| Track Listing | Track Time | MP3 |
| Scene I: New Angels/ Transient Failures (Prologue) | 20'39 | |
| Scene II: Les Froissements d'Ailes de Gabriel (First Barrier) | 17'23 | |
| Scene III: The Doctrine of Similarity (13 Canons): Amphibolies I (Walk Slowly) | 2'12 | |
| Scene III: Dust to Dusk | 1'25 | |
| Scene III: Cannot Cross | 2'45 | |
| Scene III: Indissolubility (Motetus absconditus) | 2'10 | |
| Scene III: Amphibolies II (Noon) | 4'30 | |
| Scene III: In the Dark (But Even Fire Is Light) | 2'07 | |
| Scene III: Sometimes | 2'32 | |
| Scene III: Anagrammatica | 0'34 | |
| Scene III: dew and die | 1'40 | |
| Scene III: Schein | 1'20 | |
| Scene III: Dusts to Dusks | 2'21 | |
| Scene III: Amphibolies III (Pricks) | 1'25 | |
| Scene III: Salute | 1'31 | |
| Scene IV: Opus Contra Naturam (Descent of Benjamin into the Underworld): I - Untitled | 2'27 | |
| Scene IV: Opus Contra Naturam: II - Katabasis | 11'26 | |
| Scene IV: Opus Contra Naturam: III - Kataplexy | 2'53 | |
| Scene V: Pools of Darkness (11 Interrogations): Three Giant Mouths | 2'14 | |
| Scene V: Headless Ghoul | 1'40 | |
| Scene V: Karl Marx and Groucho Marx, with Kerberus | 2'07 | |
| Scene V: Pope Pius XII | 1'03 | |
| Scene V: Joan of Arc | 1'32 | |
| Scene V: Baal Shem Tov Disguised as Vampire | 2'21 | |
| Scene V: Adolf Hitler | 1'22 | |
| Scene V: Albert Einstein | 1'37 | |
| Scene V: Border Guard | 0'56 | |
| Scene V: Four Furies | 1'30 | |
| Scene V: Golem | 1'42 | |
| Scene VI: Seven Tableaux Vivants Representing the Angel of History as Melancholia (Second Barrier): Laurel's Eyes (after Heine's Lorelei) | 1'31 | |
| Scene VI: Tensions | 1'08 | |
| Scene VI: Can'ts | 1'01 | |
| Scene VII: Stelae for Failed Time (Solo for Melancholia as the | | |
| Scene VI: Hashish in Marseilles | 1'22 | |
| Scene VI: After Heine's "Der Tod, das ist die kulhe Nacht" | 1'27 | |
| Scene VI: One and a Half Truths | 1'42 | |
| Scene VI: Madame Moiselle and Mr. Moiselle | 5'06 | |
