by David Bruce
Earlier this month I spoke with Marco Blaauw, trumpet-player with Cologne-based new music ensemble musikFabrik
Tell us something about your background.
My name is Marco Blaauw, I am a Dutch trumpeter. I started my professional career in 1991, originally as an all-around trumpeter, playing musical gigs, orchestra gigs, a lot of baroque music on the natural trumpet. In the fall of 1991, I met Peter Eötvös in a project with the Asko Ensemble. From that moment on, playing his music, playing Stockhausen's music, conducted by him, I knew that I wanted to specialize on contemporary music. From that moment on, I stopped all the other activities and concentrated just on contemporary music studying with Pierre Thibaud in Paris and with Markus Stockhausen in Cologne. I worked on a lot of solo repertoire, and I started working with composers of our time and that way generated a lot of solo pieces, chamber music pieces.
In 1993, I was firstly invited by musikFabrik to play with them. I played music by Birtwistle and there was a very good feeling with the group. I have been a member of the group since 1994. In 1998 we had a revolution in the musikFabrik. We as musicians had the opportunity to take the artistic leadership of the ensemble, which we started doing with a lot of passion. This democratic way of running the ensemble was a very slow learning process, but inspired most of us so much, that we started identifying with the ensemble more and more.
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