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New Music Concert Listings
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| 1 Apr |
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5 Apr
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Saturday, September 5, 2015 at 7:30pm
Mozart?!
Helene Zelazo Center for the Performing Arts
United States
http://www.presentmusic.org/concerts/mozart.aspx
Tickets: 15-35
Present Music
The minimalist. The experimentalist. The master. We bring the music of three composers from the past and present together in a big way for our 34th season opener. Powerful percussion, passionate plural pianists, elegant woodwinds and majestic brass combine for one of our largest ensembles to date.
Join us as we connect the lines between our classical and contemporary roots. From the sumptuous warmth and vitality of Mozart’s Gran Partita and Luciano Berio’s scintillating homage to the multitextural works of JS Bach in Sequenza VIII, to John Adams energetic Hallelujah Junction and his powerful Grand Pianola Music, this event will enrapture your senses in grand fashion!
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| 6 Apr |
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7 Apr
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Monday, September 7, 2015 at 1.10pm
SAXOLOGY, saxophone quartet
Theatre Royal Bury St Edmunds
The Theatre Royal, Westgate Street, Bury St Edmunds, IP33 1QR
United Kingdom
01284 769505
http://www.theatreroyal.org
margo.pigott@artsoptions.com
Tickets: £8.50
Fiona Dermit (Soprano Sax)
Denis Hill (Alto Sax)
Jeffery Wilson (Tenor Sax)
Tracey Bridgeman (Baritone Sax)
A whole family of saxophones in one sitting! Saxology has broadcast on BBC Radio 3 and Classic FM, and will bring classical and romantic music, and the premiere by Jeffery Wilson of a tribute to the great jazz saxophonist, Sonny Rollins on his 85th birthday. In addition the programme includes arrangements of music from 18th-20th Centuries by Rameau, Clara Schumann (wife of Robert Schumann), Gershwin and Benny Goodman and music written for saxophone quartet by Robert Clérisse and F & M Jeanjean.
Jeffery Wilson : Calypso for Sonny
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7 Apr
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Monday, September 7, 2015 at 8pm
SWR Sinfonieorchester Baden-Baden und Freiburg
Musikfest Berlin
Berliner Festspiele Schaperstraße 24 10719 Berlin
Germany
+49 30 254 89-244
http://www.berlinerfestspiele.de/
musikfest@berlinerfestspiele.de
KLAUS STEFFES-HOLLÄNDER / MATAN PORAT / FLORIAN HOELSCHER / JULIA VOGELSÄNGER / AKIKO OKABE / CHRISTOPH GRUND pianos
SWR SINFONIEORCHESTER BADEN-BADEN UND FREIBURG
FRANÇOIS-XAVIER ROTH conductor
The symphonic poem “Pelléas et Mélisande” is Arnold Schönberg’s first work for a large orchestra. It was composed during his first stay in Berlin from 1901 to 1903. Schönberg initially worked there as a Kapellmeister at the Berlin literary cabaret Überbrettl and then, on the recommendation of Richard Strauss, taught music theory at the Stern’schen Konservatorium. It was also Richard Strauss who pointed him towards the drama “Pelléas et Mélisande” by Maurice Maeterlinck, recommending it as opera material. In Schönberg’s adaptation of the material, Maeterlinck’s drama is the backbone but does not serve as the content of his symphonic poem. The post-Romantic sound of the large-scale orchestra is never descriptive but transforms the story of “Pelléas et Mélisande” into a sequence of musical moods and images.
Georg Friedrich Haas’ composition “limited approximations” from 2010 integrates six micro-tonally tuned pianos into a large orchestral apparatus, unfolding a fan of iridescent harmonies, nuances and unusually rich consonances. The composition “Arc-en-Ciel” for six pianos by Russian composer Ivan Wyschnegradsky is also symphonic – an attempt to bring to light the microstructures of unusually dense harmonies in all their colour.
Ivan Wyschnegradsky : Arc-en-ciel
Georg Friedrich Haas : limited approximations
Arnold Schoenberg : Pelleas and Melisande
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| 8 Apr |
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