Oral Poly Mazy Brats (2006)
for 4 singers and large orchestra, a collage of all 22 Mozart operas, Premiere: Salzburger Festspiele, Opening concert, 2006
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Star Dog (1986)
for piano, clarinet, trumpet, percussion and strings
25 minutes
Premiere: Oberursel (Germany), June 7, 1986, Stadthalle, Schwanheimer Kammerorchester, Martin Kraehe, cond., Moritz Eggert, pf., Alexander Michel, clar., Stefan Klemme, trp., Juergen Niessner, Julia Thais, Martin Lorentz, perc.
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Aufbruch (1986)
for septet
9 minutes
Premiere: November 15, 1986, Frankfurt am Main (Germany), Heussenstamm-Stiftung
Annegret Lucke, Fl., Udo Schmitt, clar., Siochiro Ono, Hn., Johannes Blumenroether, Vl., Maike Bittner-Kunstreich, Vc., Gottfried Bittner, pf.
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Little Song Of The Shadows (1987)
for tenor and piano
5 minutes
text: Moritz Eggert
Premiere: July 8, 1993, London (GB), Guildhall School of Music and Drama, Nicolas Charters, ten. Moritz Eggert, pf.
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Winter Songs (1987)
for vocal quartet
17 minutes
premiere June 24, 1987, Munich (Germany), Musikhochschule, Great Hall
Moritz Eggert, cond., Sybille Plocher/Ulrike Simon, sopr., Silvia Fichtl, Mezzo, Thomas Mohrherr, Ten., Markus Hollop, bass, Moritz Eggert, cond.
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The Meal of Mr. Orlong (1987)
chamber opera for actors
80 minutes
Alto, Tenor, Bass, heroic tenor ad lib., 4 actors
Cor angl., Ten.-Sax, Bass-Clar., 2 Bn. - Cemb., Harm., Celesta, Pf. - Percussion (1 player) - Strings 1.1.1.2.1.
Premiere: February 24, 1988, Munich (Germany), Carl-Orff-Saal (Gasteig)
Ensemble fuer Neue Musik, Muenchen, Roger Epple, cond., Director: Peer Martiny, stage design/costumes: Colin Walker, with: Silvia Fichtl, Sopr., Markus Brutscher, Ten., Donald George, Ten., Markus Hollop, Bar., Michael Hell (Mr. Orlong), Peter Luppa (the moon man), Grace Yoon (dancer), Sabrina Ascacebar, Andreas Borcherding, Dietmar Moessmer, Uta Tietje, Hans H. Steinberg
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The Book Of Days (1988)
for piano solo
15 minutes
Premiere: June 10, 1988, Munich (Germany), LMU Universitaet, Moritz Eggert, pf.
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Space (1988)
for spatially distributed chamber orchestra
25 minutes
Premiere: November 11, 1988, Braunschweig (Germany); Staedtisches Museum, Mutare-Ensemble, Gerhard Mueller-Hornbach, conductor
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Lost Songs (1988)
for 12 instruments (any) or singers
16 minutes
Premiere:
April 12, 1989, Munich (Germany), Musikhochschule, Sybille Plocher, sopr., Silvia Fichtl, alto, Rainer Trost, Ten., Markus Hollop, Bass, Johannes Rieger, cond., orchestra of the Musikhochschule
(several other orchestrations were also performed later on)
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No Man's Land Hymn (1989)
for orchestra and singers
12 minutes
premiere: April 5, 1989, Munich (Germany), Musikhochschule, Sibylle Plocher, Soprano, Silvia Fichtl, Alto, Markus Hollop, Bass, Catharina Seidel, Organ, Matthias Preissinger, piano, Alexander Hoetzinger, Vibraphone, Andreas Ruppert, conductor, Symphonieorchester Graunke
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Paul and Virginie (1989)
puppet opera for chamber ensemble
55 minutes
Premiere: 1990, April 29, Munich (Germany), Munich Biennale
director/design: Helmut Danninger, Ensemble fuer Neue Musik (piano: Moritz Eggert) , cond.: Roger Epple
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Klaviertrio Nr. 2 (1990)
for violin, cello and piano
27 minutes
premiere: May 25, 1990, Munich (Germany), Gasteig, Black Box (ADEvantgarde)
Barbara Kink, vl., Anja Lechner, vc., Moritz Eggert, pf.
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Home Sweet Home (Wir sind daheim, old version, 1991)
chamber opera "von Atanasio Khyrsh, 1965", written together with Peter Frey, Axel Singer, Markus Schmitt und Sandeep Bhagwati
55 minutes
Premiere: June 8, 1991, 1st ADEvantgarde-Festival, Munich, Germany
director: Tanja Gronde, conductor: Jobst Liebrecht, with Dietrich Henschel (Bariton), Bernhard Hirtreiter (Tenor) and others
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A House With Seven Rooms (1991)
for cello and piano
24 minutes
Premiere: February 3, 1991, Munich (Germany), Musikhochschule, Grosser Saal, Anja Lechner, vc., Moritz Eggert, pf.
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Celephais (1991)
for choir
18 minutes
Premiere: January 16, 1992, Bayerische Akademie der Schoenen Kuenste, Munich (Germany), via-nova-Chor, Kurt Suttner, conductor
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The Raven Nevermore Overture (1991)
for chamber orchestra
13 minutes
Premiere: June 5, 1991, Munich (Germany) ADEvantgarde-Festival, Junges Philharmonisches Orchester Stuttgart, Manfred Schreier, conductor
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Seraphim (1992)
for trombone quartet
12 minutes
Premiere: July 19, 1992, Montepulciano (Italy), Prisma quartet
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Lunu (1992)
opera for 7 singers, 2 actors and orchestra
80 minutes
Premiere: December 11, 1992, Munich (Germany), Theater in der Halle 50
director: Tilman Knabe, design: Alfred Peter, costumes: Kathrin Maurer, Muenchener Bachsolisten, cond.: Jobst Liebrecht, with Stefanie Frueh (Lunu), Rita Kapfhammer (Feme), Martina Sauer (Aesaehoek), Christian Gerhaher (Jiri), Bernhard Hirtreiter (Pada), Tobias Schlierf (Uebuew), Alfred Reiter (Goto), Uli Zentner und Peter Pruchniewitz (Loele und Shuze)
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Little Hideaways (1993)
for string quartet
16 minutes
premiere: July 8, 1993, Munich, Bavarian Academy of Fine Arts, Roasmunde quartet
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In the box (1993)
for triple trumpet solo
7 minutes
premiere: London (GB), Guildhall School for Music and Drama, March 10, 1996 (version for three trumpets)
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4 Lieder nach Heine (2005/6)
for soprano and piano
13 minutes
1. Der Unglaeubige
2. Erinnerung
3. Der Abgekuehlte
4. Doktrin
text: Heinrich Heine
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Vexations (1993)
for chamber orchestra
16 minutes
premiere: August 23, 1998, Tanglewood (USA), Tanglewood Fellows, Brad Lubman, conductor
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Consolations (1993)
for viola solo
7 minutes
Premiere: Munich (Germany), 1993, Gasteig (Black Box), Gunter Pretzel, vla.
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Sanctus (1994)
for trombone and organ
alternate version for trombone and accordion
8 minutes
Premiere: Erfurt (Germany), Dom, Abby Conant, trb., Klemens Schnorr, organ, September 16, 1994
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Breathless (1994)
for recorder(s) solo
8 minutes
Premiere: October 10, 1995, London, Moeck Recorder Competition
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Bad Attitude (1995)
for cello and piano
12 minutes
Prmemiere: April 16, 1995, Salzburg (Austria), Salzburger Osterfestspiele, Saal des Mozarteums, Sebastian Hess, vc., Moritz Eggert, pf.
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Haemmerklavier X: Mouth Organ (1995)
for performer solo (mouth noises/beatbox)
8 minutes
Premiere: September 23, 1995, Starnberg (Germany), "Seenmusik"-Festival, Moritz Eggert, performer
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Die Kriegsirre (1995)
song for mezzo soprano and piano
5 minutes
Premiere: June 9, 2001, Saarbruecken, Musikhochschule, Nathalie Senf, mezzo, Lutz Gillmann, pf.
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Bright Nights (Helle Naechte) 1996
large opera
2 hours
text: Helmut Krausser
premiere: April 4, 1997, Munich, Munich Biennale for new music theatre
director: Tilman Knabe, stage design: Alfred Peter, costumes: Kathrin Maurer, lighting: Michael Bauer, with Martina Koppelstetter (Dagny), Wolfgang Wirsching (Nagel/goldsmith/executioner), Charles Maxwell (Aziz/thief), Anne Salvan (Aziza), Claes H. Ahnsjoe (father/Sultan), Päivi Elina (mysterious woman/witch I), Irmgard Vilsmaier (servant I/crowd), Anne Pellekoorne (servant II/witch III), Simone Schneider (singer/crowd), Ruediger Trebes (painter/soldier/crowd), Helena Jungwirth (witch II/crowd), Hans Wilbrink (Imam), Gundula Köster (Dagny/when speaking), Peter Pruchniewitz (Nagel/when speaking ), Monika Manz/ Buelent Kullukcu (guards/doctors/exectutioner's assistants, silent roles), Bayerisches Staatsorchester, conductor: Peter Hirsch
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Fleeting Encounter (1997)
for 8 or more dancers/performers
6 minutes
premiere: February 28, 1997, Darmstadt (Germany), Staatstheater, Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor
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Now - I Need Now (1997)
music theatre by Birgitta Trommler based on works by Ingebiorg Bachmann, music: Moritz Eggert
Premiere: February 28, 1997
director/choreography: Birgitta Trommler, stage design: Gudrun Schretzmeier, with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musicians: Martina Bittner, Arne Willimczik (pf.), Wolfgang Umber, Edgar Pritsch (perc.), conductor of the pre-produced recordings: Moritz Eggert, Art Core Sax-Saxophonquartett, Orchester des Staatstheater Darmstadt
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Tableau (1997)
for clarinet and piano
10 minutes
Premier: April 10, 1997, Munich, Biennale, Carl-Orff-Saal, Joerg Widmann, clar., Moritz Eggert, pf.
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Buechner-Portrait (1997)
for baritone and piano
18 Minutes
Premiere: Berlin (Germany), Philharmonie, Berliner Festwochen, Johannes Koesters, bar., Moritz Eggert, pf.
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Avec ma main brulée (1997)
for 8 dancers and speaker
12 minutes
Premiere: February 28, 1997, Darmstadt, Staatstheater, with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musician: Martina Bittner
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Et In Arcadia Ego (1997)
for string quartet (string quartet no.2)
18 minutes
premiere: Pescocostanzo (Italy), July 19, 1997, Farandole quartet
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Symphonie 1.0 (2006)
for 12 or more typewriters (symphony in the style of a Concerto Grosso)
10 minutes
premiere: November 29, 1997, Munich (Germany), Haus der Kunst, Julia Schoelzel, Siegfried Mauser, Moritz Eggert, solo typewriters
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Das Ewig Weibliche zieht mich hinan (1997)
for tenor and piano
6 minutes
text: one line from Goethe's "Faust"
Premiere: Rome (Italy), Goethe-Institute, October 14, 1997
Leonardo de Lisi, Ten., Vito Maggiolino, pf.
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Kisses in the Air (1997)
for 6 or more performers
2 minutes
Premiere: February 28, 1997, Darmstadt (Germany), with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor
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Bohemian Hymn (1997)
for 2 or more gargling voices
3 minutes
Premiere: Munich (Germany), November 29, 1997, Haus der Kunst, "American Night", Valentine Deschenaux, Siegfried Mauser, Moritz Eggert, voice
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Home Sweet Home (Wir sind daheim, 1997)
chamber opera
70 minutes
premiere April 22, 1998, Mannheim (Germany),Schnawwl (Nationaltheater)
director: Frank Hoffmann, stage design/costumes: Jean Flammang, choreographer: Rosemary Neri, Dramaturgie: Christian Carlstedt, with Mariette Lenz (Soprano), Hannelore Bode (housekeeper), Oskar Puergstaller (Tenor), Thomas Berau (Baritone), Robert Stemmle (the new Baritone), musicians: Andreas Kurth (E-Violin), David Heintz (electr. Guit.), Johannes Schaedlich (electr. bass), Viktor Janzer (accordeon), Ruediger Mayer (drums), Philippe Vandré (Keyboard), conductor: Wolfram Koloseus
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Encore (1998)
Electronic Music (Sound Collage)
5 minutes
originally written as a prologue for the opera "Home Sweet Home"
Premiere: April 22, 1998, Mannheim (Germany), National Theatre
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Sea/Desert (1998)
for piano 4 hands and 2 percussionists
12 minutes
premiere: Munich (Germany), Biennale, Weltmusiknacht, Gasteig, Marta Klimasara, Jürgen Spitschka, perc., Siegfried Mauser, Moritz Eggert, pf.
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Krausseriana (1998)
song cycle after poems by Helmut Krausser
baritone and piano
22 minutes
premiere: May 30, 1999, Mannheim (Germany), Nationaltheater, Thomas Berau, bar., Moritz Eggert, pf.
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Nemesis (1998)
for drumset solo
16 minutes
premiere: November 18, Toronto (Canada), Music Gallery, Richard Moore, drumset
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The Game Of The Century (2006)
for quintet and speaker/tape/samples
13 minutes
flute (also picc.), oboe, bass clarinet, percussion (1 player), cello
commissioned by the FIFA WM 2006
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Aboriginal/ Millennium Dance (1998)
for piano 4 hands
16 minutes
Premiere: November 21, Munich (Germany), Bavarian Radio, "Killmayer Nacht", Siegfried Mause, Moritz Eggert, pf.
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Number Nine II (1998)
for orchestra
5 minutes
part of the ballet "percussiv" (see "stage works"), orchestration of "Melody 1.0" (chamber music)
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Fast Forward (1999)
for cello and piano
6 minutes
Premiere: May 12, 1999, Duesseldorf (Germany), Tonhalle, prizewinner concert "Jugend Musiziert", Nicolas and Christoph Altstaedt, vc. and pf.
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The Sleeper Wakes (1999)
for vocal octet,
8 minutes
written for the Swingle Singers
Premiere: July 25, 2000, Amsterdam, Concertgebouw, The Swingle Singers
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The Gift Of Eternity (1999)
for vocal quartet and soundist
12 minutes
after a lecture by Jorge Luis Borges
Premiere: November 19, 1999, Saarbruecken, Radio, Hanna Sturludottir, sopr., Liat Himmelheber, alto, Markus Ullmann, ten., Yaron Windmüller, bass, Moritz Eggert, cond.
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Continuum (1999)
for cello and piano
5 minutes
premiere: July 1, 2000, Bad Kissingen, Long Night of New Music, Sebastian Hess, vc., Moritz Eggert, pf.
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Croatoan II: In the sandbox (1999)
for string quartet and small percussion
12 minutes
Premiere: November 23, 1999, Munich (Germany), Festival Provocazione, Reithalle, Peter Sadlo, perc., Vogler-Quartett
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deep snow day (1999)
song for tenor and piano (alternative version: baritone and piano)
poem by Albert Ostermauier
7 minutes
premiere:
December 5, 1999, Ludwigslust (Germany), "Stimmen im Winter", Sejongju Oh, Tenor, Moritz Eggert, pf.
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Auf der Suche nach dem KlaNNg (1999)
radio play with music, commissioned by Hessian Radio
1 hours 35 minutes
first broadcast March 7, 2000
with
Ulrike Arnold, Michael Quast, Dinah Schuebel, Peter Pruchniewitz, Moritz Eggert
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schhhhhh.... (1999)
for 6 or more performers, using only various mouth sounds
5 minutes
premiere: March 11, 2000, Darmstadt (Germany), Staatstheater, Kleines Haus,
Barbara Sternberger, Brigitte Cuvelier, Vera Bilbija, Giuseppe and Michele de Filipis, Octavio Campos, Thomas Langkau, Mauricio Motta, Guido Markowitz, Sabine Lindlar
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Vermilion Sands (1999)
for guitar solo (one guitarist playing 2 guitars)
16 minutes
Premiere: February 27, 2000, Munich (Germany); Musikhochschule, Grosser Saal, Stephan Stiens, guitar
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Croatoan I: Englische Stimmen (1999)
for string quartet and Glockenspiel
9 minutes
Premiere: July 7, 2000, Hanover (Germany), Expo 2000, German Pavillion, Vogler-Quartett, Peter Sadlo, perc.
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Neue Dichter Lieben (2000)
song cycle for medium voice and piano, 20 songs, after poems by contemporary authors
55 minutes
Premiere: August 20, 2000, Hanover, Expo 2000, German Pavillion, Yaron Windmueller, baritone, Moritz Eggert, pf.
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The Other (Der Andere) (2000)
melodrama after a story by H.P. Lovecraft, for singer and ensemble
Fl.(+picc.), Ob., Clar.(+Small Clar. in Ab or Eb-), Tb., Perc. (1 player), E-Guit. Acc., Vl., Vla., Vc., Cb.
30 Minutes
Premiere: July 7, 2000, Vockerode (Germany), Kraftwerk, "In den Stunden des Neumondes"
Ensemble United, Berlin, Annina Papazian/Liat Himmelheber, voice/recitation, Eberhard Kloke, conductor
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Croatoan III: Perpetuum Mobile
for string quartet and great drum
10 Minutes
Premiere: July 7, 2000, Hanover (Germany); Expo 2000, Deutscher Pavillon, Vogler-Quartett and Peter Sadlo, perc.
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Goldberg plays (2000)
concerto for piano and large ensemble
35 minutes
Premiere: July 29, 2000, Freden, Fredener Musiktage (Germany), Moritz Eggert, pf. and conductor, Camerata Freden
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Narcissus (2000)
for recorder and percussion
13 minutes
Premiere: May 8, 2001, Siegen (Germany), Rudolf-Steiner-Schule, Petra de Gans, rec., Thomas Meixner, perc.
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Variations IV.XX (2001)
live internet piece for 20 composers and 2 live musicians
90 minutes
Premiere: Munich, Adevantgarde-Festival, June 23, 2001, tube, FM Einheit, percussion, Sebastian Hess, Vc., Andreas Heck, internet realization, Moritz Eggert, director
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heute (2001)
for 8 (or 6) performing speakers
8 minutes
Premiere: February 8, 2002
Version 1: Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Dörthe Stöß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor
Version 2: Desirée Petitpierre, Julia Wirth, Liat Himmelheber, Yaron Windmueller, Sebastian Hess, Moritz Eggert
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Number Nine IV: Scapa Flow (2001)
for large orchestra and distant brass orchestra
premiere: Schloss Wolfegg, Rittersaal, June 30 2001, Gustav Mahler Orchestra Prague, Manfred Honeck, conductor
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ausklang (2001)
song for medium voice and piano
poem by Albert Ostermaier
premiere: Munich (Germany), Bayerische Akademie der Schoenen Kuenste. Thomas Berau, baritone, Moritz Eggert, pf.
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Dr. Booger's Scary Scheme
large opera for children
libretto by Andrea Heuser
Premiere: Frankfurt am Main (Germany), opera house, June 14, 2002
stage design: Marion Menzinger, costumes: Heike Ruppmann, Dramaturgie: Deborah Einspieler Abú Schabú: Manuel Zschunke , Ola Obelli: Jane Droste, father: Malte Dahme , mother: Indu Rani Sinha , padlock: Anne Schellhorn, collector of garden gnomes: David Jakovljevic, cello solo: Anna Lutz-Bachmann, improvisation: Anna Hanson, the composer Eggert/Dr. Snot: Martin Busen, Herr Hauser/Anton: Stephanie Theiß, Fritz : Helga Matzel / Gerhard Jaekel choir and orchestra: pupils of the Lessing-Gymnasium, Frankfurt am Main
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Haemmerklavier XIII: 2 Ostinati (2001)
for solo piano
5 minutes
Premiere: Biel (Switzerland), Tonkuenstlerfest, Salle de Peuple (ostinato 12.8.2001)/ Gent (Belgien) (ostinato 5.9.2001), Logos-Tetraeder, pian-OH Festival, 6/4/2003
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riff (2001)
for 2 electric guitars with effects
22 minutes
Premiere: March 17, 2002, Nuremberg (Germany), Neues Museum, Vortragssaal, duo shraeng
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organ (2001)
for organ solo
12 minutes
Premiere: November 9, 2002, Saarbruecken (Germany), Johanneskirche, Joerg Abbing, organ
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La Risposta (2002)
for bajan and cello (alternate version: piano and cello)
12 minutes
Premiere:
July 6, 2002, Bebersee-Festival (Germany), Elsbeth Moser, Bajan, Nicolas Altstaedt, vc.
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pong (2002)
for septet
9 minutes
Premiere: August 29, 2002, Lyon (France), Jeunesse Moderne
Anne-Laure Martin, Olga Pecherskaja, violin, Marie-Florence Ricard, viola, Sebastian Kraus, cello, Caroline Kocak, flute, Joris Ruehl, clarinet, Yannick Wirner, piano, Moritz Eggert, conductor
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Three Souls (2002)
Three pieces for violin and piano
8 minutes
Premiere: November 20, 2002, Munich (Germany), Bayerische Akademie der Schoenen Kuenste, Gottfried Schneider, vl., Moritz Eggert. pf.
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Symphony 2.0 (2001)
for 4 kazoos, solo, doubled or in combination with any instrument
Premiere: January 13, 2002, Nuremberg (Germany), Neues Museum
Stefan Eblenkamp, Markus Verna, Anno Kesting (vibraphone/Kazoo), Moritz Eggert (Kazoo/conductor)
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Symphony 3.0 (2002)
for 6 cars or ship's horns
5 minutes
Premiere: St. John's (Canada/Newfoundland), Harbour Symphonies, July 12, 2002, "The Scruncheons"
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epitaph (2002)
for three small orchestral groups and 3 conductors
8 minutes
Premiere: Deutschlandsberg (Austria), November 15, 2002
Orchester des Jugendmusikfest Deutschlandsberg, Stephan Amschl, conductor
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wide unclasp (2002)
song cycle for voice and jazz ensemble
60 minutes
Premiere: October 25, 2002, Eltville/Erbach (Germany), Schloss Reinhartshausen
Celine Rudolph, voc., Steven Bernstein, tr., Gerry Hemingway, dr., Georg Breinschmid, cb., Sebastian Hess. vc., Ralph Beerkircher, git., Moritz Eggert, pf.
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The Behr-Khyrsh-Project (2002)
theatre play for 1 actor and musicians
20 minutes
Premiere: December 5, 2002, Goettingen (Germany), Ensemble "a rose is", Manfred H. Wenninger, speaker, Lisa Lammel, violin, Ulf Pankoke, trumpet, Christian Buck, guitar, Almut Lustig, percussion, Gregor Schwellenbach, bass, Jule Kracht, costumes, Jan Meyer, stage, Andreas Simon, film
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Paradies Berlin (2003)
song cycle for baritone and piano
12 minutes
Premiere: Munich, February 3, 2003, Bayerische Akademie der Schoenen Kuenste, Thomas Bauer, bar., Moritz Eggert, pf.
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The Last Days Of V.I.R.U.S. (2003)
opera for 3 singers and chamber orchestra
15 minutes (part of a larger collaborative opera with the same title)
premiere: June 7, 2003, Munich, Reaktorhalle, conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb
With: Veronika Benning, Martin Danes, Markus Durst, Monika Lichtenegger, Sabine Lahm, Thomas Hohenberger, Puppentheater Wunderlich, Iris Julien, Reinhard M.K. Thasler, Leander Lichti, Kristina Hays, Nadine Germann, Franziska Junge, Ensemble piano possibile
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Processional (2003)
for 3 large wind bands, brass sextet, percussion and jazz big band
70 minutes
Premiere: June 6, 2003, Graz (Austria), Styriarte, opening concert, Mnozil Brass, Kernstockkapelle Poellau, Artilleriekapelle “Von-der Groeben”, Strassenbahnerkapelle Graz, Jazz Big Band Graz, conductor: Michael Brandtstaetter
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The Wild Years (2003)
for piano trio (vl., vc., pf.)
6 minutes
Premiere: June 26, 2004, Munich (Germany), Nacht der Fuenf Hoefe, Carolin Widmann, vl., Sebastian Hess vc., Moritz Eggert, pf.
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Freaks (2003)
for recorder quartet and percussion
18 minutes
premiere: October 10, 2003, Leuven (Belgiuum), transit festival, Apsara quartet and Wim Konink, perc.
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Ein Dichter stirbt (2004)
song cycle for baritone and piano, after poems by Ludwig Steinherr
10 minutes
Premiere: March 8, 2004, Munich (Germany), Bayerische Akademie der Schoenen Kuenste, Thomas Bauer, baritone, Moritz Eggert, pf.
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The Snail (2004)
opera by Hans Neuenfels (libretto) and Moritz Eggert (music)
2 acts, 2 hours
soprano, mezzo, alto, teno, baritone, bass, 4 actors, 4 "figurants", dancers, tape
Large orchestra: 3 Fl. (3 alt. Picc.), recorder (Garklein-, Sopranino-, Soprano-, Alto-, Tenor-, Bass-), 3 Ob. (3 alt. English Horn), 3 Clar. In Bb, (3 alt. Bass clarinet in Bb), Tenor saxophone in Bb, 2 Bn., 1 Double-Bn. – 4 Hn., 4 Tr. in Bb, 2 tb., 1 Bass tb., Bass tuba – Hp., 2 Electric Guitars, Electric Bass, timpani, percussion (4 players) – 2 Pianists (Celesta, Cembalo, Keyboard, grand piano) – Accordion – strings: 12.10.8.6.4.
Premiere: June 13, 2004, Mannheim (Germany), Nationaltheater
with Almut Henkel (Irmgard), Marina Ivanova (Helga), Andrea Szanto (Inge), Ceri Williams (Maria), Thomas Berau (Edgar), Daniel Eberle (Florian), Alexander Heidenreich (Herbert), Tomasz Konieczny (Arthur), Xavier Moreno (Manfred), Manfred Trabant (Hemann), a.o.
Chor und Orchester des Nationaltheaters Mannheim, conductor: Wolfram Koloseus (Bernhard Schneider), director: Hans Neuenfels, stage: Christof Hetzer, costumes: Elina Schnitzler
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Eiserner Vorhang (2004)
for percussion quartet
16 minutes
Premiere: October 2, 2004, Dresden (Germany), Dresdner Tage für Zeitgenoessische Musik, Hellerau
Perkussionsensemble Freiburg
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Interior At Petworth (2005)
8 variations on a picture by William Turner
for flute (also picc.), clarinet (also bass clar.), perc.., piano, violin, viola, violoncello
16 minutes
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Lied der Liebe (2004)
song for tenor and piano (2004)
8 minutes
Premiere: August 12, 2004, Bad Reichenhall (Germany), AlpenKlassik-Festival
Jan Kobow, tenor, Moritz Eggert, pf.
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Ich habe dich gefunden (2004)
for vocal quartet and piano 6 hands (after a poem by Friedrich Hoelderlin)
original version for organ and choir
3 minutes
premiere: August 12, 2004, Bad Reichenhall (Germany), AlpenKlassik-Festival, Mojca Erdmann, sopr. , Anne-Carolyn Schlueter, alto, Jan Kobow, tenor, Jochen Kupfer, bar., Susanne Giesa, Axel Bauni, Moritz Eggert, pf.
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Ticket To Ride (2004)
for accordion orchestra
13 minutes
Premiere: June 1, 2005, Fuerth (Germany), Stadthalle
Nuernberger Akkordeonorchester, Stefan Hippe, conductor
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Kommander Kobayashi - Go Versus Komet (2004)
Opera scene for the “Kommander Kobayashi”-project by novoflot
16 minutes
Tii! (high Soprano), Go (Soprano), Scrabble (Mezzo), Ma’ (Baritone)
Ensemble: Bass Clarinet (Bb), French Horn, Trumpet (Bb), Bass trombone, percussion (1 player), piano/celesta (1 player), viola, cello, double bass
Premiere: January 14, 2005, Hamburg (Germany), opera stabile,
with Meik Schwalm („Ma“), Hanna Dora Sturludottir („Go“), Julia Henning (“Tii!”), Sibylle Fischer (“Scrabble”), director: Sven Holm, conductor: Vicente Larranaga, stage designn: Leonie von Arnim, costume: Bettina Latscha, video: Philip Kiessling, “Dramaturgie”: Sebastian Bark, text: Tobias Dusche
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The Son Of The Daughter Of Dracula Versus The Incredible Frankenstein Monster From Outer Space (2004)
for 2 Theremins (+MIDI-Theremin), percussion, violin, cello, piano/sampler
7 minutes
Prmeiere: March 30, 2005, Weimar (Germany), via nova - Fruehjarstage fuer Neue Musik,
Barbara Buchholz, Lydia Kavina, theremin, Ensemble fuer Neue Kammermusik Berlin: Tobias Rempe, vl., Ringela Riemke, vc., Heather O’Donnell, pf., Dirk Rothbrust, perc.
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Erinnerung an die Marie A. (2005)
song for medium voice and piano
3 minutes
Premiere: March 3 2005, Munich (Germany), celebration for the reopening of the Munich "Lyrik-Kabinett", LMU, Great Hall
Salome Kammer, voc., Moritz Eggert, pf.
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Primus (2005)
concerto for double bass and orchestra
30 minutes
Premiere September 18, 2005, Berlin, Universitaet der Kuenste
Nabil Shehata, soloist, Junges Klangforum Mitte Europas, Christoph Altstaedt, conductor
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Don't Trust the Crocodile Dog (2005)
for female voice and ensemble
7 minutes
Premiere: June 1, 2005, Munich (Germany), ADEvantgarde-Festival, Bayerische Akademie der Schoenen Kuenste
Bettina Koziol, voc., Henning Sieverts, bass, Sebastian Hess, vc., Udo Moll, tr., Christian Thomé, drums, Moritz Eggert, pf.
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From The Depth Of Space - A Soccer Oratorio (2005)
fpr 4 singers, 3 speakers, large choir and large orchestra
2x45 minutes with extra time
Premiere: September 11, Bochum (Germany), Ruhrtriennale, Jahrhunderthalle
Bochumer Symphoniker, Steven Sloane, conductor, Joachim Krol (coach), Peter Lohmeyer ("old international"), Christoph Bantzer (reporter), speakers, Claudia Barainsky (virtue), Ursula Hesse von den Steinen (sin), Corby Welsh (player), Thomas Bauer (reporter), Chorus of the Ruhrtriennale, choir coach : Walter Zeh
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