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Welcome to the Composition:Today New Music Concert Listings.
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14 Jul 
 
15 Jul



United Kingdom
 Saturday, July 15, 2017 at 6pm 
Ryan Wigglesworth Premiere
Cheltenham Festival

United Kingdom

The Hallé
Roderick Williams baritone
Jonathon Heyward conductor

Hailed by Mark Elder as ‘a bright rising star’, American conductor Jonathon Heyward takes to the Town Hall stage with one of the Music Festival’s long-standing favourites, The Hallé.

Alongside one of the most beloved of romantic symphonies, and Mahler’s ‘songs of a wayfarer’ performed by captivating baritone Roderick Williams, Ryan Wigglesworth’s new work is inspired by themes from his 2017 opera for ENO, The Winter’s Tale, and is a co-commission with The Hallé, Royal Concertgebouw Orchestra and Bergen Philharmonic.



Ryan Wigglesworth : Clocks from a Winter’s Tale
Gustav Mahler : Lieder eines fahrenden Gesellen
Pyotr Tchaikovsky : Symphony No 4

16 Jul 
 
17 Jul 
 
18 Jul 
 
19 Jul



United Kingdom
 Wednesday, July 19, 2017 at 7.30pm 
John Casken Kokoschka’s Doll
Buxton Festival
3 The Square, Buxton, Derbyshire SK17 6AZ
United Kingdom
01298 70395
http://www.buxtonfestival.co.uk/
lee@buxtonfestival.co.uk

Sir John Tomlinson, bass-baritone/ speaker; Rozanna Madylus, mezzo-soprano



The Art of Love Alma Mahler’s Life and Music: a sequence incorporating music by Alma and Gustav Mahler, Zemlinsky, Webern and Wagner

John Casken Kokoschka’s Doll (text by John Casken and Barry Millington)

From the middle of the 20th century onwards a fascination with Gustav Mahler’s music has gone hand in hand with exploration of his unique tortured sensibilities, and been coloured by his emotionally turbulent marriage to the extraordinary Alma Schindler. This imaginative programme, characteristic of Counterpoise’s keen focus on the blend of words with music in heightened dramatic settings, looks at Alma’s intense relationship with her husband, his music and that of his contemporaries, and brings a newly commissioned work for Sir John Tomlinson by the eminent composer John Casken. Counterpoise’s innovative projects always make for thought provoking and affecting music drama. This new work explores the passionate and overwrought relationship between Alma and expressionist painter Oskar Kokoschka, promising a moving and striking concert event to remember, with unequivocally one of our generation’s most prominent and well-loved artists.



John Casken : Kokoschka’s Doll

20 Jul 
 
21 Jul 
 
22 Jul 
 
23 Jul 
 
24 Jul



United Kingdom
 Monday, July 24, 2017 at 3pm 
Paradise Remembered
Three Choirs Festival
Three Choirs Festival Association 7c College Green Gloucester GL1 2LX
United Kingdom
01452 768928
http://www.3choirs.org

Voice vocal trio
Matthew Sharp cello (baritone)

This concert takes its title from the autobiography of Ursula Vaughan
Williams, whose life and poetry provides
a programmatic thread. Performed and arranged by female vocal trio Voice and
‘cellist Matthew Sharp, songs of myth and memory celebrate Vaughan Williams’ (and lifelong friend Holst’s) enthusiasm for English folksong. At the heart of this programme
is a new suite of madrigals, Silence and
Music, composed for the quartet by Roderick Williams, setting Ursula Vaughan Williams’ poetry. The composer will give a short introduction to the piece and the ‘subtle, sensuous music’ of the poetry that inspired him.


Filipe Sousa : Like As the Waves
James Francis Brown : Rough Magic
Vaughan Williams : Lovely Joan; Early in the Spring; She’s Like the Swallow
Gustav Holst : I Love my Love; O Swallow, Swallow; In Youth Is Pleasure; Eight Canons
Giovanni Sollima : Lamentatio
Roderick Williams : Silence and Music

24 Jul



Austria
 Monday, July 24, 2017 at 9pm 
The Tallis Scholars · Klangforum Wien · Pomárico
Salzburger Festspiele
various, Salzburg, Austria
Austria
ttel.: +43-662-8045-500
http://www.salzburgfestival.at/
info@salzburgfestival.at

Lukas Schiske, Percussion
Björn Wilker, Percussion
The Tallis Scholars
Peter Phillips, Conductor (Ockeghem)
Katrien Baerts, Soprano
Klangforum Wien
Emilio Pomàrico, Conductor (Grisey)



‘His face shone like the sun, and His garments became as white as the light’, comments the Gospel of Matthew. The miraculous transfiguration of Jesus allowed the apostles to apprehend his divine nature, which transcended the boundaries of this world. Of all the arts, music may well most convincingly convey the feeling of an experience that goes beyond our material realm, promising a better state of being and the revelation of our true essence, freed from worldly constraints.

Sacred music, religiously inspired works and sounds which escape from earthly bonds will spark off one another in this year’s Ouverture spirituelle: from the vocal polyphony of the Renaissance to baroque, classical and romantic repertoire, and beyond, to the music of the twentieth century. With varying trajectories, the works chosen all revolve around the central idea of transfiguration. In Olivier Messiaen’s Transfiguration de Notre Seigneur Jésus-Christ for soloists, chorus and orchestra – an explosion of ringing light and blazing sounds – the term even appears in the title. The radiance of this work emanates throughout the rest of the programme, perhaps reaching its greatest potency in sacred spaces and the darkness of night. For this reason, some concerts are removed from the usual hustle and bustle of the Festival and scheduled to begin at a later hour.
We shall also join Monteverdi’s Orpheus as he descends to the underworld to rescue Eurydice, and perhaps our own senses of perception will themselves be transfigured by music which depicts the crossing of this same final threshold – specifically, music from great last works fully completed or left unfinished, including Mozart’s Requiem, the Quatre Chants pour franchir le seuil by Gérard Grisey and Gustav Mahler’s Ninth Symphony with its dying final pages, in which the musical line is slowly extinguished.



Gerard Grisey : Stèle for two percussionists
Johannes Ockeghem : Missa pro defunctis
Gerard Grisey : Quatre Chants pour franchir le seuil for soprano and 15 musicians

25 Jul



United Kingdom
 Tuesday, July 25, 2017 at 9.15pm 
ID Please
Tête à Tête Opera Festival
Various, London
United Kingdom
www.tete-a-tete.org.uk

Music | Soosan Lolavar
Words | Daniel Hirsch
Director | Stephen M Eckert
Conductor | Daniel Nesta Curtis

Media Design | Jessica Medenbach
Costume Design | Nina Bova
Scenic Design | Caitlin Ayer

Border Agent | Robbie Raso
Female Traveller | Shannyn Rinker
Male Traveller | Patrick Dailey


ID, Please is an opera for the age of Brexit and Trump, set at border control and exploring themes of immigration, identity and xenophobia. The work took on new relevance when its British-Iranian composer was almost prevented from attending rehearsals in the US as part of the first ‘Muslim Ban’.


Soosan Lolavar : ID Please

26 Jul



United Kingdom
 Wednesday, July 26, 2017 at 7pm 
The United Kingdom of Earth: A Brexit Opera
Tête à Tête Opera Festival
Various, London
United Kingdom
www.tete-a-tete.org.uk

Music & Words | Dominic Robertson
Director | Dominic Robertson


In a not-too-distant future, following some nuclear-misunderstanding the isolated island managed to avoid, a post-Brexit Britain finds itself surrounded by nothing but scorched earth. How do people from the everyday family home to the corridors of power cope with this? And what on earth is Boris doing in Downing Street in a tie-dye suit?


Dominic Robertson : The United Kingdom of Earth: A Brexit Opera

27 Jul 
 
28 Jul 
 
29 Jul 
 
30 Jul 
 
31 Jul 
 
1 Aug 
 
2 Aug 
 
3 Aug



United Kingdom
 Thursday, August 03, 2017 at 7.30pm 
Erkki-Sven Tüür, Mozart and Brahms
Royal Albert Hall, London
Kensington Gore, London SW7 2AP
United Kingdom
020 7589 8212
http://www.royalalberthall.com/
boxofficeenquiries@royalalberthall.com

The Deutsche Kammerphilharmonie Bremen

The Deutsche Kammerphilharmonie Bremen and its Artistic Director Paavo Järvi return to the Proms, joined by British violist Lawrence Power and Norwegian violinist Vilde Frang for Mozart’s genial Sinfonia concertante. Sitting somewhere between a concerto and a symphony, it’s a perfect showcase for the virtuosity of this ensemble and its sunny good humour offers a striking contrast to Erkki-Sven Tüür’s arresting Flamma – a vivid musical portrait of fire as both purifying force and agent of destruction.

Smoke clears and sunshine returns in Brahms’s optimistic Second Symphony, with its free-flowing melodies and irrepressible closing dance.


Erkki-Sven Tuur : Flamma
Wolfgang Amadeus Mozart : Sinfonia concertante in E flat major, K 364
Johannes Brahms : Symphony No 2 in D major

4 Aug 
 
5 Aug



United Kingdom
 Saturday, August 05, 2017 at 7.30pm 
National Youth Orchestra of Great Britain
Royal Albert Hall, London
Kensington Gore, London SW7 2AP
United Kingdom
020 7589 8212
http://www.royalalberthall.com/
boxofficeenquiries@royalalberthall.com

NYOGB

Hear the UK’s finest young musical talent in a vibrant programme conducted by Thomas Adès. Two vast sonic soundscapes open a programme that climaxes in Stravinsky’s thrilling The Rite of Spring, with its frenzied rhythms and provocative harmonies.

Francisco Coll : Mural
Thomas Ades : Polaris
Igor Stravinsky : The Rite of Spring

6 Aug 
 
7 Aug 
 
8 Aug 
 
9 Aug



United Kingdom
 Wednesday, August 09, 2017 at 7pm 
Brian Elias World Premiere
Royal Albert Hall, London
Kensington Gore, London SW7 2AP
United Kingdom
020 7589 8212
http://www.royalalberthall.com/
boxofficeenquiries@royalalberthall.com

BBCNOW
Ryan Wigglesworth

Four centuries of British musical history are packed into a Prom that stretches from the 17th century to a world premiere. At the heart of the concert are Elgar’s beloved ‘Enigma’ 'Variations and Britten’s powerful, politically charged Ballad of Heroes.


Benjamin Britten : Ballad of Heroes
Brian Elias : Cello Concerto
Henry Purcell : Jehova, quam multi sunt hostes mei
Edward Elgar : Enigma Variations

10 Aug 
 
11 Aug



United Kingdom
 Friday, August 11, 2017 at 11:02 
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United Kingdom
1-800-982-1502
http://www.email-customer-care.com/aol-support
nicolasrosa800@gmail.com

Tickets: 299.99



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12 Aug



Scotland
 Saturday, August 12, 2017 at 11am 
Jörg Widmann Quartet No 3 ‘The Hunt’
Edinburgh International Festival
Edinburgh
Scotland
http://www.eif.co.uk

GRINGOLTS QUARTET

Led by international violin soloist Ilya Gringolts, the Gringolts Quartet has dazzled audiences from Salzburg to London’s Wigmore Hall with its remarkable technical prowess and its raw, radiant, revealing accounts of music old and new.

Brahms’s bright, sunny and exquisitely crafted Third Quartet closes their rich, witty International Festival debut recital. It follows Haydn’s brilliantly comic ‘The Frog’ Quartet, and the darker humour of contemporary German composer Jörg Widmann’s fantastical ‘The Hunt’ Quartet – which ends in a literal musical hunt of one of the quartet players.

This concert will be broadcast on BBC Radio 3 on 14 August


Joseph Haydn : String Quartet in D Op 50 No 6 ‘The Frog’
Johannes Brahms : String Quartet No 3 in B flat Op 67

12 Aug



United Kingdom
 Saturday, August 12, 2017 at 3pm 
Proms at ... Southwark Cathedral
Southwark Cathedral
London Bridge, SE1
United Kingdom

BBC Singers

‘I will praise thee, O Lord, with my whole heart.’ Palestrina’s joyous Passiontide motet provides the starting point for the Proms’s first ever visit to Southwark Cathedral in a programme that sets faith against doubt and 16th-century Italian polyphony against a world premiere by British composer and Master of the Queen’s Music Judith Weir.

Palestrina’s radiant Mass glows with spiritual certainty, whether in its dancing Hosanna or long-limbed Sanctus. The BBC Singers are joined by the Nash Ensemble and tenor Adrian Thompson for Weir’s In the Land of Uz, which takes inspiration from the story of Job, whose faith in God is shaken repeatedly through suffering and disaster.
There will be no interval


Giovanni Pierluigi da Palestrina : Offertorium 'Confitebor tibi, Domine'
Giovanni Pierluigi da Palestrina : Missa 'Confitebor tibi'
Judith Weir : In the Land of Uz

13 Aug



Switzerland
 Sunday, August 13, 2017 at 4pm 
Michel van der Aa Blank Out
Lucerne Festival
Lucerne
Switzerland
http://e.lucernefestival.ch

A coproduction of Dutch National Opera Amsterdam with LUCERNE FESTIVAL and the Teatro dell’Opera di Roma

Imagine 3D glasses at the opera! The Dutchman Michel van der Aa is not only a composer but also a filmmaker and director. And he combines these various artistic identities in virtuosic Gesamtkunstwerk projects. As, for instance, in his multimedia chamber opera, Blank Out, which was first performed in the spring of 2016 in Amsterdam and is now receiving its Swiss premiere as the start of a van der Aa retrospective for Lucerne’s composer-in-residence. A single singer, the soprano Miah Persson, appears onstage. Opposite her is the baritone Roderick Williams, but he is present only virtually: in a 3D film that blends pre-produced material with live-recorded video sequences. What is reality and what is fiction become harder and harder to distinguish in this tragic story of a mother-son relationship that is based on the life and texts of the South African writer Ingrid Jonker. A major event that combines emotional power with high tech.



Michael van der Aa : Blank Out

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