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New Music Concert Listings - United States
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3 Mar
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Friday, March 3, 2017 at 7:30PM
CompCord Big Band - Composers Concordance New York // New Music Festival
The Cutting Room
19 West 24th Street
United States
212-691-1900
http://www.thecuttingroomnyc.com
Tickets: 15
CompCord Big Band: Livio Almeida, Gerson Galante - alto saxophones; Andrew Gould, Jay Rodriguez - tenor saxophones; Sam Dillon - baritone saxophone; Franz Hackl, Wayne Du Maine, Peter Oswald, Jonathan Finlayson - trumpets; John Clark - horn; Jason Jackson, Mike Seltzer, David Taylor - trombones; Gene Pritsker - guitar; Carlton Holmes - piano; Larry Goldman - bass; Joe Abbatantuono - drumset; Thomas Carlo Bo - conductor. With soloists Vesselin Gellev - violin, Melanie Mitrano - voice, & Gerson Galante - clarinet.
On March 3rd at The Cutting Room, Composers Concordance presents the first concert of its 6th annual festival, entitled 'New York // New Music.' The CompCord Big Band, featuring many renowned instrumentalists from gotham's jazz scene, will perform a dozen NYC-themed contemporary compositions scored for the standard big band ensemble. Composers will include Kinan Azmeh ("intensely soulful" - The New York Times. "spellbinding" - The New Yorker), as well as Dan Cooper, John Clark, Anthony Branker, and Joseph Martin Waters, among others. Composer-vocalist Melanie Mitrano will bring her "swinging, clean, cool and refined" vocals. Violinist Vesselin Gellev, Sub-Leader of the London Philharmonic Orchestra, will premiere Gene Pritsker's violin concerto with big band. This new composition is about three paintings by New York artist Mark Kostabi, whose canvases are permanently featured at The Cutting Room. Compositions by: Kinan Azmeh, Thomas Carlo Bo, Anthony Branker, John Clark, Dan Cooper, Melanie Mitrano / Gerson Galante, Franz Hackl, Marie Incontrera, Alon Nechushtan, Gene Pritsker, David Taylor, & Joseph Martin Waters.
Gene Pritsker : Three Paintings Bout’ New York by Kostabi’
Kinan Azmeh : 139th street
Dan Cooper : Vav Hey Vav
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4 Mar
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Saturday, March 4, 2017 at 7pm - 10pm
8th Annual Comp-Play-Comp Marathon: NYC Theme
Spectrum
121 Ludlow Street, 2nd floor, NYC
United States
http://https://www.facebook.com/spectrumNYC
Tickets: $15
Composer - Performers:
Jay Kauffman, Erin Rogers, Paula Matthusen, Dan Cooper, Gene Pritsker, Dary John Mizelle, David Claman, George Boziwick, Glenn Cornett, Geoffrey Burleson, Paul Carlon, Adam Holzman, Nick Didkovsky, Hannis Brown, Mark Egan, Elizabeth A. Baker, Cristian Amigo, Richard Sussman, Nick Didkovsky, David Rozenblatt, Franz Hackl, Peter Jarvis, Jim Kempner.
8th Annual Comp-Play-Comp Marathon: NYC Theme
Part of 6th Annual Festival: 'New York // New Music'
March 4th @ 7pm
Spectrum NYC
121 Ludlow St #2, NYC
Tickets $15 general admission; $10 seniors and students
Composers Concordance's 6th annual festival, entitled 'New York // New Music', will be held from March 3-12, 2017, and will feature new music about NYC by more than 85 composers.
The second concert, at Spectrum NYC, will be the 8th annual 'Composers-Play-Composers Marathon'. No fewer than 25 composers will perform original compositions inspired by New York. Featured composer-performers will include Adam Holzman (musical director for Miles Davis, also named by Keyboardmagazine as one of the top 10 players in the world), award-winning bassist Mark Egan (Pat Metheny Group, Gil Evans Orchestra), and recent Fulbright recipient Paula Matthusen ("entrancing" - The New Yorker). Comedian and Chelsea gallerist Jim Kempner will perform a piece about the NY art world with Gene Pritsker - guitar and Peter Jarvis - drumset.
Composer - Performers:
Jay Kauffman, Erin Rogers, Paula Matthusen, Dan Cooper, Gene Pritsker, Dary John Mizelle, David Claman, George Boziwick, Glenn Cornett, Geoffrey Burleson, Paul Carlon, Adam Holzman, Nick Didkovsky, Hannis Brown, Mark Egan, Elizabeth A. Baker, Cristian Amigo, Richard Sussman, Nick Didkovsky, David Rozenblatt, Franz Hackl, Peter Jarvis, Jim Kempner.
Staying in rotation for 32 years in NYC is a rare feat. In the case of a new music presenting organization, it requires not only diligence and cognizance of achievements of the past, but also an ethic of keeping one's ear to the ground for emerging stylistic and technological developments, as well as talented new composers on the scene. Composers Concordance strives to present contemporary music in innovative ways, with an emphasis on thematic programming. It has also created a record label, Composers Concordance Records, with distribution by Naxos. Directors Gene Pritsker and Dan Cooper co-curate the programs, and lead the CompCord Ensemble, Chamber Orchestra, String Orchestra, and Big Band. Associate Directors are Milica Paranosic, Peter Jarvis, Svjetlana Bukvich, and Melissa Grey. Composers Concordance's overriding vision is to promote contemporary music, composers, and new works as a rightful and respected part of society. Good music, performed and recorded well, pushing the boundaries of sound and composition.
"For the past 30 years, Composers Concordance has been a booster for local composers, through both its concerts across the city and a record label." -The Wall Street Journal. "Enterprising new music organization" -The New York Times. "The Composers Concordance folks are unpredictable and at times refreshingly irreverent in a reverent sort of way....ingenious fun" -Classical-Modern Music Review. "Edgy...boisterous...demanding our attention" -San Diego Story. "These men and women are creating exciting music with elements of jazz, world music and many experimental techniques blended with equal parts classical tradition and playing techniques." -Asbury Park Press. "There is considerable evidence to show that Composers Concordance may be one of the most exciting labels in American contemporary music." -JazzdaGama.
Festival Site
Facebook
Season Site
PRESS:
for more information, please contact:
Composers Concordance
(646) 522-9442
info@composersconcordance.com
http://www.composersconcordance.com
http://composersconcordance.wix.com/2016-17-season
Gene Pritsker : secret piece
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4 Mar
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8 Mar
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Wednesday, March 8, 2017 at 6 pm - 8 pm
Craig Hultgren - NYCello - Composers Concordance New York // New Music Festival
Cornelia St. Café
29 Cornelia St.
United States
http://www.corneliastreetcafe.com/
info@corneliastreetcafe.com
Tickets: $10 cover - $10 minimum
Craig Hultgren - For several decades, cellist Craig Hultgren has been a fixture on the scenes for new music, the newly creative arts, and the avant-garde. Recently leaving Birmingham after more than 30 years as a member of the Alabama Symphony, he now resides outside of Decorah, Iowa as the farmer-cellist. The New York Classical Review commented that he, "...played with impressive poise and sensitivity..." for Dorothy Hindman's recent chamber music retrospective at Carnegie Hall. At this point, more than 200 works have been created for him. A recipient of two Artist Fellowships from the Alabama State Council on the Arts, he was a member for many years of Thámyris, a contemporary chamber music ensemble in Atlanta. He is a founding member of Luna Nova, a new music ensemble with a large repertoire of performances available as podcast downloads on iTunes. Hultgren is featured in three solo CD recordings including The Electro-Acoustic Cello Book on Living Artist Recordings. For ten years, he produced the Hultgren Solo Cello Works Biennial, an international competition that highlighted the best new compositions for the instrument. He taught at the University of Alabama at Birmingham, the Alabama School of Fine Arts and Birmingham-Southern College where he directed the BSC New Music Ensemble. He is a founding member and former President of the Birmingham Art Music Alliance and was on the Board of Directors of the Metropolitan Youth Orchestras of Birmingham and their Scrollworks program. Currently, he is member of the Board of Directors for the Iowa Composers Forum and Vice President of the Oneota Valley Community Orchestra Board of Directors in Decorah.
The fourth concert, on March 8th at Cornelia Street Café, will showcase cellist Craig Hultgren in 'NYCello'. Hultgren, a longtime advocate of new and daring music, will perform compositions created specifically for him. The program will feature Baroque dance-suite forms redressed with interactive computer signal processing, along with pieces using drum tracks, and one of Hultgren's own unique improvisations.
Gene Pritsker : Suite for Cello & Effects Pedal
Mark Zanter : Suite
Charles Norman Mason : Turning and Turning in the Widening Gyre
Alon Nechustan : I will Destroy You
Dan Cooper : spinning Song
David Morneau : Beatlings - Cello Club
Ann Warren : Murmures Feeriques
Joe Deninzon : Fake 45
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12 Mar
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Sunday, March 12, 2017 at 7.00pm - 8.30pm
CompCord Meets AFMM
Gallery MC
549 West 52 Street, 8 floor
United States
info@milicaparanosic.com
Tickets: Tickets $15 at door
Johnny Reinhard, Gene Pritsker, Sean Satin, Larry Goldman, David Taylor, David Whitwell, Michiyo Suzuki, Charles Coleman, and Paul Mills aka 'Poez'
Composers Concordance's 6th annual festival, entitled 'New York // New Music', will be held from March 3-12, 2017, and will feature new music about NYC by more than 85 composers. The festival will wrap up on March 12th at Gallery MC with the sixth concert, 'CompCord Meets AFMM'. Composers Concordance and the American Festival of Microtonal Music, two long-standing organizations, will join together to co-produce a concert focusing on NYC composers writing microtonal compositions.
Gene Pritsker : How Far 2 Zuccotti Park (version II)
Monroe Golden : Tenkenas
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12 Mar
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Sunday, March 12, 2017 at 04:00pm
Organist Gail Archer Performs Free Concert
Saint Anthony of Padua Church
1359 Acushnet Avenue
United States
508-993-1691
www.saintanthonynewbedford.com
Tickets: Free
Gail Archer (organ)
Gail Archer is an international concert organist, recording artist, choral conductor and lecturer who draws attention to composer anniversaries or musical themes with her annual recital series including Max Reger: The Last Romantic, The Muse’s Voice, An American Idyll, Liszt, Bach, Mendelssohn and Messiaen. Ms. Archer was the first American woman to play the complete works of Olivier Messiaen for the centennial of the composer’s birth in 2008; Time Out New York recognized the Messiaen cycle as “Best of 2008” of classical music and opera. Her recordings include the forthcoming, A Russian Journey in fall, 2016, The Muse’s Voice, Franz Liszt: A Hungarian Rhapsody, Bach: The Transcendent Genius, An American Idyll, A Mystic In the Making (Meyer Media), and The Orpheus of Amsterdam: Sweelinck and his Pupils (CALA Records). Her summer, 2016 European tour took her to Denmark, Germany, Italy, the Czech Republic, the Ukraine and Russia. Highlights include Santa Maria del Fiore, Florence, Italy, St. Wenceslaus Church, Prague, Czech Republic, St. Paul’s Church, Odessa, Ukraine, Holmens Church, Copenhagen, Denmark, and the fifth century church of San Vitale, Ravenna, Italy, a UNESCO World Heritage site, famous for its extraordinary mosaics. She is the founder of Musforum, www.musforum.org an international network for women organists to promote and affirm their work. Ms. Archer is college organist at Vassar College, and director of the music program at Barnard College, Columbia University, where she conducts the Barnard-Columbia Chorus. She serves as director of the artist and young organ artist recitals at historic Central Synagogue, New York City.
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16 Mar
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Thursday, March 16, 2017 at Hp printer customer service phone number by fix tech help
Alma
Alabama
United States
1-888-467-5549
www.fixtechhelp.com/hp-printer-customer-service
Tickets: 00
Fix Tech Help
In order to find out the best solutions regarding your HP printer issues, you can take assistance from various HP tech support companies that are running with the zeal to offer the most effective and efficient solutions to the endless users associated with the best brand name; HP. Whatever are your issues associated with the respective branded printer you can ask for the immediate support by calling on HP.
Benjamin Attahir : Fixing support team
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17 Mar
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Friday, March 17, 2017 at 7:30pm
Odyssey Opera Continues Wilde Opera Nights 3/17-18
Calderwood Pavilion at the BCA
527 Tremont Street
United States
www
Tickets: $50-100
Odyssey Opera
John Worthing (Jack): Neal Ferreira (tenor)
Algernon Moncrieff: Stefan Barner (tenor)
Lady Bracknell: Claudia Waite (soprano)
Gwendolen Fairfax: Rachele Schmiege (soprano)
Cecily Cardew: Jeni Houser (soprano)
Rev. Chasuble: James Demler (baritone)
Miss Prism: Christina English (mezzo-soprano)
Conductor: Gil Rose
Boston’s most original and innovative opera company, Odyssey Opera, continues its Wilde Opera Nights series, a season-long exploration of operatic works inspired by the writings and world of Oscar Wilde. The season continues with the Boston premiere of Mario Castelnuovo-Tedesco’s final opera setting, The Importance of Being Earnest. Inspired by Wilde’s most famous play, this comedic masterpiece is brought to life in full staging with music that pokes as much fun at the opera world as Wilde does at Victorian society. Led by conductor Gil Rose, the Odyssey Opera continues its trademark of performing hidden gems from the operatic canon. The dynamic tenor Neal Ferreira makes his Odyssey Opera debut in the lead role of Jack.
Mario Castelnuovo-Tedesco : The Importance of Being Earnest
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18 Mar
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Saturday, March 18, 2017 at 7:30pm
Odyssey Opera Continues Wilde Opera Nights 3/17-18
Calderwood Pavilion at the BCA
527 Tremont Street
United States
www
Tickets: $50-100
John Worthing (Jack): Neal Ferreira (tenor)
Algernon Moncrieff: Stefan Barner (tenor)
Lady Bracknell: Claudia Waite (soprano)
Gwendolen Fairfax: Rachele Schmiege (soprano)
Cecily Cardew: Jeni Houser (soprano)
Rev. Chasuble: James Demler (baritone)
Miss Prism: Christina English (mezzo-soprano)
Conductor: Gil Rose
Boston’s most original and innovative opera company, Odyssey Opera, continues its Wilde Opera Nights series, a season-long exploration of operatic works inspired by the writings and world of Oscar Wilde. The season continues with the Boston premiere of Mario Castelnuovo-Tedesco’s final opera setting, The Importance of Being Earnest. Inspired by Wilde’s most famous play, this comedic masterpiece is brought to life in full staging with music that pokes as much fun at the opera world as Wilde does at Victorian society. Led by conductor Gil Rose, the Odyssey Opera continues its trademark of performing hidden gems from the operatic canon. The dynamic tenor Neal Ferreira makes his Odyssey Opera debut in the lead role of Jack.
Mario Castelnuovo-Tedesco : The Importance of Being Earnest
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19 Mar
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Sunday, March 19, 2017 at 04:00pm
Organist Gail Archer Performs Free Concert in Easton
Christ Church (USA)
111 S. Harrison Street
United States
410-822-2677
www.christchurcheaston.org
Tickets: Free
Gail Archer (organ)
What: Gail Archer, Organ
Where: Christ Church, 111 S. Harrison Street, Easton, Maryland, 21601
When: Sunday, March 19th at 4:00 p.m.
How: FREE. For more info, contact the Church at 410.822.2677 or visit christchurcheaston.org.
Gail Archer is an international concert organist, recording artist, choral conductor and lecturer who draws attention to composer anniversaries or musical themes with her annual recital series including Max Reger: The Last Romantic, The Muse’s Voice, An American Idyll, Liszt, Bach, Mendelssohn and Messiaen. Ms. Archer was the first American woman to play the complete works of Olivier Messiaen for the centennial of the composer’s birth in 2008; Time Out New York recognized the Messiaen cycle as “Best of 2008” of classical music and opera.
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31 Mar
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Friday, March 31, 2017 at 8:00pm
BMOP Performs Works by Local Massachusetts Composers
Jordan Hall, Boston
30 Gainsborough Street
United States
617-585-1260
http://www.newenglandconservatory.edu
Tickets: $20-50
BMOP
Claremont Trio
In collaboration with Amherst College’s Parallel Series, the Boston Modern Orchestra Project (BMOP) presents Boston Accent, a pair of spring concerts celebrating world-class composers of contemporary music from the Boston music scene. Joined by one of America’s finest young chamber ensembles, the Claremont Trio, BMOP showcases works by John Harbison, Eric Sawyer, and Ronald Perera, as well as the world premiere of Black Noise by David Sanford.
David Sanford : Black Noise
John Harbison : Double Concerto
Eric Sawyer : Fantasy Concerto: Concord Conversations
Ronald Perera : The Saints
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1 Apr
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Saturday, April 1, 2017 at 4:00pm
The Dessoff Choirs Celebrates Spring in Harlem
James Memorial Chapel
3041 Broadway
United States
Tickets: $15-35
The Dessoff Choirs
Hailed as “one of the great amateur choruses of our time (New York Today) for its “full-bodied sound and suppleness (The New York Times),” The Dessoff Choirs continues its 92nd season with a one-evening-only spring concert of repentance. Members of The Dessoff Chamber Choir and Ensemble bring diversity, spirit, and beautiful harmony to the emotionally charged season of Lent. The program includes Bach’s Jesu, meine Freude, Buxtehude’s Herzlich lieb hab ich dich, o Herr, and Barber’s Dover Beach.
J.S Bach : Jesu, meine Freude
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1 Apr
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2 Apr
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2 Apr
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Sunday, April 2, 2017 at 7pm
Jason Bahr Second Symphony Premiere
First Presbyterian Church Bonita Springs, Florida
First Presbyterian Church 9751 Bonita Beach Road SE Bonita Springs, FL 34135
United States
239-992-3410, x250
www.fpcbonita.org
Ensemble: Fort Myers Mastersingers
Conductor: Jeffrey Faux
Bahr’s 45-minute work is scored for choir, children’s choir, soprano and tenor soloists and large orchestra. It sets poetry of Walt Whitman and Wilfred Owen. The work explores the devastating reality of war and ends with hope for a better future.
Joseph Bahr : Second Symphony
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