A relatively quiet month in terms of CD releases, but one nevertheless marked by some interesting finds.
Naxos, as ever, has released a clutch of new recordings. Two of these are in its continuing American Classics series: a collection of Hailstork orchestral music, including American Port of Call, Symphony No. 1 and 3 Spirituals with the Virginia Symphony Orchestra and Chorus under the baton of JoAnn Falletta; and Leshnoff chamber music - String Quartet No. 2, Seven Glances at a Mirage, Cosmic Variations on a Haunted Theme and ...without a chance - played by the Carpe Diem String Quartet and Opus 3 Tri. Both make for interesting listening, the Hailstork richly accessible in the manner of film music, the Leshnoff imagined with a fine ear for instrumental sonority that, especially in a work like ...without a chance, evokes something of Javanese Gamelan.
These composers are balanced by two stalwarts of the European tradition. Penderecki's Fonogrammi, Horn Concerto, Partita, The Awakening of Jacob, Anaklasis and De natura sonoris, are played by the Warsaw Philharmonic under Wit; Messiaen's Et exspecto resurrectionem mortuorum, Le tombeau resplendissant and Hymne by the Lyon National Orchestra under Markl. Whilst generally dark in tone, the Penderecki programme shows the wide range of influences upon the composer, from his use of new sonorities associated with his avant-garde days, to neo-romanticism and jazz. The Messiaen programme is dominated by Et expecto, his profound rumination on two world wars. The other two pieces, are earlier works that, especially in Le tombeau replendissant, written when he was 23, show his remarkable precocity
I was once told by a respected musical figure that Shostakovich wasn't a great composer. That immediately sent me back to listen to my favourite work of his, the Fourth Symphony. It is a work of extraordinary range and transcendental power, easily confirming that his reputation is very much deserved. I've always loved Simon Rattle's hard-driven recording of the work with the CBSO on EMI, but Esa-Pekka Salonen's live recording of the work with the Los Angeles Philharmonic just released on DG is also worth checking out, especially as it is paired with a remarkable premiere recording of a recently discovered and reconstructed operatic prologue, Orgango.
NMC have just launched their Debut Discs project, which offers emerging composers an international platform for their work. They are being supported by Peter Maxwell Davies, who spoke eloquently on the launch day about the initiative. The first three discs in the series were launched this month, featuring the works of Huw Watkins, Dai Fujikura and Sam Hayden. The new recordings are available on Spotify, though some tracks are withheld in order to encourage you to buy. For those interested in the physical product, the CDs are handsomely produced with striking cover designs by students from Central Saint Martins College of Arts and Design. Composers who will feature in future releases include Helen Grime, Joseph Phibbs, Ben Foskett, Richard Causton and Charlotte Bray.
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