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Welcome to the Composition:Today New Music Concert Listings.
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1 Feb



United Kingdom
 Saturday, August 1, 2015 at 6.30pm 
Schubert, Luke Bedford & Bruckner
Albert Hall, London
Kensington Gore London SW7 2AP
United Kingdom
http://www.royalalberthall.com

Luba Orgonášová soprano
Jennifer Johnston mezzo-soprano
Robert Dean Smith tenor
Derek Welton bass-baritone, Proms debut artist
Orfeón Pamplonés
BBC Philharmonic
Juanjo Mena conductor

Although composed for the church, it is in the concert hall that the dramatic scale of Bruckner’s mighty Mass in F minor comes into its own. A new commission from Luke Bedford puts the Royal Albert Hall’s great organ in the spotlight, while opening the concert is Schubert’s ‘Tragic’ Symphony – a work whose heart-on-sleeve emotions are those of a composer still in his teens.

Franz Schubert : Symphony No. 4 in C minor 'Tragic'
Luke Bedford : Instability
Anton Bruckner : Mass No. 3 in F minor

2 Feb



United Kingdom
 Sunday, August 2, 2015 at 3.30pm 
Aurora Orchestra
Albert Hall, London
Kensington Gore London SW7 2AP
United Kingdom
http://www.royalalberthall.com

Francesco Piemontesi piano
Aurora Orchestra
Nicholas Collon conductor

The Aurora Orchestra staged a Proms first last year when it performed Mozart’s Symphony No. 40 from memory. Now the dynamic young ensemble returns to continue this season’s sequence of family-friendly matinees, giving Beethoven’s ‘Pastoral’ Symphony the same direct, communicative treatment. It is paired with Australian composer Brett Dean’s own homage to nature – a work, he explains, inspired by ‘glorious birdsong, the threat that it faces, the loss, and the soulless noise that we’re left with when they’re all gone’. Former BBC Radio 3 New Generation Artist Francesco Piemontesi joins the orchestra for Mozart’s late ‘Coronation’ Concerto, and the afternoon also features the premiere of a new commission from British composer Anna Meredith – also performed from memory.


Brett Dean : Pastoral Symphony
Wolfgang Amadeus Mozart : Piano Concerto No. 26 in D major, K537 'Coronation'
Anna Meredith : Smatter Hauler
Ludwig Van Beethoven : Symphony No. 6 in F major 'Pastoral'

3 Feb



United Kingdom
 Monday, August 3, 2015 at 7.30pm 
James MacMillan & Mahler
Albert Hall, London
Kensington Gore London SW7 2AP
United Kingdom
http://www.royalalberthall.com

BBC Scottish Symphony Orchestra
Donald Runnicles conductor

Mahler’s mighty Symphony No. 5 is the climax of this second Prom from Donald Runnicles and the BBC Scottish Symphony Orchestra. The work’s intense, contrasting moods – the bitter solemnity of the funeral march, the violence of the second movement and the tenderness of the famous Adagietto – make this one of the great orchestral showpieces. The evening opens with the world premiere of a dramatic new symphony from Scottish composer Sir James MacMillan.

James MacMillan : Symphony No. 4
Gustav Mahler : Symphony No. 5 in C sharp minor

4 Feb 
 
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7 Feb



Austria
 Friday, August 7, 2015 at 8.30pm 
SALZBURG CONTEMPORARY • BOULEZ • KLANGFORUM WIEN II
Salzburger Festspiele
various, Salzburg, Austria
Austria
ttel.: +43-662-8045-500
http://www.salzburgfestival.at/
info@salzburgfestival.at

Sylvain Cambreling, Conductor
Hilary Summers, Contralto
Della Miles, Blues Singer
Tyshawn Sorey, Percussion
Klangforum Wien

‘It is not enough to construct one’s revolution, one must also dream it’: thus, Pierre Boulez once formulated his artistic credo. It would never have been enough for him to appear only as a prophet of the avant-garde and a radical revolutionary, administering fundamental criticism to rigid, anti-modernist structures with his notorious demand to blow up all opera houses. Instead, as a composer he was always a sensuous poet of sound, striving quite traditionally for technical mastery and personal expression in equal measure, also and especially when experimenting with the latest techniques, such as guided chance and live electronics – a dedicated explorer and reformer. Reflecting his search for perfection and the ideal implementation of his thoughts, many of his pieces have undergone various stages of development, growing in scope, instrumentation and duration and thereby becoming others, as if they were living organisms undergoing maturation. If Salzburg contemporary takes Pierre Boulez’s 90th birthday as an occasion to focus on his eminent œuvre, naturally this includes some of the great key works of New Music of the past 70 years – interpreted by the friends, students and comrades-in-arms of this singular musician, who has also made history as a conductor. With the French tradition ranging from Debussy to Boulez’s influential teacher Olivier Messiaen, and the Second Viennese School of Schoenberg, Berg and Webern, the series also highlights some of the music of the past that influenced Boulez. These works are complemented by a new piece by Olga Neuwirth, whose music Pierre Boulez is very fond of: a portrait of the artist as an ageless man.

Walter Weidringer

Translated by Alexa Nieschlag


Pierre Boulez : Le Marteau sans maître
Olga Neuwirth : Lonicera Caprifolium (1993)
Olga Neuwirth : Eleanor Suite for blues singer, percussion and ensemble

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