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electro acoustic Competitions & Call for pieces

 International Competition “Composition for Electric Guitar”
Summary:Electric Guitar Competition
Deadline: 29 July 2018
Date Posted: 09 May 2018
Details: Launched in collaboration with Award Winning performer and composer Sergio Sorrentino, in connection with the production of the new album Contemporary Music for Electric Guitar and linked with the upcoming book written by S. Sorrentino, this competition has been developed to stimulate and promote the creation of new contemporary and experimental works for electric guitar as well as discover emerging composers and more established ones.

RMN Classical will produce an album that will focus on the contemporary repertoire for electric guitar and will see Award Winning guitarist Sergio Sorrentino at the instrument. This will be RMN Classical second release devoted to the repertoire for solo instrument. The music album will be scheduled to be released autumn/winter 2018

In connection with the project is the upcoming book written by S. Sorrentino. With this book the author aims to promote such repertoire on a large-scale and includes exclusive interviews with iconic composers and hands-on views on their way of composing music for electric guitar. Among the many composers featured in the book we can find Stravinsky, Stockhausen, Steve Reich, Gavin Bryars, Morton Feldman and Bryce Dessner - to name just a few.

The same composers have been considered for inclusion in the tracklist of the album release, and RMN Music will also focus on works by living composers.

Therefore we hope to enrich the release including a worldwide premiere of a work by a talented composer selected through this competition and we look forward to receiving new works.

The winning composer will receive official diploma and the work will be recorded by Sergio Sorrentino. The recording will be featured in the upcoming album release “Contemporary Music for Electric Guitar” (final title may be different) which will be produced and published by RMN Classical (including high-quality design of the artwork, booklet + mastering) and distributed worldwide through RMN Music (all costs covered). The work will be added to Sergio Sorrentino's repertoire and scheduled for live concerts, and more performances will soon be announced. It will also be considered the opportunity to mention the winning work in S. Sorrentino’s upcoming book and the final album containing the winning work will be added to the prestigious British Library Sound and Music Archive.

Among the prize RMN Music will be happy to include:
Option for synchronisation and licensing opportunities (tv and media)
Option for physical distribution and manufacturing of the album (depending on demand).
Licensing and Copyright Clearance.
Full contracts and agreements with the winning composers and artists.
Barcodes and ISRC codes.
Chart registration (the USA, UK e Canada).
Promotion, Advertising and Press release coverage.
Application is via the Application Form. Please read the following instructions to prepare the material.
- Only original and not yet recorded scores for electric guitar solo can be submitted.
- Works for electric guitar and electronics are highly encouraged.
If your work includes electronic, please note that compositions with live electronics will be disqualified. Please send works with pre-recorded electronics/tracks (tape) only.

Maximum duration: 5 minutes
- Submitted works must not exceed 5 minutes in duration.

Age / Nationality:
- Applicants may be of any nationality and age (minimum legal age of 18 required - if you are 17 or under, please Get in Touch before applying).

Other Limits:
There is no limit to the number of works that you can submit. Therefore applicants can submit more than one work.

Multi.movement Works:
Collection of works will not count as one work and application fee should be paid accordingly.
For eg. a collection of 3 works will count as 3 separate works and application fee should be paid accordingly.

29 July 2018 (BST 11.59pm)

Application fee:
£24 - per work submitted

The application fee will be the only cost. No other fees or costs will be due

NOTE: The application is through the application form. Please do not send your information or material through email because it will be deleted and disqualified and the fee will not be refunded.

1) Prepare a folder containing the following material:
▪ PDF of the score(s) including 300 words long description of the work(s)
▪ Composer bio and photo in jpg
2) Please upload your folder to Dropbox (other sharing platforms can also be accepted). Please do not use WeTransfer or similar systems because their link expires. We need the link to remain active for the whole duration of the competition.
3) Generate a shareable link.
4) Paste the link in the application form (available on the application page, please follow link below to Apply).

More instructions will be provided on the application page.

 Call for Electronic Music: 1-4 channels of subwoofers
Summary:Music for subwoofers
Deadline: 01 July 2018
Date Posted: 19 April 2018
Details: April 18, 2018
Submitted by Matthew Fava on Wed, 04/18/2018 - 09:58

The Canadian Music Centre is collaborating with artist and organizer Matt Horrigan to present a concert of works for subwoofers. Composers of any age and nationality are invited to submit electronic music that has been created for subwoofers—1-4 channels of audio. Half of the program will consist of a new composition, Heavy Traffic, written for electric guitar and subwoofers which is about outside noise coming through the walls into private space. The other half of the program will be selected through this open call.

To be presented at: the Canadian Music Centre (Toronto) in mid August 2018 as part of a concert called Heavy Traffic: The Music of Intrusion. The exact date of concert will be determined.
Compensation: $200 CAN to each selected composer

• Pieces between 6 and 12 minutes in length preferred, though longer and shorter works will also be considered
• Previously composed works specifically for low electronic sound are welcome.

Deadline: July 1, 2018 (11:59 pm PST)

Selection: works will be selected by concert organizer Matt Horrigan in consultation with the Canadian Music Centre on the basis of complementarity with the rest of the program.

Aesthetic prescriptions: the audience will be seated and/or otherwise mostly stationary during the show and will lack the opportunity to dance, so pieces centred on thumping beats or otherwise intended for a dancing audience would probably not play as well at this concert as at other venues.

How to submit: Fill out the online form available here (this same form is embedded below)

Send questions to:
Looking forward to hearing from you!

 Iannis Xenakis International Electronic Music Competition
Summary:Electronic Call
Deadline: 31 December 2018
Date Posted: 22 March 2018
Details: The competition is anonymous and open to composers of any nationality and age, each of whom may submit only one work.
– The composers who were awarded in 2016 Xenakis competition cannot participate to the 2018 competition.
– The submitted work shall be an electroacoustic composition, it is meant to be diffused by loudspeakers, without any intervention of live sound sources.
– The submitted work might implement a maximum of 8 channels and must have a duration between 7 and 15 minutes.
– The submitted work may have been performed in concert but It should not be the object of any discographic publication/rights.

– The deadline for submission is 31st of December 2018.

The Jury will select and mention the 5 highest quality works and will award three of them with prizes of €600 €400 €300 respectively. Contemporary Music Lab will present the distincted pieces in a concert in April 2019.

The entry fee for participation is 15€. You can use the following links to pay on-line.

– All applicants should submit a single zip file containing the following files inside a single folder:
i. A short biography, contact information and information about the piece in the following formats: (.doc, .txt, .rtf or .pdf).
ii. 1 Audio file (.aiff or .wav format, 16bit or 24bit at 44,1kHz sampling rate) containing the stereo version of the piece.
iii. Additionally, for multichannel pieces the audio files corresponding to each of the channels inside a separate folder along with set-up/routing information on a separate sheet
iv. Please include also the pdf receipt of the fee payment
– Please name the ZIP file as following: IX2018_Name_Surname_TitleOfThePiece (e.g. IX2018_Nick_Edison_Title).
– Please use the following link to register your details and upload your piece
Application Form

By entering his/her work in the competition, the composer consents to public performances free of charge of his/her work in concerts and/or radio broadcasting.

 The composer retains the copyright of his/her work. The files entered in the competition shall remain in the archives of Contemporary Music Lab of Aristotle University of Thessaloniki.


Trevor Wishart (UK) – Chair
Ludger Brümmer (DE)
Oliver Carman (UK)
Panayiotis Kokoras (GR/USA)
Joao Pedro Oliveira (PT)


 Cultural society CAMIN-ART and MUSLAB ensemble calls
Summary:Electroacoustic/electroacoustic with video call
Deadline: 01 July 2018
Date Posted: 22 March 2018
Details: Composers and visual artists of any age, gender or nationality to participate by sending in a piece of electroacoustic music, electroacoustic music and video and/or video mapping for the 2018 International Electroacoustic Music Exhibition.Composers and visual artists of any age, gender or nationality to participate by sending in a piece of electroacoustic music, electroacoustic music and video and/or video mapping for the 2018 International Electroacoustic Music Exhibition.


About the art piece.

• Deadline for applications: March 15 through July 1 of 2018.
• Only pieces composed after JAnuary 1 of 2008
• Piece length shall be from 5 to 10 minutes.
• Only one piece per each category defined by the author will be admitted
• Submissions should be signed by the author (authors) and pseudonyms will not be admitted.
• Every art piece, including those previously exhibited, could participate if accompanied by a letter of consent for their presentation and recording at this exhibition.
• There will not be fees for registration.


• Category A (Audio only): Open for compositions of autonomous electroacoustic music (MUSICA DE CINTA), submit just one movement regardless of the full length of the piece.
• Category B (Audio and video): Open for compositions of autonomous electroacoustic music, submit just one movement regardless of the full length of the piece. Compositions intended for electroacoustic and video.
• Category C (Video only): Open for visual art/video-art compositions.

Track numbers: Stereo, 3.0, 4.0, 5.1, 6.0, 7.0, 8.0
Permitted file formats: .aif, .wav, .mov, .mp4


All participants must register electronically and attach a ZIP file (no more than 20 MB) containing the following:

1. Registration application properly duly completed online. Download here:
2. High resolution photography of the artist.
3. Signed consent letter.
4. Link to a downloadable full length composition.
5. Attach a stereo copy of the piece .mp3 format

If any of the previous is missing the submission would not be considered.

IMPORTANT: Do not use storage servers that erase the files sent a while ago (e.g. Wetransfer). Your files must be available for download at any time up until the release of the results. Some options may be: Dropbox, Google Drive, OneDrive.


• Cultural Society CAMIN-ART and MUSLAB Ensamble have invited renowned composer and musicologist, all of them with extensive experience in electroacoustic music to form a Selection Committee that will review the quality of the pieces submitted.
• Compositions will be presented and promoted regardless of the attendance of the author, however for those creators interested in attending the exhibition that confirm their presence, the committee will make an effort to program their piece during their stay in any of the venues. To accommodate you in the best possible conditions, we will be glad to hear about your possible attendance along with your submission and the potential dates for your travel.
• Travel, accommodation, or feeding expenses will not be covered. Nevertheless support will be given to creators available for travel by sending off letters or invitations directed towards entities that could be helping them to cover these expenses.
• By participating on this Exhibition, the author consents and authorizes to the promotion of their work excluding the cultural society CAMIN-ART and MUSLAB of any fee, responsibility to associations, or copyright entities and grants permission to promote their work at the concerts, activities and radio broadcasts of the MUSLAB International Electroacoustic Music Exhibition.
• All pieces that are signed in a record company must state this in a letter along with the permission from the record company to be promoted through MUSLAB International Electroacoustic Music Exhibition.
• If the author decides to participate in the production of a CD-DVD, which will be sent to different audio libraries and libraries around the world, they must send a consent letter for the recording of their work in this CD-DVD edition. The composer remains owner of the copyright but authorizes the promotion of their work.
• The audio recording presented in the exhibition will not be returned to the author and will remain in the archive of the cultural society CAMIN-ART and will be donated to the Mexican National Audio Library.
• MUSLAB International Electroacoustic Music Exhibition is not a contest; it is convocation and an opportunity to promote sound art linked to the creation of visual effects in public spaces, the training in new technologies and an artistic contribution to strengthen social coexistence. It will be held in outdoor spaces and forums in Mexico, Argentina and Brasil
• Selection Committee may decide not to include a piece in the exhibition or to change the program.
• Each participant will be notified regarding your application and selection status.
• Compositions will be programmed for exhibition from October 1 to December 31 2018 in different MUSLAB venues.
• Participating pieces could be broadcasted on the radio.


 CALL FOR SCORES 2015 – Cello and Contrabass
Summary:Electroacoustic Call
Deadline: None
Date Posted: 20 May 2015
Details: 1. Call for Narrator/Speaker/Vocalist/Actor plus Electronic Music Scores (performer and "tape")

2. Call for "tape" pieces that have explicit political meaning

Narrator/Speaker/Vocalist/Actor plus Electronic Music Scores (performer and "tape")

Composer/performer Rodney Waschka II is looking for works for narrator or actor or speaker and electronic music fixed on two channels. Works will be considered for performance on the Arts NOW Series and elsewhere. You can read a review ( by the Classical Voice of North Carolina of a concert of this type of music performed in February, 2009. Waschka has performed works by Alden Jenks, Pertti Jalava, Mansoor Hosseini, Stephen Pope, Allen Strange, Pauline Oliveros, Mara Helmuth, and others.

If you have composed such a piece or are interested in composing such a work, please contract me.

"Tape" pieces that have explicit political meaning

Pieces of this type are needed for programming for the Arts NOW Series.

Please contact me if you have a piece that you think might be appropriate.