Since making her debut at the age of eleven with the New York Philharmonic almost 30 years ago, the violinist Midori has established a record of achievement which sets her apart as a musician and innovator. Midori’s devotion to thought-provoking programmes is reflected in her recital’s combination of three Beethoven violin sonatas with the aphoristic music of Webern’s Four Pieces Op. 7 and the time-bending, sound-altering world of György Kurtág’s Tre pezzi for violin and piano Op. 14e.
