publication.
-Works must be original, not premiered and not previously awarded at any other competition. The maximum duration of each work is around four minutes. The jury will evaluate the level of difficulty of each work, which cannot exceed the difficulty level established in the regulations.

3. Presentation of the works
1) Each composition must be submitted in six copies with numbered pages. They must be legible, clear, without mistakes or amendments.
2) The front page of each work will show only the “Title”, a “Pseudonym” (which will replace the real name of the author), and the category in which the work fits in.
3) In addition, it is necessary to present a sealed envelope which will show the “Pseudonym” of the author. Please insert in the envelope the registration form signed and filled with all the required information.
4) Composers can register for both competitions and can submit up to two works per category. Nevertheless, submitting duplicates of the same work in different
categories or in both competitions won’t be accepted. If duplicates are spotted by the jury, the works in question will be eliminated from all competitions.

4. Deadline and Address
Works and application forms must be handed or sent by mail before January 31, 2019
to the following address:
International Prizes “Catalunya” for Choral Compositions. Eighth Edition – 2019 FEDERACIÓ CATALANA D'ENTITATS CORALS.
Via Laietana, 54, 2. despatx 213.
E-08003 BARCELONA. SPAIN

Web Site:www.fcec.cat/noticies/PremisCa...

 Mozart and Orff for organ
Summary:Organ competition
Deadline: 28 February 2019
Date Posted: 26 September 2018
Details: For the fourth time we can again announce a contest that promises to be particularly attractive to composers. The next Carl Orff Festival, and thus the composition competition, are under the sign Carl Orff and Wolfgang Amadeus Mozart. Orff described namely in his last years Mozart as his favorite composers. Now if you still know that Carl Orff began his musical career on the church organ in the municipality Unteralting already found the rough framework for the next competition.

Competing 2018-19 is a piece for organ. It should be processed two musical themes. Firstly, the first two bars to be included in the C-minor Fantasy (KV 475) of Mozart and on the other a 9-töniger chord "De temporum fine comoedia" by Carl Orff. The length of the piece should be 5-7 minutes. The composition must be playable on a symphonic organ with three manuals and swell.

They are invited to take part, without limitation, all composers. The winners (ranked 1-3) from the previous competitions are not eligible.

10 compositions will be nominated for the final concert. The composer received from Carl Orff Competition eV to and from the final concert, 2 nights, a rehearsal and performance with good organist and an attractive program for two days. The prize money amounts to 5,000 euros for 1st place, 3.000 € for second place and 1,000 euros for the 3rd place.

The deadline is February 28, 2019. start of the public vote will be March 15, 2019. The world premiere of the final works is planned as part of the Carl Orff Festival in August of 2019.
Web Site:www.carl-orff-competition.com/...

 The John Sanders Memorial Competition for Young Composers
Summary:Choral Competition
Deadline: 22 March 2019
Date Posted: 26 September 2018
Details: In order to encourage the composition of music suitable for the liturgy, The Sanders Society is developing a 3-yearly competition for young composers under the age of 30 years. The winning composition, an Introit of up to 5 minutes in length for SATB choir with optional organ accompaniment suitable for performance within a cathedral setting, will receive its first public performance in the glorious settings of Gloucester Cathedral during Choral Evensong at the prestigious Three Choirs Festival in the summer of 2019.

In addition the winning composer will receive an award of £1000, and the possiblity of a publishing contract with Encore Publications.

The next composition competition for young composers will be judged in April 2019:

Closing date: 12 noon Friday 22nd March 2019

Judging: April 2019

The winning composer will be notified by email, (confirmed by letter) and details of the winning composition will be announced on 15th June 2019 on this website

Judges:
Dr. Christopher Robinson
Bob Chilcott
Adrian Partington
Tim Rogers (Encore Publications)
Full rules of the composition competition for young composers and an entry form may be downloaded below:

Competition Rules
Entry Form
Entry forms for UK entries can be obtained by post, enclosing a stamped (93p) C5 envelope, from:

The Sanders Society,
144 Tuffley Avenue,
Gloucester
GL1 5NS

Overseas applicants please contact info@sanderssociety.org.uk.
Web Site:www.sanderssociety.org.uk/Comp...

 CoMa Partsong Project
Summary:Call for scores in open scoring
Deadline: None
Date Posted: 26 September 2018
Details: Deadline: N/A

Details: The Partsong Project is central to CoMA’s aims, responding to a need to create a repertoire of flexible pieces for multiple (but solo) voices. Submissions should be 3-5 minutes in length for 3-6 voice parts in Open Scoring. We are looking for fresh, exploratory, experimental approaches to the vocal medium (not a traditional-style partsong) and welcome non-conventional notation, unusual vocal techniques, speech, movement, auxiliary instruments etc.

Fee: N/A

Contact: For more specifics on the brief and for information on submitting works, please visit:
Web Site:www.coma.org/our-music/compose...

 Flute Choir Composition Competition
Summary:Flute Choir Competition
Deadline: 19 February 2019
Date Posted: 26 September 2018
Details: The Flute Choir Composition Competition is for composers who write original works for flute choir/flute orchestra. Compositions may be a maximum of twelve minutes and must include a minimum of six parts, including any combination of instrumentation of piccolo, C flute, alto flute, bass flute, and optional contrabass flute. At a minimum, the composition must include parts for C flute, alto flute and bass flute.

This annual competition requires one work each year to be premiered by the Professional Flute Choir, High School Flute Choir, and Collegiate Flute Choir in rotation. The winning composer will be awarded a $2,000 cash prize and their composition will be performed by the Collegiate Flute Choir during the 2019 NFA Convention. The winning publication will also be displayed in the exhibit hall during the convention and deposited in the NFA Music Library at the University of Arizona.

By submitting an entry to this competition, you are attesting that the work has not yet been premiered. The NFA reserves the right to disqualify any submission that, in its judgment, fails to reflect the spirit of these rules of eligibility. Submissions are judged anonymously. Remove any identifying composer or copyright information from submitted scores, parts, and sound files.

Entrants must provide an electronic sound file (MP3 or WAV) or a “reading” recording of the submitted work. Entrants waive all rights to the convention premiere performance, including broadcasting and recording. The composition remains property of the composer who may enter into a contract with a publisher in advance of the convention but may not sell or distribute this work until after it has received its premiere at the convention.

Competition Requirements*
• NFA membership - all flutists must be current NFA members at the time the entry is submitted (nfaonline.org/register); membership is not required for non-flutist composers
Flutists chosen to perform or present at the convention must renew their membership (for the membership year beginning August 1, 2019) and register for the convention by July 1, 2019. Membership and convention registration is not required for non-flutist composers.
• Completed entry – one copy of the score and parts, without any identifying composer or copyright information; short essay explaining composition; electronic sound files (MP3 or WAV) of your work (Link will be available December 1, 2018.)
• $20 entry fee (paid during submission process)

All entrants must submit their entry, upload recordings/supplemental materials, and pay competition and membership fees by 11:59 p.m. Eastern Standard Time, Tuesday, February 19, 2019.

* Competitions are subject to all rules and regulations on this page as well as the 2019 General Competition Information and Rules and Regulations. Incomplete entries will be subject to disqualification.

COORDINATOR
Debbie Gilbert
jdgilbert99@gmail.com

Web Site:www.nfaonline.org/Annual-Conve...

 Call for Scores: 1st Annual Choral Composition Competition
Summary:SATB choir competition
Deadline: 15 February 2019
Date Posted: 26 September 2018
Details: Receiving submissions now through February 15, 2019. Open to all ages.

Questions
If you have any issues or questions after reviewing this page please email competition@midcitieschambersingers.com.

Entry Fee
There is a non-refundable submission fee of $25 per entry. After the submission form has been filled out (at the bottom of this page) you will be taken to a secure PayPal page where you can pay with either a PayPal account or any major Credit/Debit card (PayPal account not required).

Eligibility
Age and Experience
• Open to non-professional composers.
• No age requirements.
• Composers with a PhD or DMA in composition may not submit.
• Any current member of the MidCities Chamber Singers is not eligible to submit.

Nationality
There are no nationality or citizenship requirements.

Disclosure
All applicants must disclose any relationship with members of our judging panel. This will NOT result in disqualification but is important to know if that particular judge needs to abstain from grading your submission.

History of Work
Previously performed works MAY be submitted.

Guidelines
All submitted works must be for SATB chorus, either unaccompanied or with piano. If unaccompanied, a piano reduction of vocal parts is suggested to be included in the score. No other instrumentation will be accepted nor will we accept performance audio that is to be played during performance.

Submitted works may include non-vocal instructions for the choir such as clapping, speaking, stomping, snapping, etc. No extra props.

Sacred or secular texts are permitted but must be considered by the judging panel to be appropriate for a public audience or the text may be edited or the submission disqualified. Vocalise (non-textual sounds such as “ooh” or “ah”) is allowed.

Our target choir size is 24 singers. Please consider this when submitting and you are encouraged (but not required) to avoid dividing parts beyond SSAATTBB.

Pieces should be between 3 and 8 minutes in length when performed.

Submission Process
This will be a “blind submission” where you may not include any personally identifiable information on your scores, in the audio of a submitted recording (not required), or in the file names of submitted files. Your form and score will be cross-referenced by a non-judging administrator for the sake of awarding and notification.

Entries must be submitted by February 15, 2019. There is a non-refundable fee of $25 per submission. Multiple entries are allowed and will require a separate submission form and non-refundable fee for each entry. There is no discount for multiple entries.

All entries must be submitted via the form at the bottom of this page. After submitting the form you will be taken to a secure PayPal checkout page where you can pay the fee with either a PayPal account or any major credit/debit card. Your entry will not be eligible unless the fee has been successfully paid. If you have any issues with payment, please email competition@midcitieschambersingers.com.
All scores must be in PDF format and submitted through the form below. Recordings (which are not required) must be submitted through the form below. Do not email files or send links to files. Any links to files will be disregarded and any email attachments will not be opened.

While we prefer all entries to be submitted with the form below, if you have issues with the form or need to request an alternate method of submission, please email competition@midcitieschambersingers.com with your request.

Web Site:midcitieschambersingers.com/co...

 2019 Barlow Prize
Summary:$12,000 Commission
Deadline: 01 June 2019
Date Posted: 19 September 2018
Details: Barlow Prize 2019

$12,000 Commission
New Work for Pierrot ensemble + percussion and electronics

The winning composer will receive a $12,000 commission for a major new work for Pierrot ensemble + percussion and electronics. The work will be performed by a consortium of choirs (TBD) in 2021.

The work is expected to meet the highest artistic requirements for the medium. Additional specifications for the work will be negotiated among the Barlow Endowment, the composer, and the performing consortium. Half of the commission fee will be paid when the contract for the commission is signed, and the other half will be paid when the finished score is submitted to the Endowment.

Eligibility

There are no restrictions or preferences with regard to musical style, nationality, age, gender, race, religion, or political persuasion. The only limitations are:

1) Composers who have won the Barlow Prize in the previous five years will not be considered in the Prize competition. FAQS

2) The Barlow Endowment is only able to grant commissions to composers who are not included among the premiering performers, conductors, directors, or agents of the commissioned work.

3) Members of the Barlow Boards are not eligible. FAQS

Application

New procedures for applying: Start the application process for the Barlow Prize by clicking on the application link found below. Upon completion, an e-mail will be sent to the applicant with further instructions and with the application PDF attached.

• Please note that all submissions are final. After submitting the application, applicants may not change or add anything to their submission.
• Your application is saved automatically. If you close the application before submitting, you must re-open the application link from the same device on which you began your application. Note: sound files are not saved or uploaded until the application is submitted.
• Anonymous submission is not necessary. FAQS
• Supporting materials should be sent by regular or express mail (not email) and must include a background sketch/ brief bio (one page), résumé of compositional activity, and exactly two (2) submitted hard-copy scores total. (REMINDER: submit EXACTLY two physical scores. No electronic scores will be accepted.) FAQS
-Of the two works you submit, one should be your best work (regardless of instrumentation).
-The other should be your best work that is closest to the consortium/performer requirement for which you are applying. It need not be exact, but can feature the category in another context. The judges will be interested in seeing how you handle the instrument(s) in as close a context as you can show.
-Additionally, one of these two chosen compositions (not an arrangement or recasting of an earlier work) must be no more than five (5) years old.
-The Endowment does not provide advice to applicants regarding which piece of music best represents them and their abilities.
• Recordings should be uploaded as part of the application form and should be uploaded in .aac or .mp3 formats only. Scores with recordings are considered extremely helpful in the judging process. Live recordings are strongly encouraged; MIDI realizations are discouraged. Judges will not review DVDs or CDs. FAQS
• The Endowment will not contact applicants if their uploaded .mp3 recordings do not work.

Deadlines

Applications and all materials must be RECEIVED before close of business on June 1st of each calendar year. This deadline is absolute—the Endowment is not obligated to respond to composer requests for any exception, and will not consider applications or materials received after that date. We encourage contestants from outside the United States to mail their materials early to avoid problems caused by postal delays. Note: the university does not receive mail on Saturday, Sunday, or US national holidays. FAQS
Web Site:barlow.byu.edu/prize-applicati...

 The Virginia Chorale Composition Competition
Summary:Choral competition (female composers)
Deadline: 25 February 2019
Date Posted: 12 September 2018
Details: Description:
The Virginia Chorale seeks to identify a talented female composer and support her in the performance of an original work for cham- ber chorus to be premiered by the Virginia Chorale in celebration of its 35th year. The commissioned work will be rehearsed, pre- pared, and integrated into the ensemble’s final program of the 2018/19 season, Pioneering Voices: Celebrating Women Composers, which will be presented on May 12, 2019.

About the Virginia Chorale:
The Virginia Chorale is a highly skilled, auditioned, professional choral ensemble based in Norfolk, Virginia. Founded 34 years ago, the ensemble has grown from a community-based early music chorus to today’s dynamic group of professional singers, performing rep- ertoire ranging from the Middle Ages to the music of today. Highlights of past performances include Handel’s L’allegro, il penseroso ed il moderato with the internationally-acclaimed Mark Morris Dance Group; Richard Einhorn’s Voices of Light: The Passion of Joan of Arc in collaboration with the Virginia Symphony, featuring the 1928 silent film by Carl Dreyer; Jody Talbot’s Path of Miracles; Herbert Howells’ Requiem; David Lang’s The Little Match Girl; Handel’s Messiah at historic pitch accompanied by a chamber orchestra of period instruments; Rachmaninoff’s All-Night Vigil; the premiere of Kristin Kuster’s opera KEPT: A Ghost Story, produced by the John Duffy Institute for New Opera; Jonathan Dove’s The Passing of the Year; and Bernstein’s Chichester Psalms with the Vir- ginia Symphony, as part of the Virginia Arts Festival’s Bernstein at 100, among others.

Composition details:
• Original, never before performed composition for mixed voices (SATB – may include divisi (up to two per voice)
• If the intended lyrics are not in public domain, and the composer is not the author and copyright holder of the lyrics, it is the responsibility of the composer to obtain permission from the copyright holder BEFORE the application deadline and submit proof of permission with the score
• under 10 minutes in length
• text may be sacred/secular and in any language and should be celebratory in nature
• composition may be unaccompanied, or with piano, and/or flute

Entry/application fee:
• $25 in US funds

Participant needs to send
• Cover sheet to include composer’s name, email address, mailing address, telephone number, brief biographical information
• Score in pdf format, from computer programs Finale or Sibelius (scores in hand notation will not be accepted)
• Permission from copyright holder of text, if not an original text
• Recording or audio file (optional, but recommended) These may be acoustic recordings or MIDI renderings. The quality of the recordings will NOT be judged. MP3 files only. (File name: Composer’s last name, first name, title)
• Application fee (US dollars only) app fees are non-refundable and will not be returned to those disqualified for not meeting the requirements of the competition. Checks should be made payable to Virginia Chorale. Credit card charges may be made by calling the VC office at 757-627-8375

Competition Prize
• The winner will receive a prize of $3,000. Payment will be in US funds. Prize monies will be subject to applicable tax laws and it is the responsibility of the winner to properly report the prize.
• A performance in concert of the newly-composed work will be recorded electronically. One copy of any such recording will be given to the composer.

Deadline and Process for Submissions
• Materials must be submitted on or before February 25, 2019
• Materials may be sent via email to info@vachorale.org , or mailed to this address: Virginia Chorale, P. O. Box 3455, Norfolk VA 23514
• Late entries will not be accepted.

Disqualified Submissions
• Late applications
• Incomplete entries
• Illegible copies

No materials submitted for this competition will be returned. Judging
The compositions will be examined by a 5-person jury chosen by the Virginia Chorale Board of Directors and will include the artis- tic director, a current member of the ensemble, and two or three professional musicians not otherwise affiliated with the Virginia Chorale and a member of the VC Board of Directors. The jury will select a winner and identify any applicants deserving of an ‘honorable mention.’
Virginia Chorale, with the advice of the jury, reserves the right not to award the prize. The jury’s decision is final and may not be appealed.

Public disclosure
Virginia Chorale will publicly announce the names of the competition winner (and ‘honorable mentions,’ if applicable), no later than April 1, 2019. The names of non-winners will NOT be made public and will be held in strict confidence. works do not win the prize will be informed no later than March 30, 2019
Web Site:www.vachorale.org/compcontest....

 The David P ‘60 and Susan W Wohlhueter Jazz Composition Contest at Ithaca College
Summary:Jazz Composition Contest
Deadline: 01 February 2019
Date Posted: 12 September 2018
Details: About the contest
The contest has been created to encourage composers to write for the jazz ensemble and to give Ithaca College students the experience of evaluating and performing new music. Students will participate in the judging of the contest. The winner of the contest will receive a prize of $1,000 plus a concert recording of their piece with the Ithaca College Jazz Ensemble. This year our guest artist at the culminating concert on May 2, 2019, will be world-renowned trombonist Vincent Gardner, who will perform the winning piece with the Jazz Ensemble.

Judges will use five criteria to assess submissions:
1. QUALITY: The overall musical quality of the piece.
2. TRADITION: Compositions should be steeped in the traditions of jazz.
3. ACCESSIBILITY: Compositions should be musically accessible to both the audience and the performers.
4. DIFFICULTY: The difficulty level of the compositions should be such that they are playable by high school honor jazz bands, college bands, and professionals alike. Brass range should be considered in terms of the related aspects of (1) not being too high, and (2) allowing enough time for players to rest. Both aspects should be considered for brass playability.
5. NOTATION: Compositions must be professionally notated and clear. Clarity includes (but is not limited to) aspects such as:
o Scores should be bound properly and parts bound/taped with well-considered page turns.
o Clear roadmap (repeats, D.S., D.C, coda, etc. should be easy for everyone to follow)
o Commonly known/used chord symbols.
o Well-considered spacing, bars per system, etc.
o Sufficient rehearsal letters/numbers.
o Page orientation and how it relates to page turns (scores should not turn vertically, for example).
o Clear style, with sufficient articulations and dynamics.

Winning pieces, composers and guest artists from previous years are listed at https://www.ithaca.edu/music/ensembles/jazzensemble/CompContest/previouswinners/.

Submission deadline
All submissions must be received by February 1, 2019, to be eligible for the contest. Pieces received after that date will be ineligible.

Contest rules
Please read this complete set of rules before submitting your piece. (Instructions for submission are found below, in the section "How to enter the contest.")
1. Entries must be original, unpublished compositions for instrumental jazz ensemble, utilizing the following instrumentation:
1. 5 saxophones, AATTB. Soprano sax can be written in alto 1 or tenor 1 part(s). Other woodwind doubling may be possible, but any/all woodwind doubling parts must be optional, and the chart must be playable without the doubles. If the winning piece contains woodwind doubles, the winning composer may be asked to re-send sax parts with a different configuration, depending on the strengths of the section this year.
2. 4 trombones (3 tenor + 1 bass trombone). Common mutes are usable. Tuba may also be added with an additional part. Mr. Gardner’s solo part may be a separate/additional part, or it can be included in one of the existing trombone parts, but in that case the section(s) intended as his solo must be clearly identified.
3. 4 Bb trumpets. Common mutes (plunger, straight, cup, harmon, or bucket) are usable. The range and endurance of college and high school honor band trumpeters should be considered thoughtfully. Flugelhorns are also possible.
4. Rhythm section of piano, guitar, double bass and drum set. A part for vibes or auxiliary percussion is also possible.
2. Compositions should feature trombone, or at least contain a significant portion of trombone solo, since Mr. Gardner will be the featured guest artist for the concert. In addition, other members of the jazz ensemble may also be given solos, and there can be open solo sections for the ensemble to determine soloists.
3. No transcriptions or arrangements will be eligible, except arrangements or re-workings of the composer's own pieces.
4. The contest is open to composers of any age, race, religion, country of residence, national origin, gender identity, or sexual orientation. However, current Ithaca College students, faculty or staff are not eligible to enter the contest. Students, faculty and staff composers are encouraged to submit pieces/arrangements to Mr. Titlebaum for consideration for performance at any time (including for this concert) but not to enter the contest itself. This rule is in place to ensure that the judges do not know the identities of the composers.
5. The composition may already have been performed, but should have been written recently (in the past several years). The purpose of this contest is to encourage the creation of new music, but no exact time period is mandated.
6. The purpose of the prize is to encourage the composition and performance of the highest possible quality of jazz ensemble literature for a wide range of experience levels. Therefore, the composition should be conceived and constructed for effective performance by high school honors jazz, university and professional ensembles alike.
7. Entries should be no longer than 8 minutes in length.
8. Compositions must be submitted with a full score and full set of parts. Compositions without a full score or complete set parts will not be considered.
9. An audio recording of the piece must be submitted along with the online entry form. High-quality computer renditions or MIDI-based audio recordings are acceptable, but a recording of a live reading, rehearsal or performance is preferable.
10. The submissions must be completely anonymous. Therefore, the composer’s name must not appear in any form on the score, parts, nor be audible on the audio file. If the composer's name is announced at a recorded performance, that portion should be edited out. The envelope containing the printed entry form confirmation email (see "How to enter the contest" below for the link to the online entry form) and a check or money order for $25 made out to "Ithaca College" should be included in the envelope. The date of composition must appear on the title page. Entry fees will not be returned for any reason.
11. Composers may submit as many pieces as they like, but each piece must be submitted separately with a separate entry fee, printed entry form and outer/inner envelopes for each.
12. The winning composer will receive $1,000 (US). Winner will also receive a concert recording of their piece with guest artist Vincent Gardner, from the performance which is scheduled to occur on Thursday May 2, 2019, in Ford Hall at the Whalen Center for Music, Ithaca College. In the unlikely event that an unforeseen situation prevents Mr. Gardner from performing, the piece will still be recorded, but only with the IC Jazz Ensemble. The winner is strongly encouraged to attend the performance. Travel/lodging is at the composer’s own expense.
13. The Ithaca College School of Music has the option of withholding the award if no entry is found to be suitable.
14. Composers must not attempt to contact any of the members of the Ithaca College Jazz Ensemble or guest artist to exert influence over the outcome of the contest. Any attempt to do so will immediately disqualify the composer and all their submissions from the contest. See the section below “QUESTIONS” for instructions on how to handle inquiries about the contest.

How to enter the contest
1. Read the complete set of rules (above).
2. Completely fill out an online entry form at the address https://form.jotform.us/71966297830166 and print the confirmation message or email you receive after submission.
3. Enclose the printed confirmation message and $25 (US) entry fee in a sealed envelope. Write your name and the name of your piece on envelope.
4. Enclose the sealed envelope (containing the printed submission form and entry fee) with the fully anonymous score and parts into a single envelope/package.
5. Send the envelope/package to be received at Ithaca College no later than February 1, 2019 to:

Jazz Composition Contest
Ithaca College School of Music
953 Danby Road
Ithaca, NY, 14850

Questions
Questions can be addressed to Mike Titlebaum, Director of Jazz Studies, at mtitlebaum@ithaca.edu. In any communication, do not name your piece or mention any specific aspects that would identify your piece to ensure that anonymity of all the entries is maintained. Please send questions before January 15th, 2019. Questions received after that date may not be answered before the contest deadline.

I'm looking forward to hearing your music!

-Mike

Web Site:www.ithaca.edu/music/ensembles...

 Arcady Emerging Composer Competition
Summary:Voice and piano competition
Deadline: 30 January 2019
Date Posted: 12 September 2018
Details: Arcady is pleased to present the third annual Arcady Emerging Composer Competition for new works for voice and piano.

The award: The winner of Arcady’s 2019 Emerging Composer Competition will have their work premiered during the 2018/19 season by a member of Arcady’s professional chorus. They will also receive a professional quality recording of the piece and one on one sessions with esteemed Canadian composer and Arcady’s Resident Composer and Artistic Director, Ronald Beckett (in person or via Skype).

Submission criteria:
• Works must be written for solo voice accompanied by piano
• 3-5 minutes in duration
• May be secular or sacred
• Unpublished and unperformed works only
• Rights to texts must be cleared, and evidence of copyright holder’s permission provided
• Composer will retain the copyright of the piece
• Composer may submit up to two compositions
• Arcady will retain winning manuscript for future performances
• Arcady retains the right to not pick a winner if there is no suitable winner

Eligibility:
• Composers must self-identify as an emerging composer.

Submission process:
• Scores must be submitted via email to info@arcady.ca no later than January 30, 2019 (by 11:59 PM EST at the latest). The subject of the email should be “Arcady 2019 Emerging Composer Competition Submission”
• Travel expenses to the premiere are the responsibility of the prize recipient (though composers attendance is not required at the premiere)
• Composer must include a biography and list of works with their submission
• The winner will be notified by March 1, 2019.

For additional information contact: info@arcady.ca

Deadline: 30 January 2019, 11:59 PM EST

There is no fee to enter the competition, but applicants may make a donation to the non-profit organization to support the competition if they wish.

Web Site:arcady.ca/training/composition...

 Lake George Music Festival
Summary:Chamber Music Call
Deadline: 31 January 2019
Date Posted: 05 September 2018
Details: The Lake George Music Festival is a strong supporter of contemporary classical music, and annually hosts an international competition to promote its continued development and dissemination. Our mission is to find and recruit the next generation of leading composers and promote their work to the world at large. We will pair the most promising works with our roster of exceptional performers, fostering long-lasting relationships between artists of the highest caliber. By promoting the movement that contemporary music is alive, inspirational, and relevant to every community, we are doing our part to connect Lake George with the evolution of this tradition.

HOW TO APPLY
The 2019 submission period will be from January 1st to January 31st. Please submit the following materials via ONE email with attachments to info@lakegeorgemusicfestival.com. The subject line of the email should read “LGMF Composition Competition” followed by your full name.

• An anonymous .pdf file of the composition score. The score should be labeled with the title of the work and printed date of composition only. Multi-movement pieces should be submitted together as one joint .pdf file.
• An anonymous recording in mp3 format. Recordings must be complete (no excerpts) and must be labeled with the title of the work only and sent as an email attachment. Live instrumental recordings are strongly preferred over MIDI renditions. If submitting MIDI please take the time to create an audio file which sounds as realistic as is possible. Composers submitting a piece for electronics/amplified instruments must submit a live performance or studio recording (not MIDI). Multi-movement pieces should be submitted together as one joint .mp3 file. Please edit out any tuning/clapping.
• A PayPal receipt proving the application fee has been paid. Please pay application fee at the same time when submitting materials.

In the body of the email, please include the following information: composer name, date of birth, college or university affiliation, composer phone number,

All steps outlined above must be completed and submitted in their entirety by the deadline. No exceptions can be made whatsoever. If you wait until January 31st, we cannot guarantee any issues that arise during staff review, including missing or incorrect documents, will be resolved by the application deadline. Consequently, LGMF urges you to submit immediately.

Guidelines

• an original work of chamber music composed after January 1st, 2013.
• a complete work – no single movements of multi-movement works will be accepted.
• work must be in its original form – no arrangements; example: no piece originally intended for string orchestra submitted as a string quintet will be accepted.
• between 7 and 12 minutes in duration.
• scored for 3 to 8 players (not including a conductor, if applicable).
• written for the following instruments: violin, viola, cello, double bass, flute, piccolo, oboe, english horn, b-flat clarinet, A clarinet, bass clarinet, bassoon, horn, trumpet, trombone, bass trombone, tuba, piano, percussion, harp.
• pieces scored for percussion must follow these additional guidelines.
• any combination of the above instruments is acceptable, however only two of the same instrument may be included; example: maximum of 2 flutes, 2 oboes, 2 percussionists, piano four hands, etc; with exceptions being a maximum of one tuba, one bass trombone, and one harp. Works scored for up to 4 violins, violas, and cellos are acceptable. Works for two or more pianos are not acceptable.
• instrument doublings must adhere to the instrumentation restrictions, example: no alto flute, no contrabassoon.
• works may be written for amplified instruments, prepared piano, and off stage instruments.
• works may include non-interactive electroacoustic elements (e.g., CD playback).


APPLICATION FEE
$10 – Payment will be accepted via credit/debit card through PayPal by clicking the button below. PayPal accounts are not required. Application fee is not refundable, please review guidelines carefully.


Web Site:www.lakegeorgemusicfestival.co...

 Liturgy Alive: The University of Notre Dame Liturgical Composition Commission Competition 2019
Summary:Liturgical Choral Competition with Three Categories
Deadline: 31 January 2019
Date Posted: 22 August 2018
Details: The University of Notre Dame is pleased to announce Liturgy Alive, a composition competition to foster creative new choral music for the Catholic Mass. In an effort to encourage composers to write music for the Church, three choirs that lead music in the Basilica of the Sacred Heart will be awarding prizes for winning sacred choral compositions. In addition, the winning composition will be premiered at the Basilica in the Spring of 2019. More information and specific rules are below.

Entries will be accepted between 8:00 AM EST on August 15, 2018 and 11:59 PM EST on January 31, 2019. The winner will be announced by February 15, 2019.

The University of Notre Dame Women's Liturgical Choir Composition Commission Competition
1st prize: $2,000
2nd prize: $1,000
3rd prize: $500

Competition details found here

The University of Notre Dame Folk Choir Composition Commission Competition
1st prize: $2,000
2nd prize: $1,000
3rd prize: $500

Competition details found here

The University of Notre Dame Children’s Liturgical Choir Composition Commission Competition
1st prize: $500
2nd prize: $250

Competition details found here


Web Site:campusministry.nd.edu/get-invo...

 Cum Laude Music Awards
Summary:Works with up to 10 parts
Deadline: 28 February 2019
Date Posted: 25 July 2018
Details: Prize
The value of the award is up to 30,000 € investment in the dissemination of the winning works. The prize is a full program of international promotion of the winning works through his performance in concert halls world-class with renowned interpreters. In addition, a CD Audio will be recorded provided that there is established in the point No.9 of Prize Rules section is accomplish. The recording will feature an international broadcast campaign between broadcasters and print media.

The premiere or performance of the work will be videotaped, additionally, for submission to be broadcasted by Spanish Radio Television. Each winning author will also receive 50 copies of the recording. The distribution of the recording in the United States and Canada will be made through Naxos of America and Europe through Semele Music Projects. The recording will be distributed on digital download stores both high resolution and generic stores too.

Jury
José Luis Temes.
Spanish National Music Prize 2008

Juan Carlos Garvayo.
Spanish National Music Price 2013 (with Trío Arbós)

Javier Monteverde.
CEO of Cezanne Producciones Recording Studio

Jorge Grundman.
CEO of Non Profit Music Foundation

Musicians and collaborators of Non Profit Music Foundation

Instruments
Any possible combination that includes up to 10 parts. It can be present works for a single instrument alone but not for voice a capella. As an example we could cite:

Piano Trio
String Quartet
String Quartet and Soprano
String Trio
Piano
Viola and Piano
Piano Quintet
String Quartet and Choir
String Quartet Amplified
Choir and Piano
etc...


Inscription Rules
01. Can participate composers of any age but over 18 years and of any nationality irrespective of their place of residence and any publisher who has the publishing rights of a composer.

02. The works can not be longer than 20 minutes, or less than 3 minutes.

03. The work may have been performed and / or recorded previously, but never released in Spain.

04. There is a registration fee for each work a composer present to this contest of $50 / 45€ to be paid online through PayPal or bank wire transfer.

05. Of each registered work it must be provided a single PDF containing the full score and particellas, and a MP3 audio file containing either a recording of a performance or a simulation performed in MIDI instruments. All contact details for the composer, a biography of 250 words maximum, a color photograph high resolution and an email address is also needed. All this material will be sent through the website page that the Non Profit Music Foundation will enable the composer once the registration amount paid.

06. Each composer or publisher can submit unlimited works provided are appropriate to the template shown below. The material submitted for registration will not be returned to the author and will be destroyed except after the winning works for dissemination. When submitting a work the composer explicitly recognizes that owns the copyright and exploit rights and accept no liability to the Non Profit Music Foundation for the use of the work.

07. The composers or publishers of the winning works will transfer their rights for free for the music recording, performance, premiere, broadcast television and image rights subject to copyright arising from the concepts of public performance and mechanical reproduction which will be controlled by the General Society of Authors of Spain and they will get through it in their respective management copyright entities of their respective countries.

08. The works that sign must have the intention of getting a new audience for classical music in a way that stimulates the creation of new audiences for it. To this end each entry will have digital access to a recording published by Non Profit Music Foundation that brings together such intention.

09. The languages for vocal music should be among the following: English, German, Italian, French, Spanish, Portuguese and Latin.

10. The deadline for registration is February 28th / 2019.

11 In no case will the registration fee be refunded. Once payment has been made it is understood that all rules are understood and accepted. If in doubt, please use the contact form before registering. The accepted languages for communication are Spanish and English.

12. No one connected with this institution or with the jury can participate.

Prize Rules
01. The winning works will be premiered or performed by renowned artists as those who regularly collaborate with Non Profit Music Foundation. Among the list of artists who have worked with us for over ten years we can find the Trio Arbós, Brodsky Quartet, Ara Malikian, Daniel del Pino, Ludmil Angelov and many other renowned. Depending on the winning works the artists who will perform both the concert and recording will be selected. The mention some of the artists who have worked with us does not imply the availability of them for the realization of the prize.

02. The winning works will be performed in a prestige hall in Madrid ilike Chamber Hall of the National Auditorium, the Auditorium of the Palacio de Cibeles, the Conde Duque Auditorium, choosing the most appropriate for the moment.

03. The performance of the winning works will be recorded for submission to television broadcasting through Spanish Radio Television, although them reserves the fact to choose them and/or broadcast on the date it deems appropriate.

04. Whenever all the winning works last more than 50 minutes and less than 73 minutes program, such works will be recorded in studio and published in CD or DSD format and surround sound in high-resolution distributed internationally if its necessary.

05. The works that are recorded will have a similar distribution and international presence to those who have had publicated the Non Profit Music Foundation. Physical and digital distribution in the US and Canada will be made through Naxos of America. The distribution in Europe will take place through Semele.

06. The dissemination of works awarded to radio and press will be held through Phoenix Classical, Wildkat PR and Promosapiens.

07. All winning works will receive the award for Best Classical Contemporay Work with the distinction of the selected instrumentation. Thus a winning work for Piano Trio receive the name Best Classical Contemporary Work for Piano Trio.

08. Of all the winning works a unique work will be selected to honor its composer with the Composer Cum Laude certification.

09. If the works submitted did not meet the right quality that the jury deems, or the number of participants did not allow the economic sustainability of the contest, the prize may be forfeited.

10. If there is a winning work, Composer Cum Laude distinction can not be decladred void.

11. The performances and recordings of the winning works will be scheduled between 2019 and 2020.

12. The finalists will be announced during March 2019.

13. The awards will be announced in April 2019
Web Site:clma.nonprofitmusic.org/englis...

 Listen Imagine Compose
Summary:CPD in composing for teachers
Deadline: None
Date Posted: 05 July 2018
Details: Listen Imagine Compose now offers a Masters in Teaching and Learning, as part of its Continuing Professional Development programme for secondary music teachers.

This is available nationally and is accredited by Birmingham City University. Learners can gain a Masters in Teaching and Learning or a Masters in Educational Leadership.

About the CPD
• The CPD is designed to enable secondary music teachers develop skills in teaching composing with KS3, GCSE and A level students;
• The course delivery team includes Professor Martin Fautley, Professor Pam Burnard, Gary Spruce and Dr. Jonathan Savage, supported by professional composers and musicians;
• The course is accredited by Birmingham City University at Level 7 (Certificate/ Diploma/ Masters);
• The course can be delivered in any UK location as long as we have sufficient sign ups to make it viable;
• Students can be a mix of those who do and do not wish to be accredited, subject to being able to form a viable group;
• The year-long programme comprises 6 x 3 hour sessions plus additional time spent reflecting on professional practice and undertaking action research in the classroom;
• This year-long course will normally result in a Diploma in Teaching and Learning or Educational Leadership, assuming that the learner has sufficient prior accreditation (eg a PGCE);
• A further year of part-time study is required to reach Masters level.
• The next cohort will start in October 2018.

During the course teachers will:
• Reflect on what composing with young people entails;
• Learn new creative strategies for teaching composing;
• Develop pedagogic strategies for teaching composing;
• Develop existing schemes of work;
• Undertake Action Research;
• Be mentored by a leading academic and teacher trainer;
• Work with professional composers;
• Network and learn from other secondary music teachers participating in the CPD.

Download a short guide to the Listen Imagine Compose course here and Birmingham City University’s guide to its Masters courses.

Dates for the 2018/19 course:
The 2018/19 course will be held in Birmingham on the following dates:
• Sessions 1 & 2: Sunday 14 October 2018
• Sessions 3 & 4: Sunday 18 November 2018
• Session 5: Sunday 3 March 2019
• Session 6: Sunday 30 June 2019

Costs
Accredited course: A Masters degree is in 3 stages (see the downloadable guide above). Most learners undertaking the Listen Imagine Compose course will join the qualification at Stage 2.

Stage 1: Teachers with a PGCE or equivalent can use these credits in lieu of completing Stage 1 at no additional cost or a small fee (in the region of £50). This is done one a case-by-case basis, contact us for more information.

Stage 2: This is the Listen Imagine Compose taught course. The cost for 2018/19 is £2,200.

Stage 3: Is a further year of part-time study required to complete the Masters qualification. The cost of Stage 3 for those starting Stage 2 in 2018/19 will be £2,200.

There is no requirement to commit to all the stages from the outset and it is possible to pay for each stage in installments.

Non-accredited course: Teachers who do not wish to be accredited may attend the Listen Imagine Compose course for a reduced cost which will be between £500 and £1,000, depending on the size of the group.

Any questions?
Contact Judith Robinson if you would like to know how the accreditation works or if you have any other questions!

Music Education Hubs and other potential partners: contact Judith Robinson to discuss how Listen Imagine Compose can be delivered in your area.

Web Site:listenimaginecompose.com/cpd-c...

 CLASSIC PURE VIENNA INTERNATIONAL MUSIC COMPETITION
Summary:Solo/duo competition
Deadline: 31 March 2019
Date Posted: 21 June 2018
Details: Eligibility

The competition is open to composers of all ages and nationalities. Unpublished works and works that have not won any competitions in the past may be submitted.

Regulation

- Participants may submit as many compositions as they want.
- The works may be for solo or duo.
- Compositions may be for a solo instrument or a duo combination of two instruments among western classical symphonic orchestra instruments with or without electronics. In this case an instruction explaining the use of electronics must be included. The composition should not exceed two players.
- Compositions must be original, between 2 and 15 minutes.
- Each entry must be accompanied by an MP3 audio file.
- Audio recording may be live or computer generated.
- There is an entry fee of 40, - Euros for each composition submitted.
- Candidates take note of the fact that the jury will not make any queries in respect of applications.

Application

- Pdfs of scores and mp3s must be received by 31st March, 2019.
- Computer realizations will be accepted if a live recording is not available.
- Winners will be informed by e-mail on 15th April, 2019.
- Winning works will be performed on 16th May, 2019 in Vienna.

Deadline

- Pdfs of scores and mp3s must be received by 31st March, 2019.
- Computer realizations will be accepted if a live recording is not available.
- Winners will be informed by e-mail on 15th April, 2019.
- Winning works will be performed on 16th May, 2019 in Vienna.

Judging

A jury assembled by Culture Meeting Point will judge the scores. The Jury’s decisions cannot be appealed. By agreeing to take part in the competition, all competitors undertake to accept and not contest these decisions.

Registration fee

There is an entry fee of 40, - Euros for each composition. A composition may have more than one movements. It is possible to participate with more than one composition under one name, in that case an entry fee of
40, - Euros must be paid for each composition. The entry fee has to be paid using the following data.

Bank: Bank Austria UniCredit
Name: Culture Meeting Point
IBAN: AT96 1200 0006 0177 8103
BIC: BKAUATWW

PayPal.Me: www.paypal.me/CultureMeetingPoint
PayPal: verein.culturemeetingpoint@gmail.com

All transfer and bank charges are to be covered by the applicant.

TO ENTER: Email your score in PDF format and the recording in MP3 format to the address:
verein.culturemeetingpoint@gmail.com

Organization:
Culture Meeting Point
Office Classic Pure Vienna
Diefenbachgasse 54/2c+d
A-1150 Wien Austria

classicpurevienna@gmail.com
www.classicpurevienna.com

Deadline: 31st March, 2019
Announcement: 15th April, 2019
Concert: 16th May, 2019
Entry Fee: 40, - (All transfer and bank charges are to be covered by the applicant.)
Currency: Euro (EUR)

Web Site:www.classicpurevienna.com/comp...

 The Space City New Music Festival
Summary:New Music Festival Composing and Networking Opportunity
Deadline: None
Date Posted: 06 June 2018
Details: The Space City New Music Festival (SCNMF) is a one-of-a-kind summer festival in Texas housed in the heart of downtown Houston near the Theater District at the new arts facility: Midtown Arts & Theater Center Houston.

SCNMF is a week-long summer festival that brings composers, performers, conductors, and teachers together to collaborate on newly composed works, study contemporary music, build lifelong relationships, and present 3 to 4 concerts for the community of Houston.

The 2018 Space City New Music Festival will be working and collaborating with:

- Guest Composer: Marcus K. Maroney
- Guest Artist: Crystal Chu (solo percussion)
- Guest Chamber Ensemble: 3G Percussion

Festival participants will have the opportunities to:
- Collaborate, promote, and perform newly composed works with guest artists
- Attend masterclasses and full-length concerts showcasing our guest composer, artist, and chamber ensemble
- Take composition lessons with guest composer, Marcus K. Maroney
- Perform for the community of Houston
- Each piece is guaranteed at least one performance by one of our guest artists.

Categories & required materials
I. Composer
- Completed 2018 Application
- up to 3 representative scores for any combination of instruments with a LIVE Recording/MIDI (preferably scored from 1-6 performers)
- A list of works
- A resumé OR CV
- (Optional) Up to 1 Letter of Recommendation
- (Optional) any other documents you want to share

II. Performers
- Completed 2018 Application
- up to 3 recordings (audio and/or video) of you performing in contrasting styles
- A repertoire list
- A resumé OR CV
- (Optional) Up to 1 Letter of Recommendation
- (Optional) any other documents you want to share

III. Conductors
- Completed 2018 Application
- Up to 2 videos (around 15 minutes total) of you conducting chamber and/or large ensembles (preferably contemporary music)
- A repertoire list
- A resumé OR CV
- (Optional) Up to 1 Letter of Recommendation
- (Optional) any other documents you want to share

IV. Auditors
- Completed 2018 Application
- A brief resumé

Web Site:www.spacecityperformingarts.or...

 Minute of Music Project
Summary:Call for Scores – Female Composers
Deadline: None
Date Posted: 26 April 2018
Details: Entry Deadline: 12/31/2018 at 11:55 P.M. MST
Entry Fee: None (project is crowdfunded)
Eligibility: All adult (18 or older) composers who self-identify as female (any nationality)
Prize: None, but I will record your piece for posterity!

Submission Link Below (please read the rules first)!

Rules:
One entry per person.
Entrant must be at least 18 when submission is completed.
Entrant must self-identify as a female.
Entry must be for solo B-flat trumpet (with no accompaniment or electronics).
Entry must be no longer than one minute in length. Moderate difficulty is preferred.
Entry must be engraved with the dedication “For the Minute of Music Project.”

Composition must have been written since January 1, 2018.
Entry must be the sole property of the composer and entirely original.
No arrangements or copyrighted material will be accepted.
The secret word for the submission form is “change.”
Composers reserve their copyright and recording rights.

Mr. Taurins reserves the sole right to accept or reject submissions.
Mr. Taurins reserves the sole right to judge submissions.
All judgement decisions will be made by Mr. Taurins and are final, without the ability to appeal.
Mr. Taurins reserves the right to decline any and all submissions.
Mr. Taurins will pay no license or rental fees for the music.
Mr. Taurins will perform selected entries and record them on YouTube. By submitting your piece, you agree to allow Mr. Taurins to record your entry free of charge. You will receive a .WAV copy of the recording for your use.
Selected pieces will be announced here and composers will be notified via email.
Donations are optional, and will not effect score selection.
By submitting your piece, you agree to the terms listed here.
Web Site:minuteofmusic.wordpress.com

 ICC "The contemporary Guitar 2018"
Summary:Solo guitar competition
Deadline: None
Date Posted: 06 December 2017
Details: Modern compositions for solo classical guitar, duration 3 to 5 minutes. The competition is open to composers of all ages and nationalities. Unpublished works & works that have been performed previously and won competitions in the past may be submitted.

Description: Modern compositions for solo classical guitar, duration 3 to 5 minutes. The competition is open to composers of all ages and nationalities. The selection criteria are musical and no extra-musical parameters such as gender, level of difficulty, nationality and age quotas etc. will be taken into account. The only examined quality will be the text itself. Unpublished works & works that have been performed previously and won competitions in the past may be submitted.

Registration fee: The registration fee is €45,00 per work / submission, paid through bank account transfer or PayPal.
EUROBANK GREECE (ERBKGRAA) ΙΒΑΝ: GR3402603280000950101210083
PayPal: www.paypal.me/DANOUSANART
(In the grounds, provide name and deposit reason). All transfer and bank charges will be covered by the applicants.

Submissions: Submissions are to be made until Saturday March 31st, 2018 electronically to info@an-art.com including at the same email:
i. An unmarked and unnamed PDF (sheet music) of a work (composition) for solo classical guitar, duration 3 to 5 minutes.
ii. A separate file (PDF, RAR, ZIP etc.) with a printout of the registration payment (fee payment receipt), the details of the composer (name, age, address, telephone, email, etc), a bio (biografical notes), a good foto of the composer, title and a text for their submitted work.

Committee - selection: The committee will consist of distinguished guitarists and composers. Will meet in April 2018 and will select by voting up to four (4) works based on their musical quality rather than the degree of difficulty or other criteria. The committee's decision is final.

Prizes:
The prize winning works (up to 4) will receive:
1. An official diploma.
2. Audio & video recording by the distinguished guitarist and composer Smaro Gregoriadou, in a high quality AN ART ARTISTRY's production.
3. The recordings will be uploaded and presented at AN ART ARTISTRY's YOUTUBE channel, sites, social media pages, newsletters etc.
4. A page in www.an-art.com site will be created for each one of the winning works - composers with a presentation of the works.

The honorable mention works (up to 4) will receive:
1. An official diploma.
2. A page in www.an-art.com site will be created for each one of the honorable mention works - composers.

Web Site:www.an-art.com/en/activities/5...

 Graeme Miles Bursary
Summary:Bursary Opportunity-short deadline!
Deadline: None
Date Posted: 26 October 2017
Details: The Graeme Miles Bursary is open to artists or groups based in the North East of England. The aim is to fund an important development opportunity, project or programme of activity that will have a lasting impact on their career. The £1,200 award is made annually to celebrate the life of Middlesbrough’s Graeme Miles who died in 2013.

A contemporary of Ewan MacColl, Miles wrote his first song, Sea Coal about Hartlepool, at the age of 14, and after hearing the traditional songs of Tyneside, set himself a 20-year task to create a collection for his adopted native Teesside.

The memorial bursary, which is funded and administered by The English Folk Dance and Song Society (EFDSS) and funded by The Unthanks through fundraising concerts, is now in its 3rd year running and will continue to organise events to fund future awards.

The Graeme Miles Bursary scheme is open to any folk artists or groups, aged 18 to 25, in the North East of England, which includes Northumberland, County Durham, Tyne and Wear, and the Tees Valley. The bursary is to fund a significant development opportunity, project or programme of activity that could have a lasting impact on their career.

The inaugural winner was Joe Hammill from Thornaby on Tees. The singer songwriter, who fronts the band Cattle & Cane, invested the award in home studio equipment to record his own music. The 2016 recipient was the Rachel Hamer Band, a Newcastle folk band with strong links to Teesside.

The selection panel includes Adrian McNally and Rachel Unthank from The Unthanks.

Application Criteria

1. Artist(s) must be based or have strong links to the North East of England.
2. Individual musicians (including composers) and duos/trios/bands in the early stages of their career and/or final stages of advanced musical training.
3. Artists must have a genuine desire and commitment to building a professional career in folk music.
4. Artists should be able to demonstrate the talent, potential and enthusiasm to make folk music your profession.
5. The funded activity needs to be completed by 30 November 2018.

Timing and deadlines
Closing date for applications Midnight on Sunday 29 October 2017
Bursary Announcement December 2017
Web Site:www.efdss.org/efdss-artists-de...

 Scottish Awards for New Music 2018
Summary:Composer Awards Nominations Open
Deadline: None
Date Posted: 19 October 2017
Details: Following on from the inaugural event in 2017, New Music Scotland are pleased to launch the second annual Scottish Awards for New Music. Created by New Music Scotland with support from the National Lottery through Creative Scotland’s Open Project Fund, Help Musicians UK, the Incorporated Society of Musicians, Holiday Inn Glasgow Theatreland, Steinberg, and EVM Marketing, the awards will celebrate and champion the highest standards and achievements of Scotland’s composers, musicians, sound artists, programmers, producers and ensembles. They will highlight and showcase the innovative, experimental and ground-breaking work taking place in Scotland, as well as the depth and breadth of the country’s contemporary music scene.

The Scottish Awards for New Music are welcoming nominations for music being made by Scottish and Scottish-based creators and facilitators of new music. The eleven categories, including three new ones for 2018, are listed below. Partnerships with Hands Up for Trad and Jazz from Scotland have enabled the creation of new categories which focus on experimental and ground breaking traditional and jazz music. Nominations are open from Saturday 7 October 2017 until Monday 11 December 2017 and can be made by both members of the public and industry professionals. Nominations can be made via the website where details of eligibility and submission criteria can be found: www.newmusicscotland.co.uk/awards2018.

An international panel of composers, performers, programmers and music industry experts will meet in January to discuss the nominations, following which a shortlist will be announced. Profiles of the shortlisted entries will be available on New Music Scotland’s website in the weeks leading up to the awards evening on Wednesday 7 March 2018.

New Music Scotland Chair, composer Oliver Searle said, “The Awards offer a fantastic opportunity to raise the profile of new music in Scotland and further afield, spreading news of the innovative new music scene to potential audiences around the globe. Rarely do you manage to gather so many of the key figures and institutions of new music making in Scotland together in one room. Coupled with the high profile supporters and partnerships involved in making this event a reality, the Scottish Awards for New Music 2018 promises to be an exciting event for Scotland’s new music sector.”

Alan Morrison, Head of Music, Creative Scotland, said, “Music is an art form that never sits still – it is always pushing back barriers and reshaping the cultural landscape. The Scottish Awards for New Music celebrate such experimentation and throw a spotlight on our most talented composers, musicians, sound artists and ensembles. Scotland is one of the most vibrant and collaborative countries in the world for new music, and these awards raise the profile of this exciting sector both nationally and internationally.”

COMPOSER ELIGIBILITY

Composers must have been born in Scotland, or have been ordinarily resident in Scotland for at least two years prior to 1st July 2017. Non Scottish or Scottish based composers can have works nominated as part of the Award for Creative Programming.
Composers may be any age.
Composers do not have to be members of New Music Scotland.
Students are eligible

WORK ELIGIBILITY

To qualify, new works must have received their première in a public performance, either live or broadcast/online, between 15 December 2016 and 15 December 2017
The community/education project category: For Projects that may be nominated, they can have started prior to, but must have been concluded between 15 December 2016 and 15 December 2017.
Recorded works must have been publicly released on any format between 15 December 2016 and 15 December 2017
Works do not have to have been published.
Nominations may be submitted by anyone, including from the composer, performer, audience or organisation. If self nominating, you must also nominate 2 other works (in any category) that are not by yourself.

AWARD CATEGORIES

The nominator should choose the category which most closely fits the work. NMS reserves the right to move the work to a different category if appropriate.
NMS reserves the right to add, remove or redefine categories if necessary.

Electroacoustic/sound art work
For a new work or installation written and/or performed during 2017 that can be described as either electroacoustic or sound art (or both!)

Dorico Award for Small/Medium Scale Work sponsored by Steinberg (1-10 performers)
A piece of new music, of any style or instrumentation, written and/or performed in 2017 by 10 performers or fewer.

Large Scale New Work
A piece of new music, of any style or instrumentation, written and/or performed in 2017 by 11 performers or more.

Recorded New Work
A recording of new music for commercial release in 2017 for CD/LP, TV, film, digital/online platforms, or other audio-visual medium. This may include the recording of an existing work released within the calendar year.

The ISM Award for Collaboration
Celebrating collaborative new music in 2017, including projects that are cross-genre, cross-art form, multi-disciplinary, or those that bring together unique combinations of partners. Collaboration should have taken place between two or more active parties to the extent of which the work would not exist without the partnership.

Community/Education project
Music-making, listening, appreciation, participation projects taking new music as their medium, and widening access to those in Scottish communities and/or education settings. This may take the form of a one-off event, or an ongoing project with or without specific outcome over the calendar year of 2017.

Contribution to new music in Scotland
Marking the contribution made by an individual or organisation that has contributed significantly to the new music sector in Scotland during 2017.

Help Musicians UK Award for New Music Performer(s) of the Year
An award to celebrate musicians who perform new music at the highest standard. This could be the best one off performance or a number of performances that adds to a portfolio of work over 2017.

Award for Creative Programming
An award to celebrate Creative Programming. This could be a one off production/commission, a festival programme, a programme series, or an audience development initiative that has been of an exceptional standard and demonstrates genuine imagination in its execution.

Award for Innovation in New Folk Music in association with Hands Up for Trad
Traditional Music plays an important role in Scotland’s musical scene. This award, in partnership with Hands Up for Trad, celebrates the musicians who use elements of both traditional and new music (as defined at the start) in an original and experimental way.

Award for Innovation in New Jazz Music in association with Jazz from Scotland
Scotland’s vibrant jazz sector regularly sees experimentation and creative projects come to fruition . This award, in partnership with Jazz from Scotland, celebrates the musicians who use elements of both jazz and new music (as defined at the start) in an original and experimental way.

SUBMITTING AN ENTRY
All nominations are to be submitted online via the New Music Scotland website newmusicscotland.co.uk/awards2018
There is no limit to the number of works which may be submitted.
Self-nomination is allowed but must be balanced by the submission of two other nominations (i.e. not self-nominations) in any categories.

Nominators will be asked to provide:
Creator name, work title, performers, when & where heard, reason for nomination (depending on category max 200 words), links to supporting reviews, recordings, articles, online information, nominator name and contact details, demographic information of nominator

JUDGING
Judging will be made by a specially appointed panel, the members of which will be chosen by NMS.
In each category there will be a final shortlist, announced in advance of the award ceremony.
NMS reserves the right not to make an award in any category.
The final decision regarding all aspects of the Scottish Awards for New Music, including the interpretation of these rules, resides with the Board of NMS.

AWARD CEREMONY

The presentation of the awards will take place at a reception on Wednesday 7th March 2018 at the Drygate in Glasgow
In each category the winning individual/organisation will be presented with a Scottish Award for New Music
Web Site:www.newmusicscotland.co.uk/sco...

 Opportunity: New Voices, Talent Development Programme
Summary:Register interest for programme
Deadline: None
Date Posted: 20 September 2017
Details: Date: Registration closes, noon on Tues 17th Oct
Produced by: Sound and Music
New Voices: a new Talent Development Programme for new ideas, new sounds and new music

Do you create or compose your own music or sound? Then this could be the opportunity for you!

Taking the successful models, wonderful partnerships and expertise from our previous Embedded and Portfolio Programmes, as well as our Pathways Programme we are thrilled to announce and introduce you to New Voices, Sound and Music's reimagined Talent Development Programme.

We are looking for composers and artists creating their own original new music and sound to be part of New Voices

New Voices aims to be representative of the diverse range of composers working across the UK today.

Overview

Become part of New Voices, an 18 month Talent Development Programme tailored to your needs
Get the benefit of 6 months of bespoke, external and expert coaching and mentoring
Explore and realise your creative ideas and ambitions, in your own style, in your own way
Join a network of your creative peers from across the UK, who will be going through the New Voices programme at the same time as you
Be part of a unique supportive residential weekend with these peers and with Sound and Music staff
Make public facing work for audiences, through your own creative activity and collaborations, and/or through working with other organisations
Receive a bursary of £1,500, travel and accommodation expenses, plus a production grant of up to £6,000 if you are organising the final public outcome yourself
Work with Sound and Music to explore digital as well as live outcomes of your work
Sound good?

Great. At this stage, you only need to register your interest, and then we will get in contact to discuss and to find out if this opportunity is a good fit.

If you need any other support to access this opportunity, or need this information in another format then we’re here to help, so please do contact us: Director of Programmes, richard.whitelaw@soundandmusic.org

Keep reading to find out more.
Web Site:www.soundandmusic.org/projects...

 Youth Music Tutor - Lyric writing raps/songs/poems, Aptitude Organisation CIC
Summary:Teaching Post
Deadline: None
Date Posted: 06 September 2017
Details: Closes: 11th September 2017
Location: West Midlands
Type: Part time
Salary: Paid (£25k-30k pro rata)

Description

Youth Music Skills Tutor - lyric writing £15-£25 per hour (depending on qualifications and experience)1-year Fixed, Term time only (38 weeks), 2 hours per week

Days & Hours: Thursdays 6-8pm. Additional hours may be available on an ad-hoc basis.
Actual salary for 2 hours per week term time: £1140 - £1900
Fixed Term End Date: 30/10/2018 (Initially)
Lead delivery of an accredited young people’s music programme which uses the tool of lyric writing songs and raps to support positive emotional development.

Hold relevant a qualification and/or experience in Music Performance Song/Poem writing, Sound Engineering, Music Technology, DJ Skills, Composition or other relevant music qualification

This post is subject to full enhanced DBS Service Check.
Location: The Crez, Jubilee Crescent Community Centre, Radford, Coventry CV6 3EX

Return Completed Application form to: tara@aptitude.org.uk
Closing date: Monday 11th September 2017
Interview Date Monday 18th September between 4.30pm-8pm (30 minutes time slot)W

ebsite: www.aptitude.org.uk Tel: 07871 917936

We are also recruiting for:

Youth Programme Casual/Bank Staff £9 - £25 per hour (depending on qualifications and experience) 1 year fixed Term

Contract: Zero hours (bank staff) 1 year fixed
Days & Hours: ad-hoc basis.
Main Purpose of role:
Delivery of a specialist skill that contributes to a new exciting programme to engage young people to be empowered through various activities that are fun, safe, social and educational (team building, developing self-confidence).
Where appropriate you will cover staff annual leave, sickness and when added support is required for trips and events.
• To develop, deliver, facilitate and participate in games, activities and discussions with young people
• To supervise young people and ensure general health & safety and rules of conduct.
• Build positive links with young people and promote active participation in activities such as planning and delivery of group work programmes on health, fitness, smoking, drugs, gangs, violence, relationships and bullying.

Hold relevant a qualification and experience in Music Performance Song/Poem writing, Sound Engineering, Music Technology, DJ Skills, Composition or other relevant music qualification.
Web Site:www.aptitude.org.uk
Email:tara@aptitude.org.uk

 College Light Opera Company
Summary:Opera opportunity
Deadline: None
Date Posted: 12 July 2017
Details: New Works Initiative
The College Light Opera Company is seeking submissions for its 2018 New Works Initiative as part of its 50th jubilee celebrations. The winning one-act piece will be selected by a committee of judges. The winner of this competition will be awarded a prize of $2,000 and production of the new work as part of the 2018 festival season. The prize and production are contingent on the composer and librettist agreeing to the terms of the agreement. The CLOC New Works Initiative is intended to support emerging composer-lyricist teams.

Competition Rules
There is no entry fee. Please follow these guidelines in preparing your manuscript:

1. This contest is restricted to music-theatre works written in the English language.
2. Each composer and lyricist team may submit only one piece.
3. Submissions must be original, unpublished one-act operettas or music-theatre works written in English. Translations, and children’s operas are not accepted.
4. Works that have been professionally produced, published or had a workshop, concert or non-professional production are not eligible.
5. Works may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.
6. Works must be submitted digitally in PDF format as well as using MIDI or equivalent format.
7. Works must utilize the full CLOC orchestra: 1 flute (doubles piccolo), 1 oboe (doubles english horn), 2 clarinets (doubles E-flat and/or bass clarinet), 1 bassoon, 2 horns, 2 trumpets, 1 trombone, 1percussion (drum set, timpani, etc.), 4 violins, 1 viola, 1 cello, 1 double bass, possible piano (note: we are an acoustic house and do not normally use synthesizers)
8. Works must utilize the full CLOC ensemble of 16 women and 16 men, include a solid balance of male and female roles and provide a strong and active role for the chorus. All principals must be drawn from this group of performers.
9. Works must not exceed 60 minutes in length and should be an appropriate piece to be used as a curtain-raiser for a Gilbert and Sullivan or other English light operetta.
10. The CLOC New Works Initiative reserves the right to reject any manuscript for any reason.

Web Site:www.collegelightoperacompany.c...

 Soundfly's new online course with Tim Hansen teaches you the fundamentals of Composition
Summary:Composition Course
Deadline: None
Date Posted: 16 November 2016
Details: SOUNDFLY'S NEW COURSE TEACHES YOU THE FUNDAMENTALS OF MUSIC COMPOSITION & DEEPENS YOUR UNDERSTANDING OF EMPLOYING THEORYhttps://soundfly.com/courses/introduction-to-the-composers-craftUse code: SOUNDANDMUSIC for 20% off!As a composer, there are many different tools in your tool belt that can bring interest and originality to your music. You can use time signatures to add complexity, tonality to add emotional pull, rhythm to add drive, or something else to create some other unique dynamic. This course will take you through the essential elements of modern composing. Led by Australian composer Tim Hansen, you'll explore the beat, time signatures, rhythm, tonality, timbre, texture, and structure, with key examples to demonstrate along the way. By the end of this course, you'll be able to employee these tools more effectively in your compositions.This one-of-a-kind month-long course combines fun instructional videos, step-by-step guides, downloadable resources, and professional support and feedback to help you unlock your vision for notated music. You'll have the opportunity to get personal mentorship and consulting from an industry expert, as well as access to a revolving-door community of fellow students and advisors. Now who's ready to get composing?
Web Site:soundfly.com/courses/introduct...

 Andrew S. Way Music Foundation
Summary:Funding Opportunity
Deadline: None
Date Posted: 31 August 2016
Details: The Andrew S. Way Music Foundation is committed to the composition, education, and performance of new music. The process by which this is achieved has two major components: first the grant selects composers to write new music (for a school or organization), then music educators apply for the opportunity to perform the music with their ensembles in live concert. When the two are matched, the foundation will also help facilitate and encourage communication between the composer, the educator, and the ensemble. Currently accepting all applicants from the Bay Area.

The Andrew S. Way Foundation welcomes composer and school/organization applicants from all walks of life and musical paths, and is dedicated to supporting all types of music.
Web Site:aswaymusicfoundation.org/appli...

 Sorodha Composition Competition 2016: String quartet
Summary:String Quartet Call
Deadline: None
Date Posted: 04 November 2015
Details: Sorodha is proud to announce the fifth edition of its annual composition competition.

For this festive edition, we welcome compositions for string quartet and have the utmost pleasure to be able to work with the Tana String Quartet on this occasion. Their leader, Antoine Maisonhaute, was one of our judges last year, and this year they all join us as performers.

The submission deadline is Monday 29th of February 2016, and the entry fee is € 10,00.

The jury will select five works, which will be executed at a public concert on Saturday 23rd of April 2016 by the Tana String Quartet, after which the jury will award two prizes (€ 1,000.00 and € 500.00).

The winning piece will be performed by the Tana String Quartet at the Académie du Festival d'Aix-en-Provence on the 20th of July, 2016 (details forthcoming).

Please keep following checklist in mind before sending us your score:
• is your work written for string quartet (2 violins, viola, cello; no electronics, either)?
• was it originally written for string quartet?
• has is not been performed, broadcasted or prized in another competition before?
• is your score anonymous?
• will we be able to tell it apart from the others based on the title only? Ok, then; otherwise please add a motto, code or other distinctive sign.
• is it formatted as PDF file and A4 pages?
• does your second PDF file contain all the necessary data?
• has the entry fee been paid by PayPal (an extra € 1 will be charged to cover the transfer costs)?
• have you checked the time zone if filing on the last day before the deadline from elsewhere than Western Europe?

Please take notice of the fact that we cannot accept submissions by regular mail, only by email!


Web Site:www.sorodha.be/EN/contest.php

 DALLAS SONGWRITERS ASSOCIATION SONG CONTEST
Summary:Song Writing
Deadline: None
Date Posted: 27 August 2015
Details: How can I enter?

It’s easy! You can enter online at any of these sponsoring sites: Broadjam or on the DSA website or download an entry form here and print out, and mail your entries to:

Dallas Songwriters Association (DSA)
2011 Song Contest Director
Sammons Center for the Arts
3630 Harry Hines Boulevard #20
Dallas, TX 75219

How much is the entry fee?

$25 each entry. Please note EACH entry must have an accompanying form sheet. If you are a member of DSA or plan to join, you can get a $5 discount off your membership or renewal for each song contest entry. To join DSA or renew your membership, go to dallassongwriters.org. We’d love to have you as a member!

Who owns the songs I enter?

You do! You retain all rights.

What has to be on the lyric sheet?

The song Title and Category appear at the top of the sheet. Your lyrics, marked with “Verse” “Chorus” etc., follow the Title. For a sample, click here. Do not write your name on the lyric sheet or on the outside of the CD case -- simply fold your lyric sheet white-side out (so that the back side shows) and legibly write the song Title and Category on the back of the lyric sheet, and place it inside the CD case so that the song Title and Category show through the CD case.

If I don’t write my name on my lyric sheet, how do you know which one is mine?

Song Contest staff keeps track of which name goes with which song – all names are withheld from the judges so that the judges can select the winners with the highest level of fairness possible. Once the judges select the semifinalists and winners, the song contest staff reveals the names of the winning artists.
Web Site:faqdsasongcontest.blogspot.co....

 CALL FOR SCORES 2015 – Cello and Contrabass
Summary:Electroacoustic Call
Deadline: None
Date Posted: 20 May 2015
Details: 1. Call for Narrator/Speaker/Vocalist/Actor plus Electronic Music Scores (performer and "tape")

2. Call for "tape" pieces that have explicit political meaning

Narrator/Speaker/Vocalist/Actor plus Electronic Music Scores (performer and "tape")

Composer/performer Rodney Waschka II is looking for works for narrator or actor or speaker and electronic music fixed on two channels. Works will be considered for performance on the Arts NOW Series and elsewhere. You can read a review (http://www.cvnc.org/reviews/2009/022009/ArtsNow.html) by the Classical Voice of North Carolina of a concert of this type of music performed in February, 2009. Waschka has performed works by Alden Jenks, Pertti Jalava, Mansoor Hosseini, Stephen Pope, Allen Strange, Pauline Oliveros, Mara Helmuth, and others.

If you have composed such a piece or are interested in composing such a work, please contract me.

"Tape" pieces that have explicit political meaning

Pieces of this type are needed for programming for the Arts NOW Series.

Please contact me if you have a piece that you think might be appropriate.

Thanks.
Web Site:www.waschka.info/call_for_scor...

 Sarasota Opera Request For Submission of New Youth Works
Summary:Opera for Young People
Deadline: None
Date Posted: 15 April 2015
Details: Sarasota Opera is pleased to invite composers to submit works for a new opera for possible production in November 2017 by Sarasota Youth Opera, one of the most comprehensive programs in the United States.

This invitation is open to any living composer or librettist, of any age, who is a United States citizen.

The submission deadline is Wednesday, September 30, 2015, at 5 pm.

Click HERE to download submission form

About Sarasota Youth Opera:

Since 1984, Sarasota Youth Opera (SYO) has given young people age 8 to 18 an opportunity to experience the magic of opera through participation in after-school choruses, Sarasota Opera mainstage productions, summer workshops, and the Youth Opera's own full-scale productions.

Regarded as a leader in the commissioning and producing of works for young voices, SYO is the only program in the United States committed to presenting annual, full-scale opera productions for young voices with professional musicians, direction, and costume and scenic design.

Since 1986, five commissioned world premieres and over 20 additional youth opera productions have been presented. Past commissions include:

2012 Little Nemo in Slumberland (music by Daron Hagen, libretto by J.D. McClatchy)
2004 The Language of Birds (music by John Kennedy, libretto by Peter Krask)
1998 Eye of Ra (music by Tom Suta, libretto by Diana Colson)
1993 Her Lightness (music and libretto by Polly Pen)
1989 Deadline

Our most recent commission, Little Nemo in Slumberland, featured over 106 young people and used a ground-breaking projection technology called SCRIBE (Self-Contained Rapidly Integratable Background Environment) to bring Winsor McCay’s comic strips to life. Since it’s 2012 premiere, Little Nemo in Slumberland has been performed by The University of Kentucky Opera Theatre, Tulsa Youth Opera, La Sierra University, and Pittsburgh High School for the Performing Arts.

In November 2014, SYO presented Dean Burry’s The Hobbit. Based on the writings of J.R.R. Tolkien, this classic adventure was brought to life with a cast of over 95 young people and 12 professional musicians on the stage of the Sarasota Opera House.

Both Little Nemo in Slumberland and The Hobbit performed to sold-out audiences.

Basics:

-English Libretto
-60 minutes of playing time. One Intermission optional.
-10 to 15 solo youth roles in treble voice
-Optional 1 to 3 adult players. Adults may portray more than one character.
-SSAB youth chorus ensemble that is featured predominately throughout the work
-Chamber orchestration of no more than 13 instruments, may include piano
-Roles with specific physical requirements are best avoided
-Entirely sung (minimal spoken narration or dialog optional)

Aesthetics:

"Sarasota Opera is dedicated to performing classic works of opera in a manner that is true to the composer’s intentions. In the years that we have been doing productions with our Youth Opera, I have found there are few works of substantial musical value for young people to perform. In our desire to increase the repertoire we are looking for music that is rooted in the classic music style, reflecting how that music is written today without the influence of other genres such musical theater, jazz or other popular idioms.

"The Youth Opera was begun as a way to get young people interested in art music. The works we are looking for should help achieve that goal and be musically sophisticated enough to appeal to adults while still accessible to children."

--Maestro Victor DeRenzi
Artistic Director, Sarasota Opera

Guidelines:

-Copyright clearance must obtained prior to entry
-Submissions must be unpublished works not currently accepted by a publisher for publication or rental
-Works may have been workshopped, but should not have received a premiere performance
-Works should show an awareness of the practical realities of rehearsal and performance
-Sarasota Opera will hold the rights for the premiere performances and one subsequent production

Submission:

-Piano-Vocal format
-Minimum 30% complete (approximately 20 minutes of music)
-Submission must include at least one (1) chorus ensemble number
-Each composer may submit up to three (3) works
-Manuscripts should be legible if hand-written

Submission should include:
-Submission Form
-Letter of Introduction
-Resume
-PDF of PV and Libretto
-Each score must have a title page containing characters, voice types, and brief synopsis for proposed work
-If submitted in hard copy, please include a self-addressed stamped envelope for return
-Inclusion of a recording of work-shopped scenes, full opera, or midi recording is optional

If no entry is deemed appropriate, the panel reserves the right to not make a selection and no fee will be awarded.

Submissions May Be Sent To:

Sarasota Opera
New Youth Works Submission
61 N. Pineapple Avenue
Sarasota, FL 34236

youthopera@sarasotaopera.org

Materials may be submitted electronically via this Dropbox link: Submit Materials.

If submitting electronically, please include “Composer Last Name, Composer First Name” at the beginning of each file name (eg: "Doe_Jane_Opera_Title").

Timeline:

September 2015 Submission Deadline
December 2015 Finalists Announced
May 2016 Finalists Submitted Completed PV
August 2016 Final Selection(s) Announced – Winner(s) Complete Orchestration
November 2017 Premiere Production

Fee:

Composer $15,000
Librettist $10,000
Composer/Librettist (wrote both) $20,000
Web Site:www.sarasotaopera.org/Request_...

 School of Music of Azusa Pacific University and J.W.Pepper Music
Summary:High School Competition
Deadline: None
Date Posted: 11 March 2015
Details: This High School Composition Contest is offered jointly by the School of Music of Azusa Pacific University and J.W.Pepper Music. It’s intent is to encourage the composition by high school students of high quality music that is accessible to reasonably well-developed high school music ensembles and performers. While this is the first year of the Contest, it is intended that it be an annual event.

The prizes for the winning composition in each category are:

1) $1000 cash

2) Public performance and recording by the appropriate Azusa Pacific University music ensemble.

3) Consideration for publication by J.W.Peppers publishing arm, Wingert-Jones Publications.

4) A complimentary subscription for J.W.Pepper’s My Score® self-publishing platform, valued at $99.

There are five categories of music being sought for the Contest. They are listed below, along with the length limitations for each category.

1) Orchestra 5 to 8 minutes

2) Choral 4 to 6 minutes

3) Wind Ensemble 5 to 8 minutes

4) Jazz Ensemble 5 to 8 minutes

5) Chamber 5 to 8 minutes

Plan to submit a properly notated score and demo recording. The winner in any category will be expected to provide clear, readable parts for the appropriate ensemble. Details are at the “How to Enter” tab above.

The choral composition may be accompanied or unaccompanied. It can be for mixed chorus, women’s choir, or men’s choir. Any accompaniment should be limited to piano and/or no more than two other common instruments.

The chamber composition may be for string quartet, string quintet, woodwind quintet, brass quintet, piano trio, piano quintet, guitar ensemble, guitar with bowed strings, or any common solo instrument. Other small groupings may be considered. If you would like to compose for a non-standard chamber group, it is suggested that you send email to musiccontest@apu.edu with a description of the ensemble to get approval of the ensemble for which you wish to compose.

Instrumentation for the other ensembles follows.

Orchestra:

Wind Ensemble:

Jazz Ensemble (big band):

Please see the “Contest Rules” tab above for further details, and the “How to Enter” tab for instructions about how to apply for the contest and submit your composition(s).

The contest is not yet “live.” It will be opened on April 1, 2015. After that time, questions not answered at the Contest Rules and How to Enter tabs may be directed to musiccontest@apu.edu.
Web Site:www.apumusiccontest.com/?page_...

 CALL FOR SCORES
Summary:Ongoing Chamber Call
Deadline: None
Date Posted: 04 December 2014
Details: rarescale has an ongoing call for scores and are interested in hearing from composers of all ages and nationalities. We are seeking quality chamber works for any combination of the following instruments:

flute/alto flute/bass flute (Kingma System)
oboe/cor anglais
clarinet/bass clarinet
bassoon
violin
viola
cello
piano
guitar
soprano
electronics

Please note that due to the high volume of works received we are unable to perform all the works sent to us, but we will keep details of all submissions in our database for future performance opportunities.

Please send scores and all performance materials as PDF or Sibelius 6 files to rarescalescores@gmail.com Recordings are preferable but not essential, and please bear in mind rarescale's charitable remit to promote the alto and bass flute.
Web Site:rarescale.org.uk/section468038...

 Flexible Persona
Summary:Journal seeks compositions
Deadline: None
Date Posted: 13 August 2014
Details: The Flexible Persona, a literary journal, is looking for the work of minimalist composers for our audio issues. We would feature a 10–20 second clip of your work before the story is read and then a work up to five minutes in length at the end of the broadcast with credit to you and link to your website/work. For questions or to submit links to your work, please e-mail us at: theflexiblepersona@gmail.com. Please do not send audio attachments. http://www.theflexiblepersona.com

Web Site:www.theflexiblepersona.com
Email:theflexiblepersona@gmail.com

 Duo Scordatura "Call for Scores"
Summary:Violin and Viola Duet Call for Scores
Deadline: None
Date Posted: 28 May 2014
Details: Want to have your composition performed next year?....
Yeah you do!!!

Through out the the 2014-2015 season WE will be selecting and performing new works for the Duo of violin and viola.

1. There are no guidelines or fees!!
2. Your composition must be awesome. (very very important!!!)
3. You can use scordatura tuning (but not required...read rules #1 and #2)
4. Summit compositions to us through our email address icon at top right corner
4a. include a resume/bio
4b. include PDF of composition....score and individual parts
4c. recommended to also summit any recording or midi of the piece
4d. last but not least your contact info.

Web Site:www.duoscordatura.com/call-for...

 Wild Rumpus New Music Call
Summary:Chamber Music Call
Deadline: None
Date Posted: 22 May 2014
Details: Deadline: Rolling.

Wild Rumpus is happy to consider pieces by young/emerging composers that match our instrumentation (or a subset of it) for performance by the ensemble. Our instrumentation is:

flute
clarinet
trombone
piano
percussion
electric guitar
soprano
violin
cello
double bass

Eligibility
Composers who fall under at least ONE of the following categories are eligible to apply:

(a) Composers under 40
(b) Composers of any age who are not regularly commissioned by ensembles of national or international prominence

Application Materials
For each piece, submit:

Score (PDF)
Recording (MP3) — some exceptions possible; please see our FAQ.
A bio (suitable for printing in a concert program) and resume/CV
There is no fee to apply.

Please note that this call is rolling. We’ll select pieces from the general call as needed, depending both on our interest in the piece and the logistical demands of the concert for which we’re programming.

Web Site:wildrumpusmusic.org/general-ca...

 11th Joan Guinjoan International Prize for Young Composers
Summary:Prize for ensemble
Deadline: None
Date Posted: 31 October 2012
Details: 1.The contest is open to composers of every nationality under the age of 35 at December 1st, 2012. Former winners of this award are not allowed to submit again.
2.Each participant may submit an unlimited number of works, which cannot previously have been published, premiered or commissioned. Works performed in the educational context of conservatories and schools of music will not be considered premieres.
3.The work, in a contemporary style, should be 10 to 15 minutes long.
4.The work must be written for an open formation of 6 to 15 instruments, with optional electronics, chosen from among those in an orchestra, piano, accordion, guitar, voice and typical jazz –electric guitar, bass and keyboards– instruments, “cobla” instruments, and instruments of early music: harpsichord, recorder, viola da gamba, cornet, sackbut, early bassoon and plucked string instruments. It is also possible to include a small choir of four voices (SATB, 4-4-4-4), which will be considered as four different instruments. There may not be more than two instruments the same, except for violins, for which there is a maximum of 10, violas and cellos, for which there is a maximum of 4.
5.The composer must submit six copies of the score and one registration form for each work presented. The work must be written and printed with a notation software which allows automatic extraction of parts, or the participants must commit to send the parts in case of being winners. Once the winner has been chosen, the composers may collect 5 copies of their works within one month from date of the award. One copy will remain in the archives of the School.
6.The amount of the award is 3.000 €. The chosen work will be premiered by the Escola Superior de Música de Catalunya with the option to be professionally recorded on CD by the School.
7.Apart from the winning work, the jury may decide to give honorific mentions to other works submitted which are considered of special interest. The works worthy of this distinction will be premiered together with the winning work.
8.The Escola Superior de Música de Catalunya will have publishing and distribution rights to the score, the CD or any other format of the winning work.
9.All written or audio-recorded editions of the winning work will be marked “Premi Joan Guinjoan de l’Escola Superior de Música de Catalunya, 2012”.
10.The jury will be made up of five composers chosen from the Department of Theory and Composition of the School. The names of the members of the jury will be announced once the award decision has been made public. Their decision may not be appealed. The decision will be announced before January 10th, 2013.
11.The deadline for submitting scores is December 1st, 2012.
12.The works will be submitted under pseudonym.
2nd Prize:Euro 3000
Age Limit:35
Duration:6 to 15 minutes
Web Site:www.esmuc.cat/eng/Departments/...

 C4 Ensemble
Summary:Call for choral scores
Deadline: None
Date Posted: 18 September 2012
Details: The C4 ensemble invites composers to submit scores for chorus and electronics for possible future performances. More details can be obtained from the ensemble via the link listed above.
Web Site:www.c4ensemble.org

 North/South Consonance
Summary:call for scores (various combinations)
Deadline: None
Date Posted: 20 April 2011
Details: - All composers are eligible for consideration
- Solo, chamber ensemble and chamber works up to 18 performers will be considered
- Vocalists, percussion and/or electronics are acceptable
- One work will be selected for recording on the North/South label
- $25 non-refundable fee per composition submitted required
(Checks must be negotiable through a US bank)

Complete submission guidelines posted at

http://www.northsouthmusic.org

Mail submissions to

NORTH/SOUTH CONSONANCE, INC.
P.O. Box 698 - Cathedral Station
New York, NY 10025 – 0698
USA
Web Site:www.northsouthmusic.org