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Petrichor Records

 Petrichor Records
Summary:Call for recordings
Deadline: 20 August 2019
Date Posted: 15 May 2019
Details: Petrichor Records is a US-based, independent record label specializing in contemporary classical music by living composers.

Petrichor Records aims to discover, promote and nurture the new wave of contemporary composers and performers who are going to forge tomorrow’s music world. We are very excited to announce our new international Call for Recordings to be released on seven albums under the title of New Music by Living Composers. Each volume is dedicated to a separate category: (A) solo piano, (B) solo instrumental, (C) chamber ensemble, (D) chamber orchestra, (E) orchestra, (F) electronic music, and (G) improvisation. All genres and styles are welcome to submit: From graphic scores, acousmatic, spectral, aleatoric, concrete music, to jazz, romantic, improvisation, fusion etc. Each category has a separate submission deadline.

The Call for Recordings is divided into seven categories with different submission deadlines; winners of each category will be released on an album. Therefore, this album series includes seven albums. Depending on the number and duration of the winning pieces, each volume could be a single, double or triple CD album.

Important note: Every composer can submit up to SIX pieces for EACH CATEGORY. The Artistic Panel may select ALL of the pieces, or SOME of them or NONE of the pieces by each composer for the album release. Therefore, there is no limit on the number of selected pieces per composer.
For example: One composer may submit 3 pieces for Category A, 6 pieces for Category B, 4 pieces for Category F and 1 piece for category E. The panel will review each piece carefully and individually, and may select all, some or none of the submitted pieces by that composer to be released.

Category A – Call for solo piano recordings. This includes prepared piano and fixed or live electronic parts—i.e., pieces for prepared piano and live electronics are welcome in addition traditionally notated piano pieces). The solo piano pieces can also be played by more than one performer—i.e., pieces for four or eight hands piano or for performers playing inside a piano are welcome.

Category B – Call for solo instrument recordings. All solo instruments except piano are welcome; including western classical, traditional, folk, and self-made instruments. This could also include fixed or live electronics parts). For this category, the number of performers does not matter as long as only a single instrument is played by all performers.

Category C – Call for chamber ensemble recordings. (2-9 performers, could include fixed or live electronics parts.)

Category D – Call for chamber orchestra recordings. (10-20 performers, could include fixed or live electronics parts.)

Category E – Call for orchestral recordings. (More than 20 performers, could include fixed or live electronics parts.)

Category F – Call for solely electronic music. (Either fixed media or a recording of live electronic piece.)

Category G – Call for improvisation recordings. (Any kind of free or structured improvisation on any classical, traditional, self-made instruments.)

Deadlines:
Category A – solo piano: May 30, 2019
Category B – solo instruments except piano: June 13, 2019
Category C – chamber ensemble (1-9 performers): June 28, 2019
Category D – chamber orchestra (10-20 performers): July 13, 2019
Category E – orchestra (+20 performers): July 28, 2019
Category F – solely electronics: August 10, 2019
Category G – improvisation: August 20, 2019

Submission requirement:
1. All aesthetics are welcome; there is no limit to inspiration. The submitted pieces could range graphic scores, acousmatic, spectral, aleatoric, concrete music, to jazz, romantic, improvisation, fusion etc.
2. The submitted pieces could be of any duration and length. Could be part of a bigger work, or a set of short pieces, as the composer wishes.
3. Submissions should be recordings of original compositions.
4. Pieces may have been performed or awarded elsewhere. But the recording version of the submitted piecesfor the call must not have been released before.
5. Recordings of the pieces with graphic scores or non-traditional notation are also welcome to submit.
6. No need for anonymous submissions.
7. Arrangements of other composers’ music are not accepted.
8. The quality of the audio file will be an important evaluation parameter for the final choice of the winning compositions.
9. Recordings may have be done in a studio or a live performance; as long as the recordings are high quality and good for a CD release, they are acceptable.

Submission fee:
For each category, composers can submit up to six pieces. Each piece will be carefully reviewed and may be selected. Therefore, there is no limit on the number of selected pieces per composer per category. However, the submission fee should be paid separately for each piece. The submission fee for the pieces is as follows:
First piece: $35
Second piece: $30
Third piece: $25
Fourth piece: $20
Fifth piece: $15
Sixth piece: $10
For instance, if a composer is submitting three pieces for a specific category, she/he needs to make a payment of $90 ($35+$30+$25).
Submission fees should be paid through PayPal to this address: info@petrichor-records.com
Do not hesitate to contact us regarding any payment-related questions or if you need another way for making payment.
Entry Fee:$35
Web Site:www.petrichor-records.com/callforrecordings?fbclid=IwAR3u0MjK7DmVAX1ExPlfYhp1hlXNw4yIiEmeyduRUZrHVCSI9Jp1eOLyxWQ