More evidence that the UK is living in artistically straitened times emerged yesterday from the Arts Council of England. A £100m budget cut in October has led to a reduction in the number of groups receiving funding from 849 to 695. Many of those that have been successful have also experienced large budget reductions, though the picture is not consistent since, instead of ‘uniform cuts to all’, the Arts Council has adopted a policy of ‘strategic cuts’. This means that some organisations, such as the Young Vic, have experienced large budget increases, whilst others are new to the list. So what about the purely musical picture, and what might it mean for composers?
Within the organisations that the Arts Council will continue to fund, 86 are classed as purely musical. Of these, 14 appear to be new to the list. Of the rest, 48 have experienced budget cuts, 24 budget increases. Within these figures are causes of concern and a few crumbs of comfort. Aldeburgh Music and Birmingham Contemporary Music group, for example, have received cuts of 9.3% and 11% respectively (all figures adjusted for inflation). Most worryingly, Sound and Music, the organisation that is a mainstay of support to living composers, has received a whopping cut of 48%. Crumbs include budget increases for the Psappha ensemble (up 40.8%) and Oxford Contemporary Music (up 16.5%). It is less clear from navigating the Arts Council website just which organisations have lost their funding completely. Perhaps members will have more information about this?
In another related piece of news the government has pledged an extra £80m of lottery funding for the Arts Council from 2013. Is it uncharitable to wonder whether this might have something to do with the ending of the London Olympics?
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